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Aug 9 - 18, 2024 Intro Catalog Installation Views Next [C1] New York Unbound Playground Aug 9 - 18, 2024 INTRO The 2024 KANA Summer Exhibition, a collaboration between KANA and Gallery Chang, will take place from July 30 to August 18. The exhibition is divided into two parts: Part 1: Binary Equilibrium and Part 2: Unbound Playground. Through this summer project, KANA aims to introduce artists with Korean roots in New York to a broader audience and create a platform for sharing inspiration and communication. Part 2 ’Unbound Playground‘ presents the works of 6 artists who use their unique visual languages and playful expressions to depict experiences, memories, and emotions. These pieces, characterized by whimsical perspectives, vibrant colors, and diverse materials, visually reconstruct personal moments from everyday life. ©KANA CATALOG View Catalog here INSTALLATION VIEWS

South Korea, 1980 Artist Biography Works Next Anon South Korea, 1980 BIOGRAPHY EDUCATION 2007-08 Sungkyunkwan University of Graduate School, Surface Design Major SELECTED SOLO EXHIBITION 2023 13th_Paticolor one`s memory_Brown gallery_SEOUL 2023 12th_Hello_space O_SEOUL 2022 11th_Color of imagination_Seojin art space_SEOUL 2022 10th_Novelty_Space route_SEOUL 2021 9th_Minded_Malong197_SEOUL SELECTED GROUP EXHIBITION 2022 Thick Coat of Color (Malong197) / Momen art project (Gallery JJ) / Momen art Project (New York) 2021 The color of space((H contemporary gallery) / Mind (Lotte Card's headquarters) / Sunny, cloudy and rainy (Gallery hom) / 2020 Spring greeting (Abani Busan) / Breeze art fair (Ando) 2019 Affordable HONG KONG / Breeze art fair (Nodeul Island) / SEEA 2019 (Seongnam Arts Center) 2018 Breeze art fair (Sejong Art Center) / PLAS art fair (Coex) / Seoul art show (Coex) / Hello (Jinsan Gallery) SELECTED PUBLIC & PRIVATE COLLECTIONS Cheil Companty, Sungkyunkwan University, Asan Medical Center, Baekseok University, Museum of Moden Poetry WORKS Load More

South Korea, 1951 Artist Biography Works Next Suh Yongsun South Korea, 1951 BIOGRAPHY WORKS

South Korea, 1988 Artist Biography Works Next Kim Hongbin South Korea, 1988 BIOGRAPHY Hongbin Kim, also known by his artistic name "Vanhada," is a South Korean artist celebrated for his bold and emotionally resonant abstract works. Born in Seoul in 1988, Kim studied painting at Hongik University, where he developed a strong foundation in fine art. He later moved to New York, where he has been an active participant in the city’s dynamic art scene, showcasing his ability to blend traditional Korean aesthetics with contemporary abstract expression. Kim’s works are marked by vibrant color palettes, raw textures, and a visceral engagement with themes of rupture, healing, and nostalgia. His canvases often feature marks and openings that suggest wounds—physical, emotional, and cultural. These are not mere traces but profound scars, unresolved and alive. As Kim himself reflects, “Here lies a burst, a trace too vast to call a mark and too raw to name a scar.” His paintings delve into the process of regeneration, asking how the foundation that birthed something new might undergo a cleansing and transformative journey. Kim’s personal experiences of dislocation and adaptation deeply inform his work. Having left his homeland for New York under the guise of study, he grappled with a constant sense of chaos and unease. His longing to return to the place of rupture is palpable in his art, yet he channels the stimuli and stresses of Manhattan life into exaggerated color and dynamic forms. His work becomes a manifestation of nostalgia, a vivid homage to what has been left behind and what has been forged anew. Notable exhibitions include his participation in RESONANCE at the Korean Cultural Center Gallery in Tenafly, New Jersey, and Unbound Playground at Gallery Jang. Both shows highlighted his unique ability to explore the interplay between chaos and structure, rupture and regeneration. His works resonate with viewers through their emotional depth and dynamic visual language. Currently living and working in New York, Hongbin Kim continues to use his art to explore the complexities of identity, displacement, and renewal. His paintings invite audiences to reflect on their own experiences of transformation and healing, offering a vivid and deeply personal narrative that bridges cultural and emotional landscapes. EXHIBITION 2024 "12”, LatchKey Gallery, New York, NY "The Year of the Dragon”, Culture Lab LIC, Long Island City, NY “#HASHTAG”, Pree Studio, Seoul, Korea 2023 “Small Works Show”, 440 Gallery, Brooklyn, NY “WOW”, Art Mora Gallery, Ridgefield Park, NJ “Off the Wall’, Culture Lab LIC, Long Island City, NY “FAMILY: Blood or Chosen”, Culture Lab LIC, Long Island City, NY “New Artists”, Art Mora Gallery, Ridgefield Park, NJ SOLO EXHIBITION 2023 “One small step for robot, one giant leap for robot kind” (seoul, brown Gallery) 2022 “Black & Blue” solo exhibition (seoul, MBC Smart Center) 2021 “Hello, i am” solo exhibition ( Inchon, star five gallery) 2021 “Hello robot” special exhibition(Busan National Science Museum) 2020 “Contact & untast” solo exhibition (seoul, Jinsan Gallery) 2020 “Robopop” solo exhibition (seoul, Humax Art Room Gallery) 2020 “Robot reboot” solo exhibition (Gwacheon, Starbucks Starlight Gallery) 2019 “Found17“ solo exhibition (seoul, United Gallery) 2018 “Eat your tail” solo exhibition (Inchon, Sparrow Gallery) WORKS Load More

Artist Biography Works Media Next Theo Woodward BIOGRAPHY EDUCATION B.A. Music Technology from NYU WORKS MEDIA

United States Artist Biography Works Next Alison Van Pelt United States BIOGRAPHY Alison Van Pelt is an acclaimed contemporary painter known for her evocative, dreamlike portraits that blend elements of abstraction and realism. Born and raised in Los Angeles, Van Pelt studied at prestigious institutions including UCLA, Art Center College of Design, Otis College of Art and Design, and the Florence Academy of Art. Her diverse education and fascination with the human form and art history have shaped her distinctive approach to painting. Van Pelt’s work is characterized by its ethereal quality, achieved through a meticulous process of layering paint and then blurring or obscuring the image. Faces and figures emerge and dissolve across the surface, evoking the passage of time and the ephemeral nature of memory. Her portraits, often referencing iconic figures or personal subjects, invite viewers into a meditative exploration of identity, perception, and transformation. Drawing inspiration from a wide range of artistic traditions, including Renaissance portraiture and contemporary abstraction, Van Pelt’s paintings transcend specific styles or movements. The delicate balance of structure and ambiguity in her work creates a powerful visual and emotional impact, leaving a lasting impression on viewers. Van Pelt has exhibited her work widely in galleries and museums, including the Santa Monica Museum of Art, the Pasadena Museum of California Art, and the Laguna Art Museum. Her paintings are part of esteemed private and public collections, earning her a reputation as a masterful artist whose work resonates deeply with audiences around the world. Living and working in Los Angeles, Van Pelt continues to explore the boundaries of portraiture, creating works that are as much about what is hidden as what is revealed. SOLO EXHIBITIONS Ferrari, Casterline/Goodman Gallery, Art Expo,Chicago, 2024 Women and My Wall, Casterline/Goodman Gallery, Art Basel, Miami, 2023 The Wild, Casterline/Goodman Gallery, Aspen,Colorado, 2022 Alison Van Pelt, The Claudia Taylor Project, Malibu, California, 2020 The Hummingbird, Van Pelt Studios, 2019 The Tree, Van Pelt Studios, 2018 The Elephant, Van Pelt Studios, 2017 Africa, Van Pelt Studios, 2016 All American, Van Pelt Studios, 2015 S’aints, Van Pelt Studios, 2014 The Horse, Ochi Gallery, Sun Valley, ID, 2013 If I Were Ed Ruscha..., Ventura College, Ventura, CA, 2011 All American, Ochi Gallery, Ketchum, ID, December 2010 January 2011 Alison Van Pelt: The Women, The Fresno Art Museum, Fresno, CA June 5-September 15 2006 LA Art House, Alison Van Pelt, 2009 The Women, The Dayton Art Institute, Dayton, OH, January 2004 - June 2004 America: The News, Chac Mool Gallery, Los Angeles, CA 2004 Paintings on Paper, Chac Mool Gallery, Los Angeles, CA 2002 Green , Spike Gallery, New York, NY, 2002 Fight, Ochi, Los Angeles, CA 2000 Flight and the Figure, Ochi, Ketchum, ID 1999 Figures, Gallery 813, Los Angeles, CA 1999 Blue, Gallerie Lauter, Manheim, Germany 1998 Eros, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1998 Motion, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1997 Les Animaux Nouveaux, Gallerie Vedovi, Brussels, Belgium 1997 Blue, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1995 New Paintings, Gallerie Lauter, Manheim, Germany 1995 New Works, Aschenbach Galerie, Amsterdam, Netherlands 1994 Recent Works, Robert Berman Gallery, Bergamot Station, Santa Monica, CA New Paintings, Roger Smith Gallery, New York, NY 1994 New Work, Gallerie Paul Sties, Kronberg, Germany 1993 New Paintings, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1992 Nouvelles Oeuvres, Ulla Lutz Studio, Basel, Switzerland 1992 La French Collection, Les Andelys, France 1992 Tableaux Nouveaux, Ader Tajan, Paris, France 1992 New Works, B-1 Gallery, Santa Monica, CA 1991 Aschenbach Galerie, Amsterdam, Netherlands, 1990 B1 Gallery, Faces, 1989 Paris Underground, Los Angeles, CA, 1988 EmHouse, Hollywood, 1988 Paris Review, Los Angeles, CA, 1987 The Loft, Downtown Los Angeles, 1986 Color, Spring Street Gallery, Downtown Los Angeles, CA, 1985 GROUP EXHIBITIONS Colombe de la Paix, Keren Hayessod, Paris, France, 2024 The Elephant, Artma, Morgan Adams Foundation, Space Gallery, Denver, Colorado, 2023 Art Crush, Aspen Art Museum, 2022 The Hummingbird, Lotusland, 2022 Alison Van Pelt at Casterline Goodman Gallery, Art Fair Aspen, 2022 The Circle of Truth, Susquehanna Art Museum, Harrisburg, PA, 2021 Hummingbird, The Shay, Culver City, 2021 The Circle of Truth, Orange County Center for Contemporary Art, OCCCA, Orange County, CA, 2020 The Circle of Truth, Winslow Arizona Art Museum, Winslow, Arizona, 2020 The Circle of Truth, Museum of Art and History, MOAH, Lancaster, CA, 2019 The Circle of Truth, NUMU, The New Museum, Los Gatos, California, 2019 Pop Culture, Frederick R. Weisman Art Foundation, Donald H Silverman Gallery Fine Arts Gallery, Cal State LA, CA, 2019 POP! 50 Years of Art & Popular Culture from The Frederick R. Weisman Museum of Art at Pepperdine University, Malibu, CA, 2018 Art for Art’s Sake, The Carnegie Art Museum, Oxnard, CA, 2017 Light in the Dark, Sears Peyton Gallery, New York, NY, 2017 Made in California, Selections from the Frederick R. Weisman Art Foundation, Mana Contemporary, Jersey City, NJ, 2014 Art for Art’s Sake, Selections from the Frederick R. Weisman Art Foundation, Marjorie Barrick Museum, University of Nevada, Las Vegas, NV, 2014 New Work, Sears Peyton Gallery, New York, NY, 2014 Pop Culture, Boca Museum of Art, Boca Raton, FL, 2014 Under The Influence Finance - Fashion, Carnegie Art Museum, Oxnard, CA, 2013 Art for Art’s Sake, The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu,CA, 2013 California Art, Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, Fort Collins Museum, Fort Collins, CO, 2011 Fuck Pretty, Robert Berman Gallery, Bergamot Station, Santa Monica, CA, 2011 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 Elements of Nature: Selections from the Frederick R. Weisman Art Foundation Contemporary Art Center, New Orleans - 2010 Under the Influence of Fashion and Finance, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2010 Sears-Peyton Gallery, New York, NY, 2010 Art and Illusion, Selections from the Frederick R. Weismann Art Foundation, Susquehana Art Museum, Harrisburg, PA, 2009 Homage to the Artists, Ochi Gallery, Ketchum, ID - 2009 Incognito, Santa Monica Museum of Art, Santa Monica, CA - 2008 LA Art House, Beverly Hills, CA- 2009 California Art, Platt/Bornstein Museum, Los Angeles, CA, 2008 Selections from the Frederick R. Weisman Art Foundation, American Jewish Museum, Bel Air, CA, 2007 Beverly Hills Municipal Gallery, Beverly Hills, CA - 2006 Small Wonders II, Pharmaka Gallery, Los Angeles, CA - 2006 Portraits, curated by Shane Guffogg, Pharmaka Gallery, Los Angeles, CA 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2005 The Dayton Art Institute, Dayton, OH - 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2004 New Orleans Museum of Art, New Orleans, LA - 2004 Spike Gallery, New York, NY - 2004 California State University at Bakersfield, Bakersfield, CA - 2003 Spike Gallery, New York, NY - 2003 Las Vegas Art Museum, Las Vegas, NV - 2002 Ah Allen, New York, NY - 1998 Track 16, Santa Monica, CA - 1996 Ports of Entry, William Burroughs, A Retrospective, Los Angeles County Museum of Art, Los Angeles, CA, 1996 New American Paintings, Emerging Artists, Open Studios, Needham, Mass, 1996 Robert Berman Gallery, Santa Monica, CA - 1994 Ader Tajan, Paris, France - May 1992 Robert Berman Gallery, Santa Monica, CA - 1992 Ader Tajan, Paris France, 1989 New Work, Brentwood Art Center, 1988 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Jeff Gordon, Ingrid Vandebosch, works by Alison Van Pelt and Matisse, Chicago Tribune, 2013 At Home With Jeff Gordon: The Superstar Driver Is (Finally) Shifting Gears, Forbes Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 WORKS Load More

Feb 3 - 28, 2026 Intro Catalog Installation Views Next [C4] Seoul What remains in painting Feb 3 - 28, 2026 INTRO CATALOG View Catalog here INSTALLATION VIEWS

Apr 3 - May 6, 2025 Intro Catalog Installation Views Next [C1] New York Illuminated Reflection Apr 3 - May 6, 2025 Jimi Gleason INTRO In Illuminated Reflection, Jimi Gleason invites viewers into a luminous realm where light is not merely an element, but a guiding force—shaping perception, revealing form, and transforming space. Guided by Light, as the artist describes, is both a philosophy and a process; it is the invisible collaborator behind each surface, each layer, and each shift in color or sheen. Working primarily with silver nitrate and iridescent pigments on canvas, Gleason explores the interplay between light and materiality. His recent works—featured in this New York solo exhibition—extend beyond the traditional boundaries of painting, transforming static surfaces into reflective environments that evolve with the viewer’s movement and the space’s ambient light. Rather than presenting a fixed narrative, Gleason offers a meditative experience: one that encourages stillness, observation, and the subtle revelations that occur when the ordinary is illuminated. His work challenges us to slow down and see—truly see—not just what lies on the surface, but what is shaped by the unseen presence of light. As we navigate the luminous passages of Illuminated Reflection, we are reminded that light is not just what helps us perceive the world—it is also what reveals our place within it. CATALOG View Catalog here INSTALLATION VIEWS

Korea Artist Biography Works Media Next Cho Yuna Korea BIOGRAPHY EDUCATION Present - Master of Fine Arts, Painting and Printmaking, Yale University School of Art, New Haven, CT 2015 Bachelor of Fine Arts, Painting, Rhode Island School of Design, Providence, RI GROUP AND TWO PERSON EXHIBITIONS 2024 Jimin Park & Yuna Cho, Ray Projects Seoul, Seoul, South Korea 2023 Spotted, Gallery Jiha, Seoul, South Korea Asian Students and Young Artists Art Festival, Hongik Museum of Art, Seoul, South Korea Nameless City, Keep In Touch Gallery, Seoul, South Korea Europia, Unhide x VVS Museum, Seoul, South Korea 2016 Summer Salon Show, Greenpoint Gallery, Brooklyn, NY 2014 Asian Students and Young Artists Art Festival, Culture Station Seoul 284, Seoul, South Korea GRANTS, RESIDENCIES 2023 October Grant Honorable Mention, MyMA 2017 Artist in Residence (March-April), KulttuuriKauppila Art Centre, Ii, Finland WORKS MEDIA

United States, 1961 Artist Biography Works Next Jimi Gleason United States, 1961 BIOGRAPHY Jimi Gleason is a contemporary artist whose work explores the dynamic interplay between light, material, and perception. Born in Newport Beach, California, Gleason studied fine arts at UC Berkeley, graduating in 1985. His artistic journey began with studies in printmaking at the San Francisco Art Institute and work as a photo assistant in New York City. Upon returning to California, he spent five years working in the studio of renowned artist Ed Moses, an experience that profoundly shaped his understanding of abstraction and materiality. Gleason’s paintings are celebrated for their luminous, reflective surfaces created through a meticulous and labor-intensive process. His primary medium, silver nitrate, is applied using techniques inspired by industrial processes. This approach connects his work to the legacy of the West Coast Minimalist and Light & Space movements, which explored the intersection of art, technology, and perception. The result is a body of work that transcends the boundaries of traditional painting, engaging viewers in an immersive, ever-changing experience. The reflective surfaces of Gleason’s works are activated by light and the viewer’s presence, creating a dynamic interaction that is central to his artistic vision. His paintings echo the alchemical principles of transformation, offering a meditative space where materiality and the ephemeral coexist. Gleason’s work invites viewers to explore themes of duality and connection, where the boundaries between the physical and metaphysical dissolve. Over his career, Gleason has exhibited in prestigious institutions such as the Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, and the Tucson Museum of Art. His work is included in significant public and private collections worldwide, earning him recognition for his innovative approach and technical mastery. Living and working in Southern California, Gleason continues to push the limits of abstraction and material exploration, creating works that challenge traditional notions of painting while offering a profound and contemplative experience for the viewer. EDUCATION 1985-86 San Francisco Art Institute, San Francisco, CA 1985 BFA, University of California, Berkeley, CA SOLO EXHIBITION 2025 Chang Gallery, NewYork, New York 2024 Sugarlift, New York, New York 2023 Bentley Gallery, Phoenix, AZ 2022 Mark Moore Fine Art, Orange, CA William Turner Gallery, Los Angeles, CA 2019 William Turner Gallery, Los Angeles, CA Mark Moore Fine Art, Orange, CA 2018 Orth Contemporary, Tulsa, OK Bentley Gallery, Phoenix, AZ 2017 William Turner Gallery, Los Angeles, CA 2016 William Turner Gallery, Los Angeles, CA 2015 RB Stevenson Gallery, Silver Deposit, La Jolla, CA William Turner Gallery, Los Angeles, CA 2014 Toomey-Tourell Fine Art, San Francisco, CA 2013 Peter Blake Gallery, Laguna Beach, CA 2012 RB Stevenson Gallery, La Jolla, CA 2011 Bentley Gallery, Scottsdale, AZ Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2010 Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM 2009 Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2008 Peter Blake Gallery, Laguna Beach, CA 2007 Patricia Faure Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA Peter Blake Gallery, Laguna Beach, CA 2006 R.B. Stevenson Gallery, La Jolla, CA LewAllen Contemporary, Santa Fe, NM Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA 2005 Patricia Faure Gallery, Los Angeles, CA Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM Ruth Bachofner Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA 2004 Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA Peter Blake Gallery, Laguna Beach, CA 2003 Ruth Bachofner Gallery, Los Angeles, CA New Urban Art, Phoenix, AZ 2002 Ruth Bachofner Gallery, Los Angeles, CA 1999 Edward Giardina Contemporary Art, Santa Ana, CA 1994 Dakota Studio, New York, NY 1992 637 Gallery, New York, NY 1990 SFA, New York, NY 1988 The World, New York, NY 1987 Clancy Gallery, Costa Mesa, CA WORKS Load More