South Korea Artist Biography Works Next Rho Paul South Korea BIOGRAPHY EDUCATION 2023 Columbia University, MFA Visual Arts 2019 School of Visual Arts, BFA Photography and Video 2010 University of Arts London, Foundation Diploma in Art & Design SOLO EXHIBITION 2020 “Lynchian Forms”, Maumsup Gallery, Seoul 2018 "To Live For One Thousand Years", School of Visual Arts, New York "Series, Sequences, Stories", School of Visual Arts, New York GROUP EXHIBITION 2024 “Prototype 1.0”, Springs Project, New York “Expand and Contract: Photography and Mixed Media”(online), Los Angeles Center of Photography, Los Angeles “Shoutout Manse, Mar 1st”, 404 Broadway, New York “Happy Lunar New Year Show”, Doclay Gallery, New York 2023 “Press Release (Cycle V part ii)”, Storage, New York “in medias res:”, The Blanc, New York “Press Release (Cycle V part i)”, Storage, New York “Stand-outs: Selections from the Columbia MFA Program”, Fredric Snitzer, Miami “Columbia MFA Thesis Exhibition, Class of 2023”, Wallach gallery, New York 2022 “15th Jeonju International Photo Festival”, Jeonju, South Korea “Columbia University MFA Summer Pop-up”, Half Gallery, New York “Columbia University MFA Summer Show”, Chashama, New York “2023 First Year MFA Exhibition”, Wallach gallery, New York 2021 “Yeongwol Byeolgok”, 19th Donggang International Photo Festival, Yeongwol, South Korea 2019 “Mentors”, SVA Chelsea Gallery, New York 2015 "Estetica: percorso di bellezza e umanità", Circolo partito democratico, Milan, Italy AWARD 2022 Dean’s Project Grant, Columbia University, New York 2021 Visual Arts Program Scholarship , Columbia University, New York 2019 Alumni Scholarship Award, School of Visual Arts, New York 2016 Chairman's Merit Award, School of Visual Arts BFA Photography Department, New York WORKS Load More

Feb 29 - Apr 10, 2024 Intro Catalog Installation Views Next [C1] New York K-Art Chronicles Spring Part I Feb 29 - Apr 10, 2024 Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong INTRO Cho Yong Ik , a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. Moon Insoo , a Korean contemporary artist known as the ‘Sculptor of Steel and Concrete,’ stands out for his modern approach, unbounded by traditional styles. His upbringing amidst war’s aftermath shapes his work, reflecting themes of destruction and reconstruction. His sculptures are abstract and urban, often incorporating heavy steel plates and protruding rebar, reminiscent of his childhood surroundings. Typically assembled like large patchworks, they exude both strength and lyrical beauty. While they seem to collide with the forces of creation and destruction, they possess a simple yet profound beauty, preserving the artist’s effort and becoming more intimate over time as they weather and age. In 1986, he won the Grand Prize at the National Art Exhibition, marking the first time a sculptor achieved such recognition. His notable sculpture ‘Red Bull’ embodies a minimalist silhouette with a modernist aesthetic. Currently, his works are being exhibited at the Seoul Arts Center. This exhibition highlights Moon Insoo’s artistic prowess and innovative approach, cementing his legacy as a trailblazer in the world of sculpture. His unique perspective warrants attention and confidence in his future prominence. Artist Oh Kwan Jin , a leading figure in Korean art, pioneers the fusion of Eastern and Western artistic techniques, evident in his signature motif of the moon jar symbolizing ‘Emptying and Filling.’ His artworks, featured in Korean dramas and movie sets, contribute to the global recognition of Korean art. Oh Kwan Jin’s innovative approach combines the chiaroscuro of Western painting with the aerial perspective of Eastern painting. He intricately carves hanji (traditional Korean paper) into pieces, blending stone powder and pigments to craft smooth ceramic forms on the background, filling cracks with clay, glaze, and wood fusion. This results in a three-dimensional screen that captivates viewers with optical illusions. Critic Park Ok Saeng notes that Oh Kwan Jin’s works, while embracing Eastern motifs, exhibit a painting attitude reminiscent of Western art, seen in the subtle light, deep shadows, and precise geometry evocative of vessels. Essentially, Oh Kwan Jin’s paintings expand the act of Eastern painting on hanji to the craft of bas-relief, presenting a transition towards Western painting through the scientific depiction of light reflection. Recognized as a prominent figure in the global art scene, Kim Sea Joong is celebrated as the “Painter of Light,” famed for his profound exploration of light, space, and time. Kim’s artistic exploration delves into the concepts of space within the frameworks of squares and circles while also exploring diverse spatial notions. Employing various materials within these confines, he tears, folds, and inserts them to create new spatial structures, forming novel relationships within the space. Simultaneously, Kim reflects on the emotional impact of colors, interpreting flat elements into three-dimensional forms and juxtaposing real objects with their shadows to rediscover flat surfaces. Inspired by the French literary term “Préciosité,” embodying a longing for elegance, refinement, wit, intellect, and beauty, Kim’s works embody a pursuit of extreme beauty. By combining painting and sculpture, he transcends their limitations to create unique artworks that engage viewers in discovering new dimensions of time and space. Through meticulous processes and vibrant colors, Kim invites viewers to participate in the exploration of beauty and space, ultimately redefining spatial relationships and undergoing transformations within exhibition spaces. Kim Sea Joong is a leading figure shaping the future of contemporary Korean art as a member of Gana Art. CATALOG View Catalog here INSTALLATION VIEWS

< Back Coffee with the Artist Feb 21, 2026 Coffee with the Artist is a special community gathering celebrating LA-based painter @alisonvanpelt ‘s first New York solo exhibition, Alison Van Pelt 40 Years Painting Portraits. From 11 AM to 1 PM on February 21, enjoy complimentary coffee while spending time with the artist and experiencing her remarkable four-decade exploration of portraiture. This is a relaxed and welcoming morning designed for our community to come together, view the exhibition, and engage in conversation with Alison Van Pelt in person.

South Korea Artist Biography Works Next You Sun South Korea BIOGRAPHY EDUCATION Painting, Wayne State University, Detroit, MI SOLO EXHIBITION 2023 New You, Geary, Millerton, NY GROUP EXHIBITION 2022 Bookends, Rocky Mountain College of Art and Design, Lakewood, Colorado 2021 Studio Art, College for Creative Studies, Detroit, MI Summer Cut, Bank of Hope, Korean Art Foundation, AHL, New York, NY This Two, Geary, New York City, and Millerton, NY Something Else To It, Asya Geisberg Gallery, New York, NY The Burning Kite, Kristen Lorello, New York, NY Distant Neighbors, Millersville University, Millersville, PA TSA: It Feels Like the First Time, Mana Contemporary, Chicago, IL 2020 Set Afoot, Time Equities, Inc. Art-in-Buildings Program, New York, NY Assembly, Mrs. Gallery, Queens, NY A Feeling Falls Apart, Geary, New York, NY 2019 Libraries, The Pit, Glendale, CA Libraries, Step Sister, New York, NY Intimate Immensity, The Pennsylvania Academy of the Fine Arts, Philadelphia, PA Yellow, September, Hudson, NY 2018 Grow Into a Field, The Anderson Gallery, Virginia Commonwealth University, Richmond, VA Won’t You?, SARDINE, Brooklyn, NY Dear My Friend, Secret Dungeon, Brooklyn, NY Recognize you when she sees you, Give you the things she has for you, September, Hudson, NY Piece Work, Silber Gallery, Goucher College, Baltimore, MD Ceiling Unlimited, Thomas Hunter Project Space, Hunter College, New York, NY Sun Gazers, The Pit, Glendale, CA Hangaram Design Museum, Seoul Arts Center, Seoul, South Korea 2017 Glorious modest, Ivin Ballen and Sun You, Tiger Strikes Asteroid, New York, Brooklyn, NY Point of Entry, Scotty Enterprises, Berlin, Germany NUT I Book Launch / Group Show, MAW, New York, NY Post-Election, SEPTEMBER, Hudson, NY 2016 This One Is For You, l'espace 71, Seoul, South Korea Slow Hello, Andrew D. Moeller and Sun You, Underdonk, Brooklyn, NY 13 Most Beautiful, CYDONIA, Dallas, TX On Knowing Unknowing: A Material Narrative, Ortega y Gasset Projects, Brooklyn, NY Fabulous You, Tiger Strikes Asteroid, New York, Brooklyn, NY Onion by the Ocean, Underdonk, Brooklyn, NY 2015 I am What I am Not Yet, A Survey of Brooklyn's Moment, Madelyn Jordon Fine Art, Scarsdale, NY Swingers WKND // Works by Artist Couples, Brooklyn, NY 2014 Endless Care, Small Editions, Brooklyn, NY Pure Production, curated by Isaac Lyles, 247365, Brooklyn, NY Shades of Time, Queens Museum, Corona, NY (catalogue) Shades of Time, Korean Cultural Service, New York, NY 2013 Urban Jungle, Jiyeon Lee and Sun You, BBCN Bank, Woodside, NY Sun You / Maria Walker, Open Space, Long Island City, NY In Making, Jamaica Center for Arts and Learning, Jamaica, NY (catalogue) Plastic Memory 10022, The Gallery Korea, Korean Cultural Service New York, New York, NY (catalogue) 2012 New York - Berlin Exchange, The Gallery Korea, Korean Cultural Service, New York (catalogue) New York - Berlin Exchange, The Gallery Korea, Korean Cultural Service, Berlin, Germany (catalogue) november remember September, Künstlerhaus Schloss Balmoral, Bad Ems, Germany 2011 Abstractions, Opera Gallery, New York, NY (catalogue) Two Fold, The Suburban, Oak Park, IL The Finishers, Wassaic Project, Wassaic, NY 2010 Sun You, Wagner College, Staten Island, NY 2009 U.S.B. Emerging Korean Artists in the World, Hangaram Museum, Seoul Arts Center, Seoul, South Korea (catalogue) 2002 Sun You, The Korean Embassy Cultural Center, Washington, D.C. Jungle Story, Sean Christopher Fine Art Gallery, Columbus, OH Sun You, Roy G Biv Gallery, Columbus, OH 2000 America, America, Kwanhoon Gallery, Seoul, South Korea Upcoming, HilbertRaum, Berlin, Germany WORKS Load More

AUG 1 - 30, 2025 Intro Catalog Installation Views Next [C4] Seoul Organic Precision: The Geometry of Nature AUG 1 - 30, 2025 Stephen Robert Johns INTRO Organic Precision: The Geometry of Nature 《색과 곡선으로 읽는 자연의 언어》 이번 전시 《색과 곡선으로 읽는 자연의 언어》는 갤러리 장에서 개최되는 작가의 서울 첫 개인전으로, 그의 대표 시리즈인 S-Curve, Elementos (agua), Circle Series 등을 중심으로, 자연이 품은 곡선의 리듬과 색의 배치를 통해 감정과 시간, 공간을 시각적으로 재구성하는 회화적 실험입니다. 특히 작가가 하늘 위에서 관찰한 산호세 코스타리카의 지형에서 영감을 받은 작품 속 이미지들은 밝고 선명한 그린과 블루 색감을 품부하게 표현하며, 나무와 강을 나타내는 추상적 요소들과 다양한 견고한 기하학적 형태들이 서로 어우러집니다. 또한 Stephen 항공기의 시선에서 내려다본 팜랜드 (Farmland, 농작지)의 형태에서 포착한 구조적 질서를 작업 전반에 걸쳐 반복적으로 담아냅니다. 이 농지의 기하학적 패턴들은 작가의 독특한 시각 언어를 형성하는데 중요한 역할을 합니다. CATALOG View Catalog here INSTALLATION VIEWS

Back Chungbuk National University Successfully Hosts Special Lecture by Shane Guffogg, “From Einstein to AI” Chungbuk National University announced on the 23rd that it successfully held a special lecture on the 22nd, inviting contemporary art master Shane Guffogg under the title From Einstein to AI: Art as a New Language . Organized by the university’s Artificial Intelligence Research Institute, the lecture drew an audience of approximately 80 students and faculty members, filling the venue and demonstrating strong interest in the convergence of art and science-based technology. The event opened with welcoming remarks by Kim Bong-jae, Director of the Artificial Intelligence Research Institute, followed by Guffogg’s lecture. In his talk, Guffogg focused on the intersections of AI, quantum technology, and art, presenting diverse examples to illustrate how art can generate new forms of social language. In particular, he emphasized that the layering of time, perception, and emotion can function as a new creative language within the fusion of art and advanced technologies, leaving a strong impression on attendees. The lecture was followed by an open discussion, during which participants actively exchanged ideas on how culture and technology, as well as art and science, can be harmoniously integrated. Many agreed that when future technologies such as AI and quantum computing meet artistic imagination, they have the potential to create new social value. Park Jungeun, Director of Gallery Chang, commented, “This lecture went beyond the appreciation of art and became a serious forum for reflecting on the convergence of art and technology. It was a meaningful opportunity for Chungbuk National University students to cultivate creative thinking within a global discourse.” Kim Bong-jae, Director of the Artificial Intelligence Research Institute, added, “Quantum computing should be recognized as a core technology that will shape the future beyond computer science,” emphasizing that its defining concept of the ‘superposition of time’ closely resonates with artistic imagination—an idea deeply connected to the themes Shane Guffogg has long explored through his art. www.veritas-a.com 충북대 셰인 구포그 초청 특별 강연 'From Einstein to AI' 성료 [베리타스알파=박소현 기자] 충북대는 현대미술의 거장 셰인 구포그(Shane Guffogg)를 초청해 22일 'From Einstein to AI: 예술이 만드는 새로운 언어'를 주제로 특별강연을 진행했다고 23일 밝혔다.이번 강연은 인공지능연구소의 주관으로 진행됐으며, 강연장을 가득 < >

< Back Harmony of Colors and Flavors Jul 1, 2024 Harmony of Colors and Flavors Something Sweet Gallery Cafe X Gallery Chang Gisele Park July 1 - 31, 2024 This summer, experience a unique collaboration between the colorful abstract works of artist Gisele Park and a vibrant dessert cafe. Throughout July, this special exhibition showcases the harmonious blend of the artist’s vivid creations and the cafe’s equally colorful beverages, delighting both the eyes and the palate. The exhibition space will be filled with Gisele Park’s captivating artworks, each perfectly paired with a variety of the café’s drinks. This distinctive collaboration not only offers a refreshing escape from the summer heat but also provides a unique opportunity to enjoy the perfect fusion of art and flavor.

United States Artist Biography Works Next Alison Van Pelt United States BIOGRAPHY Alison Van Pelt is an acclaimed contemporary painter known for her evocative, dreamlike portraits that blend elements of abstraction and realism. Born and raised in Los Angeles, Van Pelt studied at prestigious institutions including UCLA, Art Center College of Design, Otis College of Art and Design, and the Florence Academy of Art. Her diverse education and fascination with the human form and art history have shaped her distinctive approach to painting. Van Pelt’s work is characterized by its ethereal quality, achieved through a meticulous process of layering paint and then blurring or obscuring the image. Faces and figures emerge and dissolve across the surface, evoking the passage of time and the ephemeral nature of memory. Her portraits, often referencing iconic figures or personal subjects, invite viewers into a meditative exploration of identity, perception, and transformation. Drawing inspiration from a wide range of artistic traditions, including Renaissance portraiture and contemporary abstraction, Van Pelt’s paintings transcend specific styles or movements. The delicate balance of structure and ambiguity in her work creates a powerful visual and emotional impact, leaving a lasting impression on viewers. Van Pelt has exhibited her work widely in galleries and museums, including the Santa Monica Museum of Art, the Pasadena Museum of California Art, and the Laguna Art Museum. Her paintings are part of esteemed private and public collections, earning her a reputation as a masterful artist whose work resonates deeply with audiences around the world. Living and working in Los Angeles, Van Pelt continues to explore the boundaries of portraiture, creating works that are as much about what is hidden as what is revealed. SOLO EXHIBITIONS Gallery Chang, NewYork, New York, 2026 Gallery Chang, Seoul, Korea, 2025 Ferrari, Casterline/Goodman Gallery, Art Expo,Chicago, 2024 Women and My Wall, Casterline/Goodman Gallery, Art Basel, Miami, 2023 The Wild, Casterline/Goodman Gallery, Aspen,Colorado, 2022 Alison Van Pelt, The Claudia Taylor Project, Malibu, California, 2020 The Hummingbird, Van Pelt Studios, 2019 The Tree, Van Pelt Studios, 2018 The Elephant, Van Pelt Studios, 2017 Africa, Van Pelt Studios, 2016 All American, Van Pelt Studios, 2015 S’aints, Van Pelt Studios, 2014 The Horse, Ochi Gallery, Sun Valley, ID, 2013 If I Were Ed Ruscha..., Ventura College, Ventura, CA, 2011 All American, Ochi Gallery, Ketchum, ID, December 2010 January 2011 Alison Van Pelt: The Women, The Fresno Art Museum, Fresno, CA June 5-September 15 2006 LA Art House, Alison Van Pelt, 2009 The Women, The Dayton Art Institute, Dayton, OH, January 2004 - June 2004 America: The News, Chac Mool Gallery, Los Angeles, CA 2004 Paintings on Paper, Chac Mool Gallery, Los Angeles, CA 2002 Green , Spike Gallery, New York, NY, 2002 Fight, Ochi, Los Angeles, CA 2000 Flight and the Figure, Ochi, Ketchum, ID 1999 Figures, Gallery 813, Los Angeles, CA 1999 Blue, Gallerie Lauter, Manheim, Germany 1998 Eros, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1998 Motion, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1997 Les Animaux Nouveaux, Gallerie Vedovi, Brussels, Belgium 1997 Blue, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1995 New Paintings, Gallerie Lauter, Manheim, Germany 1995 New Works, Aschenbach Galerie, Amsterdam, Netherlands 1994 Recent Works, Robert Berman Gallery, Bergamot Station, Santa Monica, CA New Paintings, Roger Smith Gallery, New York, NY 1994 New Work, Gallerie Paul Sties, Kronberg, Germany 1993 New Paintings, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1992 Nouvelles Oeuvres, Ulla Lutz Studio, Basel, Switzerland 1992 La French Collection, Les Andelys, France 1992 Tableaux Nouveaux, Ader Tajan, Paris, France 1992 New Works, B-1 Gallery, Santa Monica, CA 1991 Aschenbach Galerie, Amsterdam, Netherlands, 1990 B1 Gallery, Faces, 1989 Paris Underground, Los Angeles, CA, 1988 EmHouse, Hollywood, 1988 Paris Review, Los Angeles, CA, 1987 The Loft, Downtown Los Angeles, 1986 Color, Spring Street Gallery, Downtown Los Angeles, CA, 1985 GROUP EXHIBITIONS Colombe de la Paix, Keren Hayessod, Paris, France, 2024 The Elephant, Artma, Morgan Adams Foundation, Space Gallery, Denver, Colorado, 2023 Art Crush, Aspen Art Museum, 2022 The Hummingbird, Lotusland, 2022 Alison Van Pelt at Casterline Goodman Gallery, Art Fair Aspen, 2022 The Circle of Truth, Susquehanna Art Museum, Harrisburg, PA, 2021 Hummingbird, The Shay, Culver City, 2021 The Circle of Truth, Orange County Center for Contemporary Art, OCCCA, Orange County, CA, 2020 The Circle of Truth, Winslow Arizona Art Museum, Winslow, Arizona, 2020 The Circle of Truth, Museum of Art and History, MOAH, Lancaster, CA, 2019 The Circle of Truth, NUMU, The New Museum, Los Gatos, California, 2019 Pop Culture, Frederick R. Weisman Art Foundation, Donald H Silverman Gallery Fine Arts Gallery, Cal State LA, CA, 2019 POP! 50 Years of Art & Popular Culture from The Frederick R. Weisman Museum of Art at Pepperdine University, Malibu, CA, 2018 Art for Art’s Sake, The Carnegie Art Museum, Oxnard, CA, 2017 Light in the Dark, Sears Peyton Gallery, New York, NY, 2017 Made in California, Selections from the Frederick R. Weisman Art Foundation, Mana Contemporary, Jersey City, NJ, 2014 Art for Art’s Sake, Selections from the Frederick R. Weisman Art Foundation, Marjorie Barrick Museum, University of Nevada, Las Vegas, NV, 2014 New Work, Sears Peyton Gallery, New York, NY, 2014 Pop Culture, Boca Museum of Art, Boca Raton, FL, 2014 Under The Influence Finance - Fashion, Carnegie Art Museum, Oxnard, CA, 2013 Art for Art’s Sake, The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu,CA, 2013 California Art, Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, Fort Collins Museum, Fort Collins, CO, 2011 Fuck Pretty, Robert Berman Gallery, Bergamot Station, Santa Monica, CA, 2011 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 Elements of Nature: Selections from the Frederick R. Weisman Art Foundation Contemporary Art Center, New Orleans - 2010 Under the Influence of Fashion and Finance, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2010 Sears-Peyton Gallery, New York, NY, 2010 Art and Illusion, Selections from the Frederick R. Weismann Art Foundation, Susquehana Art Museum, Harrisburg, PA, 2009 Homage to the Artists, Ochi Gallery, Ketchum, ID - 2009 Incognito, Santa Monica Museum of Art, Santa Monica, CA - 2008 LA Art House, Beverly Hills, CA- 2009 California Art, Platt/Bornstein Museum, Los Angeles, CA, 2008 Selections from the Frederick R. Weisman Art Foundation, American Jewish Museum, Bel Air, CA, 2007 Beverly Hills Municipal Gallery, Beverly Hills, CA - 2006 Small Wonders II, Pharmaka Gallery, Los Angeles, CA - 2006 Portraits, curated by Shane Guffogg, Pharmaka Gallery, Los Angeles, CA 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2005 The Dayton Art Institute, Dayton, OH - 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2004 New Orleans Museum of Art, New Orleans, LA - 2004 Spike Gallery, New York, NY - 2004 California State University at Bakersfield, Bakersfield, CA - 2003 Spike Gallery, New York, NY - 2003 Las Vegas Art Museum, Las Vegas, NV - 2002 Ah Allen, New York, NY - 1998 Track 16, Santa Monica, CA - 1996 Ports of Entry, William Burroughs, A Retrospective, Los Angeles County Museum of Art, Los Angeles, CA, 1996 New American Paintings, Emerging Artists, Open Studios, Needham, Mass, 1996 Robert Berman Gallery, Santa Monica, CA - 1994 Ader Tajan, Paris, France - May 1992 Robert Berman Gallery, Santa Monica, CA - 1992 Ader Tajan, Paris France, 1989 New Work, Brentwood Art Center, 1988 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Jeff Gordon, Ingrid Vandebosch, works by Alison Van Pelt and Matisse, Chicago Tribune, 2013 At Home With Jeff Gordon: The Superstar Driver Is (Finally) Shifting Gears, Forbes Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 WORKS Load More

Back Gallery Chang 'K-Art Chronicles' Group Exhibition K-Art Chronicles. 2024 Gallery Chang in Manhattan, New York, will host the 'K-ART Chronicles' exhibition from March 29th to April 10th. This exhibition presents a unique opportunity to explore the artistic worlds of four masters in contemporary Korean art: Cho Yong-Ik, Kim Sea Joong, Moon Insoo, and Oh Kwan Jin. According to Gallery Chang, Cho Yong Ik is recognized as a pioneer of monochrome painting in Korea, alongside Park Seo-bo, Yun Hyong Keun, Yun Myeung Ro, and Ha Chong Hyun. Through geometric elements and abstract forms, Cho Yong Ik conveys a distinctive aesthetic experience, contributing significantly to the development of Korean art history. Kim Sea Joong, acclaimed in the global art scene as a 'painter of light,' explores light, space, and time in his artworks. His works delve into spatial and temporal exploration, interpreting surfaces three-dimensionally and addressing the power of light and emotions. By combining painting and sculpture, Kim Sea Joong presents new perspectives, integrating the philosophical meanings of time and spatial senses to pursue 'invisible differentiation.' Gallery Chang's 'K-ART Chronicles' promises an enlightening encounter with the artistic achievements of these renowned Korean contemporary artists. Moon Insoo is a pioneer as a sculptor in "iron and concrete," broadening the spectrum of contemporary art. He was the first artist to win the Grand Prize in the sculpture category at the National Art Exhibition in 1986. His iconic sculpture "Red Bull" features a minimalist silhouette in a modernist style, and at this exhibition, he will showcase works including the "Red Bull" sculpture, paintings, special editions, and the "Multicolored Bull" sculpture. Oh Kwan Jin led the popularization of K-Art (Korean Art) as a painter, embodying the harmony of East and West in his works, notably represented by his Moon Jar series "Emptying and Filling." His artworks have been featured in three major Korean dramas and movies, contributing significantly to promoting Korean art globally. [Source from THE KOREA DAILY press release, provided by Jongwon Park] < >

South Korea Artist Biography Works Next Oh Kai South Korea BIOGRAPHY Columbia MFA Thesis Exhibition Class of 2024, Wallach Gallery, NY, USA Fantasy in Abstraction, AHL Foundation Gallery, NY, USA Leaps of Consciousness, ZAZ 10 Time Square, NY, USA The Lafayette Rendezvous: Contingents and Convergences, RAINRAIN, NY, USA Derby Match:Watchman and Spy, Museumhead, Seoul, S.Korea in medias res, theBlanc Gallery, NY, USA Columbia MFA Summer Exhibition Part 1, Storage Gallery, NY, USA Autohypnosis, G Gallery, Seoul, S.Korea Sip from the Skull, Tipsy Shanghai 6, NY, USA The Postmodern Child Part 2: Do Not Cook Special Meals for a Picky Child, Busan Museum of Contemporary Art, Busan, S.Korea K90-99 Hybrid Visions: Searching for the Digital Era, L.U.P.O., Milan, Italy BGA INDEX:Open Storage, BGA INDEX, Seoul, Korea SUJANGGO.Base Station, Mother Offline, Seoul, Korea GNADE, Galerie der Künstler-BBK, München Germany See it, Touch it, Alterside, Seoul, Korea Debugging, Mirrored Sphere, Seoul, Korea Born in 1992: China-Korea Exchange exhibition, Waitan #18 Gusa Art gallery, Shanghai, China This Title is Not Available in Your Region, 132 Perry st., New York, USA Temporary Landing, TINC, Seoul, Korea AI with Weird Wonderland, Celine Park Gallery, Seoul, Korea Mind Control, Artist Proof, Seoul, Korea Hinterland, New Art City, Online exhibition Super-fine: Ilmin Museum of Art, Seoul, Korea Awkward Gaps, Whitenoise Seoul, Korea Monolith Virus, Whitenoise, Seoul, Korea Analogous to Digital, Artspace HYEONG, Seoul, South Korea Studio Hunger opening + friends, ORi Berlin, Berlin, Germany CAVA.CITY.MILAN, Milan, Italy Salt, Pepper or Not, Hinterconti, Hamburg, Germamy Immersed Materiality, White Noise Seoul, Seoul, South Korea Bierdusche und andere schöne Bilder, Galarie Bühlers, Fürth, Germany Foam Talent, Fraunkfurter Kunstverein, Frankfurt, Germany Foam Talent, Beacons Field Contemporary Art, London, United Kingdom Foam Talent, Red Hook Labs, New York, USA Pictures for Donald, Baumwollspinnerei, Leipzig Don't You Blame Anyone(Future Comes Quickly), auf AEG, Nürnberg The Scrap, Dongdaemun-gu Wangsan-ro 9 gil, Seoul Foam Talent, Foam Museum, Amsterdam TOPOHAUS, Seoul Alternative space in Hongdae, Seoul, South Korea WAYS OF SEEING, Seoul, South Korea 2018 Deutscher Fotobuchpreis, long listed (Bronze medal) 2017 foam TALENT EDUCATION 2024 Columbia University, NY, USA, MFA, Photography 2021 Certificated, Akademie der Bildende Künste, Nürnberg, Class Katja Eydel 2019 Certificated, Akademie der Bildende Künste, Nürnberg, Class Jürgen Teller 2015 Seoul National University, Seoul, South Korea, BFA, Sculpture 2013 Erasmus, KABK, Den Haag, Netherlands SOLO EXHIBITION 2023 Half Sticky, IBK Industrial Bank of Korea, Seoul 2021 Softsharp, Cylinder, Seoul 2018 Kai Drinks No Water, Edel Extra, Nürnberg GROUP EXHIBITION 2024 Mirae/Building, Low Classic Mirae, Seoul, S.Korea 2023 Tu! Gift, Tu! Take, Tutu Gallery, NY, USA 2022 Rales, wheezes and crackles, Doosan Gallery, Seoul, S.Korea 2021 Lepsy Label, Sosho, Seoul_2021.12 2020 PROXIMITY, Bewerbungsbüro Kulturhauptstadt, Nürnberg, Germany 2019 being-not-being, Yeonhee Grandpark, Seoul, Korea 2018 REAL FAKE. Frappant, Hamburg, Germany 2017 Lfa Kunstkalender Projekt 2018, München 2015 Perfektes Wetter, AM Gallery, Berlin, Germany 2014 SNU college of art 2015 Graduation Show, Seoul, South Korea AWARD 2019 UNSEEN Platform PRIMERE (with seires'Cityfood) WORKS Load More