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C1 - New York C4- Seoul C2 - Middletown C3 - Englewood VAULT Archive EXHIBITION S C1 - New York C1 | NEW YORK On View | Jan 8 - Feb 17, 2026 Group Exhibition Ed Moses / Cho Yong Ik / kim kang yong / jimi gleason: The Mark of Time Gallery Chang - New York presents The Mark of Time -Tracing the Origins of East-West Abstraction , not as a singular style, but as a shared mode of thinking that emerged across cultures through questions of time, material, and action. Bringing together Ed Moses, Cho Yong Ik, Kim Kang Yong, and Jimi Gleason, the exhibition reveals abstraction as an accumulation of gesture and labor—where time leaves traces and materials hold memory beyond geography. Read More UpComing | Feb 19 - Mar 31, 2026 Solo Exhibition Alison Van Pelt : 40 Years painting portraits For over four decades, Alison Van Pelt has approached portraiture as a sustained investigation into image, memory, and identity. Since the 1980s, she has worked primarily from photographic source material. These are images that already hold cultural and historical weight. Rather than reinforcing their familiarity, Van Pelt transforms them. Read More C4- Seoul C4 | SEOUL on view | FEb 5 - Mar 3, 2026 Group Exhibition CHO YONG IK / Suh Yong Sun / Ahn Sung min: Beyond the visual order Gallery Chang - Seoul is pleased to present a group exhibition featuring Cho Yong Ik, Seo Yong Sun, and Ahn Seong Min. Through abstraction, urban landscape, and contemporary reinterpretations of Korean folk painting, the exhibition explores the invisible structures of thought, memory, and belief that shape Korean visual culture across time. Read More Upcoming | mar 5 - 25, 2026 solo Exhibition Kim in ok : Spring Breathing Gallery Chang - Seoul is pleased to present Spring Breathing, a solo exhibition by Kim In Ok. Through softly layered landscapes and rhythmic forests, the exhibition invites viewers into a quiet space where memory, nature, and breath gently converge. READ MORE C2 - Middletown C2 | MIDDLETOWN on view | dec 25 - feb 24, 2026 Residency suh yong sun Gallery Chang - Middletown hosts an artist residency with Suh Yong-Sun, during which the artist will live and work in New York for two months. This residency offers a unique encounter between Suh’s historically grounded, figurative practice and the contemporary urban landscape of New York, allowing new narratives to emerge through place, time, and lived experience. Read More C3 - Englewood C3 | ENGLEWOOD Private viewing | 2026 Gallery Chang - Englewood is the space presenting a private collection of works by leading figures in Korean art, including Kim Chong Hak, Lee Kang So, Nam June Paik, Kim Tschang Yeul, Kim Jeong Seon, and Choi Young Wook. Rather than temporary exhibitions, the collection offers a focused viewing of Korean art masters in a private setting. korean art master collection VAULT VAULT | HANAM, KOREA on view | 2026 Shane guffogg: At the still point of the turning world Gallery Chang – Vault presents 21 works by Shane Guffogg from his 2024 Venice Biennale exhibition, At the Still Point of the Turning World. This VIP-only, invitation-only presentation brings the emotional and contemplative resonance of Venice to Korea, offering an intimate encounter with the artist’s meditative vision. Read More Visit HERE to explore our full catalog collection. ARCHIVE FEB 19 - MAR 31, 2026 Alison Van Pelt: 40 Years Painting Portraits Alison Van Pelt Jan 6 - 31, 2026 BEYOND DANSEAKHWA – The Depth of Abstraction Cho Yong Ik OCT 14 - NOV 15, 2025 Infinite Dialogue Kim Kang Yong / Shane Guffogg AUG 14 - SEP 27, 2025 BECOMING WITHOUT END Ed Moses JUL 4 - 30, 2025 To Glow in the Afterglow Mark Acetelli May 8 - Jun 17, 2025 Urban Spectrum: Variations Miguel Ángel Iglesias Feb 20 - MAr 25, 2025 Recent Works Andy Moses Oct 24 - Dec 10, 2024 THE FUTURE IS PAST IS PRESENT Shane Guffogg Aug 9 - 18, 2024 Unbound Playground KANA (Part 2) - Anikoon / Sun You / Yong Eun Kwon / Taekyung Suh / Hongbin Kim / Soo Park Mar 8 - May 4, 2024 K-Art Show Moon Insoo / Oh Kwan Jin / Kim Sea Joong / Woo Jiyeon / Park Gisele / Anon / Anikoon / Mine. K Feb 29 - Apr 10, 2024 K-Art Chronicles Spring Part I Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong Feb 3 - 28, 2026 What remains in painting Cho Yong Ik / Suh Yong Sun / Ahn Sung min Jan 1 - 31, 2026 At the Still Point of the Turning World Shane Guffogg SEP 30 - OCT 22, 2025 REALITY + IMAGE Kim Kang Yong AUG 1 - 30, 2025 Organic Precision: The Geometry of Nature Stephen Robert Johns Jun 20 - Jul 22, 2025 Beautiful Rupture Bret Price / Kelly Berg / Mark Acetelli / Moon Insoo / Kimi Kim Wittling Apr 20 - May 24, 2025 Where Past and Future are Gathered Shane Guffogg Jan 21 - Feb 28, 2025 Beyond Boundaries: Reinterpreting Tradition, Reimagining the Modern Ahn Seongmin Aug 27 - Oct 19, 2024 REALITY + IMAGE: BEYOND THE BRICKS Kim Kang Yong Jul 30 - Aug 7, 2024 Binary Equilibrium KANA (Part 1) - Calvin Lee / Dawn Kim / Jean Oh / Kai Oh / Paul Rho / Sae Jun Kim / Tae Joong Kim / Yuna Cho May 7 - Jun 8, 2024 REVEALING Moon Insoo Feb 16 - Mar 17, 2024 Emptying to Enrichment: Moon Jar’s Path Oh Kwan Jin JAN 8 - FEB 17, 2026 The Mark of Time: Tracing the Origins of East-West Abstraction Ed Moses / Cho Yong Ik / Kim Kang Yong / Jimi Gleason OCT 23 - DEC 9, 2025 Memories of Our Future Shane Guffogg SEP 2 - OCT 10, 2025 Memories of Our Future Shane Guffogg JUL 25 – AUG 5, 2025 CHASE Project: Phase Shift Shin Kiwoun / Kim Hongbin / Anon / Anikoon / Im Jibin / Koo Nahyun MAY 27 - JUN 28, 2025 Illuminated Silence Jimi Gleason Apr 3 - May 6, 2025 Illuminated Reflection Jimi Gleason Dec 12, 2024 - Jan 18, 2025 The Essence of Perception Shane Guffogg, Kim Kang Yong, Kim Sea Joong Aug 20 - 25, 2024 FAIRYTALE Kim In Ok Jun 20 - 27, 2024 MUSEUM COLLECTION Yuri Gorbachev Apr 11 - May 4, 2024 The Hidden Masterpiece Cho Yong Ik Feb 8 - 28, 2024 MASTERPIECE (2019-2023) Kim Kang Yong

PROGRAM List 1 Read More 2 Kim Mine Read More 3 Planning and executing a new marketing strategy Read More 4 Launching a new product into the market Read More 5 Read More 6 Conducting market research for a new product line Read More

2024 Synesthetic Reverie HONGBIN KIM NOV 8, 2024- JAN 31,2025 Water Moon Mirror Flower KIM NAM JOO AUG 1- SEP 31 LAYERED ANON MAY 1- MAY 31 Embracing Autumn: Threads of Color ANON OCT 1- NOV 7 Harmony of Colors and Flavors GISELE PARK JUL 1- JUL 31 Happy Lunar New Year: Live Performance by Oh Kwan Jin at missKOREA BBQ OH KWAN JIN JAN 20- JAN 25 New York Fashion Week F/W 2024 VIP Afterparty NEW YORK FASHION WEEK 2024 SEP 7, 2024 Heart to Heart ANIKOON JUN 1- JUN 31

OCT 14 - NOV 15, 2025 Intro Catalog Installation Views Next [C4] Seoul Infinite Dialogue OCT 14 - NOV 15, 2025 INTRO Gallery Chang presents Infinite Dialogue , a two-person exhibition featuring the celebrated Korean artist Kim Sang Yong and the internationally acclaimed American painter Shane Guffogg, opening this October at Gallery Chang Seoul. This exhibition unfolds as a philosophical conversation between East and West, where two masters of contemporary art engage in a dialogue of forms, materials, and perception. For over five decades, Kim King Yong has explored the essence of existence and perception through the humble yet profound motif of the brick. His meticulously layered surfaces—composed of sand, pigment, and shadow—transform ordinary materials into meditative fields that question the very act of seeing. Shane Guffogg, meanwhile, constructs a universe that transcends the boundaries of light, time, science, and art. Guided by the fundamental question, “How can time and space be compressed into a single moment?”, his works invite viewers to experience the simultaneous unfolding of memory and presence. Guffogg gained international attention during the 60th Venice Biennale, where his solo exhibition At the Still Point of the Turning World – Strangers of Time at the Scala Contarini del Bovolo Museum resonated with the Biennale’s central theme, Stranieri Ovunque – Foreigners Everywhere . By weaving the notion of “foreign time” into his paintings and installations, he created a powerful reflection on human perception and belonging that was widely covered by international media, including the BBC. In Seoul, Infinite Dialogue brings together Guffogg’s global inquiry and Kim’s lifelong investigation into vision and materiality, posing a shared question to viewers: What does it truly mean to see? The dialogue between these two masters will continue beyond Seoul, leading to a forthcoming exhibition in New York in 2026, expanding the cross-cultural discourse between Korea and the United States that Gallery Chang has long championed. CATALOG View Catalog here INSTALLATION VIEWS

Mar 8 - May 4, 2024 Intro Catalog Installation Views Next [C2] Middletown K-Art Show Mar 8 - May 4, 2024 INTRO CATALOG View Catalog here INSTALLATION VIEWS

Feb 20 - MAr 25, 2025 Intro Catalog Installation Views Next [C1] New York Recent Works Feb 20 - MAr 25, 2025 Andy Moses INTRO CATALOG View Catalog here INSTALLATION VIEWS

Feb 3 - 28, 2026 Intro Catalog Installation Views Next [C4] Seoul What remains in painting Feb 3 - 28, 2026 INTRO CATALOG View Catalog here INSTALLATION VIEWS

JUL 25 – AUG 5, 2025 Intro Catalog Installation Views Next [C1] New York / [C3] Middletown CHASE Project: Phase Shift JUL 25 – AUG 5, 2025 INTRO CHASE Project: Phase Shift Once a proud symbol of financial power, first as the Bank of New York in the 1960s and then as Chase Bank in the 1990s, this building no longer serves its original purpose. In an age shaped by a global pandemic and rapid digitalization, grand bank buildings like this have become obsolete. The meaning and function of this space have reached a turning point. Now, with only its steel skeleton and memories remaining, the building stands on the brink of transformation. Reborn as “The Bank,” it will become a hybrid cultural space where food, art, and residence converge. The exhibition CHASE Project: Phase Shift marks the beginning of that transformation. It is both a statement and a scene of change. “Phase Shift” refers not to simple change, but to a fundamental transformation in function and meaning. The six participating artists respond not only to the building’s physical structure, but also to the emotional, cultural, and existential resonances carried within this shift. Shin Kiwoun approaches the essence of existence through physical abrasion and disintegration. Using sanders and grinders, he wears down various everyday objects such as coins, figurines, cassette tapes, books, and cell phones. His process erases form while embedding time and memory into the material. This gesture was inspired by a semiotic question he encountered in graduate school: is a chair better represented through an image, a word, or its real presence? Ultimately, he began to wonder about the chair in its molecular or atomic form. What began as a material experiment evolved into a meditative practice. Objects with vivid colors and clear structures are ground down into a gray powder, revealing the boundary between presence and absence, between memory and forgetting. His work questions how a stripped object might recover meaning, and suggests that transformation can be a quiet return to essence. Kim Hong Bin visualizes the inner reality of change through layered clashes of color and texture. Paint accumulates on canvas, only to be scratched, torn, and burst. Within the boldness of primary color and apparent chaos lie fragments of feeling, memories of rupture. His compositions remind us that transformation often breaks equilibrium and calls for new structures to emerge. Anon constructs sculptural surfaces that express sensory layering, using color and texture as core visual language. Through repetition—layering, tearing, rolling, attaching—she creates bas-relief works using textiles, paper, and fiber. These forms stimulate both touch and sight, forming spaces that resonate emotionally. Her compositions, both rhythmic and organic, breathe quiet vitality into the architectural shell. In this exhibition, she lends warmth and emotional texture to a transitional space, gently illuminating the inner tremors of change. Anikoon proposes a playful and sensory response to change through whimsical form and color. His robot-like sculptures, adorned with buttons, gears, and vibrant hues, are not functional machines but agents of imagination. Beyond their visual charm, they speak to the joy and surprise we hope to find in unfamiliar moments of transition. Im Jibin reactivates abandoned spaces by combining architectural scale with poetic imagination. His large, balloon-like figures press out through windows or emerge from vacant interiors. These playful interventions bring humor and energy back into deserted structures. His work visualizes a longing for spaces where people might gather again and reconnect. Koo Nahyun captures the persistence of human intimacy within environments in flux. Drawn directly onto walls, her figures and animals share quiet moments of warmth, even in the midst of collapse. The faded tones echo the building’s incompleteness, while her compositions remind us that familiar emotions can survive inside unfamiliar spaces. Change does not always mean something new. Sometimes, it is what stays that matters most. This is no longer a vault, but a vessel for possibility. marks the beginning of that transformation. CATALOG View Catalog here INSTALLATION VIEWS

2025 test HONGBIN KIM NOV 8, 2024- JAN 31,2025 Water Moon Mirror Flower KIM NAM JOO AUG 1- SEP 31 LAYERED ANON MAY 1- MAY 31 Embracing Autumn: Threads of Color ANON OCT 1- NOV 7 Harmony of Colors and Flavors GISELE PARK JUL 1- JUL 31 Happy Lunar New Year: Live Performance by Oh Kwan Jin at missKOREA BBQ OH KWAN JIN JAN 20- JAN 25 New York Fashion Week F/W 2024 VIP Afterparty NEW YORK FASHION WEEK 2024 SEP 7, 2024 Heart to Heart ANIKOON JUN 1- JUN 31

JUL 4 - 30, 2025 Intro Catalog Installation Views Next [C4] Seoul To Glow in the Afterglow JUL 4 - 30, 2025 Mark Acetelli INTRO To Glow in the Afterglow: 빛의 잔상 어떤 감정은 바로 다가오지 않는다. 대신, 잔광처럼 스쳐 지나가고 어느 날 조용히 되살아난다. Mark Acetelli의 회화는 그 찰나의 기억을 잡아두려는 시도이자, 잔광 사이에서 빛나는 마크의 기억들을 하나하나 꺼내어 화면 위에 쌓아올리는 과정이다. “작업은 늘 변화하고 흐른다. 물처럼 흘러가고, 그 흐름 안에서 진심을 계속 꺼내야 한다.” 그는 말한다. 오랫동안 방치된 플라스틱 컵 속 물감을 다시 꺼내보기도 하고, 색은 네 가지, 다섯 가지를 섞어 그날의 감정을 간신히 만든다고. 요리처럼, 본능처럼. 그렇게 탄생한 화면은 정리되지 않는다. 오히려 결과에 대한 집착을 놓아버리고, 과정을 받아들이는 법을 보여준다. 이번 전시 《빛의 잔상》은 This Too Shall Pass, Be Like Water, Hope, Currant and Flow 등 작가의 대표작들을 통해 사라진 감정의 끝자락이 마지막으로 반짝이는 순간을 기록한다. 빛이 다 스러진 후에도 남는 온기. 그 사이에서 마크의 감정은 여전히, 우리 안으로 조용히 스며든다. CATALOG View Catalog here INSTALLATION VIEWS