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Artist Biography Works Media Next Kim Sae Jun Korea BIOGRAPHY EDUCATION 2021 MFA, Yale School of Art, New Haven, CT 2015 BFA, School of the Art Institute of Chicago, Chicago, IL EXHIBITION 2021 Arcadian Feedback, M23 Project, New York, NY 2021 To Hear No Echo, Yale sculpture MFA thesis, New Haven, CT 2018 Accumulated Loss, Art Space Anygol, Goyang-si, South Korea 2017 Lie To Me, Burren College of Art Residency Program, Ballyvaughan, Ireland Nature vs. Nurture, Evanston Art Center, Evanston, IL Solo Show, Comfort Station, Chicago, IL Here and After, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL 2016 Sustainability Show, Waterfall Gallery, New York, NY Bridgeport Artist walk, Fat City, Chicago, IL Structure, Union Street Gallery, Chicago Heights, IL 2015 Entropy and Industry, Fat City, Chicago, IL Bachelors of Fine Art Show, School of the Art Institute of Chicago, Chicago, IL Visiting Artist Exhibition, The Chicago Academy for the Arts, Chicago, IL 2014 Call & Response, Evanston Art Center, Evanston, IL 2013 Frontier Exhibition, Morpho Gallery, Chicago, IL 2012 To / From Public critique Exhibition, School of the Art Institute of Chicago, Chicago, IL Alumni Show, The Chicago Academy for the Arts, Chicago, IL Art Bash, School of the Art Institute of Chicago, Chicago, IL GROUP EXHIBITION 2017 Burren College of Art, Ireland 2017 New Zealand Pacific Studio, New Zealand 2016 ACRE, Steuben, WI AWARDS AND GRANTS 2021 George R. Bunker Award, Yale University 2015 “Shaping the Future” Award, Remet Corporation 2012 Buonanno Scholarship Award, School of the Art Institute of Chicago, Chicago, IL 2007 Presidential Scholarship Award, School of the Art Institute of Chicago, Chicago, IL PUBLICATION 2021 2021 MFA thesis exhibitions in Sculpture, Art & Education 2015 F news magazine, School of the Art Institute of Chicago AWARD 2020 Earport, Duisburg, Germany WORKS MEDIA

Exhibitions (All) The Hidden Masterpiece Cho Yong Ik April 11 – May 4, 2024 MASTERPIECE (2019-2023) Kim Kang Yong February 8 – 28, 2024 K-Art Show March 8 – May 4, 2024 Moon Insoo / Oh Kwan Jin / Kim Sea Joong / Woo Jiyeon / Park Gisele / Anon / Anikoon / Mine. K K-Art Chronicles Spring Part I February 29 – April 10, 2024 Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong Emptying to Enrichment: Moon Jar’s Path Oh Kwan Jin February 16 – March 17

Artist Anikoon Kim Kang Yong Oh Kwan Jin Yoo Choongmok Anon Kim Sea Joong Park Gisele Cho Yong Ik Mine.K Rokkankim Choi Nari Moon Insoo Woo Jiyeon Project with Han Sanygoon M. Maresca Im Jibin Theo Woodward Kim Youngmi Koo Nahyun

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Artist Intro Installation Views Media Next C1 K-Art Chronicles Spring Part I Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong February 29 – April 10, 2024 Introduction Cho Yong Ik , a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. Moon Insoo , a Korean contemporary artist known as the ‘Sculptor of Steel and Concrete,’ stands out for his modern approach, unbounded by traditional styles. His upbringing amidst war’s aftermath shapes his work, reflecting themes of destruction and reconstruction. His sculptures are abstract and urban, often incorporating heavy steel plates and protruding rebar, reminiscent of his childhood surroundings. Typically assembled like large patchworks, they exude both strength and lyrical beauty. While they seem to collide with the forces of creation and destruction, they possess a simple yet profound beauty, preserving the artist’s effort and becoming more intimate over time as they weather and age. In 1986, he won the Grand Prize at the National Art Exhibition, marking the first time a sculptor achieved such recognition. His notable sculpture ‘Red Bull’ embodies a minimalist silhouette with a modernist aesthetic. Currently, his works are being exhibited at the Seoul Arts Center. This exhibition highlights Moon Insoo’s artistic prowess and innovative approach, cementing his legacy as a trailblazer in the world of sculpture. His unique perspective warrants attention and confidence in his future prominence. Artist Oh Kwan Jin , a leading figure in Korean art, pioneers the fusion of Eastern and Western artistic techniques, evident in his signature motif of the moon jar symbolizing ‘Emptying and Filling.’ His artworks, featured in Korean dramas and movie sets, contribute to the global recognition of Korean art. Oh Kwan Jin’s innovative approach combines the chiaroscuro of Western painting with the aerial perspective of Eastern painting. He intricately carves hanji (traditional Korean paper) into pieces, blending stone powder and pigments to craft smooth ceramic forms on the background, filling cracks with clay, glaze, and wood fusion. This results in a three-dimensional screen that captivates viewers with optical illusions. Critic Park Ok Saeng notes that Oh Kwan Jin’s works, while embracing Eastern motifs, exhibit a painting attitude reminiscent of Western art, seen in the subtle light, deep shadows, and precise geometry evocative of vessels. Essentially, Oh Kwan Jin’s paintings expand the act of Eastern painting on hanji to the craft of bas-relief, presenting a transition towards Western painting through the scientific depiction of light reflection. Recognized as a prominent figure in the global art scene, Kim Sea Joong is celebrated as the “Painter of Light,” famed for his profound exploration of light, space, and time. Kim’s artistic exploration delves into the concepts of space within the frameworks of squares and circles while also exploring diverse spatial notions. Employing various materials within these confines, he tears, folds, and inserts them to create new spatial structures, forming novel relationships within the space. Simultaneously, Kim reflects on the emotional impact of colors, interpreting flat elements into three-dimensional forms and juxtaposing real objects with their shadows to rediscover flat surfaces. Inspired by the French literary term “Préciosité,” embodying a longing for elegance, refinement, wit, intellect, and beauty, Kim’s works embody a pursuit of extreme beauty. By combining painting and sculpture, he transcends their limitations to create unique artworks that engage viewers in discovering new dimensions of time and space. Through meticulous processes and vibrant colors, Kim invites viewers to participate in the exploration of beauty and space, ultimately redefining spatial relationships and undergoing transformations within exhibition spaces. Kim Sea Joong is a leading figure shaping the future of contemporary Korean art as a member of Gana Art. Installation Views Load More Media C1 Group Exhibition

Artist Intro Installation Views Media Next C1 The Hidden Masterpiece Cho Yong Ik April 11 – May 4, 2024 Introduction Cho Yong Ik, a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. Installation Views Load More Media

Artist Intro Installation Views Media Next C2 Emptying to Enrichment: Moon Jar’s Path Oh Kwan Jin February 16 – March 17 Introduction "Gallery Chang Set to Redefine Middletown's Artistic Identity" Under the esteemed guidance of Chang Jun Hwan, whose expertise spans renowned galleries worldwide, Gallery Chang is poised to revolutionize Middletown's cultural landscape, drawing inspiration from Dia:Beacon's transformative influence and envisioning Middletown, NY, as the next cultural beacon. Director Chang Jun Hwan, known for his involvement in notable endeavors including the 2018 Pyeong Chang Winter Olympics, envisions Gallery Chang not merely as an art gallery, but as a dynamic cultural hub fostering creativity, igniting community engagement, and catalyzing artistic expression in Middletown, NY. The inaugural exhibition at Gallery Chang's Middletown venue will showcase the solo works of Oh Kwan Jin, presented under the evocative title "Emptying to Enrichment: Moon Jars Path.” Running from February 16th to March 17th, visitors will have the opportunity to immerse themselves in Oh Kwan Jin's acclaimed artworks, which also include his notable contributions to Korean drama sets, cherished by K-pop enthusiasts and drama aficionados. Notably, Oh Kwan Jin's exhibition will feature new paintings, including "Blue Dragon," inspired by the Eastern astrological tradition where 2024 marks the Year of the Blue Dragon. This thematic piece adds a unique cultural resonance to the collection, complementing Oh Kwan Jin's new 2024 works. To mark this momentous occasion, the opening day festivities will be graced by a live performance from Oh Kwan Jin himself, offering attendees an intimate encounter with his artistry. With a seamless fusion of Eastern and Western influences, Oh Kwan Jin's oeuvre epitomizes Gallery Chang's commitment to promoting cross-cultural dialogue and appreciation. Distinguished guests, including the Mayor of Middletown and notable VIPs from various spheres, will be in attendance, underscoring the significance of Gallery Chang's endeavor in enriching both the local arts scene and the broader cultural landscape. “In Middletown, NY, Gallery Chang isn't just about art—it's a lively cultural hub," remarked Director Chang Jun Hwan during an interview. "We aim to foster creativity, community engagement, and cross-cultural dialogue, making a meaningful impact beyond the canvas." Installation Views Media Oh Kwan Jin Trailer Oh Kwan Jin C2 Opening Oh Kwan Jin x Miss Korea BBQ Collaboration

Artist Intro Installation Views Media Next C2 Emptying to Enrichment: Moon Jar’s Path February 16 – March 17 Oh Kwan Jin Introduction Installation Views Media

Artist Intro Installation Views Media Next C1 MASTERPIECE (2019-2023) February 8 – 28, 2024 Kim Kang Yong Introduction Gallery Chang is pleased to announce the unveiling of Kim Kang Yong's second solo exhibition in New York, marking the inaugural exhibition for the gallery. As a distinguished figure in Korean contemporary art, Kim Kang Yong embarked on his artistic journey in the mid-70s, captivated by the hyperrealist movement. It's noteworthy that Korean hyperrealism of that era differed from its American counterpart, reflecting unique perspectives shaped by societal contexts such as the construction boom under the 5-year Economic Development plan. The 1970s in South Korea witnessed a surge in construction activities, with industrial complexes, express highways, and apartment complexes springing up in major cities as part of this developmental phase. This unique societal background significantly influenced Kim Kang Yong's artistic approach, particularly in themes related to brick and material. The prevalence of construction and urban development during this period became integral to his artistic expression. Kim Kang Yong's exploration of hyperrealism not only captured the visual aspects of his surroundings but also delved into the essence of societal transformation. His utilization of brick and its material distinctly reflects the societal development in South Korea during that era, evident in his works. Kim Kang Yong's monochrome representation of brick underwent a significant transformation upon his arrival in New York in 2005, where the vibrant spectrum of brick colors in Manhattan captivated him. This experience marked a pivotal shift in his artistic approach, leading to the inception of multicolored works during his time in New York. Upon returning to Korea, Kim Kang Yong continued his asetheic exploration and embarked on technical experimentation, further enriching the depth and diversity of his artistic expression. Yet, Kim Kang Yong's artistic endeavors extended beyond. The current exhibition at Gallery Chang stands as a testament to his ongoing dedication - a byproduct of his relentless artistic endeavor. Highlighting Kim Kang Yong's latest works spanning from 2019 to 2023, this showcase is a vivid portrayal of his unwavering pursuit of originality and creativity, catalyzing the redefinition of artistic boundaries. His influence extends beyond South Korea, resonating globally and setting new benchmarks in hyper-realism, thereby expanding the horizons of what art can aspire to achieve. Installation Views Load More Media Kim Kang Yong Opening Kim Kang Yong Interview

Artist Intro Installation Views Media Next C1 K-Art Chronicles Spring Part I February 29 – April 10, 2024 Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong Introduction An exhibition featuring stunning photography from around the world Installation Views Media C1_1st Group Exhibition_Opening