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Back Chungbuk’s Future Lies Not in Seoul, but in the World. Chang Junhwan, Shane Guffogg, and Lee Jong-tae Present a “Global Vision” A new vision was put forward suggesting that Cheongju, Chungcheongbuk-do, should no longer remain in a “second-place strategy” of following Seoul, but instead connect directly with the global stage. A special lecture on culture–technology convergence held on the 2nd at Chungbuk National University was organized through the initiative of New York–based attorney Chang Junhwan, CEO of Gallery Chang. The event drew significant attention from students, particularly with the participation of world-renowned artist Shane Guffogg, who was born in California. Following the lecture, a roundtable discussion was held at the headquarters of Cheongju-based specialty chocolate company Bonjeong, joined by its CEO Lee Jong-tae. Together, the three speakers shared a common awareness: that Chungbuk should be envisioned not as a mere “regional city,” but as a global culture-and-technology hub. Attorney Chang Junhwan proposed the concept of a “city to stay” as a direction for Chungbuk’s urban development. “Many regional cities have the weakness that people simply visit and leave,” he said. “But to revitalize the economy, we need to create conditions that encourage people to stay one more day.” He emphasized the activation of the nighttime economy as a core requirement. “A city lives when the night is alive,” Chang noted, calling for more programs that young people can participate in, as well as cultural events that continue into the evening. He added that “even if railways and roads are connected, the local economy cannot grow unless people actually stay,” citing the PyeongChang Winter Olympics, where nighttime content and cultural events contributed significantly to the regional economy. Addressing students directly, he advised, “Success doesn’t come from a single giant leap, but from a series of small successes. It’s important to keep creating modest achievements here in Chungbuk and connect that confidence to the global stage.” He described the lecture itself as a “cultural experiment for Chungbuk’s future,” adding, “Chungbuk has extraordinary natural assets like Songnisan and a deep cultural heritage. Let’s start today by thinking together about how to connect these to the global market.” Visiting Cheongju for his first lecture in Korea, Shane Guffogg shared his fresh impressions of Chungbuk with students. “On the way to Cheongju, I saw landscapes of greenhouses and rolling hills,” he said. “It reminded me of rural New England or the outskirts of New York. This place, where nature and city coexist, has real appeal as a global testbed.” He was especially impressed by Korea’s café culture. “Korean cafés are on a completely different level,” he remarked. “Even highway rest stops have distinct designs and concepts. They’re not just places to sell coffee, but feel like artworks in themselves. This kind of creativity is a core competitive strength of Korean culture.” Guffogg also introduced his own artistic practice. “My work layers multiple dimensions of time onto a single canvas,” he explained. “That process resembles the concept of superposition in quantum computing. Art and science may seem different, but in fact they speak the same language.” The lecture concluded with a flood of student questions. Guffogg expressed his satisfaction, saying, “When the audience laughs and nods, the lecture truly comes alive. I was impressed by the active discussion culture among both professors and students at Chungbuk National University.” He added, “I hope small cultural movements that begin in Chungbuk will spread beyond Asia to the world,” and expressed his desire to continue engaging with Korea. He is currently presenting a new series, Memories of Our Future , at Gallery Chang Seoul. Lee Jong-tae, CEO of Bonjeong, emphasized the role that regional companies must play on the global stage. “Cultural value often begins in small cities rather than major metropolises,” he said. “Just as artistic movements in France and galleries in Manhattan grew by absorbing content from outside the center, Chungbuk can also generate such momentum.” He stressed that regional brands should function not merely as “sellable products,” but as mediators of global cultural exchange. “Population may decline, but cultural and economic value must grow,” Lee explained. “As a regional brand, Bonjeong is actively participating so that Chungbuk can have a voice on the global stage.” Referring to Bonjeong’s collaboration with a New York gallery, he noted, “This project marked the first case of a Chungbuk brand entering a global cultural platform.” He added, “We will continue to participate in world-class cultural projects to grow Bonjeong into a global brand.” Lee concluded, “When regional companies join hands with culture, they can create new engines of growth. Bonjeong will stand as a cultural partner until the day Chungbuk gains global recognition.” The special lecture and roundtable together reaffirmed the possibility that Chungbuk can connect directly with the world, rather than merely following in Seoul’s footsteps. Each speaker emphasized a different aspect—Chang Junhwan highlighted a “city to stay,” Shane Guffogg stressed the “globalization of cultural creativity,” and Lee Jong-tae underscored the “global leap of regional brands”—but their message was unified. www.bzeronews.com 충북의 미래는 ‘서울 아닌 세계’…장준환·셰인·이종태, ‘글로벌 비전’ 제시 - 불교공뉴스 충북 청주가 더 이상 서울을 따라가는 ‘2등 전략’에 머물지 않고, 곧바로 세계와 연결되는 글로벌 비전의 필요성이 제시됐다.문화와 예술, 그리고 지역 브랜드가 어 < >

Back Iconic Korean Moon Jars by Renowned Artist Oh Kwan Jin on Exhibit in Upstate NY MIDDLETOWN, New York — Serene and intricate traditional Korean paintings grace the walls of a new gallery in upstate New York, which opened its doors for a ribbon-cutting event from 5 to 7 p.m. on Friday. Feb. 16. Located in Middletown, an up-and-coming community in western Orange County, Gallery Chang at 55 North St hosted over a dozen pieces by famed painter Oh Kwan Jin, whose work has featured in over 20 Korean TV dramas. The inaugural exhibit is titled Emptying to Enrichment: Moon Jars Path . It will remain open to public viewing at Gallery Chang until March 17. Works on display revolved around the theme of moon jars — a type of Korean pottery developed during the Joseon Dynasty (1392–1897). The simple appearance at first glance of the paintings belies finer details that reveal themselves easily upon scrutiny. A Korean moon jar motif brush painting by artist Oh Kwan Jin on display in the Gallery Chang C2. Photo taken Feb. 16, 2024 in Middletown, upstate N.Y. (Image: Vision Times) Middletown, NY Mayor Joseph DeStefano on His Initiatives to Help Local Businesses Thrive A piece by Korean artist Oh Kwan Jin, entitled “Emptying and Enrichment Holding Blessings” on display at the Gallery Chang C2 location in Middletown, N.Y. (Image: Provided to Vision Times) Eastern and Western technique is visible in Oh’s art, which carries a contemporary feel while retaining the subtleties and atmosphere of traditional Korean brush painting. One of his new paintings, displayed at the entrance of the gallery, includes Blue Dragon , inspired by the Eastern astrological tradition where 2024 marks the Year of the Wood Dragon (in the ancient theory of five elements, wood is signified by the color blue). This thematic piece adds a unique cultural resonance to the collection, complementing Oh Kwan Jin’s new 2024 works. Middletown Mayor Joseph DeStefano was in attendance for the ribbon-cutting ceremony, held shortly after 5 p.m. Middletown, N.Y. mayor Joseph DeStefano (center, holding scissors) attends the ribbon-cutting ceremony at the Gallery Chang at 55 North St. Artist Oh Kwan Jin and Chang Jun Hwan (L-R from DeStefano) are also in attendance. (Image: Vision Times) Director Chang Jun Hwan, known for his involvement in notable endeavors including the 2018 Pyeongchang Winter Olympics in Seoul, envisions Gallery Chang not merely as an art gallery, but as a dynamic cultural hub fostering creativity, igniting community engagement, and catalyzing artistic expression in Middletown. The Middletown location is the second Gallery Chang , following the original location in central Manhattan. Another Gallery Chang in Palisades Park, New Jersey, is planned to open in 2025. Moon jars: calm and peace Oh Kwan Jin has worked with moon jars and moon jar-related themes for over 35 years. The moon jar “represents calm and peace.” The contrast of the white jar on a blue background is a “perfect example” of a moon jar painting, Chang Jun Hwan said at the opening event, pointing at one of Oh’s works. Moon jars are intentionally made to be slightly asymmetrical. They feature a smaller base and larger top, which simulates the impression of floating in air. “Blue Dragon” seen near the entrance of Gallery Chang. (Image: Vision Times) Chang, accompanying Oh, explained at the opening event that the moon jar motif “represents our life, which is not perfect. … The imbalance itself is natural beauty.” Elaborating on the name of the exhibit, “Emptying to Enrichment,” Chang said, “All of these drawings represent one big theme: a philosophy of emptying and filling. In order to fill yourself, you first have to empty yourself, that is the Asian, the Korean and Chinese mindset. You first have to give out to get something.” Some of the artworks featured symbolism relating to Eastern culture and customs. For instance, one piece had a moon jar placed upon a wooden chest, which in Asian countries are used to store money and other valuables, Chang said. Chang Jun Hwan (R) poses with a visitor to Gallery Chang. (Image: Courtesy of Gallery Chang) “We put the moon jar on top of it so that it can be protected, even in the nighttime,” he said through the aide, pointing to an actual moon present in the painting. Occupying a central place in the gallery was a piece with several moon jars on a dark blue background. The dark blue, Chang explained, represents the darkest night before the sunrise. “The sunrise is hope. Just like Middletown is reviving itself [and entering] a new stage,” he said. [Source from VISION TIMES press release, provided by Leo Timm] < >

Back “Binary Equilibrium” Luxuriates in Polarity Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Left to right: When the Light Shines Ⅰ (Yuna Cho) / Sculpted Illusion (Yuna Cho) / Tidal (Paul Rho) / Sculpted Illusion Ⅱ (Yuna Cho). Courtesy of Paul Rho. On July 30, the Korean Association of New York Artists (KANA) held its opening for the exhibition Binary Equilibrium at Gallery Chang . The group exhibition was curated by Calvin Lee and Lina Hwang, featuring the works of eight multidisciplinary Korean-born and Korean-American artists. The show, part of a two-part collaboration with Gallery Chang and KANA (with the second part being Unbound Playground ), was inspired by a culmination of Western existentialism and Eastern takes on nihilism. Electric in its dynamic and dialectic curation, it adopts a playful approach to themes of life and death, sublimity and nothingness. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Ice Swans, Sand Slit (Dawn Kim) / Vertical Equilibrium, Binary Equilibrium (Calvin Lee). Courtesy of KANA and Gallery Chang. Binary Equilibrium , at its heart, is an exhibition about contradictions. According to the press release, “the interplay between humanity and the natural world” informs the show’s “synthesis or equilibrium between these opposing ideologies.” The space is divided into four sections: Sublime, Beauty, Tragic, and Comic. Tied to the history of philosophy, these sections are inspired by the writings of Sartre, Nietschze, and Nicolai Hartmann, as well as Eastern teachings of naturalism. Two disparate intellectual traditions conflict and potentially synthesize with each other — a “binary equilibrium,” if you will. Every section presented two artists’ works in pairs: Saejun Kim and Taejoong Kim, Calvin Lee and Dawn Kim, Paul Rho and Yuna Cho, and Jean Oh and Kai Oh. These works’ dialectical placements encouraged their viewer to stew in apparent contradictions, prompting them to reconcile the irreconcilable. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Cells and pixels (Kai Oh) / Big Issue These Days, A Searching (Jean Oh). Courtesy of KANA and Gallery Chang. To do this, much of the art drew from a childlike place, harkening back to a time in life when a logical world was not necessary. The multimedia works all walk the tenuous line between Korean ideals of balance and a more Western philosophy-based postmodern pull toward hyperindividualism. From Paul Rho’s Photogami series , where each photograph was folded into origami and then unfolded, to the thickly textured oil paintings of Jean Oh that don stitches, cuts, and scratches, to the vibrant screen prints of Kai Oh, the show pulsed with enough whimsy as to not drown in the weight of its own hefty philosophical source points. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Vein, The initial phase of berry growth is a result of cell division and cell expansion (Kai Oh) / Bumpy, Serial (Jean Oh). Courtesy of KANA and Gallery Chang. The collision of Eastern and Western philosophy and particularly how nihilism interacts with Eastern naturalism were important touchstones in the formulation of this show, according to curator Calvin Lee. These questions of culture manifest themselves in the show with juxtapositions of naturalism and industrial: angular plaster sculptures sit alongside soft, rounded lanterns shaped from prints of Korean oceanscapes. Muted and hushed explorations of vague traces of the human body are paired against ultra-vibrant scenes of vineyards, accented with a distinctly modern neon color scheme. Many of the artists utilized traditional Korean materials and practices, expanding them into something distinctly fresh and distinct. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Dich in Allen Dingen (Tae Joong Kim) / Untitled (Earth Rise on, off), Untitled (Fox 1,2), Untitled (oyster, marble) - Sae Jun Kim. Courtesy of KANA and Gallery Chang. The synthesis of the two ideals is stirring — perhaps there is nothing pristine and natural left in this industrial world, for even the soft, muted lushness has been touched by the brutal, the concrete, the hyper-developed. But then again, perhaps the natural can exist alongside the industrial and wrap its soft edges around hard lines, creating something distinctly of our time and beautiful in its own specific way. Binary Equilibrium was on view at Gallery Chang from July 30 to August 7, 2024. Featured artists include: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh. [Source from IMPULSE press release, provided by Zara Roy ] impulsemagazine.com “Binary Equilibrium” Luxuriates in Polarity — IMPULSE Magazine A collaboration between the Korean Association of New York Artists (KANA) and Gallery Chang delves into philosophical history. < >

Back Alex Soldier x Gallery Chang Star-studded New York Fashion Week Alex Soldier x Gallery Chang Star-studded New York Fashion Week The Blacklist stars Hisham Tawfiq and Anya Banerjee, joined by Maria Soldier and Avanthika Srinivasan shine at the opening of New York Fashion Week hosted by Alex Soldier and Gallery Chang celebrating art, fashion and exquisite jewelry , handcrafted with love in the heart of New York City. Photo credit: Daniel Serrette. Alex Soldier Opens New York Fashion Week with a Spectacular Fusion of Art, Fashion, and Luxury at Gallery Chang New York, NY – Kicking off New York Fashion Week in extraordinary style, renowned jewelry designer Alex Soldier hosted a premier, star-studded event at the prestigious Gallery Chang, celebrating the dynamic intersection of art, fashion, and jewelry. The exclusive gathering unveiled Alex Soldier's latest collection of extraordinary jewels , mesmerizing the audience with their intricate designs and timeless elegance, crafted to captivate and inspire in the heart of New York City. "It's collaborations like these that contribute to the dynamic and ever-evolving landscape of the fashion industry, showcasing the endless possibilities when different forms of artistic expression come together," said Maria Soldier , who represented her family's brand and co-produced the event together with celebrity stylist Andrew Cristi. Among the notable attendees were Lyne Renée, an actress recognized for her role in Gossip Girl , and Jonathan Fernandez, known for his appearances in TV series like Lethal Weapon . Hisham Tawfiq, known for his role as Dembe Zuma on the long-running hit series The Blacklist , brought his charismatic presence, symbolizing the crossover between the entertainment industry and the fashion world. Anya Banerjee, a more recent addition to The Blacklist cast, further showcased her rising star status, mingling with key figures in fashion and the arts. Prince Mario-Max Schaumburg-Lippe, a European royal, also graced the event, bringing a touch of aristocratic prestige. His presence alongside other influential personalities underlined the global and diverse nature of New York Fashion Week, which regularly attracts international icons and celebrities. The event also showcased the stunning couture of acclaimed fashion designer Alex Teih, known for his elegant and sophisticated creations. Teih's latest collection dazzled with his signature blend of modernity and grace, captivating fashion enthusiasts and industry insiders alike. Adding to the excitement, Club Lapel, a celebrated men’s fashion label, presented its latest menswear line, lauded for its fresh, stylish approach to contemporary fashion. Together, these collections embodied the cutting-edge spirit that defines New York Fashion Week. As a highlight of the afternoon, guests were treated to an exclusive experience courtesy of Benoît Maillard, co-founder of Grande Charte Champagne and special guest of Maria Soldier. Maillard shared rare insights into the secrets of this discreet Maison, unveiling a taste of the world's most elusive and sought-after champagne bottles—an unparalleled treat for the attendees. Guests indulged in delectable desserts provided by Something Sweet Gallery Cafe prepared by pastry chef Sung Jin Lee while mingling with fellow fashion and art aficionados, creating an atmosphere of refined sophistication and celebration. This unforgettable event marked the perfect opening to a week dedicated to the best of fashion, design, and artistic expression. About Alex Soldier Alex Soldier is a globally acclaimed jewelry designer known for his innovative techniques, extraordinary craftsmanship, and ability to transform precious metals and gemstones into wearable works of art. His collections are cherished for their unique designs and meticulous attention to detail. About Alex Teih Alex Teih is a celebrated couture designer recognized for his sophisticated, timeless approach to women’s fashion. His creations are synonymous with elegance and impeccable craftsmanship, making him a standout in the world of couture. About Club Lapel Club Lapel is a men’s fashion label that blends modernity and style to create cutting-edge designs for the contemporary man. Known for its fresh approach to menswear, Club Lapel continues to redefine men’s fashion. Celebrity and Fashion Stylist: Andrew Cristi Backstage Stylist: Janna Fey Make up artists: Anna Meretlieva and Anna Stipnik Event Producers: Andrew Cristi and Maria Soldier Lyne Renée and Jonathan Fernandez from Gossip Girl , Prince Mario-Max Schaumburg-Lippe, and Maria Soldier dazzle at New York Fashion Week's opening. The event, orchestrated by Alex Soldier and Gallery Chang, was a genuine celebration of the harmonious blend of art, fashion, and intricate handcrafted jewelry . All these elements, passionately crafted in the heart of New York City, came together to create an atmosphere of authenticity and originality. Photo credit: Dre Lacy. Only Murders in the Building star Wesley Taylor attends the opening of New York Fashion Week hosted by Alex Soldier and Gallery Chang celebrating art, fashion and exquisite jewelry , handcrafted with love in the heart of New York City. Photo credit: Daniel Serrette. Those About to Die star Lara Wolf, Prince Mario-Max Schaumburg-Lippe, Maria and Alex Soldier celebrate the opening of New York Fashion Week, hosted by Alex Soldier and Gallery Chang, saluting to the fusion of art, fashion, and exquisite handcrafted jewelry , all made with love in the heart of New York City. Photo credit: Daniel Serrette. Law & Order: SVU star Aimé Donna Kelly with model and artist Georgia Valenti wearing Alex Teih Couture and Alex Soldier Blossom earrings , Fine Lace chain and Codi The Snail ring , handcrafted with love in the heart of New York City. Photo credit: Dre Lacy. Vivian Lou, Benoît Maillard, co-founder of Grande Charte Champagne, Maria Soldier, event producer, Ara Cho, Gallery Chang owner, and Alex Soldier host the opening of New York Fashion Week with an authentic celebration of the intricate blend of art, fashion, and meticulously handcrafted jewelry , all passionately created in the soul of New York City. Photo credit: Daniel Serrette. Renowned Home Improvement actor, Richard Karn, graced the kickoff of New York Fashion Week. This noteworthy event, brought to life by Alex Soldier and Gallery Chang, was a celebration of art, fashion, and stunning designer jewelry , lovingly created right in the heart of New York City, a hub of creativity and innovation. Photo credit: Dre Lacy. Influencer Karina Achaeva and event producer Maria Soldier adorned in Alex Soldier jewelry and Alex Teih Couture, sparkle at the opening of New York Fashion Week hosted by Alex Soldier and Gallery Chang, celebrating a fusion of art, fashion, and exquisite handcrafted jewelry , all crafted with love in the heart of New York City. Photo credit: Daniel Serrette. Jewelry designer and sculptor Alex Soldier and Benoît Maillard, co-founder of Grande Charte Champagne, pose with models adorned in Alex Soldier jewelry and Alex Teih Couture. Models (L-R): Georgia Valenti, Ana Ordonez, Amanda Dawn, Hannah Petersen, Danna Khauli, Emannuel, Carlos Leon. Photo credit: Daniel Serrette. Event producers Andrew Cristi and Maria Soldier, adorned in Alex Soldier jewelry and Alex Teih Couture, sparkle at the opening of New York Fashion Week, hosted by Alex Soldier and Gallery Chang, celebrating a fusion of art, fashion, and exquisite handcrafted jewelry, all crafted with love in the heart of New York City. Photo credit: Daniel Serrette. At the opening of New York Fashion Week, Club Lapel menswear and Alex Soldier jewelry showcased their designs, worn by models posing outside Something Sweet Gallery Cafe. The collaborative event, masterminded by celebrity stylist Andrew Cristi, Alex Soldier and Gallery Chang, reflected a heartfelt appreciation for the seamless fusion of art, fashion, and detailed designer jewelry. The passion that goes into crafting these elements in the buzzing heart of New York City formed an ambiance that was undeniably authentic and original. (L-R): Oliver Talmadge, Philip Espinell Jr., Lucas Jetty, Marvin Kipp. Photo credit: Vanhada. Guests mingling with fellow fashion and art aficionados, fostering a genuine environment of elegance and festivity. This event, an honest representation of style and creative prowess, signaled the beginning of a week-long journey where fashion, design, and artistic expression took center stage. It became a memorable chapter in the story of New York Fashion Week. Photo credit: Daniel Serrette. alexsoldier.com Alex Soldier x Gallery Chang Star-studded New York Fashion Week Alex Soldier opens NYFW with a spectacular fusion of art, fashion & luxury at Gallery Chang. < >

Back Korean Association of New York Artists (KANA) Part 1 ‘Binary Equilibrium’ The Korean Association of New York Artists (KANA) is hosting two group exhibitions at Gallery Chang in Manhattan from July 30 to August 18. Curated by Calvin Lee and Lina Hae Lin Hwang, the exhibition is divided into two parts: Part 1, "Binary Equilibrium" (July 30 - August 7), and Part 2, "Unbound Playground" (August 9 - August 18). In Part 1, "Binary Equilibrium," artists Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh, all active in New York, will participate. The exhibition title "Binary Equilibrium" is inspired by philosophical texts such as Nietzsche’s "Thus Spoke Zarathustra" and Sartre’s "Being and Nothingness," reflecting the artists' perspectives on the intersection of existentialism and nihilism. Referencing the Eastern concept of Yin and Yang, the exhibition explores the boundary of these two waves, seeking balance between contrasting themes. The Eight Trigrams represent specific forms of nature and life. Each trigram contains elements of the Eastern natural world, and together they symbolize a state of completeness in Buddhism. The works of the eight artists, which incorporate the harmony of existence and nothingness, resonate with the Eastern worldview of past generations encapsulated in the Korean flag. Exploring how objects are perceived by subjects, German aesthetician Nikolai Hartmann categorized beauty into four concepts, and this exhibition references Hartmann’s framework in examining how humans perceive nature. The exhibition is divided into four sections: Sublime Beauty (Sae Jun Kim, Tae Joong Kim), Humorous Beauty (Jean Oh, Kai Oh), Tragic Beauty (Calvin Lee, Dawn Kim), and Elegant Beauty (Paul Rho, Yuna Cho). Each pair of artists explores the philosophical thoughts of existentialism and nihilism, sharing diverse perspectives on the meaning of life and existence through their works. "Binary Equilibrium" focuses on the existential flow rooted in human relationships with nature, contrasting with the nihilistic principles of nature. Sae Jun Kim and Tae Joong Kim depict nature, observing existence from a perspective that is opposite to that of the audience. Jean Oh and Kai Oh investigate the ambiguity and clarity of existence, expanding the ecosystem’s perspective and capturing the dissonance between humans and nature. Calvin Lee and Dawn Kim visualize the relationship between nature and humanity, transforming a vertical structure into a horizontal one to create a sense of order on the same plane. Paul Rho and Yuna Cho share a common theme of nature’s permanence, rearranging memories of nature to elevate and expand the boundaries of Korean elegance. The opening reception will take place on July 30 from 6 PM to 8 PM, followed by an artist talk on Saturday, August 3, at 2 PM featuring artists Paul Rho, Calvin Lee, Jean Oh, and Kai Oh. 뉴욕한인예술인협회(KANA, Korean Association of New York Artists, https://www.nykana.org)가 7월 30일부터 8월 18일까지 맨해튼 갤러리 장(Gallery Chang)에서 2회의 그룹전을 연다. 이상혁(Calvin Lee)과 황혜린(Lina Hae Lin Hwang)이 기획한 이 전시는 1부 ‘Binary Equilibrium’(7/30-8/7)과 2부 ‘Unbound Playground’(8/9-8/18)로 나뉘어 진행된다. 제 1부‘Binary Equilibrium’에서는 뉴요게서 활동하는 김태중(Tae Joong Kim), 김세준(Sae Jun Kim), 오진이(Jean Oh), 김다운(Dawn Kim), 이상혁(Calvin Lee), 조윤아(Yuna Cho), 노바울(Paul Rho), 그리고 오가영(Kai Oh)작가가 참여한다. 전시 타이틀 ‘Binary Equilibrium’은 니체의 ‘차라투스트라는 이렇게 말했다’와 사르트르의 ‘존재와 무’와 같은 철학적 텍스트에서 영감을 받았으며 실존주의와 허무주의의 이중성의 맞닿아있는 부분에 대한 작가들의 견해를 담아낸다. 동양의 음양 개념을 참조하여, 전시는 음과 양의 물결의 결계선에 대한 탐구를 진행하며 두 개념의 대립을 넘어서 상반된 주제 사이에서의 균형을 찾아간다. 8괘는 자연과 인생의 구체적 형태를 나타낸다. 8괘의 각 괘는 동양의 자연계 구성물들을 담고있는데 각 괘가 모인 8괘는 불교에서 완전의 상태를 상징한다. 존재와 무의 음양의 조화를 포함하여 자연과 삶을 소재로 한 8명의 작가들의 작업들은 태극기가 담아내고 있는 선대의 한국인들의 동양적 세계관과 관점에 공명한다. 객체를 주체가 어떻게 바라보는지에 대한 탐구에서 독일 미학자 니콜라이 하르트만은 미적범주라는 개념을 정리하여 아름다움을 네개의 개념으로 분류하는데 전시는 인간이 자연을 어떻게 바라보는가를 두고 하르트만의 체계를 참고했다. 이정시는 숭고미(김세준, 김태중), 골계미(오진이, 오가영), 비장미(이상혁, 김다운), 우아미(보바울, 조윤아)의 4개의 섹션으로 나뉘어져 있다. 두작가가 짝을 이루어 실존주의와 허무주의의 두 철학적인 사유를 탐구하며, 인생과 존재의 의미에 대한 각기 다른 관점을 작품을 통해 공유한다. ‘Binary Equilibrium’은 인간과 자연을 근간으로 사람과의 관계에서 시작된 실존주의의 흐름과 이에 반한 자연의 허무주의의 원리에 집중한다. 김세준과 김태중은 자연을 형상화하며 자연의 관점에서 세상을 역으로 바라보며 관객의 관점과 반대되는 지점에서 존재를 관찰한다. 오진이와 오가영은 존재의 모호함과 명확함의 경계의 대한 탐구로 진행되며 생태계의 단면을 확장하고 인간과 자연을 동격으로 두어 서로간의 이질감을 포착해낸다. 이상혁과 김다운은 자연과 사람간의 관계릐 수직적인 구조를 수평적인 구조로 동일 선상에 뒁 생성되는 질서를 시각화한다. 노바울과 조윤아는 자연의 영속성을 공통된 주제로 담고 잇으며 자연의 대한 기억을 재배열하여 승화시켜 한국의 우아미의 경계를 확장해나간다. 오프닝 리셉션은 7월 30일 저녁 6시부터 8시까지 진행되며, 8월 3일 토요일 오후 2시 노바울(Paul Rho), 이상혁(Calvin Lee), 오진이(Jean Oh), 그리고 오가영(Kai Oh) 작가가 참여하는 아티스트 토크가 열릴 예정이다. Part 1: ‘Binary Equilibrium’ July 30 - August 7, 2024 [Source from nyculture press release, provided by sukie] www.nyculturebeat.com 뉴욕한인예술인협회(KANA) 그룹전 1부 'Binary Equilibrium' @갤러리 장 NY(7/30-8/7) - Lounge - NYCultureBeat KANA x Gallery Chang Summer Exhibition Part I : Binary Equilibrium July 30 - August 7, 2024 Gallery Chang: 150 West 55th St. New York Opening Reception: Tuesday, July 30, 6-8 pm Artists: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, Kai Oh Curated by KANA - Calvin Lee, Lina Hwang 뉴욕한인예술인협회(KANA, Korean As... < >

Back The First Retrospective Exhibition in North America Honoring the Monochrome Master Cho Yong Ik No 102, 1966, oil on canvas, 45.6” X 58.6”. Cho Yong Ik. Cho Yong Ik (Korea, 1934-2023) Gallery Chang in Manhattan, New York, will host the retrospective exhibition 'The Hidden Masterpiece: Cho Yong Ik 1934-2023', marking the first in North America since Cho Yong Ik's passing last year. Cho Yong Ik is esteemed as a pivotal figure in the formation of contemporary Korean art, leading Korean abstract painting alongside major figures like Park Seo-bo, Chung Sang-Hwa, and Yun Hyong-keun. Born in 1934 in North Pyongan Province, he graduated from Seoul National University's Department of Painting and served as a professor at Chugye University for the Arts. Cho's participation in joint exhibitions such as those of the 'Korea Modern Art Association' and the '60s Art Association' in 1961 was pivotal for the development of Korean abstract art. Lee Min Ji, Senior Curator at Gallery Chang, explained, "From the late 1950s to the 1980s, Cho Yong Ik showed the most vigorous activity as an artist. His participation in prestigious international exhibitions such as the 2nd Paris Biennale in 1961 and the Bienal Sao Paulo in 1967 helped introduce his name globally." Though active alongside the first generation of monochrome painters from the 1960s, personal circumstances and illness in the early 2000s led Cho to step back from the art scene. However, his works have been reintroduced to acclaim, including solo exhibitions at the Sungkok Art Museum in 2016 and Olivier Malingue Gallery in London, and are currently featured in the National Museum of Modern and Contemporary Art's ongoing exhibition on 'Geometric Abstract Art in Korea'. He is being reassessed both domestically and internationally as a leading figure of the first generation of monochrome painters in Korea. The Senior Curator noted, "This exhibition will showcase over 20 works, offering a valuable opportunity to explore his artistic world spanning 70 years and the developmental history of Korean abstract painting." Furthermore, this exhibition anticipates significant attention from the global art community by presenting Cho Yong Ik's early Formel paintings such as <59-119> (1959) and (1966), as well as representative works of Korean geometric abstraction like <72-112> (1973) and <72-113> (1973), never before shown anywhere in Korea or abroad. [Source from THE KOREA DAILY press release, provided by Jongwon Park] < >

Back Gallery Chang Hosts Five-Artist Group Exhibition Gallery Chang, which continues active exhibition programming between Korea and New York, will open the group exhibition Beautiful Rupture on the 20th at its Manhattan location in New York City. This exhibition highlights five artists who explore “the boundary between beauty and rupture” through diverse media such as painting and sculpture. Participating artists are Korean artists Moon Insoo and Kimi Kim, along with American artists Brett Price, Kelly Berg, and Mark Acetellida. Gallery Chang commented, “Moon Insoo visualizes narratives of memory, erosion, and silence through compositions of layered surfaces that recall the texture of concrete. Kimi Kim deconstructs and reconstructs the forms of luxury brand handbags using ceramic materials, presenting works that question consumption, desire, and the illusion of beauty. Both artists reveal the experimental spirit and aesthetic identity of contemporary Korean art, adding depth to this exhibition.” The gallery also introduced the American artists: “Brett Price reinterprets the materiality of sculpture by flexibly bending and wrapping large steel structures. Kelly Berg presents paintings that powerfully express the geological energy of nature. Mark Acetellida continues his abstract painting practice, capturing the emotional currents and the depth of time flowing beneath the calm surface of the sea.” Curator Jinnie Kang, who organized the exhibition, stated, “This exhibition presents the aesthetic depth and experimental spirit of the artists supported by Gallery Chang, and is a project in which the harmonious artistic exchange between Korean and American artists stands out.” www.koreadaily.com 갤러리 장, 5인 작가 그룹전 개최 | 미주중앙일보 20일부터 7월 22일까지 뉴욕 맨해튼 지점 문인수·키미 킴·브렛 프라이스 등 참여 < >

Back KIM KANG YONG: SOLD OUT at KIAF 2024 The 23rd edition of Korea's largest art fair, Kiaf SEOUL 2024, kicked off with a grand opening ceremony on the 4th, running until the 8th for a total of five days. On the opening day, it held a joint opening ceremony with Frieze Seoul. Collectors flocked to see Kim Kang Yong from The Columns Gallery, widely known to the public as a brick artist, leading to the complete sell-out of his works featuring vibrant colors. 올해로 23회를 맞이한 국내 최대 아트페어 Kiaf SEOUL 2024(이하 키아프)가 4일 개막식을 시작으로 화려하게 막을 열었다. 8일까지 5일간 진행되는 키아프는 개막일 오전 프리즈 서울 (Freize Seoul)과 공동 개막식을 진행했다. 대중들에게 벽돌 작가로 잘 알려진 더컬럼스갤러리의 김강용을 찾는 컬렉터의 발길이 이어지며 감각적인 색감의 작품들을 완판하였다. [Source from Culturelamp press release, provided by Ryu Eun ] www.culturelamp.kr [2024 KIAF] 4일 개막, 세계로 확장한 한국 미술시장 올해로 23회를 맞이한 국내 최대 아트페어 Kiaf SEOUL 2024(이하 키아프)가 4일 개막식을 시작으로 화려하게 막을 열었다. 8일까지 5일간 진행되는 키아프는 개막일 오전 프리즈 서울 (Freize Seoul)과 공동 개막식을 진행했다. 이 자리에는 오세훈 서울시장, 용호성 The Columns Gallery sold out all of Kim Kang Yong's Brick reality+image pieces , while Kidari Gallery reported that most works by Choi Hyung Gil were sold out. Ocean Gallery also sold out ten pieces by Jenny Park. Seojung Art facilitated the sale of Hong Soon Myung's work for 30 million KRW, and pieces by Park Tae Hoon and Hwang Do Yoo from Kim Ria Gallery were sold for over 10 million KRW each. 더컬럼스갤러리는 김강용의 벽돌 소품 시리즈를 전량 판매했고 , 키다리갤러리는 최형길의 작품이 대부분 솔드아웃 되었다. 오션갤러리도 제니박 작가의 작품 10점을 솔드아웃시켰다. 서정아트는 홍순명의 작품을 3000만 원에 거래했고, 김리아 갤러리의 박태훈과 황도유 작품도 각각 1000만 원 이상에 팔았다. [Source from Newsis press release, provided by Park Hyun Joo ] v.daum.net '키아프가 프리즈 했다'…"달라졌다" 8만2000명 깜짝 [서울=뉴시스] 박현주 미술전문 기자 = "키아프가 프리즈 했다." 3라운드 '키아프리즈'는 이전과 달랐다. 키아프(KIAF)의 달라진 면모로 '프리즈(Frieze)가 키아프 같다'는 반응도 나왔다. '한지붕 두 가족'의 '키아프리즈'는 상생의 아트페어로 거듭났다. 3회 만에 '서울을 글로벌 미술 도시'로 올려 세우며 "아시아 최대 미술장터가 됐다" < >

Back Time, Colour, Sound and AI: What Happens When Paintings Sing Time, Colour, Sound and AI: What Happens When Paintings Sing Last month, the art world gathered in Venice for La Biennale di Venezia 2024. Among them is 61-year-old American artist Shane Guffogg, whose experiments in AI have made the impossible, possible. My one hope when people see my paintings is that they're confronted with the silence of colour. - Shane Guffogg In 1911, a then-little-known artist Wassily Kandinsky made steps to unite colour and sound through his seemingly unfinished painting Impressionism III (Concert) which, at its core, acted as an artistic exploration into the neurodiverse condition synaesthesia. Depicting abstract figures and onlookers in a concert setting, it's said Kandinsky was inspired to paint the picture after attending a concert by the composer Arnold Schonberg, feeling compelled to translate the sounds he heard into colour, hence why half the frame is awash with a distinct canary yellow. Despite marking the art world's first attempt at bridging multiple creative disciplines by uniting sound and colour, it certainly wasn't the last, as proven by the California-born and raised artist Shane Guffogg's current Venice Biennale exhibition At the Still Point of the Turning World - Strangers of Time, which uniquely marries all of Guffogg's interests AI, music, painting and poetry. 'Impressionism III' (Concert), by Wassily Kandinsky, 1911 Inspired by TS Eliot's Four Quartets poem, the series is made up of 21 kaleidoscopic paintings, spread over two rooms the first titled Reach Into the Silence and the second, Neither Flesh Nor Fleshless. Dense flushes of colour swirl, bend and melt into each other in quick succession and, depending on their layering, affect each piece's overall hue. While beaming with equal feelings of nostalgia, joy, sorrow and elation, (depending on which colour you hone in on first), each one radiates its own signature rhythm, a feeling magnified via the dimly lit room they're placed in which is nestled within the historic 15th-century Venetian palazzo Scala Contarini del Bovolo in Venice. 'We looked at a lot of different spaces' Guffog tells me when I meet him at the exhibition opening in Venice, an implication that getting the space right was as paramount as the work's creation; something that becomes obvious when you're stood in such an impressive structure as this one. Dating back to 1300, the palazzo lies equal distance from Rialto and San Marco, the commercial and political hubs of the city. What's more incredible is the building's miraculously delicate yet sturdy spiral staircase, commissioned by Pietro Contarini in 1499 to embellish the building even more. Contained inside a 26 meter-high cylindrical tower built in Istrian stone, the series of steps features exposed bricks and is perforated with a number of arches that are flanked by lodges connecting the structure to the adjacent building. 'I like this space, mainly because of the history of it and the staircase's circular movement. This is the context i want my work to be seen within', Guffogg declares. 'Reach into the Silence', by Shane Guffogg It's at the end of the staircase on the second floor where you'll find Guffogg's paintings, nestled tightly together in one room. When speaking of the emotion he wished to evoke with the works, Guffogg made it clear he wanted to stop people dead in their tracks 'and be confronted with the silence of colour' upon walking into the room, similar to how the artist felt when he first read T.S Eliot's Four Quartets poem, something that's reverberated through him ever since. 'There's a line in the poem' he begins, before reciting: At the still point of the turning world. Neither flesh nor fleshless;Neither from nor towards; at the still point, there the dance is,But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. 'I’ve been reading those lines for about 30 years', Guffogg recalls. 'It’s a blend of East and Western ideologies. And the way Eliot talks about time flickering back and forth, between the past and the future, it's taught me that I, we, need to learn how to be in the moment; these paintings for me are about being in the moment.' It's through wanting to pass on this knowledge to people that has directly informed Guffogg's creation process. 'I knew I wanted these paintings to bypass an intellect of sorts and just force you into the moment. Each work took between three and six months to make and involved me painting day after day, all freehand. I started with a wider brush for the bottom layer and as the painting built up, transferred to using smaller brushes. I kind of think of them like a camera lens that’s focused on the middle where everything is clear but the edges are out of focus; these paintings are intended to quite literally bring you to that still point T.S Eliot comments on.’ 'Neither Flesh Nor Fleshless', by Shane Guffogg As for the poem itself, Beethoven's Opus 132 is widely credited as an indirect influence of Four Quartets, creating a tenacious link between both Eliot and the composer that many music and literature scholars have tried unpacking in recent years. Of course, Guffogg's own attempt at bridging the gap between different creative disciplines isn't new, especially when you consider the aforementioned Kandinsky, 'or Mussorgsky's Pictures at an Exhibition ' composer and music lecturer Anthony Cardella points out to me when I speak to him about his involvement in the musical process, but the way in which Guffogg has intentionally channelled his synaesthesia into making paintings sing, is. 'There’s never been such a specific case of this', Cardella continues. 'There’s been famous pieces derived from art and vice versa, and we know that Mussorgsky's reasoning behind Pictures at an Exhibition was meant as a tribute to his friend, the Russian artist Viktor Hartmann. But there's one stark difference, those pieces were inspired by the painting, they were not the painting.' 'Neither Flesh Nor Fleshless' by Shane Guffogg Working together, Cardella and Guffogg - along with AI software programmer Jonah Lynch - have come up with a series of musical compositions that are directly linked to the paintings by translating each colour into a specific note. 'Each painting has its own voice and we wanted to translate that physically so everyone else could hear colour along with Shane'. As for the process behind composing music in tandem with the paintings, AI remained a useful tool but didn't take the 'hands-on' feeling away from all those involved. 'It started with zooming in onto a painting and picking just one shade and blowing that up until it covers the entire laptop screen', Cardella tells me. 'It's important to note that for Shane, every colour has a different function. It’s never, "This blue is bread" it’s, "This blue helps us to transcend our current state of emotion", "This red brings us to the depth of our understanding of the way the world is". It was these functions that I felt echoed how in Western music we treat harmony: a cord is never in a vacuum, it has to have a function if it’s in a Western song. So, throughout this process, we were fishing around until we found the right note. And once we got there, it was always a snap moment for Shane, he would know in an instant whether it felt right or not.' Whenever that happened, Cardella would write the note down that belonged to the colour on the laptop screen and before long, something remarkable started to happen... 'we noticed that each shade of colour belonged to the same family of harmonies, just with subtle differences. That was really a penny-dropping moment', admits Cardella. 'Because it was like, "Okay, we're not crazy", you know? These colours really do all have their own sound.' 'Reach into the Silence', by Shane Guffogg Not only do the colours used have their own sound, but they also take reference from the architecture specific to Venice. 'The yellows you see in my paintings represent many of the buildings in Venice, so really, it's a site-specific piece of work', Guffogg Chimes in. 'I've been coming to this city for 20 years and so I was thinking about the different times of seasons and how light changes throughout the day. When you come in the wintertime time, you’ve got this cool greyness with the fog rolling in, which is a stark comparison to when it's summertime here. So I wanted to create this fusion of colour that reflects the way the canal's greenish hue changes to blue and back to green, each line is a memory that embodies this city, its shades and façades...for me, the paintings become a series of memories compressed into one moment.' When you piece all this together, the prevalence of Kandinsky's life and work in art becomes all the more ubiquitous. Particularly when you hark back to the artist's Colour Theory taught alongside Johannes Itten at the Bauhaus, where the pair adopted a synesthetic relationship with color, associating particular colors with both specific geometric shapes and with musical tones and chords. For them, yellow was best expressed as a triangle and a middle C played on a brassy trumpet. In his book, Concerning the Spiritual in Art, Kandinsky wrote: 'Colour directly influences the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.' Although Guffogg refutes the idea he looked at Kandinsky as inspiration for At the Still Point of the Turning World - Strangers of Time, those vibrations Kandinsky speaks of pulse all around the Scala Contarini del Bovolo, thanks to the energy embodied and the poetry reflected. At the Still Point of the Turning World - Strangers of Time is open to the public at the Scala Contarini del Bovolo until 24 November. 'Reach into the Silence', by Shane Guffogg [Source from SHOWstudio press release, provided by Christina Donoghue ] https://www.showstudio.com/news/time-colour-sound-and-ai-what-happens-when-paintings-sing < >

Back The Encounter of Andy Moses and Jeff Koons 제프쿤스(왼쪽)와 앤디모지스. Photo: Gallery Chang 팝 아티스트 제프 쿤스(Jeff Koons)가 최근 맨해튼 미드타운 갤러리 장(Gallery Chang)에서 열리고 있는 추상화가 앤디 모지스의 근작전 'Andy Moses: Recent Works'을 찾았다. 두 아티스트는 앤디워홀, 키스 레어링, 장 미셸 바스키아가 활동했던 1982년 뉴욕에서 활동하며 교류했던 사이다. 갤러리 장 측은 "앤디 모지스의 작품 세계와 제프쿤스의 상업적, 대중문화적 접근은 서로 다른 뒈적을 그려왔지만, 그 출발점에는 예술을 통해 세계와 소통하려는 순수한 열정과 시대를 직시하는 감각이 자리하고 있다"고 설명했다. 2월 20일부터 3월 25일까지 열린 'Andy Moses: Recent Works' 전시에는 앤디 모지스의 빛과 컬러가 유려한 흐름 속에서 어우러지는 대표작들과 함께 1960-80년대 후반 로스앤젤레스에서 로버트 어윈(Robert Irwin), 제임스 터렐(James Turrell)이 중심이 되어 시작된 이 운동은 빛과 공간, 지각의 확장을 탐구하며, 유리, 네옴, 아크릴 등을 소재로 새로운 감각적 경험을 제공했다. 갤러리 장은 "앤디 모지스의 회화는 과학, 자연, 추상의 교차점에 존재하며 관람자의 관점에 따라 변화하고 발전하는 역동적인 구성을 만들어낸다. 화학적 반응, 중력, 점성(viscosity)에 의해 이끌리는 그의 독특한 기법은 물감이 유동적이고 유기적인 형태를 띠게 하여 움직이는 자연력의 덧없는 아름다움을 포착한다"고 밝혔다. 앤디 모지스는 1962년 LA에서 추상화가 에드 모지스(Ed Moses, 1926-2018)의 아들로 태어나 캘리포니아예술대학(CalArts)에서 공부했다. 18세 때 뉴욕으로 이주해 팻 스티어(Par Steir)와 함께 일하기 시작, 1987년 첫 개인전을 열었다. 2000년 캘리포니아로 돌아가 작업해오고 있다. 그는 캘리포니아 해안의 서핑에서 영감을 받은 컬러 팔레트의 추상화로 널리 알려졌다. Press by NYCulture beat https://www.nyculturebeat.com/index.php?document_srl=4147047&mid=Lounge2 < >