Feb 16 - Mar 17, 2024 Intro Catalog Installation Views Next [C2] Middletown Emptying to Enrichment: Moon Jar’s Path Feb 16 - Mar 17, 2024 Oh Kwan Jin INTRO Under the esteemed guidance of Chang Jun Hwan, whose expertise spans renowned galleries worldwide, Gallery Chang is poised to revolutionize Middletown's cultural landscape, drawing inspiration from Dia:Beacon's transformative influence and envisioning Middletown, NY, as the next cultural beacon. Director Chang Jun Hwan, known for his involvement in notable endeavors including the 2018 Pyeong Chang Winter Olympics, envisions Gallery Chang not merely as an art gallery, but as a dynamic cultural hub fostering creativity, igniting community engagement, and catalyzing artistic expression in Middletown, NY. The inaugural exhibition at Gallery Chang's Middletown venue will showcase the solo works of Oh Kwan Jin, presented under the evocative title "Emptying to Enrichment: Moon Jars Path ” Running from February 16th to March 17th, visitors will have the opportunity to immerse themselves in Oh Kwan Jin's acclaimed artworks, which also include his notable contributions to Korean drama sets, cherished by K-pop enthusiasts and drama aficionados. Notably, Oh Kwan Jin's exhibition will feature new paintings, including "Blue Dragon," inspired by the Eastern astrological tradition where 2024 marks the Year of the Blue Dragon. This thematic piece adds a unique cultural resonance to the collection, complementing Oh Kwan Jin's new 2024 works. To mark this momentous occasion, the opening day festivities will be graced by a live performance from Oh Kwan Jin himself, offering attendees an intimate encounter with his artistry. With a seamless fusion of Eastern and Western influences, Oh Kwan Jin's oeuvre epitomizes Gallery Chang's commitment to promoting cross-cultural dialogue and appreciation. Distinguished guests, including the Mayor of Middletown and notable VIPs from various spheres, will be in attendance, underscoring the significance of Gallery Chang's endeavor in enriching both the local arts scene and the broader cultural landscape. “In Middletown, NY, Gallery Chang isn't just about art—it's a lively cultural hub," remarked Director Chang Jun Hwan during an interview. "We aim to foster creativity, community engagement, and cross-cultural dialogue, making a meaningful impact beyond the canvas." "Gallery Chang Set to Redefine Middletown's Artistic Identity" CATALOG View Catalog here INSTALLATION VIEWS

Artist Biography Works Next Rokkankim BIOGRAPHY WORKS

South Korea, 1962 Artist Biography Works Next Kim Hobong South Korea, 1962 BIOGRAPHY Kim Ho Bong is a South Korean artist based in the United States, celebrated for his evocative paintings and digital works that explore themes of humanity, urban life, and identity. Born in Seoul in 1962, Kim earned his BFA and MFA in Western Painting from Hongik University before pursuing further studies in Studio Art at New York University. His art is a profound reflection of the contradictions and complexities of modern urban existence, particularly in New York City, where he currently resides. Kim’s works often depict the bustling crowds of New York, a metropolis he views as a symbol of capitalism and selfish human desire. Through oil paintings and digital media, he examines the paradox of material abundance juxtaposed with a profound loss of humanity. As Kim observes, “We live in an abundance of material civilization, but on the contrary, we are losing a lot due to a lack of humanity.” His works serve as a mirror to the city’s contradictions, exploring how the richness of diversity and opportunity is counterbalanced by alienation and existential emptiness. Kim draws inspiration from Samuel Beckett's Waiting for Godot , seeing it as a metaphor for humanity’s endless quest for meaning. Like the play’s protagonists, he views people as navigating the futility of this search, clinging to vague hopes or waiting for a savior. This philosophical undertone imbues his art with a reflective depth, encouraging viewers to contemplate their own lives and desires. His recent series, Others , focuses on the fleeting moments and impressions of life as an outsider in a vast and complex city. In this series, Kim portrays diverse crowds and everyday urban scenes, capturing the tension between light and dark, creation and destruction, order and chaos. These works are an exploration of self through the lens of the anonymous masses, reflecting his experiences as both an artist and a migrant in a city of contrasts. Kim Ho Bong’s works have been exhibited in South Korea, the United States, Brazil, Germany, and Italy. His exhibitions highlight his ability to merge traditional painting techniques with contemporary themes and digital processes. In addition to his artistic practice, Kim is dedicated to art education, running workshops and programs at his New Jersey studio, Artcomcenter. Through his vivid depictions of urban life, Kim Ho Bong invites audiences to confront the paradoxes of modernity, offering a profound commentary on the richness and emptiness of life in a globalized, material-driven society. Education 1995~96 New York University Graduate School, New York 1991~92 HONG-IK Graduate School, Seoul 1981~84 HONG-IK University, Fine Arts, Seoul Award 1993 Award of Special at MBC Broad casting ArtGrand Prize Competition,Center of Art, Seoul 1992 Award of Excellence at JUNG-ANG News paperArt Grand Prize Competition, Hoam gallery, Seoul 1992 Award at The Korea Art Grand Prize CompetitionNational Museum of Modern Art, Seoul 1991 Award at JUNG-ANG News paper Art Grand Prize Competition, Hoam gallery,Seoul 1990 Award at The Korea Art Grand Prize Competition,National Museum of Modern Art, Seoul 1990 Award at JUNG-ANG News paper Art Grand Prize Competition, Hoam gallery, Seoul 1990 Award at Dong-A News paper Art Grand Prize CompetitionNational Museum of Modern Art, Seoul 1989 Award of special at JUNG-ANG News paper Art Grand Prize,Hoam gallery, Seoul Solo exhibition 2024 14th Other, Artfield Gallery , Seoul, Korea 2024 13th "Unfamiliar time Unfamiliar space ", Gala art center, New York 2023 12th "New York Rhapsody" Gallery Kwang Hwa Moon, Seoul, Korea 2023 11th "New York Rhapsody " Gallery H, Seoul, Korea 2022 10th "New York Rhapsody in the Box", ACC gallery,NJ, USA 2020 9th “New York, New York, The lack of ~”, Kcc gallery, NJ 2019 8th 4W43 gallery, New York, N.Y. 2018 7th Space Sun + ,Seoul 2017 6th Riverside gallery, NJ 2011 5th Gallery Bennett, NJ, USA 2007 4th Gallery Bennett NJ, USA 1997 3rd Washington square east gallery, New York 1991 2nd Now gallery, Seoul 1989 1st Soo gallery, Seoul Collaboration exhibition 1st "voiceless" Noho gallery, 1998, New York 2nd " voiceless" studioventicinque, 1999, Millano, Italy Art Fair 2023 KIAF SEOUL, Coex Hall, Seoul, Korea Mizuma & Kips Gallery, New York 2023 Plas Art Show,2023 Coax Hall, Seoul Korea, Art & Company, Seoul 2021 L.A. Art Fair, Los Angeles, CA 2013 Affordable art fair, Chelsea, NY Selected Group exhibition 2024 Arrivals/Departures – East80West, Bergen Gallery, Bergen community college, NJ USA 2023~4 청담동생전, Gallery Doo, Seoul, Korea 2022 York Mang (욕망), 김호봉(Hobong Kim), 최윤정(Yun jung Choi) 김남주(Namjoo Kim) 3인전, artleon, Seoul Korea 2022 'Different Perspectives: MeeWha Alana Lee, Hobong Kim, Kidong Kwon', 3인전, Pariskohfinearts gallery,NJ 2021 "WE RISE 20 Years After 9/11 ", One art space, New York, NY 2021 JCAST, Mora Museum, Jersey City, NJ 2021 KCC Pandemic Through Art Open Call Award Exhibition, Kcc gallery, Tenafly, NJ 2021 “THE RIGHT TO SILENCE”, Anya and Andrew Shiva Gallery Online show,John Jay College, New York, NY 2020~21 “공감 2020”, gallery ArtLeon, Seoul, Korea 2020 “ 42nd Annual Juried Art Exhibition, Monmouth Museum, Main gallery, N.J. 2020 Serendipity,& Golden show online, Townley gallery, NY, NY. 2019 NJ SEOUL "new art from the korean diaspora" Gallery Bergen, NJ 2016 Seoul - New York Project, Riverside gallery, NJ 2015 ARTMORA gallery, NY,NY 2015 “Stories” KCC gallery, NJ 2013 LUMINOSITY, Radianceart gallery, west hollywood, CA 2012 "sense or non sense" Gallery Bennett, NJ 2007~2008 Winter 0708, Art Gate gallery New York,NY 2007 AWCA member show Art center Northern NJ, New Milford, NJ 2006 AWCA member show Bellski Museum Closter,NJ 2005 AWCA member show Fair Lawn Library, Fair Lawn, NJ fall art show ACC gallery,Fort Lee, NJ holiday show ACC gallery,Fort Lee, NJ 2003 spring show Parker gallery Fort Lee, NJ 2000 self & other , Gallery Korea, New York 1999 "New Millennium Show” Lindenberg gallery, New York 1998 "on threshold", Generous & Miracles gallery, New York 1997 Group Show, reggio gallery, New York 1997 This Media,NYU Cantor Media Center, New York 1993-92 "ORIGIN", Fine arts Center, Kwanhoon gallery, Seoul 1992 The Seoul Method Exhibition, Fine Art Center 1992-89 The Seoul contemporary Art Festival, Fine arts Center 1992-88 "Mass-9", Fine arts Center, Seoul 1991 Development and Extention of Contemporary Fine arts,Kum-Ho gallery, Kwang-Joo 1990-92 "THE PHASE" Kwanhoon gallery, Seoul 1988-85 Hong-Ik Print Making group exhibition, Fine arts Center, Seoul 1990 "Dong-E 4333" Hyun-Dae gallery, Seoul1989 One Twelfth Exhibition, Kwanhoon gallery, Seoul 1989 Korea Contemporary of 30 Artists Exhibition, Berlin Germany 1989 Contemporary Art by 10 Artists, Cheongnam gallery, Seoul 1988 Contemporary Print Combined Exhibition,Hyun-Dae gallery, Seoul 1987 A time Expression 15 Artists Exhibition, Batanggol gallery, Seoul 1985 Frontier Art Festival, Seok gallery, Seoul 1985 BAHIA Papelarte Exhibition, Bahia, Brazil Selected Public Collections SAMSUNG ,Seoul Korea Korean community Center, New Jersey, U.S.A. Published 2024 cove image on the book, ABCs of Immigration, Asian Heritage Committee, Bergen Community College, NJ Thesis 1992 “A study on Egon Schiele's erotic paintings” Hong Ik Univ. Seoul, Korea WORKS

< Back Heart to Heart Jun 1, 2024 Heart to Heart Something Sweet Gallery Cafe X Gallery Chang Anikoon June 1 - June 30, 2024 The artist Anikoon draws and makes robots. The robot he encountered through cartoons and other toys as a child continues to live in his imagination as an adult. In addition, toy robots, Star Wars characters, and everyday objects enter the screen and live as their representatives. Growing up like an illusion in the world of popular culture and his imagination, it is placed on the canvas through imaginary representations of everyday objects rather than imitation or representation of the real world. “In 2122, robots that were left alone in the absence of life wander around looking for friends. He comes across and becomes friends with DOGGY, who comes alive from art, and through sharing a deep story with DOGGY, sets off to find yet another friend." Here is a link to a published write-up about the delightful Anikoon.

Back shane guffogg: at the still point of the turning world - strangers of time SCALA CONTARINI DEL BOVOLO MUSEUM, PHOTO CREDIT: VICTORIA CHAPMAN Shane Guffogg, “At the Still Point of the Turning World - Only Through Time is Time Conquered” 2023, oil on canvas, 84 x 108 inches, (213.6 x 274.3 cm) Shane Guffogg (photo credit Sonia Huckabay) PRESS RELEASE Celebrated American artist Shane Guffogg lands in Venice this April New exhibition opening during the Venice Biennale to showcase ongoing dialogue between the abstract artist and poet T.S. Eliot This April, at the historic Scala Contarini del Bovolo, Venice, American Artist Shane Guffogg will present a new series of 21 paintings titled At the Still Point of the Turning World – Strangers of Time , opening during the 60th International Art Exhibition – La Biennale di Venezia 2024. Guffogg’s latest major exhibition promises to add a splash of joy and a touch of magic to Venice’s energetic art scene this April. This unprecedented collection of work in fact represents the ongoing dialogue between the abstract artist and poet T.S. Eliot’s renowned set of poems, Four Quartets , which has inspired Guffogg to create works that explore the intersection of time, space, consciousness and transcendence. The series of large-scale paintings explores concepts of movement, escape and migration, placing human nature as innately transitory throughout history. These themes are particularly autobiographical, as Guffogg's father immigrated to the United States in 1957 from Northern England, driven by the pursuit of the "American dream". Subsequently, Guffogg moved from the central valley of California to Los Angeles in the late 1980s, in the pursuit of artistic and cultural acceptance. The exhibition will be split in two rooms, each inspired by a different passage from T.S. Eliot’s writing and will feature selected works that can be enhanced through augmented reality (AR). Utilizing AR and artificial intelligence, Guffogg expands the possibilities of what art can be, inviting viewers to see and think beyond the 24/7 age of information, in a meaningful and immersive way. At the end of the first room, for example, will be the large canvas Only Through Time is Time Conquered (7 x 9 feet; 213.6 x 274.3 cm), which draws on the colours of the rich history of Venice and a painting by Tintoretto permanently exhibited in the rooms of Palazzo Contarini. The canvas will be AR-enabled, to allow viewers to experience the movement of the artist's hand in creating the work. The viewer will have a QR code to scan and then, once pointed at the painting, the AR will be activated showing the inversion of the application of colours and lines, until the painting is in its initial phase, which will then dissolve visually revealing the work by Tintoretto underneath. Jacopo Tintoretto, Paradise, (ca. 1588 – oil on canvas, cm 154 x 350 ) photo credit: courtesy of Gioielli Nascosti dI Venezia Guffogg’s “Only Through Time is Time Conquered” and tintoretto’s “paradise” near by “JACOPO TINTORETTO’S 1388 OIL-ON-CANVAS PAINTING, “PARADISE,” MEASURING 154 X 380CM, IS PROMINENTLY DISPLAYED AT THE SCALA CONTARINI DEL BOVOLO IN VENICE, ITALY. IT SERVES AS A FOCAL POINT IN DIALOGUE WITH GUFFOGG’S “AT THE STILL POINT OF THE TURNING WORLD - STRANGERS OF PARADISE” EXHIBITION. MOVED BY THE PROFOUND INFLUENCE OF TINTORETTO’S WORK, GUFFOGG DECIDED TO CREATE SITE-SPECIFIC PIECES AT SCALA CONTARINI DEL BOVOLO. FOLLOWING THOROUGH CONTEMPLATION, HE OPTED TO HARMONIZE HIS COLOR PALETTE WITH THAT OF TINTORETTO’S MASTERPIECE, A DECISION THAT SUCCESSFULLY SUPPORTS THE COHESIVE THEME OF HIS EXHIBITION AT THE SAME VENUE.” — VICTORIA CHAPMAN, STUDIO DIRECTOR, GUFFOGG STUDIO Enamoured with Europe’s Old Masters and inspired by their techniques, Guffogg has developed his own unique style incorporating a fascination of magic, iconography and quantum physics, which perfectly matches the uniqueness of the exhibition’s setting. The iconic Scala Contarini del Bovolo, a Venetian palazzo featuring a spiralling 15th Century staircase, 28 meters high, intertwines and dialogues with the artworks seamlessly. - Midas Neither Flesh nor Fleshless #1 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Written by Victoria Chapman (Studio Director, Guffogg Studio) "In Four Quartets, T.S. Eliot explores themes of the present moment, the cosmic order, and coexistence, a sentiment shared by artist Shane Guffogg. Commencing in April 2023, Guffogg embarked on a creative journey, producing twenty-one paintings inspired by three stanzas from Burnt Norton, the first chapter of Eliot's work. These artworks, employing lines and colors, provide a visual examination of the exchange of thoughts across time. Guffogg's engagement with Four Quartets commenced over three decades ago and endures, as he contemplates Eliot's exploration of the abstract interplay between life experiences and the formation of memories. Eliot's poem, written in England between 1936 and 1942, is divided into four sections, each relating to one of the classical elements: air, earth, water, and fire. Eliot's verse, 'Be remembered; involved with past and future. Only through time is time conquered.' from Burnt Norton Section II, highlights the central theme of time's influence on human existence. Influenced by both Eastern and Western literature, including the Bhagavad Gita, Confessions of Saint Augustine, and The Divine Comedy, Eliot also drew inspiration from Beethoven's quartet, which may have influenced the poem's title and musical underpinnings. Guffogg, with his sound-to-color synesthesia, instinctively recognized this musicality, evident in his paintings. The works convey an inherent 'sound score' through their visual rhythm, offering an intuitive perception that guides the composition through the choice of lines and colors. The exhibition's largest piece, 'Only Through Time is Time Conquered,' exudes a dynamic quality, with blue lines at its core that pulse and summon supporting red and yellow lines, infusing contrasting tones with an oceanic sense of movement. Guffogg shared his creative process, revealing a connection between sound and color: 'As I was working on the seven by nine-foot canvas, and listening to abstract-classical-orchestrated music, I noticed the presence of dissonant chords. This parallel with my paintings, especially 'Only Through Time, Time is Conquered,' where complementary colors push against each other, creates a tension akin to the unsettling notes in the music. This experience immerses me in the present moment during the painting process, disconnecting from extraneous thoughts.” “The importance of a painting’s title varies from artist to artist. In the case of Shane Guffogg, the title serves as an informative element for the painting but does not determine or predict its creation. The titles, “Only through time is time conquered,” “Reach into the silence,” and “Neither flesh nor fleshless,” draw inspiration from T.S. Eliot’s desire to transcend time and live in the present, as explored in these stanzas.” Neither Flesh nor Fleshless #2 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Neither Flesh nor Fleshless #3 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Neither Flesh nor Fleshless #4 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) “Guffogg’s enduring fascination with Eliot’s Four Quartets has led to the evolution of his artwork, reflecting increasing complexity. His approach to life also mirrors this deepened connection, as he embraces fleeting moments with a sense of permanence. Using glazes, he masterfully creates the illusion of multiple light sources within his compositions. In addition, his extensive research into the techniques and materials of old masters, along with his background in publishing articles on art, results in figurative subjects transformed into abstract forms.” The interplay between light and dark, represented by transparent veils of light and complementary colors, produces a dynamic tension within the paintings, leading the viewer into an infinite shadow of darkness while drawing them towards the light. Guffogg's work encapsulates a timeless quality, capturing the eternal moment, which resonates with Eliot's themes. It invites the viewer to engage consciously and subconsciously, seamlessly merging these aspects and revealing the essence felt rather than merely perceived. Neither Flesh nor Fleshless #5 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #6 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #7 , 2023, oil on canvas, 40 x 36 inches Neither Flesh nor Fleshless #8 , 2023, oil on canvas, 60 x 48 inches, (152.4 x 121.9 cm) Neither Flesh nor Fleshless #9 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #10 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #11 , 2023, oil on canvas, 60 x 48 inches, (152.4 x 121.9 cm) Neither Flesh nor Fleshless #12 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Guffogg's "At the Still Point of the Turning World" series, originating from a subconscious sketch in 2009, explores his quest for inner balance and serves as an autobiographical narrative. These paintings are not self-portraits in the conventional sense but expressions of his existence, a journey through the human condition, and his relationship with time. His artistic process involves a silent, solitary exploration of his work, where thoughts become visual language. Music plays a pivotal role in his creative process, acting as a conduit to connect with the universal essence. This process, which Guffogg describes as dipping his toes into the pond of the universe on a good day, is a ritual he continues to uphold. “This narrative underscores the profound and personal dimensions of Guffogg’s artistry and the unique creative process that fuels it.” Guffogg's art, much like T.S. Eliot's poetry, encapsulates a profound yearning, inviting observers to experience the authentic, providing a space to encounter time and the present. These works serve as a testament to Guffogg's need to share evidence of what it means to be alive, encompassing thoughts, emotions, love, suffering, and healing. His art, particularly in the "Neither Flesh nor Fleshless" series, is deeply autobiographical, portraying moments of existence. The "Neither Flesh nor Fleshless" series invokes an enigmatic quality, exploring the interplay of flesh and the absence of it. Guffogg's approach involves allowing his hands to move across the canvas, making the brushes an extension of his physicality. Thin veils reminiscent of Renaissance art, particularly the translucent black veil seen in the Mona Lisa, represent the delicacy and fragility of life and the moment of transition. These paintings aim to present an unsolvable question, provoking contemplation. Emotional and primarily red in color, with various shades of dark, earthy-red, charcoal, and smoky hues, the series delves into the convergence of spiritual and physical worlds. These works provoke contemplation of time and composition, offering a reflection on the past, present, and even the future. They express a belief system rooted in human existence, sharing intimate thoughts, sensations, and a blend of the mental and spiritual. They evoke words like "annunciation," "rapture," and "communion," prompting self-awareness and introspection. Collectively, the series emanates an ethereal quality, while individually, each painting conveys a unique message. Gestural marks transform into ribbons or veils of light, revealing saturation and fluidity, evoking celestial elements. The series prompts a sense of longing and contemplation, exploring the boundary between order and chaos. Guffogg's work serves as a testament to truth, representing both a historical narrative and a visual and emotional experience. Reach into the Silence #1 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) “The “Reach into the Silence” series, comprised of eight paintings, visualizes a Gregorian chant, embodying the concept that words and music can reach stillness only through form and pattern. Guffogg’s ability to follow a command and create in response to a voice reflects the depth of his creative process.” In contrast to Monet's works at Giverny, Guffogg doesn't depict his garden but paints abstract moments informed by the landscape. His connection to the land and his understanding of light enables him to create a sense of depth and movement, similar to Monet's approach. Guffogg's keen perception of the environment, weather patterns, and his intimate connection with his chosen workspace contribute to the unique quality of his artwork. Reach into the Silence #2 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #3 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #4 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #5 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) This narrative delves into the intricate and profound dimensions of Guffogg's artistic process, inviting viewers to explore the intricate layers of his work and its connection to the world around him. “In Guffogg’s own words, his artistic process serves as a form of meditation, a means of documenting his journey through life. Each line, each brushstroke on the canvas represents a unique moment in time. What viewers witness in his paintings is the accumulation of these moments, all distilled into a singular, profound instant.” His artworks are not only visual expressions but also personal narratives, sharing his own story while reflecting on the profound themes found in T.S. Eliot's text. In each brushstroke, viewers can explore the interplay of line, color, and elements of space, delving into the essence of his experiences and the emotions woven into his work. Reach into the Silence #6 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #7 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #8 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Only Through Time is Time Conquered, 2023, oil on canvas, 84 x 108 inches, (213.6 x 274.3 cm) “Be remembered; involved with past and future.only through time is time conquered.” — Burnt Norton Section II, T.S. Eliot Since Guffogg’s first encounter with the Four Quartets , his fascination has not wavered. If anything, it has grown deeper, which is evident in the developing complexities of his paintings and can also be seen in how he lives life, taking each moment in each day as something that is fleeting but permanent. Guffogg uses glazes to paint the illusion of various light sources within the composition. He has also written and published numerous articles analyzing paintings of the old masters and reads books on artists’ materials from the past. The results are figurative subjects painted as abstract forms. There is a balanced struggle between the light and dark, yin and yang, represented through painted transparent veils of light and complementary colors, that push the illusionary picture plane further back into an infinite shadow of darkness as light pushes toward the viewer. The paintings embody a certain timelessness; capturing the eternal moment, which is the key and link to Eliot. The viewer is an integral part of the work because these paintings require an exploration that engages the conscious and subconscious, which the artist seamlessly fuses together, bridging the essence of what is felt rather than merely perceived. In 2009, while listening to a public speaker and without thinking, Guffogg felt a need to sketch his subconscious. This was the beginning of the At the Still Point of the Turning World series – lines that would loop out toward the edge and back around to the center of the page as if there was a hidden gravitational force controlling his hand. It was the artist’s way of finding his own still point and inner balance. These paintings are autobiographical. They aren’t mirror images of what he looks like; eyes, face, hair, etc. Rather, they are the evidence of his existence, the exploration of the human condition, and his relationship to time. Not only are they paintings, they are a confirmation of truth. When Guffogg enters his studio, it is a silent act. The artist walks around, looking to see what his paintings are telling him. He works alone, there are no assistants. Watching him lay down the first traces of lines is quite mystical. He has said that thoughts become words, but what do our thoughts look like before they become language? Then the music is turned on and he becomes a conduit. As Guffogg likes to say, when he is having a good day in the studio, he gets to dip his toes into the pond of the universe. Like Eliot’s poetry, Guffogg has instilled a certain yearning into these works. These paintings also bring a moment for the observer to experience a place to witness time and the present. I think this may be Guffogg’s need to share evidence of what it means to be alive; think, feel, love, suffer, heal. I am returning to the fact that it is autobiographical. Guffogg has said he paints moments of existence. “The experience of these paintings transports us to places of refuge that are completely unknown. They are summoning moments of his existence, steeped within the consciousness of which they are manifested.” [Source from VC Projects press release] www.vcprojects.art Shane Guffogg/Scala Contarini del Bovolo Museum, Italy — VC PROJECTS < >

Born in Cullman, AL & Lives and Works in Los Angeles, CA Artist Biography Works Next Todd Williamson Born in Cullman, AL & Lives and Works in Los Angeles, CA BIOGRAPHY EDUCATION 1984 AA Wallace College, Hanceville AL 1988 BA Belmont University, Nashville, TN 1997 Graduate studies, California State University, LA, CA SOLO EXHIBITIONS 2026 For Here There is No Place That Does Not See You, Georges Berges Gallery, NYC 2025 The Space Between Now & Forever Loisir Gallery, LA, CA 2023 Todd Williamson Sight Galerie, Frankfurt, Germany 2022 Abstract Realities Bege Gallery, Ulm, Germany Todd Williamson Museum Villa Seiz, Schwabisch Gmund, Germany Todd Williamson Museum Villa Seiz, Schwabisch Gmund, Germany 2021 The Only Way Out is Through, Georges Berges Gallery, NYC 2020 Stillness George Berges Gallery, NYC Art Karlsruhe-Special 1 person exhibition, (Bege Gallery, Karlsruhe, Germany 2019 Processional 58th Venice Biennale, Venice, Italy, official exhibition, Pollock Krasner Foundation, cur Priscilla Fraser, music by Greg Walter, UNCSA California Dreamin’ an Uncertain Paradise MAC Museum Art & Cars, Singen, Germany Inside the Lines Bege Gallery, Ulm, Germany 2018 Frequency of Color Nicole Longnecker Gallery, Houston, TX 2017 Sound & Color Art Gallery, Wiesbaden, Germany The Sound of Painting Galerie Stenzel, Munich, Germany 2016 A Gathering of People 2316 Salon, Santa Monica, CA The Darker the Blue. Nicole Longnecker Gallery, Houston, TX 2015 Contemporary Response to Caravaggio, Pio Monte della Misericordia, Naples, Italy Todd Williamson, Fellini Gallery, Berlin, Germany 2014 The Destination public art installation. Nashville International Airport, Nashville, TN 2013 Un-Polarized Light. George Billis Gallery, LA, CA 2012 Todd Williamson a PAN! P.A.N. Museum, Naples, Italy 2011 A Convergence of Souls, Public Site-Specific Installation, West Hollywood, CA 2009 Blurring the Lines collaboration w/ composer Greg Walter, UNCSA, Belmont University, Nashville, TN Todd Williamson Ippodo Gallery, Tokyo, Japan 2008 Trauma di Luce, Japanese Cultural Art Association, Milan, Italy Todd Williamson, Irvine Fine Arts Center, Irvine, CA Orizzonti Villa di Donato, Naples Italy 2006 Db MINOR O'Melveny Gallery, LA, CA 2002 American in Paris Les Migreteurs, Paris, France TWO & THREE PERSON EXHIBITIONS 2025 Reflexion, Stefan Faas-sculptor Bege Gallery, Ulm, Germany 2024 Johannes Geccelli meets Bernd Wolf & Todd Williamson, Sight Galerie, Frankfurt, Germany Light in Space Laddie John Dill, Paal Anand FutureDMD Gallery, LA, CA Luminosity Loisir Gallery, West Hollywood, CA 2023 Licht Farbe Form (light color form) Frank Teufel-sculptor Stadtisches City Museum, Deggendorf Germany 2022 The Deeper the Blue /Todd Williamson, Joe Davidson, Christina Craemer Imago Gallery, Palm Desert, CA Todd Williamson & Frank Teufel, Queens Gallery, Emmendingen, Germany Abstract Nature of Color and Structure Frank Teufel-sculptor Bege Gallery, Ulm, Germany 2021 The Sun is the Same Raymond Pettibone, Shane Guffogg, Joe Davidson, Christina Craemer Laurel Hills Art Salon, LA, CA 2020 The Edge of Order, Deterministic Chaos, Christina Craemer Wonzimer Gallery, LA, CA 2019 Lines Laddie John Dill Art Gallery Wiesbaden, Wiesbaden, Germany 2015 Polifonia di un paesaggio Art 1307-Villa di Donato, Naples Italy 2014 Laddie John Dill & Todd Williamson Kevin Barry Fine Art, Santa Monica, CA 2013 Illusion of the Precise Robert Ryman & Mark Williams, Wade Wilson Art, * Houston, TX 2010 Todd Williamson Joe Davidson, Barbara Davis Gallery, Houston, TX SELECTED GROUP EXHIBITIONS 2026 Turning to the Light, Villa Florentino, SyArt Gallery, Sorrento, Italy Generations in Dialogue, Bege Gallery, (w/ B. Venet), Ulm, Germany 2025 Dialogues on the Knoll, Modern Artist Salon, West Hollywood, CA Arte Vivo XXXI, Soumaya Contemporary Art Museum, Mexico City, Mexico Circle of Truth, Ed Ruscha, Shane Guffogg, Billy Al Bengston, Lita Albuquerque, The Reef, Los Angeles, CA Transience to the Infinite, cur Cynthia Penna with Laddie J Dill, Ann Weber, Wonzimer Gallery, LA, CA 2024 Painting Mental Calm, Museo Hospital CTO: (CUR’arte), Italian Ministry of Cultural Heritage, Naples, Italy Arte Vivo-Edición XXX, Museo Kaluz, Mexico City Mexico Kunstvoller Jahresausklang, Kunstforum Schloss Hohenstein, Ahorn Germany Artist Positions 23 Sight Galerie, Frankfurt, Germany Circle of Truth, Ed Ruscha, Lita Albuquerque, Billy Al Bengston, Shane Guffogg, Biggs Museum of American Art, Dover, DE 2023 Bridging the Abstract Helen Frankenthaler, Elaine de Kooning, Nicolas Carone, Georges Berges Gallery, NY, NY The Parallel World, award finalist, Art Revolution Taipei-, Taipei World Trade Center, Taipei, Taiwan The Circle of Truth, Sordoni Art Gallery, Wilkes-Barre, Pennsylvania 2022 Abstract Los Angeles 4 Generations of Artists Peter Alexander, Lita Albuquerque, Laddie John Dill, Billy Al Bengston Brand Art Center, Glendale, CA 2021 Inspirational: Influence of A Place Laddie John Dill, Shane Guffogg, Justin Garcia, Miquel Osuna, Kelly Berg Herculaneum Museum, Royal Palace Portici, Italy Circle of Truth- Ed Ruscha, Shane Guffogg, Billy Al Bengston, Lita Albuquerque, Susquehanna Art Museum, Harrisburg, PA 2020 MFA Circle Gallery, Strokes of Genius 2020, Annapolis, MA Color, Cica Museum, Gimpo, South Korea 2019 HP Haas Collection, Art Karlsruhe, Karlsruhe Germany Circle of Truth (traveling exhibition) MOAH Lancaster Museum of Art, Lancaster, CA 2018 NUMA New Museum Los Gatos, Circle of Truth, (traveling exhibition), Los Gatos, CA 66 Prints by 66 Artists in 66 Years HP Haas tribute, Dalí, Fontana, Ernst, Günther Fruhtrunk, Heinz Mack, Victor Vasarely, Stuttgart, Germany 2017 Re-Creazioni, cur. Marco di Mauro,Ex-Lucchese Factory, Prato Italy 2015 Italian Soul *guest artist, Art Hub, Abu Dhabi, UAE 2013 Enchanted Afterlife Art Cube, Laguna, CA Transitive’s Fuxin Gallery, Miami, FL 2012 British Invasion Guitartown Sunset Strip, West Hollywood, CA Angelenos, Ed Moses & Laddie John Dill Fellini Gallery, Berlin, Germany Wade Wilson Art, Santa Fe, NM On the Edge, Statements in B&W S Cube Gallery, Laguna, CA 2011 Sulle trace di Luca Giordano, cur Marco di Mauro Villa Bruno, San Giorgio Italy 25th Silver Anniversary Exhibition, cur Joan Young, Visual Arts Center NJ, Summit, New Jersey 2010 Elevated Ed Ruscha, Chuck Close, Jenny Holzer, Barbara Davis Gallery, LA, CA The White Age, Villa di Donato, Milan & Naples, Italy 2009 Visionaire Ed Moses, Fellini Gallery, Shanghai, China Fresh MOCA Museum, LA, CA Proposte per una Collezione, Art 1307, Naples Italy 2008 Biennale delle Arti dell'Unità d'Italia, Museum Art Unita Italy-MAUI Museum, Caserta Italy The Art of Vision, Zimmer Children’s Museum, LA, CA Chain Letter cur Doug Harvey, High Energy Constructs, LA, CA 2007 American Contemporary Art Exhibition, cur Holly Wang, Songzhuang Art Festival, Beijing, China Spectrum *curator's choice award, Micro Museum, NY, NY 2006 Andrew Shire Gallery, LA, CA 2003 Launch Pad, O’Melveny Gallery, LA, CA Awards. Grants. Acknowledgements: 2024 Astrobotic Permanent Moon Archive, Nobile Region, South Pole Moon 2025 Foundation Grant. Pollock Krasner Foundation * NY NY Best Short Documentary, NXTup International Film Festival * San Francisco 2023 International Theme Award- Finalist. Art Revolution * Taipei Biennale Letter of Recognition. Prime Minister * Hesse, Germany Letter of Recognition. Prime Minister * Bavaria, Germany 2022 Royal Society of St. George. Honorary Member * CA 2021 Icon Award-LABA International Art Festival * LA, CA Premio Speciale Miglior Artista Internazionale. MAVV Museum * Portici, Italy 2020 Special Artist Recognition Award. Art Non-Stop International Film Festival. * Buenos Aires 2019 Pollock Prize for Creativity. Pollock Krasner Foundation * NY NY 2015 Best Foreign Artist. Bluduemila Association Sport & Arte * Naples, Italy 2010 Foundation Grant. Pollock Krasner Foundation * NY NY Artistic Merit Award. Art 1307 * Naples Italy Abstract Showcase Award. 3rd round * Artslant International Abstract Showcase Award. 4th round * Artslant International 2007 Curator's Choice Award. Spectrum. Micro Museum. * NY NY Residencies: 2015 Art 1307 Cultural Institution “Polifonia in Naples” w composer Greg Walter * Naples, Italy 2012 Art 1307 Cultural Institution “Nuove Opere Napoltane” * Naples, Italy 2011 Fellini Gallery Residency * Berlin, Germany 2007 Scuola Internazionale di Grafica, Visiting Artist * Venice Italy 2006 Louise Bourgeois, Artist Salon: Invited Artist * NYC, NY American Academy in Rome, Visiting Artist * Rome, Italy 2005 Skopelos Foundation, Visiting Artist * Skopelos, Greece Affiliations: January Arts: Non-profit Arts Foundation, Board of Directors, LA, CA Art 1307 Cultural Association, Chief Executive Officer, 2019-present *Naples, Italy & LA, CA Royal Society of St. George, Honorary Member/Member, 2020 to present *California LABA (Los Angeles Beverly Arts) Advisor and co-chair, 2020-present * Beverly Hills, CA Arts & Cultural Affairs Commission, chair 2011-2019 * West Hollywood, CA FAM (Foundation Aids Monument) Board of Directors, Design Committee, 2013-2019 * LA CA Museum Artists Council Board of Directors, Palm Springs Art Museum 2018-2019 * Palm Springs, CA LECTURES & PANELS 2024 w/ Mauricio Overfeld, Wil Phearson, John Wolf / Loisir Gallery, LA, CA w/ Laddie John Dill, Paal Anand, Chris Gialanella/ Futuredmd Gallery LA, CA 2023 w/ Mike Josef, Mayor of Frankfurt Sight Gallery, Frankfurt am Main, Germany w/ Martin Finzel, Mayor of Ahorn Schloss Hohenstein Castle, Ahorn, Germany 2021 w/ Cynthia Penna, Miquel Osuna, Justin Garcia, Shane Guffogg Herculaneum Museum Naples, Italy 2019 Circle of Truth artists MOAH Museum of Art & History, Lancaster, CA 2012 PAN Museum, Naples, Italy 2009 Harton Hall, School of Art, Belmont University, Nashville, TN WORKS

< Back Embracing Autumn: Threads of Color Oct 1, 2024 Embracing Autumn: Threads of Color Something Sweet Gallery Cafe X Gallery Chang Anon Oct 1 - Nov 7, 2024 This exhibition delves into the warm hues and profound depth of autumn, capturing the essence of nature's beauty during this enchanting season. As leaves transform into shades of gold and crimson, and the crisp air whispers of change, each piece reflects the tranquil landscapes that embody the spirit of fall. The artist invites viewers to experience the comforting warmth of autumn through textiles that weave together color and emotion. In collaboration with Something Sweet gallery café, this exhibition beautifully pairs the vibrant artworks with delightful desserts that evoke the beautiful and diverse memories of autumn. Each dessert is crafted to reflect the colors and sensations of the season, creating a multisensory experience for visitors. "Embracing Autumn: Threads of Color" invites you to immerse yourself in the essence of fall while savoring sweet treats that enhance the overall experience. This exhibition promises to evoke a sense of warmth and nostalgia, making it a perfect celebration of the deepening autumn nights.

South Korea, 1954 Artist Biography Works Next Choi Sungho South Korea, 1954 BIOGRAPHY Sung Ho Choi is a Korean American mixed media artist whose work delves into themes of cultural identity, immigration, and the Asian American experience. Born in Seoul, South Korea, in 1954, Choi completed his Bachelor of Fine Arts at Hongik University in 1980. He moved to the United States in 1981 and earned his Master of Fine Arts from the Pratt Institute in 1984. Since then, he has been living and working in New York City and Bergen County, New Jersey. Choi's art is characterized by a fusion of painting, drawing, sculpture, and mixed media, reflecting his bicultural experiences. His works often incorporate everyday materials and found objects, creating visual narratives that explore the contrasts and complexities of being a minority within a majority culture. Notable projects include "American Dream" (1988-1992), where he used ballpoint pen on lottery tickets pasted on wood panel to comment on the elusive nature of the American dream for immigrants. In 1990, Choi founded the SEORO Korean Cultural Network, a collective aimed at promoting Korean American artists. His work has been exhibited in solo exhibitions at institutions such as the University of Massachusetts Amherst, the Queens Museum of Art, and the Kumho Museum of Art. In 1996, he was commissioned by Percent for Art to create an installation work, further cementing his role in the public art sphere. One of his significant public artworks is "Quiltroad" (1999), a 17-foot-wide acrylic on canvas painting located in the U.S. Courthouse in Seattle, Washington. This piece reflects his interest in the journey of immigrants and the patchwork of cultures that constitute American society. Through his multifaceted works, Sung Ho Choi offers profound insights into the immigrant experience, identity, and the blending of cultures, making significant contributions to contemporary art and the discourse on cultural integration. WORKS

Back Jimi Gleason’s First Solo Exhibition in Seoul Breaks the Boundaries of Perception Through Paintings of Light and Silence Abstract painting master Jimi Gleason is holding his first solo exhibition in Seoul. Titled Illuminated Silence , the exhibition runs from June 2 to June 28 at Gallery CHANG, located in the Oakwood Premier COEX Center in Samseong-dong, Seoul. This exhibition marks the final stop of the touring project Coast to Coast , which began in New York and Los Angeles before arriving in Seoul. It offers a rare opportunity for Korean audiences to encounter both representative works and new pieces by this internationally acclaimed artist. Jimi Gleason uses metallic pigments and specialized materials to create works that continuously change according to the viewer’s movement and the direction of light. His paintings capture the movement of light through “mirror-like responsive surfaces,” visually evoking a sense of quiet silence. The exhibition centers on his Ocean Series , which moves beyond visual abstraction to encourage deep sensory immersion. Viewers experience a subtle inner resonance simply by standing before the works—like the gentle swell one feels when dipping a foot into the sea. One visitor remarked, “It’s incredibly complex yet beautiful. Within that complexity lies the deep aesthetic unique to contemporary art.” The Seoul exhibition is held at Gallery CHANG, a contemporary art gallery headquartered on 55th Street in New York, which has now opened its fourth location in Seoul. The exhibition space features a double open-door structure and flexible circulation design, allowing visitors who use wheelchairs or mobility aids to comfortably engage with the artworks. The exhibition has been praised for embodying the idea of an inclusive art space accessible to all. The gallery stated, “This exhibition presents new possibilities for contemporary art at the intersection of materiality and immateriality, visuality and emotional resonance. We hope visitors will join us on a journey of sensory reflection through art.” www.koreadisablednews.com 지미 글리슨, 서울 첫 개인전…빛과 침묵의 회화로 감각의 경계를 허물다 정하림 기자 : 추상회화의 거장 지미 글리슨(Jimi Gleason)이 서울에서 첫 개인전을 연다. 전시는 ‘Illuminated Silence(빛으로 그린 침묵)’이라는 제목으로 오는 6월 2일부터 28일까지 서울 삼성동 오크우드 프리미어 코엑스 센터 내 갤러리 장(Gallery CHANG)에서 개최된다.이번 전시는 뉴욕과 로스앤젤레스를 거쳐 서울에서 마무리되는 순회 프로젝트 ‘Coast to Coast’의 마지막 전시로, 세계적 작가의 신작을 포함한 대표작들을 국내에서 직접 만날 수 있는 드문 기회로 주목받고 있다.지미 글리슨은 < >

Korea Artist Biography Works Next Park Soo Korea BIOGRAPHY EDUCATION 2024 BFA Sculpture Honors, Rhode Island School of Design, Rhode Island, RI 2018 BFA Visual Communication Design, Hongik University, Seoul, KR SELECTED GROUP EXHIBITIONS 2024 Site. 002, Brooklyn Fire Proof, Brooklyn, NY 2024 Neither Confirm: Sculpture Senior Show, Woods Gerry Gallery , Providence, RI 2024 Living Urn, Gelman Gallery, Providence, RI 2023 Major Survey Show, Gelman Gallery, Providence, RI 2023 Sculpture Triennial: Each Thing Every One, Woods Gerry Gallery , Providence, RI 2023 Dog’s Breakfast, 86 Waybosset Street, Providence, RI 2022 Mt.Kumgang Cruise Tour, Geomang Creative Studio, Seoul, KR 2022 Study Subject, Geomang Gallery, Seoul, KR 2021 Techno Aesthetic Prophecies, Red Eye Gallery, RI 2021 Unseen Things, Project Space WIP, Seoul, KR 2018 Art.Write.Now.Tour, Manchester, NH, Sacramento, CA, South Bend, IN 2016 LE-GOUT, Richelieu, FR AWARDS / PRIZES 2024 Ivy Film Festival, Official Selection, Providence, RI 2024 Slamdance Film Festival, Selected Animated Shorts, Los Angeles, CA 2017 Scholastic Art & Writing Award, Broadway, NY Professional Experience 2024 Video Producer, PUBG: Battlegrounds, Krafton, Seoul, KR 2024 Designer, PUBG: Battlegrounds, Krafton, Seoul, KR 2024 Visual Artist, Sadgas label, Seoul, KR 2023 3D Character Designer, Procession Generator, Providence, RI 2022 Game Developer, Playground, Seoul, KR 2020 Creative Intern, PUBG: Battlegrounds, Krafton, Seoul, KR 2020 Spatial Audio Teaching Assistant, Rhode Island School of Design, Providence, RI 2019 Drawing Teaching Assistant, Rhode Island School of Design, Providence, RI 2019 Artist Talk, Hongreung Elementary School, Seoul, KR 2019 Artist Talk, Jangan Elementary School, Busan, KR 2018 Artist Talk, Gwangyang Hope Library, Gwangyang, KR 2017 Author and Illustrator, Children's Book “Eggman”, Seoul, KR 2017 Muralist, ‘Bibimbap’, London, UK 2014 ProBono Art Volunteer Teacher, Ulaanbaatar, MG WORKS