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United States, 1926-2018 Artist Biography Works Next Ed Moses United States, 1926-2018 BIOGRAPHY Ed Moses was a trailblazer in the Los Angeles art scene, earning global recognition for his dynamic, ever-evolving approach to painting. Throughout his prolific career spanning seven decades, Moses continually challenged artistic boundaries, describing himself as a “mutator” who thrived on curiosity and discovery. For him, painting was a dialogue between structure and freedom, where control met the desire to transcend limitations. Born on April 9, 1926, in Long Beach, California, Moses began his journey in a different field. After serving as a surgical technician in World War II, he initially pursued a career in medicine but found his passion for art through a serendipitous class at Long Beach City College. This pivotal moment led him to UCLA’s MFA program, where he connected with influential figures like Craig Kauffman and Walter Hopps, founder of the Ferus Gallery. In 1958, Moses debuted at Ferus Gallery, becoming a core member of the “Cool School,” a collective of groundbreaking artists including Robert Irwin, Ed Ruscha, and Ken Price. Together, they reshaped postwar art in Los Angeles, creating a foundation for the city’s thriving contemporary art scene. Moses' work was deeply rooted in experimentation and transformation. A committed Buddhist practitioner from 1978, he embraced impermanence and chance in his creative process, focusing on presence and intuition over rigid technique. He eschewed the label “artist,” instead calling himself a “mark maker” who sought to explore the endless possibilities of the painted surface. Over the years, Moses’ contributions to contemporary art were celebrated through numerous exhibitions and retrospectives. Highlights include his 1996 retrospective at MOCA Los Angeles and landmark shows at LACMA and UCLA’s Wight Gallery. His work transitioned from early drawings to bold, abstract paintings, with his later pieces showcasing his mastery of scale, color, and texture. Even in his 90s, Moses remained a vital force in the art world, working daily in his Venice studio and inspiring generations of artists. His legacy endures as a testament to his unwavering commitment to reinvention, exploration, and the power of art to transcend time and boundaries. EXHIBITIONS Chance & Circumstance Through the Looking Glass MOSES @90 Now & Then LACMA - Drawings from the 60’s & 70’s MEDIA Ed Moses In Conversation with William Turner LA Times: Ed Moses Dies ArtNews: Pioneering Painter Dies at 91 Ed Moses: Through the Looking Glass (VIDEO) The Joan Quinn Profiles - Ed Moses 1926-2018 (VIDEO) INCONVERSATION: Ed Moses LIVETALKS LA (VIDEO) Ed Moses Speaks with curator Grace Kook-Anderson (VIDEO) Getty Research Institute: Ed Moses an Oral History (VIDEO) The Artist Profile Archive - Ed Moses LA TIMES - Moses@90 LA TIMES - Ed Moses Turns 90 Yuki Recorder Sounds - Ed Moses (VIDEO) University of California Irvine CrossSection (VIDEO) NY Times T Magazine - Art Legends LA LEGENDS TALK (VIDEO) Ed Moses & His Art of the 60’s & 70’s - LACMA (VIDEO) LA TIMES - The Legendary Ed Moses in Motion (VIDEO) Moses@90 by EMS (VIDEO) Artillery Interviews Ed Moses Vernissage TV - First, look at the paintings. Then we’ll shoot the shit. (VIDEO) Artnet Reviews Ed Moses LACMA Drawing Show TALKSHOW - ED MOSES (VIDEO) Hunter Drohojowska Philp & Lisa Napoli on Ed Moses for KCRW ArtTalk ED MOSES - Telluride Gallery of Fine Art (VIDEO) Metropolitan ArtsConversations - ED MOSES (VIDEO) ED MOSES at 90 by EMS (VIDEO) ARTSY on Now & Then @ William Turner Gallery TAPA The Artist Profile Archive KCET - The Compulsive Creator KPCC - Ed Moses Doesn’t Make Art He Makes Magic The Argonaut - Ed Moses cover story for The Argonaut The Guardian - I Mark Therefor I Am LA Magazine - Ed Moses Drawings at LACMA The Robb Report - Driven to Abstraction Art & Antiques - Ed Moses WORKS Load More

South Korea, 1988 Artist Biography Works Next Kim Hongbin South Korea, 1988 BIOGRAPHY Hongbin Kim, also known by his artistic name "Vanhada," is a South Korean artist celebrated for his bold and emotionally resonant abstract works. Born in Seoul in 1988, Kim studied painting at Hongik University, where he developed a strong foundation in fine art. He later moved to New York, where he has been an active participant in the city’s dynamic art scene, showcasing his ability to blend traditional Korean aesthetics with contemporary abstract expression. Kim’s works are marked by vibrant color palettes, raw textures, and a visceral engagement with themes of rupture, healing, and nostalgia. His canvases often feature marks and openings that suggest wounds—physical, emotional, and cultural. These are not mere traces but profound scars, unresolved and alive. As Kim himself reflects, “Here lies a burst, a trace too vast to call a mark and too raw to name a scar.” His paintings delve into the process of regeneration, asking how the foundation that birthed something new might undergo a cleansing and transformative journey. Kim’s personal experiences of dislocation and adaptation deeply inform his work. Having left his homeland for New York under the guise of study, he grappled with a constant sense of chaos and unease. His longing to return to the place of rupture is palpable in his art, yet he channels the stimuli and stresses of Manhattan life into exaggerated color and dynamic forms. His work becomes a manifestation of nostalgia, a vivid homage to what has been left behind and what has been forged anew. Notable exhibitions include his participation in RESONANCE at the Korean Cultural Center Gallery in Tenafly, New Jersey, and Unbound Playground at Gallery Jang. Both shows highlighted his unique ability to explore the interplay between chaos and structure, rupture and regeneration. His works resonate with viewers through their emotional depth and dynamic visual language. Currently living and working in New York, Hongbin Kim continues to use his art to explore the complexities of identity, displacement, and renewal. His paintings invite audiences to reflect on their own experiences of transformation and healing, offering a vivid and deeply personal narrative that bridges cultural and emotional landscapes. EXHIBITION 2024 "12”, LatchKey Gallery, New York, NY "The Year of the Dragon”, Culture Lab LIC, Long Island City, NY “#HASHTAG”, Pree Studio, Seoul, Korea 2023 “Small Works Show”, 440 Gallery, Brooklyn, NY “WOW”, Art Mora Gallery, Ridgefield Park, NJ “Off the Wall’, Culture Lab LIC, Long Island City, NY “FAMILY: Blood or Chosen”, Culture Lab LIC, Long Island City, NY “New Artists”, Art Mora Gallery, Ridgefield Park, NJ SOLO EXHIBITION 2023 “One small step for robot, one giant leap for robot kind” (seoul, brown Gallery) 2022 “Black & Blue” solo exhibition (seoul, MBC Smart Center) 2021 “Hello, i am” solo exhibition ( Inchon, star five gallery) 2021 “Hello robot” special exhibition(Busan National Science Museum) 2020 “Contact & untast” solo exhibition (seoul, Jinsan Gallery) 2020 “Robopop” solo exhibition (seoul, Humax Art Room Gallery) 2020 “Robot reboot” solo exhibition (Gwacheon, Starbucks Starlight Gallery) 2019 “Found17“ solo exhibition (seoul, United Gallery) 2018 “Eat your tail” solo exhibition (Inchon, Sparrow Gallery) WORKS Load More

United States, 1962 Artist Biography Works Next Shane Guffogg United States, 1962 BIOGRAPHY Shane Guffogg is an internationally celebrated contemporary painter whose abstract works bridge the emotive depth of classical traditions with the innovative spirit of modern abstraction. Born in California’s San Joaquin Valley in 1962, Guffogg grew up surrounded by vast landscapes and open skies that profoundly shaped his artistic vision. He studied at the California Institute of the Arts (CalArts) under the mentorship of influential artists like John Baldessari, where he developed his distinctive approach to exploring light, space, and the human experience through painting. Guffogg’s style is defined by intricate layers of translucent oil paint, meticulously applied in a glazing technique that creates depth and luminosity. His paintings feature rhythmic, looping forms that seem to flow endlessly, evoking the sensation of movement and infinity. The works often oscillate between sharp clarity and soft diffusion, inviting viewers into a contemplative interplay between light, color, and form. Drawing inspiration from Renaissance masters such as Rembrandt and Caravaggio, as well as Abstract Expressionists like Mark Rothko, Guffogg’s works transcend time and tradition, resonating with universal themes of perception, spirituality, and transformation. In 2024, Guffogg presented a landmark solo exhibition titled At the Still Point of the Turning World – Strangers of Time at the Scala Contarini del Bovolo in Venice, Italy. This exhibition, aligned with the 60th International Art Exhibition – La Biennale di Venezia, showcased 21 new paintings inspired by T.S. Eliot’s Four Quartets. Through this series, Guffogg explored the interplay of time, memory, and migration, weaving themes of transience and permanence into his work. Notably, the exhibition incorporated augmented reality (AR) and artificial intelligence (AI), offering viewers a multisensory experience that deepened their connection to the paintings. Guffogg’s works have been exhibited extensively in the United States, Europe, and Asia, and are housed in major public and private collections, including the Los Angeles County Museum of Art (LACMA), the Hammer Museum, and the Vatican Museum. His ability to combine technical mastery with profound emotional resonance has earned him widespread acclaim as one of the most significant abstract artists of his generation. Currently based in Los Angeles, Guffogg continues to create works that challenge and expand the boundaries of abstraction. His paintings serve as meditative spaces where viewers can reflect on the interconnectedness of light, time, and human experience, offering a profound and transformative encounter with the art of seeing. SOLO EXHIBITIONS 2024 Shane Guffogg: Summer Solstice on Western, El Nido, Los Angeles, curated by Victoria Chapman 2024 Shane Guffogg: “Vibrations” Vanities Gallery, Paris, France curated by Victoria Zhong and Thierry TESSIER 2024 Shane Guffogg: “At the Still Point of the Turning World- Strangers of Time”, Scala Contarini del Bovolo Museum, Venice, Italy, co-curated by Pier Paolo Scelsi, and Andi Campognone 2024 Shane Guffogg: “Lines and Dots - Thoughts Before Language” Blue Room at El Nido, Los Angeles 2023 Shane Guffogg: “Music Within the Patterns”, with pianist Anthony Cardella; featuring painting, lecture and performance curated by VC Projects, El Nido, Los Angeles, CA 2023 Shane Guffogg: “Maximalism/Minimalism”, with Pianist Anthony Cardella; Art & Music Immersion. curated by VC Projects, at Schoenfeld Symphonic Hall, USC, Los Angeles,CA 2023 Shane Guffogg: "Xingu”, Rita House, presented by Parasol, and VC Projects, Los Angeles, featuring paintings by Shane Guffogg, piano performance by Anthony Cardella 2023 Shane Guffogg: “Xingu”, The Blue Room at El Nido, Los Angeles, curated by VC Projects, featuring painting and piano performance by Anthony Cardella 2022 Shane Guffogg: “Blue” The Blue Room at El Nido, Los Angeles, curated by VC Projects 2022 Shane Guffogg: “The Present as Future is Past - Conversations Through Art” El Nido, Los Angeles, CA curated by VC Projects and Vramyan Interiors 2022 Shane Guffogg: “Translations of Being Through Sight and Sound” El Nido, curated by VC Projects, Los Angeles, CA 2021-2022 "One Picture Show: Shane Guffogg”, SPACE 1028, Los Angeles, CA 2021 Shane Guffogg: “40 Years of Self-Portraits”, Orange County Center for Art Santa Ana, CA 2020 Shane Guffogg: “Path of Light”, Casa Regis Center for Culture and Contemporary Art Mosso Valdilana, Italy 2019 Shane Guffogg: “New Paintings”, MUSE, Miami, Florida 2017 Shane Guffogg: “The Observer is the Observed” The Gallery of the Museum Center, Baku, Azerbaijan 2017 Shane Guffogg: “Dance of Thought” Manhattan Beach Art Center, Manhattan Beach, CA 2016 Shane Guffogg: “Crossings” Porterville College, Porterville, CA 2015 “The Art of Shane Guffogg”, (1981 - 2015) 35 years Retrospective, The Lindsey Museum, Lindsay, CA 2015 Shane Guffogg: “New Paintings”, Bert Green Fine Art, Chicago, Il. 2015 Shane Guffogg: The Observer is the Observed” The Imperial Museum of Fine Arts, St. Petersburg, Russia 2015 “Shane Guffogg” Paintings, The Lodge, Los Angeles, CA. 2014 “32 Paintings and Counting” Seagram Gallery, Marlborough, LA CA 2014 “Lumen Lapsus” Leslie Sacks Fine Art, Brentwood, CA www.blouinartinfo.com chosen for Top Exhibitions of the week 2013 “The Annunciation of Ginevra de Benci” Leslie Sacks Fine Art, Brentwood, CA reviewed Artscene magazine, Arts Ltd magazine, The Huffington Post 2012 “1990 – 2012: A Retrospective” Pianta Villa di Donato, Naples, Italy reviewed Napoli Cronaca, featured on Rai TV - Unomattina Caffè 2012 Ginevra de Benci” Bert Green Fine Art, Chicago, Ill. 2011 “At the Still Point” Leslie Sacks Fine Art, Brentwood, CA 2010 New Paintings, Leslie Sacks Fine Art, Brentwood, CA 2009 “Communion” Leslie Sacks Fine Art, Brentwood, CA Reviewed Artscene magazine 2008 “Paintings” Leslie Sacks Fine Art, Brentwood, CA Reviewed Artscene magazine 2008 “Avalon” Citi Group, One Sansome St. San Francisco, CA, Jan Casey and associates in conjunction with Geras Tousignant Gallery 2008 “The Future as Past is Present- Paintings for 2001 to 2006” 425 Market St. Bank of America, San Francisco, CA Jan Casey and associates in conjunction with Geras Tousignant 2006 “Passionately Non-objective”, Lawrence Asher Gallery, Los Angeles, CA In conjunction with the Riverside Museum 2006 “Painting with Light”, Studio Blue Gallery, Los Angeles, CA 2005 “Between Heavens”, Barone Odom Gallery, Rome, Italy 2004 2004 When Each Was Both, Judy Saslow Gallery, Chicago, IL. 2004 D2 Arts Los Angeles, CA 2000 Featured Artist / Grossart.com 1999 New Paintings / Transamerica Gallery, Los Angeles, CA curated by Patrick Ela 1998 Stills / Corridor Gallery, Los Angeles, CA, continued 1997 Stills / Corridor Gallery, Los Angeles, CA, Reviewed L.A. Weekly, Pick of the Week 1996 Paintings and works on Paper from 1992-1996 Richard Iri Loft Laguna Beach, CA, 1995 New Paintings / Kantor Gallery, Los Angeles CA Reviewed L.A. Times GROUP EXHIBITIONS 2023 - 2024 “Shaping Gravity: Abstract Art Beyond the Picture Plane” Forest Lawn Museum, Glendale, CA, October 19, 2023 - March 10, 2024, curated by James Fishbourne, Director Forest Lawn Museum 2023 “The Circle of Sam Francis”, Bakersfield Museum of Art, Bakersfield, CA, May - September 2023 2023 “Homage to Sam Francis” Slow Art Day April 15, 2023 exhibition, curated by VC Projects, contributing artist group exhibition featured online: https://www.vcprojects.art/ homage-to-sam-francis-slow-art-day 2022 “AU 79PR Spring Show”, Journe Residence, Los Angeles, CA, April 2022 EXPO Chicago, Tim Yarger Fine Arts, Chicago, Illinois, April 2022 “Influence of Place” Museo Ercolanense - Reggia Borbonica di Portici, Naples, Italy Curated by Cynthia Penna 2021 “The Sun is the Same” Laurel Hills Residence of David Thompson Assemblage+ 5 person exhibition, curated by Gross Art for Los Angeles Art Week, Los Angeles, CA 2021 “The art of Art”, Pop up exhibition, Villa Pacifica, Los Angeles, CA curated by GrossArt/ for Hierony Vision 2021 “In Your Absence Something can be Born”, El Nido, Los Angeles, curated by VC Projects 2021 “Flower Festival 2021” www.herati.art International Online Group Exhibition 2020 “Agent of Ordinary Pleasures” The Lodge, Los Angeles, CA curated by Victoria Chapman 2019 “House of L x Kuper Sotheby’s International Realty House Party”, in support with San Antonio Museum of Art, San Antonio, TX 2019 “House of L x Kuper Sotheby’s International Realty House Party”, Austin, Texas 2019 “Libertà”, Gallergry, curated by Gryanne Stunnenberg, Venice, Italy 2019 “Woman’s Secrets”, Art Tower, Arts Council Azerbaijan, Baku Azerbaijan 2019 “The Circle of Truth”, Lancaster Museum of Art & History, Lancaster, CA 2018 “Glasstress Ptuj Slovenija”, Galerija mesta Ptuj / Ptuj City Gallery, Prešernova 29, Ptuj, SI 2018 “The Mecca, California”, The Lodge, Los Angeles, CA 2018 “The Circle of Truth”, New Museum Los Gatos, Los Gatos, CA 2018 “Chicago Print Crawl”, Bert Green Fine Art, Chicago, Illinois 2017 “Portraiture - An Exhibition”, Orange County Center for Contemporary Art Santa Ana, CA 2017 “Diversity” Art Tower, Arts Council Azerbaijan, Baku Azerbaijan 2017 Art Karlsruhe International Art Fair Modern and Contemporary Art, Karlsruhe, Germany 2017 “Pastels” Lindsay Museum, Lindsay, California 2017 Innsbruck Contemporary Art fair, Innsbruck, Austria 2016 Pop Austin, International Art Fair, Austin, Texas 2016 “Portraiture - An Exhibition” Lindsay, Museum, Lindsay, California 2016 Olympia Art Fair, London, England 2015 Pop Austin, International Art Fair, Austin, Texas 2015 “Q4” Billboard Creative, curated by Mona Kuhn, Los Angeles, CA 2015 “TOUCH / The L.A. Art Scene: Photographic Portraits of Artists by Jim McHugh Paired with Original Artworks”, El Segundo Museum, El Segundo, CA 2015 “Illumination” Pop Austin, International Art Fair, Austin, Texas 2015 “The Green Show”, The Loft at Liz’s, Los Angeles, CA 2015 “Contemporary Constructions and in the Studio”, California Center for the Arts, Escondido, CA 2014 “Abstraction from 1911 to 2014” Leslie Sacks, Brentwood, CA 2014 “Classical Values” Leslie Sacks, Brentwood CA 2014 “Drawings” Bert Green Fine Art, Chicago, Ill. 2013 “Scope Miami” Fu Xin Gallery, Miami, FL 2013 “Ink Miami” Leslie Sacks Fine Art, Miami, FL 2013 “The Magnificent Seven” Pianta Villa di Donato, Naples, Italy 2013 “Transitive” Fu Xin Gallery, Miami, FL 2013 “Incognito” Santa Monica Museum, Santa Monica, CA 2013 “Portraits of Joan Quin” John Wayne Airport, Orange County, CA 2012 Art Platform LA, Leslie Sacks Gallery 2012 Art San Diego, San Diego, CA. Leslie Sacks Fine Art 2012 “Inaugural Exhibition” Bert Green Fine Art, Chicago, Ill. 2012 Art Bologna, Bologna, Italy, Fu Xin Gallery 2011 “Continuum- Francis, Ruscha, Guffogg Art Platform LA, Leslie Sacks Fine Art 2010 “Elements of Nature” Selections from the Frederick Weisman Foundation Carnegie Museum, Oxnard CA, Museum of Art, New Orleans 2009 “For Those of Us Still Standing” Pharmaka, Los Angeles, CA 2009 Marine Inaugural Group Show Venice, CA 2008 “Abstraction and Photography” Pacific Design Center, Los Angeles, CA. 2008 “Marks on Paper” Pharmaka Gallery, Los Angeles, CA 2007 “Made in California- from the Weisman collection” Jewish University Los Angeles, CA 2007 “LA Icons”, Lisa Coscino Gallery, Pacific Grove, CA 2007 “Tres Desperados”, Pharmaka Gallery, Curated by Paul Ruscha 2007 “Sister City Love Slam”, Englebrot, Berlin Germany 2007 “Then and Now- Painters and Their Process”, Pharmaka Gallery, Los Angeles, CA 2007 “Viva Vetro! Glass Alive! Venice and America”, 1950-2006 Carnegie Museum of Art, Pittsburg, PA 2006 “Non-Objectivity” Pharmaka Gallery, Los Angeles, CA in conjunction with the Riverside Museum 2006 “Fin” Bedlam Gallery, Los Angeles, CA 2006 “How it Happens” Pharmaka Gallery, Los Angeles, CA 2005 “Liquid Los Angeles: Currents of Contemporary Watercolor Painting" Pasadena Museum, Pasadena, CA Curated by Leslie Jones 2005 “Incognito” Santa Monica Museum Santa Monica, CA 2005 “Small Wonders” Pharmaka Gallery Los Angeles, CA 2005 “Taste” The Back Space/ GrossArt West Hollywood, CA 2005 “Full Moon; The collection of Paul Ruscha” Pharmaka Gallery, Los Angeles, CA 2005 “Venice 2 Venice” Pharmaka Gallery, Los Angeles, CA 2005 “Art @ Home” Hill Street Loft/ GrossArt Los Angeles, CA 2005 “Blue” Pharmaka Gallery, Los Angeles, CA 2005 “Venice 2 Venice” V and A Gallery, Venice, Italy 2005 “Mostracollettiva.03 ossessioni ossessive” Barone Odom, Rome Italy 2005 Inside The Box/ Pharmaka, Bert Green Fine Art, Los Angeles, CA Outside the Box / Pharmaka-Art, Los Angeles, CA Reviewed by Peter Frank LA Weekly Pick of the Week 2004 Inaugurazione, Barone Odom Galleria D’Arte Contemporanea, Rome Italy 2004 Reality of Abstraction, Abstraction of Reality Shane Guffogg and John Scane Curated by Adam Gross / GrossArt Greystone Mansion, Beverly Hills, CA 2004 Modus Operandi, Michael Folonis, AIA, Santa Monica, CA Curated by Donna Napper 2004 Pharmaka, Bedlam Downtown, Los Angeles, CA, reviewed Coagula 2004 “Incognito” Santa Monica Museum Santa Monica, CA 2004 Pharmaka, Bedlam Gallery Hillhurst, Los Angeles, CA 2004 Pharmaka, Corridor Gallery, Los Angeles, CA 2003 Courtyard Eleven, Corridor Gallery, Los Angeles, CA 2003 Hypertension Color, Thema Gallery, Santa Monica, CA, Curated by Chip Tom 2003 California 10 Contemporary/ Judy Saslow Gallery, Chicago, IL Curated by Chip Tom 2002 Merging Artist/ Spike Gallery NY, NY reviewed NYC Gallery Guide 2002 Colors/ Sandroni Rey Gallery, Venice, CA Curated by Paul Rusconi 2000 Featured artist on Artnet.com, Abstraction of the 20th Century 2000 Works On Paper / Skidmore Contemporary Art, Malibu, California 1999 BIG / Skidmore Contemporary Art, Malibu, California 1999 Art for Tennessee Williams / The Zoo District, Los Angeles, California Reviewed in LA 1999 Drawn from the Artist Collections / The Armand Hammer Museum Los Angeles, California catalogue available Reviewed on KCRW Art Talk, reviewed L.A Weekly, Pick of the Year 1999 Drawn from the Artist Collections / The Drawing Center New York Reviewed in N.Y. Times by Roberta Smith May 21st, 1999 catalog published 1998 Hamilton Press Prints / University of Oklahoma, Oklahoma City, Oklahoma Fred Jones Jr. Museum Catalogue available 1997 Hamilton Press Prints / Pomona College, Pomona, CA 1996 One Apiece / The Corridor Gallery, Los Angeles, CA 1996 Inaugural Show / RISK Loft, Laguna, CA 1996 Six for Ninety Six / Kantor Gallery, Los Angeles, CA 1995 International Artists Works on Paper / Fahrid Chaib Contemporary Art 1995 L.A. Artists / Fahrid Chaib Contemporary Art, Venice, CA 1995 Museum Print Show / Santa Monica Museum, Santa Monica, CA 1994 Evening of Masque / Newport Harbor Museum, Newport Beach, CA 1994 The Gramercy / AMO Gallery, Los Angeles, CA 1994 Senses Of Reality / Soma Gallery, San Diego, CA 1994 Serious Beauty II / Stuart Katz Gallery, Laguna Beach, CA Curated by Irit Krieger Reviewed Orange County ,L.A. Times 1993 Serious Beauty / Metropolitan Museum, Los Angeles, CA Curated by Irit Krieger 1993 Gallery Artist Group Show / The Works Gallery, Costa Mesa, CA 1993 What's Next! / Soma Gallery, San Diego, California 1993 Focus: The Integrity of Structure / The Works Gallery, Costa Mesa, CA 1993 Los Angeles Aids Project / Patricia Shea Gallery, Santa Monica, CA 1992 Gallery Artist Opening Show / Soma Gallery, San Diego, CA 1991 Abstraction for the Information Age The Works Gallery Costa Mesa, CA Curated by Irit 1991 New Circle: American and Soviet Paintings / Martin Luther King Center, Washington, D.C. Catalogue publsihed 1989 Painters and Photographers / Wade Gallery, Los Angeles, CA 1987 Alumni Exhibition / California Institute of the Arts, Valencia, CA WORKS Load More

United States, 1950 Artist Biography Works Next Bret Price United States, 1950 BIOGRAPHY EDUCATION 1975 MFA, California Institute of the Arts, Valencia, CA 1973 Otis Art Institute, Los Angeles, CA 1972 BA, Pomona College, Claremont, CA SOLO EXHIBITIONS 2025 Melissa Morgan Fine Arts, Palm Desert, CA, “Moments Noticed” 2024 Melissa Morgan Fine Art, Palm Desert, CA, “Drawings in Space” 2022 Muckenthaler Cultural Center, Fullerton, CA, “Under Pressure/New Works” 2021 Pyramid Hill Sculpture Park and Museum, Hamilton, OH, “Leverage” 2014 University of Cincinnati, Cincinnati, OH, “Cross Sections”, Cincinnati, OH 2009 Fort Collins Museum of Contemporary Art, Ft. Collins, CO, “Out of Shapes: Stainless Steel Sculpture” 2008 Colorado State University, Fort Collins, CO, “Explorations in Metal” 2006 Dayton Art Institute, Dayton OH, “Monumental Sculptures by Bret Price” 2004 Reyne Gallery, Cincinnati, OH 2004 Sinclair Community College Gallery, Dayton, OH 2003 The Art Foundry Gallery, Sacramento, CA 2001 Elizabeth Edwards Fine Arts, Laguna Beach, CA 1998 Wyndy Morehead Gallery, New Orleans, LA 1997 Tustin Renaissance Gallery, Tustin, CA 1996 Wyndy Morehead Gallery, New Orleans, LA “Range of Motion” 1996 Ruth Bachofner Gallery, Santa Monica, CA “Burnt Offerings” 1995 Kavish Gallery, Ketchum, ID 1991 Ruth Bachofner Gallery, Santa Monica, CA 1990 L.A. Artcore, Los Angeles, CA “Uprisings” 1990 Orange County Center for Contemporary Art, Santa Ana, CA 1989 Modern Museum of Art, Santa Ana, CA “Recent Large Scale Sculpture In Steel” 1986 Mills House Gallery, Garden Grove, CA 1976 The Sculpture Gallery, San Diego, CA 1975 Craft and Folk Art Museum, Los Angeles, CA GROUP EXHIBITIONS, MAJOR COMMISSIONS 2016 The Sculpture Fields at Montague Park, Chattanooga, TN 2015 “Century City Sculpture, 2015”, Century City, CA 2013 Georgia Tech University, “Engineered Art: An International Sculpture Exhibit”, Atlanta, GA 2012 Frost Art Museum,” American Sculpture in the Tropics”, Miami, FL 2012 Blue Star Contemporary Art, San Antonio Botanical Gardens, San Antonio, TX 2011 Sarasota Season of Sculpture, “Under Azure Skies” Group Exhibition, Sarasota, FL 2010 “Malibu 2010, Summer Sculpture Exhibition”, Malibu, CA 2008 Third Biennial Sculpture Exhibition, Chattanooga, TN 2008 Krasl Biennial Sculpture Invitational, Saint Joseph, MI 2008 “Mind Over Metal”, Sculpturesite Gallery, San Francisco, CA GROUP EXHIBITIONS, MAJOR COMMISSIONS (continued) 2008 “California in New York”, Hubert Gallery, New York, NY 2008 “Art On The Streets”, 10th Annual Sculpture Exhibition, Colorado Springs, CO 2007 “Art On The Streets”, 9th Annual Sculpture Exhibition, Colorado Springs, CO 2007 “In The Shadow Of The Alps”, Group Sculpture Show, St. Urban, Switzerland 2006 “Peace Up”, 2004, 33’ high, Promised gift to The Columbus Museum of Art, Columbus, OH 2006 “Sculptural States”, Los Angeles, CA, Four person Sculpture Exhibition 2006 Macon Arts, Macon, GA, “Group Sculpture Show” 2005 “Malibu 2005, Summer Sculpture Exhibition”, Malibu, CA 2004 “Rapture”, Galvanized steel, 12’ high, Collection of Trinity University, San Antonio, TX 2003 Creative Arts Guild – Center for the Arts, Outdoor Sculpture Exhibit, Dalton, GA – Best in Show 2003 3-D Chicago, Pier Walk, The Chicago International Sculpture Exhibition, Chicago, IL 2003 “The Artful Teapot”, 20th Century Expressions from the Kamm Collection, Gardiner Museum of Ceramics, Toronto, Ontario, Canada (Traveling Exhibition) 2003 University of Hawaii at Manoa Art Gallery, Honolulu, HI, “The 8th International Shoebox Sculpture Exhibition” 2002 The Art Foundry Gallery, Sacramento, CA, “Invitational Sculpture Exhibit” 2002 Clark Contemporary Gallery, Mammoth Mountain, CA, “Mixed Company” 2002 Carl Schlosberg Fine Arts, Sherman Oaks, CA, “30th Anniversary Exhibition” 2002 “The Gathering”, Steel, paint, 17.5’ x 11’, Art in Public Places, Brea, CA 2002 3-D Chicago, Pier Walk, The Chicago International Sculpture Exhibition, Chicago, IL 2001 “Dance”, 57 N Gallery, Washington, D.C. 2001 “Conch”, Steel, paint. 6.5’ h. Collection of Ocean Reef Cultural Arts Center, Key Largo, FL 2000 “Enter Laughing; Humor in Contemporary Art”, Long Beach Museum of Art, Long Beach, CA 2000 “Opus”, Steel, paint, 12’ h. x 39’ l. Collection of Ohio Northern University, Ada, OH 2000 “May in New York”, Carl Schlosberg Fine Arts, New York, New York 2000 Tustin Renaissance Gallery, Tustin, CA 1999 “Faith Lift”, Steel, paint, 19.5’ h. Permanent collection, Dayton Art Institute, Dayton, OH 1999 Malibu Sculpture Exhibition, Carl Schlosberg Fine Arts, Malibu, CA 1998 Pomona College, Claremont, CA “Four Players”, Steel, paint, 13’ h. x 14’ w. 1998 Carl Schlosberg Fine Arts, Sherman Oaks, CA “25th Anniversary Exhibition” 1997 The Ralls Collection, Washington, DC Commission, “Born Reddy”, Steel, paint 7’h. 1997 Carl Schlosberg Fine Arts, Malibu, CA Group sculpture exhibit. Partial list of artists included: George Rickey, Anthony Caro, Robert Indiana, Gwynne Murrill 1997 Mr. & Mrs. Meyer Luskin, Los Angeles, CA Commission, “Gates of Luskiny” 1995 California State University at Bakersfield, Visiting Artist Program 1994 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings III 1994 Ruth Bachofner Gallery, Santa Monica, CA “On Water” 1993 ART/LA ’93, Los Angeles Convention Center, Los Angeles, CA 1993 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings II” 1993 Works Gallery, Costa Mesa, CA “Kustom Grafix: Fine Art from the Underground” 1993 Carl Schlosberg Fine Arts, Malibu, CA “Malibu International Sculpture Exhibition” 1993 City of Brea Gallery, Brea, CA “Sculpture ‘93” 1992 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings” 1992 Works Gallery, Costa Mesa, CA “Real Space” 1991 Galleries of the Claremont Colleges, Claremont, CA “Professor’s Choice” 1991 Diane Nelson Gallery, Laguna Beach, CA “Collector’s Choice” 1990 ART/LA ’90, Los Angeles, Convention Center, Los Angeles, CA 1990 Ruth Bachofner Gallery, Santa Monica, CA “Cal Arts Alumni” 1990 Koll Center, Newport Beach, CA “Industrious Artists/Industrial Materials” 1990 Irvine Civic Center, Irvine, CA “Sculptural Views” 1989 Griffin Related Properties, Lake Forest, CA Commission, “Up and Over”, Steel, paint, 15’ h. 1988 ART/LA ’88, Los Angeles Convention Center, Los Angeles, CA 1988 Carl Schlosberg Fine Arts, Los Angeles, CA “Contemporary Bronze Sculpture” 1988 George Boone, San Marino, CA Commission: “Looped”, Steel, 8’ h. 1988 Carl Schlosberg Fine Arts, Los Angeles, CA “Contemporary Abstract Sculpture” 1987 Pepperdine University, Malibu, CA “Los Angeles Public Art, Concept/Reality” 1987 ”Arts Irvine ‘87”, Irvine, CA 1986 Laguna Museum of Art, Laguna Beach, CA Permanent Collection: “Plain Wrap” 1986 City of Newport Beach, Newport Beach, CA “Metalphor” 1986 “The City Terrace Sculpture Invitational”, Orange, CA 1984 Pepsico, Purchase, NY “Big Scoop”, Steel, 9’x6’x4’ 1984 Galleries of the Claremont Colleges, Claremont CA “Professor’s Choice 2” 1983 Laguna Museum of Art, Laguna Beach, CA “Orange County Clay” CORPORATE AND PUBLIC COMMISSIONS American Museum of Ceramic Art, Pomona, CA Art in Public Places Program, Brea, CA (1987, 1998, 2002) Boone Fetter Associates, Monrovia, CA Chapman University, Orange, CA Clairebourne School, Pasadena, CA Crown Equipment Corporation, New Bremen, OH Dayton Art Institute, Dayton, OH Walt Disney Productions, Burbank, CA Georgia Tech University, Atlanta, GA Griffin Related Properties, Santa Ana, CA Heidelberg College, Tiffin, OH Kelsey National Corporation, Los Angeles, CA Laguna Beach Museum of Art, Laguna Beach, CA Long Beach Museum of Art, Long Beach, CA The City of Newport Beach, Newport Beach, CA Ohio Weslyan University, Delaware, OH Orange County Museum of Art, Newport Beach, CA Ocean Reef Cultural Arts Center, Key Largo, FL Ohio Northern University, Ada, OH Otis Elevator Corporation, NJ Pacific Theaters, Beverly Hills, CA Pepsico, Purchase, NY Planning Research Corporation, McLean, VA Pomona College, Claremont, CA Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C. Rockwell International, Costa Mesa, CA San Angelo Museum of Art, San Angelo, TX San Antonio Museum of Art, San Antonio, TX Scope Industries, Santa Monica, CA Sea World, San Diego, CA Sheppard, Mullin, Richter & Hampton, Los Angeles, CA Smithsonian Museum of American Art, Washington D.C. Springfield Art Museum, Springfield, OH Toyota Corporation, Chicago, IL Trinity University, San Antonio, TX University of Cincinnati, Cincinnati, OH University of Evansville, Evansville, IN WORKS Load More

Apr 20 - May 24, 2025 Intro Installation Views Artwork Next [C4] Seoul Where Past and Future are Gathered Apr 20 - May 24, 2025 Shane Guffogg INTRO SHANE GUFFOGG: WHERE PAST AND FUTURE ARE GATHERED GALLERY CHANG, SOEUL, SOUTH KOREA Gallery Chang in Seoul, South Korea, presents Shane Guffogg: “Where Past and Future are Gathered” a solo exhibition featuring Guffogg’s Still Point paintings, a body of work deeply engaged with themes of time, transcendence, and the ephemeral nature of existence. While this marks the artist’s first exhibition in South Korea, the fundamental principles of his work—his balance of time, space, and form—are inherently aligned with the aesthetics of Korean art. Guffogg’s paintings serve as confessions of time, transforming unseen forces into tangible marks. His brushstrokes trace energies that mysteriously move into our world, capturing the presence in layers of light and movement. The viewer, as a receiver, is invited to witness these ephemeral forces through an immediate sensory (visual) experience. A key inspiration for Guffogg’s Still Point series is T.S. Eliot’s Four Quartets – a meditation on time, impermanence, and spiritual awakening. Each painting draws its title from stanzas of this poem, where the passage of time is examined through the elements—air, earth, water, and fire. Guffogg’s work does not illustrate Eliot’s poetry but rather embodies a visual language akin to calligraphy, where color and movement become expressive gestures of form and emotion. Through thousands of layered brushstrokes, his compositions unfold like wordless poems. The exhibition’s largest painting, “At the Still Point of the Turning World – The Surface Glittered out of the Heart of Light”, echoes Eliot’s meditation on time as both linear and cyclical, a concept deeply rooted in Korean philosophy. Korean art embraces impermanence and the importance of the present moment. Guffogg’s paintings, with their shifting luminosity and depth, reflect this philosophical understanding, existing between presence and absence, solidity and fluidity, stillness and motion. Guffogg’s process is a meditation in itself—he paints daily, working 8 to 10 hours in solitude, surrounded by nature at his ranch. Written in charcoal on the walls of his studio are stanzas from the poem, which Guffogg internalizes over long periods of time, until colors are sensorially connected to the words. Then the title informs the painting. His paintings emerge as moments in time that are seemingly without time as they are visually moving while still, revealing traces of his meditations through color and form. Another significant piece, “At the Still Point of the Turning World – Into the Rose Garden”, is a multi-colored variation of reds, purples, and ribbons of white. The title references Eliot’s symbolic garden—a place of purity, transformation, and the passage of time. In Korean culture, gardens similarly serve as spaces of contemplation, where nature becomes both a teacher and a metaphor. Rather than depicting these themes directly, Guffogg creates an abstract experience where color, line, and movement evoke transformation. Guffogg’s technique involves no preliminary sketches, and no assistants—only the repetition of intuitive movement. Each painting is made up of thousands of brushstrokes of glazes mixed with oil paint, creating an extraordinary depth that appears to suspend time itself. This meticulous process aligns with his belief that each brushstroke is a summoning of memory, a mark that bears witness to the unseen forces of existence. His synesthesia, the ability to perceive color as sound, further deepens this interplay. His paintings become silent symphonies, their tonalities resonating internally with the viewer. Guffogg’s use of color is never jarring; instead, his complementary hues create a sense of balance, inviting introspection rather than demanding interpretation. His works do not depict existential crises—they pose questions, seeking revelations of beauty and the unknown. In Guffogg’s work, color is not merely pigment—it is a presence, vibrating beyond the visual into something sensorial, emotional, and spiritual. His mastery of light and shadow recalls the Old Masters, yet he reinterprets their techniques for the contemporary world. At a time of constant acceleration, Guffogg’s paintings offer a rare moment of pause—a space for contemplation and transcendence. His work is deeply connected to art history, influenced by Kandinsky, Monet, and Turner, yet distinctly his own. Though this marks Guffogg’s first exhibition in Korea, it is not an introduction but a reconnection. His paintings, infused with rhythm, light, and emotion, align with the artistic and philosophical traditions of Korean thought. They invite us to engage with the essence of life itself—a dance of being—a luminous stillness within the turning world. By. Victoria Chapman INSTALLATION VIEWS ARTWORK

MAY 27 - JUN 28, 2025 Intro Installation Views Artwork Next [C4] Seoul Illuminated Silence MAY 27 - JUN 28, 2025 Jimi Gleason INTRO 지미 글리슨: Illuminated Silence 이번 전시는 LA의 William Turner Gallery와 뉴욕의 Gallery Chang에서 4월부터 5월까지 동시기에 진행 중인 개인전으로 시작되어, 서울 전시로 이어지는 Coast to Coast 순회 프로젝트의 마지막 장입니다. 미국 동부와 서부를 연결하는 이 전시는, 지미 그리슨의 작품이 각기 다른 도시의 빛과 공간 속에서 어떻게 감각적으로 변화하고 확장되는지를 경험하게 합니다. 지미 글리슨은 빛과 표면, 반사의 개념을 회화에 도입하여 독자적인 조형 언어를 구축해온 작가입니다. 금속성 안료와 특수 재료를 활용한 그의 화면은 단순한 시각적 이미지가 아니라, 관람자의 움직임과 빛의 방향에 따라 끊임없이 변화하는 ‘거울 같은 회화’입니다. 이러한 작업은 시각적 경험을 넘어서, 관객의 사유와 정서를 반사시키는 존재로 확장되며, 물리적 표면과 감각적 깊이를 동시에 보여줍니다. 고요한 침묵 속에서 빛을 발산하는 이 회화들은, 마치 시간을 품은 풍경처럼 관객을 멈춰 세우고 응시하게 만듭니다. 이번 전시의 제목 《Illuminated Silence》는, 그러한 그리슨의 작업 세계를 압축적으로 담아냅니다. 빛에 의해 드러나는 고요함, 혹은 고요함 속에서 발현되는 빛 — 이 양가적인 감각은, 회화가 가질 수 있는 가장 순수한 시적 순간을 환기시킵니다. 서울에서 처음 소개되는 이번 개인전은, 지미 글리슨의 대표작과 함께 신작도 포함하여 그의 작업 세계의 진화를 선명하게 보여줍니다. 빛과 침묵, 물질성과 비물질성 사이에서 회화의 새로운 가능성을 탐색하는 이 전시는, Gallery Chang이 지향하는 철학적 미학과도 깊은 연결을 이룹니다. INSTALLATION VIEWS ARTWORK

Feb 8 - 28, 2024 Intro Installation Views Artwork Next [C1] New York MASTERPIECE (2019-2023) Feb 8 - 28, 2024 Kim Kang Yong INTRO Gallery Chang is pleased to announce the unveiling of Kim Kang Yong's second solo exhibition in New York, marking the inaugural exhibition for the gallery. As a distinguished figure in Korean contemporary art, Kim Kang Yong embarked on his artistic journey in the mid-70s, captivated by the hyperrealist movement. It's noteworthy that Korean hyperrealism of that era differed from its American counterpart, reflecting unique perspectives shaped by societal contexts such as the construction boom under the 5-year Economic Development plan. The 1970s in South Korea witnessed a surge in construction activities, with industrial complexes, express highways, and apartment complexes springing up in major cities as part of this developmental phase. This unique societal background significantly influenced Kim Kang Yong's artistic approach, particularly in themes related to brick and material. The prevalence of construction and urban development during this period became integral to his artistic expression. Kim Kang Yong's exploration of hyperrealism not only captured the visual aspects of his surroundings but also delved into the essence of societal transformation. His utilization of brick and its material distinctly reflects the societal development in South Korea during that era, evident in his works. Kim Kang Yong's monochrome representation of brick underwent a significant transformation upon his arrival in New York in 2005, where the vibrant spectrum of brick colors in Manhattan captivated him. This experience marked a pivotal shift in his artistic approach, leading to the inception of multicolored works during his time in New York. Upon returning to Korea, Kim Kang Yong continued his asetheic exploration and embarked on technical experimentation, further enriching the depth and diversity of his artistic expression. Yet, Kim Kang Yong's artistic endeavors extended beyond. The current exhibition at Gallery Chang stands as a testament to his ongoing dedication - a byproduct of his relentless artistic endeavor. Highlighting Kim Kang Yong's latest works spanning from 2019 to 2023, this showcase is a vivid portrayal of his unwavering pursuit of originality and creativity, catalyzing the redefinition of artistic boundaries. His influence extends beyond South Korea, resonating globally and setting new benchmarks in hyper-realism, thereby expanding the horizons of what art can aspire to achieve. INSTALLATION VIEWS ARTWORK

Exhibitions OCT 23 - DEC 9, 2025 Memories of Our Future Shane Guffogg SEP 2 - OCT 10, 2025 Memories of Our Future Shane Guffogg JUL 25 – AUG 5, 2025 CHASE Project: Phase Shift Shin Kiwoun / Kim Hongbin / Anon / Anikoon / Im Jibin / Koo Nahyun MAY 27 - JUN 28, 2025 Illuminated Silence Jimi Gleason Feb 20 - Mar 25, 2025 Andy Moses: Recent Works Andy Moses Oct 24 - Dec 10, 2024 THE FUTURE IS PAST IS PRESENT Shane Guffogg Aug 9 - 18, 2024 Unbound Playground KANA (Part 2) - Anikoon / Sun You / Yong Eun Kwon / Taekyung Suh / Hongbin Kim / Soo Park May 7 - Jun 8, 2024 REVEALING Moon Insoo Feb 29 - Apr 10, 2024 K-Art Chronicles Spring Part I Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong OCT 14 - NOV 15, 2025 Infinite Dialogue Kim Kang Yong / Shane Guffogg AUG 1 - 30, 2025 Organic Precision: The Geometry of Nature Stephen Robert Johns JUL 4 - 30, 2025 To Glow in the Afterglow Mark Acetelli Apr 20 - May 24, 2025 Where Past and Future are Gathered Shane Guffogg Jan 21 - Feb 28, 2025 Beyond Boundaries: Reinterpreting Tradition, Reimagining the Modern Ahn Seongmin Aug 27 - Oct 19, 2024 REALITY + IMAGE: BEYOND THE BRICKS Kim Kang Yong Jul 30 - Aug 7, 2024 Binary Equilibrium KANA (Part 1) - Calvin Lee / Dawn Kim / Jean Oh / Kai Oh / Paul Rho / Sae Jun Kim / Tae Joong Kim / Yuna Cho Apr 11 - May 4, 2024 The Hidden Masterpiece Cho Yong Ik Feb 16 - Mar 17, 2024 Emptying to Enrichment: Moon Jar’s Path Oh Kwan Jin SEP 30 - OCT 22, 2025 REALITY + IMAGE Kim Kang Yong AUG 14 - SEP 27, 2025 BECOMING WITHOUT END Ed Moses Jun 20 - Jul 22, 2025 Beautiful Rupture Bret Price / Kelly Berg / Mark Acetelli / Moon Insoo / Kimi Kim Wittling Apr 3 - May 6, 2025 Illuminated Reflection Jimi Gleason Dec 12, 2024 - Jan 18, 2025 The Essence of Perception Shane Guffogg, Kim Kang Yong, Kim Sea Joong Aug 20 - 25, 2024 FAIRYTALE Kim In Ok Jun 20 - 27, 2024 MUSEUM COLLECTION Yuri Gorbachev Mar 8 - May 4, 2024 K-Art Show Moon Insoo / Oh Kwan Jin / Kim Sea Joong / Woo Jiyeon / Park Gisele / Anon / Anikoon / Mine. K Feb 8 - 28, 2024 MASTERPIECE (2019-2023) Kim Kang Yong

Apr 11 - May 4, 2024 Intro Installation Views Artwork Next [C1] New York The Hidden Masterpiece Apr 11 - May 4, 2024 Cho Yong Ik INTRO Cho Yong Ik, a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. INSTALLATION VIEWS ARTWORK

Aug 9 - 18, 2024 Intro Installation Views Artwork Next [C1] New York Unbound Playground Aug 9 - 18, 2024 KANA (Part 2) - Anikoon / Sun You / Yong Eun Kwon / Taekyung Suh / Hongbin Kim / Soo Park INTRO The 2024 KANA Summer Exhibition, a collaboration between KANA and Gallery Chang, will take place from July 30 to August 18. The exhibition is divided into two parts: Part 1: Binary Equilibrium and Part 2: Unbound Playground. Through this summer project, KANA aims to introduce artists with Korean roots in New York to a broader audience and create a platform for sharing inspiration and communication. Part 2 ’Unbound Playground‘ presents the works of 6 artists who use their unique visual languages and playful expressions to depict experiences, memories, and emotions. These pieces, characterized by whimsical perspectives, vibrant colors, and diverse materials, visually reconstruct personal moments from everyday life. ©KANA INSTALLATION VIEWS ARTWORK