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Explore the vibrant art at Gallery Chang, the premier art gallery in NY. Immerse yourself in a diverse collection of captivating masterpieces that redefine artistic boundaries. Discover inspiration at every turn. Plan your visit today. C1 New York Jimi Gleason Apr 3 - May 5, 2025 C4 Seoul Shane Guffogg Apr 10 - May 24, 2025 C1 New York 150 W 55th St, New York, NY 10019 C3 Englewood - Private Viewing 455 Booth Ave, Englewood, NJ 07631 C2 Middletown 55 North St, Middletown, NY 10940 C4 Seoul Oakwood Premier COEX Center, B2 8-ho On View C4 Shane Guffogg - Where Past and Future are Gathered C1 Jimi Gleason - Illuminated Reflection C2 Kim Hong Bin - Chase Project V 2025-26 Solo Exhibitions For 2025-26, Gallery Chang will primarily explore the Light and Space movement, a pivotal yet often overshadowed chapter in art history. Through curated exhibitions, the gallery will highlight its innovative use of light, perception, and spatial dynamics, showcasing its lasting impact on contemporary art. Building on this foundation, we will present contemporary artists whose work examines the intersection of art and social transformation, bridging the legacy of the Light and Space movement with forward-looking perspectives to inspire deeper engagement with art’s evolving cultural role. Andy Moses: Current Works Feb 20 - Mar 25, 2025 C1 - New York Miguel Angel Iglesias May 8 - Jun 17, 2025 C1 - New York Stephen Robert Johns Jul 29 - Aug 30, 2025 C4 - Seoul Oct 10 - Nov 22, 2025 C2 - Middletown Yuri Gorbachev Dec 4, 2025 - Jan 17, 2026 C4 - Seoul Shane Guffogg Apr 10 - May 24, 2025 C4 - Seoul Nov 6 - Dec 9, 2025 C1 - New York Alison Van Pelt: The Unified Field Jul 3 - Jul 26, 2025 C4 - Seoul Oct 30 - Nov 22, 2025 C3 - Englewood Ed Moses Aug 14 - Oct 1, 2025 C1 - New York Jimi Gleason Apr 3 - May 6, 2025 C1 - New York May 29 - Jun 28, 2025 C4 - Seoul Mark Acetelli Jun 19 - Jul 22, 2025 C1 - New York Oct 23 - Dec 2, 2025 C4 - Seoul Kim Kang Yong Oct 3 - Nov 4, 2025 C1 - New York Cho Yong Ik Jan 8, 2026 - Feb 3, 2026 C1 - New York Opening Soon On View Artist Updates Shane Guffogg Ed Moses Andy Moses SHANE GUFFOGG'S SYNESTHESIA TRANFORMS PAINTINGS INTO MUSIC AT VENICE EXHIBITION THE ARTIST PROFILE ARCHIVE: ED MOSES ANDY MOSES'S NEW WORKS TRANSFORM DESERT LANDSCAPES INTO CASCADES OF PAINT The exhibition rooms of Palazzo Contarini will host the solo exhibition of Shane Guffogg, an American artist who presents to the public his new series of paintings entitled At the Still Point of the Turning World. The 21 paintings created by Shane are born from the dialogue with the poet T.S. Eliot with the aim of telling the story of the human race, its mutability and its continuous living in tension between present and future. ©Copyright by Gioielli Nascosti di Venezia Ed Moses, considered a member of the California "Cool School," was among the first artists to exhibit with the storied Ferus Gallery in 1958. His 2013 solo exhibition Yesterday’s Tomorrows, featuring his ‘crackle’ paintings at Brian Gross Fine Art in San Francisco, provided the footage for his video produced by The Artist Profile Archive. He was also interviewed in his Venice, CA studio. There is a memorable out-take after the end credits. ©Copyright by artnet News Through color palette and the visually perceived movement of paints across the canvas, the landscape, and natural elements are conveyed through abstract and subject visual means and invite prolonged looking to infer where the representational ends and the abstraction begins. Notably, the hand of the artist is absent from these works, as Moses uses a method of canvas tilting and gravity to move and shift the flow and direction of the pigment rather than a brush or palette knife. ©Copyright by artnet News Projects X Something Sweet Nov - Jan 2025 150 W 55th Street, New York, NY Kim Hong Bin X Something Sweet Jan - Feb 2025 150 W 55th Street, New York, NY Oh Kwan Jin CHASE Project #5 In Progress C2 - Middletown Kim Hong BIn NYFW S/S 2025 Feb 6, 2025 With Alex Soldiers @ C1 - New York Cho Yong Ik, Kim In Ok, Ahn Seongmin, Choi Sungho, Kim Ho Bong CHASE Project #6 Apr 2025 C2 - Middletown Anon Collectors' Summer Night Jun 2025 C3 - Englewood Kim Chong-Hak Collectors' Summer Night Aug 2025 C3 - Englewood Kim Jom Son JOIN OUR NEWSLETTER Join our email list and get access to specials deals exclusive to our subscribers. Enter your email here Sign Up Thanks for submitting!

United States, 1962 Artist Biography Works Next Shane Guffogg United States, 1962 BIOGRAPHY Shane Guffogg is an internationally celebrated contemporary painter whose abstract works bridge the emotive depth of classical traditions with the innovative spirit of modern abstraction. Born in California’s San Joaquin Valley in 1962, Guffogg grew up surrounded by vast landscapes and open skies that profoundly shaped his artistic vision. He studied at the California Institute of the Arts (CalArts) under the mentorship of influential artists like John Baldessari, where he developed his distinctive approach to exploring light, space, and the human experience through painting. Guffogg’s style is defined by intricate layers of translucent oil paint, meticulously applied in a glazing technique that creates depth and luminosity. His paintings feature rhythmic, looping forms that seem to flow endlessly, evoking the sensation of movement and infinity. The works often oscillate between sharp clarity and soft diffusion, inviting viewers into a contemplative interplay between light, color, and form. Drawing inspiration from Renaissance masters such as Rembrandt and Caravaggio, as well as Abstract Expressionists like Mark Rothko, Guffogg’s works transcend time and tradition, resonating with universal themes of perception, spirituality, and transformation. In 2024, Guffogg presented a landmark solo exhibition titled At the Still Point of the Turning World – Strangers of Time at the Scala Contarini del Bovolo in Venice, Italy. This exhibition, aligned with the 60th International Art Exhibition – La Biennale di Venezia, showcased 21 new paintings inspired by T.S. Eliot’s Four Quartets. Through this series, Guffogg explored the interplay of time, memory, and migration, weaving themes of transience and permanence into his work. Notably, the exhibition incorporated augmented reality (AR) and artificial intelligence (AI), offering viewers a multisensory experience that deepened their connection to the paintings. Guffogg’s works have been exhibited extensively in the United States, Europe, and Asia, and are housed in major public and private collections, including the Los Angeles County Museum of Art (LACMA), the Hammer Museum, and the Vatican Museum. His ability to combine technical mastery with profound emotional resonance has earned him widespread acclaim as one of the most significant abstract artists of his generation. Currently based in Los Angeles, Guffogg continues to create works that challenge and expand the boundaries of abstraction. His paintings serve as meditative spaces where viewers can reflect on the interconnectedness of light, time, and human experience, offering a profound and transformative encounter with the art of seeing. SOLO EXHIBITIONS 2024 Shane Guffogg: Summer Solstice on Western, El Nido, Los Angeles, curated by Victoria Chapman 2024 Shane Guffogg: “Vibrations” Vanities Gallery, Paris, France curated by Victoria Zhong and Thierry TESSIER 2024 Shane Guffogg: “At the Still Point of the Turning World- Strangers of Time”, Scala Contarini del Bovolo Museum, Venice, Italy, co-curated by Pier Paolo Scelsi, and Andi Campognone 2024 Shane Guffogg: “Lines and Dots - Thoughts Before Language” Blue Room at El Nido, Los Angeles 2023 Shane Guffogg: “Music Within the Patterns”, with pianist Anthony Cardella; featuring painting, lecture and performance curated by VC Projects, El Nido, Los Angeles, CA 2023 Shane Guffogg: “Maximalism/Minimalism”, with Pianist Anthony Cardella; Art & Music Immersion. curated by VC Projects, at Schoenfeld Symphonic Hall, USC, Los Angeles,CA 2023 Shane Guffogg: "Xingu”, Rita House, presented by Parasol, and VC Projects, Los Angeles, featuring paintings by Shane Guffogg, piano performance by Anthony Cardella 2023 Shane Guffogg: “Xingu”, The Blue Room at El Nido, Los Angeles, curated by VC Projects, featuring painting and piano performance by Anthony Cardella 2022 Shane Guffogg: “Blue” The Blue Room at El Nido, Los Angeles, curated by VC Projects 2022 Shane Guffogg: “The Present as Future is Past - Conversations Through Art” El Nido, Los Angeles, CA curated by VC Projects and Vramyan Interiors 2022 Shane Guffogg: “Translations of Being Through Sight and Sound” El Nido, curated by VC Projects, Los Angeles, CA 2021-2022 "One Picture Show: Shane Guffogg”, SPACE 1028, Los Angeles, CA 2021 Shane Guffogg: “40 Years of Self-Portraits”, Orange County Center for Art Santa Ana, CA 2020 Shane Guffogg: “Path of Light”, Casa Regis Center for Culture and Contemporary Art Mosso Valdilana, Italy 2019 Shane Guffogg: “New Paintings”, MUSE, Miami, Florida 2017 Shane Guffogg: “The Observer is the Observed” The Gallery of the Museum Center, Baku, Azerbaijan 2017 Shane Guffogg: “Dance of Thought” Manhattan Beach Art Center, Manhattan Beach, CA 2016 Shane Guffogg: “Crossings” Porterville College, Porterville, CA 2015 “The Art of Shane Guffogg”, (1981 - 2015) 35 years Retrospective, The Lindsey Museum, Lindsay, CA 2015 Shane Guffogg: “New Paintings”, Bert Green Fine Art, Chicago, Il. 2015 Shane Guffogg: The Observer is the Observed” The Imperial Museum of Fine Arts, St. Petersburg, Russia 2015 “Shane Guffogg” Paintings, The Lodge, Los Angeles, CA. 2014 “32 Paintings and Counting” Seagram Gallery, Marlborough, LA CA 2014 “Lumen Lapsus” Leslie Sacks Fine Art, Brentwood, CA www.blouinartinfo.com chosen for Top Exhibitions of the week 2013 “The Annunciation of Ginevra de Benci” Leslie Sacks Fine Art, Brentwood, CA reviewed Artscene magazine, Arts Ltd magazine, The Huffington Post 2012 “1990 – 2012: A Retrospective” Pianta Villa di Donato, Naples, Italy reviewed Napoli Cronaca, featured on Rai TV - Unomattina Caffè 2012 Ginevra de Benci” Bert Green Fine Art, Chicago, Ill. 2011 “At the Still Point” Leslie Sacks Fine Art, Brentwood, CA 2010 New Paintings, Leslie Sacks Fine Art, Brentwood, CA 2009 “Communion” Leslie Sacks Fine Art, Brentwood, CA Reviewed Artscene magazine 2008 “Paintings” Leslie Sacks Fine Art, Brentwood, CA Reviewed Artscene magazine 2008 “Avalon” Citi Group, One Sansome St. San Francisco, CA, Jan Casey and associates in conjunction with Geras Tousignant Gallery 2008 “The Future as Past is Present- Paintings for 2001 to 2006” 425 Market St. Bank of America, San Francisco, CA Jan Casey and associates in conjunction with Geras Tousignant 2006 “Passionately Non-objective”, Lawrence Asher Gallery, Los Angeles, CA In conjunction with the Riverside Museum 2006 “Painting with Light”, Studio Blue Gallery, Los Angeles, CA 2005 “Between Heavens”, Barone Odom Gallery, Rome, Italy 2004 2004 When Each Was Both, Judy Saslow Gallery, Chicago, IL. 2004 D2 Arts Los Angeles, CA 2000 Featured Artist / Grossart.com 1999 New Paintings / Transamerica Gallery, Los Angeles, CA curated by Patrick Ela 1998 Stills / Corridor Gallery, Los Angeles, CA, continued 1997 Stills / Corridor Gallery, Los Angeles, CA, Reviewed L.A. Weekly, Pick of the Week 1996 Paintings and works on Paper from 1992-1996 Richard Iri Loft Laguna Beach, CA, 1995 New Paintings / Kantor Gallery, Los Angeles CA Reviewed L.A. Times GROUP EXHIBITIONS 2023 - 2024 “Shaping Gravity: Abstract Art Beyond the Picture Plane” Forest Lawn Museum, Glendale, CA, October 19, 2023 - March 10, 2024, curated by James Fishbourne, Director Forest Lawn Museum 2023 “The Circle of Sam Francis”, Bakersfield Museum of Art, Bakersfield, CA, May - September 2023 2023 “Homage to Sam Francis” Slow Art Day April 15, 2023 exhibition, curated by VC Projects, contributing artist group exhibition featured online: https://www.vcprojects.art/ homage-to-sam-francis-slow-art-day 2022 “AU 79PR Spring Show”, Journe Residence, Los Angeles, CA, April 2022 EXPO Chicago, Tim Yarger Fine Arts, Chicago, Illinois, April 2022 “Influence of Place” Museo Ercolanense - Reggia Borbonica di Portici, Naples, Italy Curated by Cynthia Penna 2021 “The Sun is the Same” Laurel Hills Residence of David Thompson Assemblage+ 5 person exhibition, curated by Gross Art for Los Angeles Art Week, Los Angeles, CA 2021 “The art of Art”, Pop up exhibition, Villa Pacifica, Los Angeles, CA curated by GrossArt/ for Hierony Vision 2021 “In Your Absence Something can be Born”, El Nido, Los Angeles, curated by VC Projects 2021 “Flower Festival 2021” www.herati.art International Online Group Exhibition 2020 “Agent of Ordinary Pleasures” The Lodge, Los Angeles, CA curated by Victoria Chapman 2019 “House of L x Kuper Sotheby’s International Realty House Party”, in support with San Antonio Museum of Art, San Antonio, TX 2019 “House of L x Kuper Sotheby’s International Realty House Party”, Austin, Texas 2019 “Libertà”, Gallergry, curated by Gryanne Stunnenberg, Venice, Italy 2019 “Woman’s Secrets”, Art Tower, Arts Council Azerbaijan, Baku Azerbaijan 2019 “The Circle of Truth”, Lancaster Museum of Art & History, Lancaster, CA 2018 “Glasstress Ptuj Slovenija”, Galerija mesta Ptuj / Ptuj City Gallery, Prešernova 29, Ptuj, SI 2018 “The Mecca, California”, The Lodge, Los Angeles, CA 2018 “The Circle of Truth”, New Museum Los Gatos, Los Gatos, CA 2018 “Chicago Print Crawl”, Bert Green Fine Art, Chicago, Illinois 2017 “Portraiture - An Exhibition”, Orange County Center for Contemporary Art Santa Ana, CA 2017 “Diversity” Art Tower, Arts Council Azerbaijan, Baku Azerbaijan 2017 Art Karlsruhe International Art Fair Modern and Contemporary Art, Karlsruhe, Germany 2017 “Pastels” Lindsay Museum, Lindsay, California 2017 Innsbruck Contemporary Art fair, Innsbruck, Austria 2016 Pop Austin, International Art Fair, Austin, Texas 2016 “Portraiture - An Exhibition” Lindsay, Museum, Lindsay, California 2016 Olympia Art Fair, London, England 2015 Pop Austin, International Art Fair, Austin, Texas 2015 “Q4” Billboard Creative, curated by Mona Kuhn, Los Angeles, CA 2015 “TOUCH / The L.A. Art Scene: Photographic Portraits of Artists by Jim McHugh Paired with Original Artworks”, El Segundo Museum, El Segundo, CA 2015 “Illumination” Pop Austin, International Art Fair, Austin, Texas 2015 “The Green Show”, The Loft at Liz’s, Los Angeles, CA 2015 “Contemporary Constructions and in the Studio”, California Center for the Arts, Escondido, CA 2014 “Abstraction from 1911 to 2014” Leslie Sacks, Brentwood, CA 2014 “Classical Values” Leslie Sacks, Brentwood CA 2014 “Drawings” Bert Green Fine Art, Chicago, Ill. 2013 “Scope Miami” Fu Xin Gallery, Miami, FL 2013 “Ink Miami” Leslie Sacks Fine Art, Miami, FL 2013 “The Magnificent Seven” Pianta Villa di Donato, Naples, Italy 2013 “Transitive” Fu Xin Gallery, Miami, FL 2013 “Incognito” Santa Monica Museum, Santa Monica, CA 2013 “Portraits of Joan Quin” John Wayne Airport, Orange County, CA 2012 Art Platform LA, Leslie Sacks Gallery 2012 Art San Diego, San Diego, CA. Leslie Sacks Fine Art 2012 “Inaugural Exhibition” Bert Green Fine Art, Chicago, Ill. 2012 Art Bologna, Bologna, Italy, Fu Xin Gallery 2011 “Continuum- Francis, Ruscha, Guffogg Art Platform LA, Leslie Sacks Fine Art 2010 “Elements of Nature” Selections from the Frederick Weisman Foundation Carnegie Museum, Oxnard CA, Museum of Art, New Orleans 2009 “For Those of Us Still Standing” Pharmaka, Los Angeles, CA 2009 Marine Inaugural Group Show Venice, CA 2008 “Abstraction and Photography” Pacific Design Center, Los Angeles, CA. 2008 “Marks on Paper” Pharmaka Gallery, Los Angeles, CA 2007 “Made in California- from the Weisman collection” Jewish University Los Angeles, CA 2007 “LA Icons”, Lisa Coscino Gallery, Pacific Grove, CA 2007 “Tres Desperados”, Pharmaka Gallery, Curated by Paul Ruscha 2007 “Sister City Love Slam”, Englebrot, Berlin Germany 2007 “Then and Now- Painters and Their Process”, Pharmaka Gallery, Los Angeles, CA 2007 “Viva Vetro! Glass Alive! Venice and America”, 1950-2006 Carnegie Museum of Art, Pittsburg, PA 2006 “Non-Objectivity” Pharmaka Gallery, Los Angeles, CA in conjunction with the Riverside Museum 2006 “Fin” Bedlam Gallery, Los Angeles, CA 2006 “How it Happens” Pharmaka Gallery, Los Angeles, CA 2005 “Liquid Los Angeles: Currents of Contemporary Watercolor Painting" Pasadena Museum, Pasadena, CA Curated by Leslie Jones 2005 “Incognito” Santa Monica Museum Santa Monica, CA 2005 “Small Wonders” Pharmaka Gallery Los Angeles, CA 2005 “Taste” The Back Space/ GrossArt West Hollywood, CA 2005 “Full Moon; The collection of Paul Ruscha” Pharmaka Gallery, Los Angeles, CA 2005 “Venice 2 Venice” Pharmaka Gallery, Los Angeles, CA 2005 “Art @ Home” Hill Street Loft/ GrossArt Los Angeles, CA 2005 “Blue” Pharmaka Gallery, Los Angeles, CA 2005 “Venice 2 Venice” V and A Gallery, Venice, Italy 2005 “Mostracollettiva.03 ossessioni ossessive” Barone Odom, Rome Italy 2005 Inside The Box/ Pharmaka, Bert Green Fine Art, Los Angeles, CA Outside the Box / Pharmaka-Art, Los Angeles, CA Reviewed by Peter Frank LA Weekly Pick of the Week 2004 Inaugurazione, Barone Odom Galleria D’Arte Contemporanea, Rome Italy 2004 Reality of Abstraction, Abstraction of Reality Shane Guffogg and John Scane Curated by Adam Gross / GrossArt Greystone Mansion, Beverly Hills, CA 2004 Modus Operandi, Michael Folonis, AIA, Santa Monica, CA Curated by Donna Napper 2004 Pharmaka, Bedlam Downtown, Los Angeles, CA, reviewed Coagula 2004 “Incognito” Santa Monica Museum Santa Monica, CA 2004 Pharmaka, Bedlam Gallery Hillhurst, Los Angeles, CA 2004 Pharmaka, Corridor Gallery, Los Angeles, CA 2003 Courtyard Eleven, Corridor Gallery, Los Angeles, CA 2003 Hypertension Color, Thema Gallery, Santa Monica, CA, Curated by Chip Tom 2003 California 10 Contemporary/ Judy Saslow Gallery, Chicago, IL Curated by Chip Tom 2002 Merging Artist/ Spike Gallery NY, NY reviewed NYC Gallery Guide 2002 Colors/ Sandroni Rey Gallery, Venice, CA Curated by Paul Rusconi 2000 Featured artist on Artnet.com, Abstraction of the 20th Century 2000 Works On Paper / Skidmore Contemporary Art, Malibu, California 1999 BIG / Skidmore Contemporary Art, Malibu, California 1999 Art for Tennessee Williams / The Zoo District, Los Angeles, California Reviewed in LA 1999 Drawn from the Artist Collections / The Armand Hammer Museum Los Angeles, California catalogue available Reviewed on KCRW Art Talk, reviewed L.A Weekly, Pick of the Year 1999 Drawn from the Artist Collections / The Drawing Center New York Reviewed in N.Y. Times by Roberta Smith May 21st, 1999 catalog published 1998 Hamilton Press Prints / University of Oklahoma, Oklahoma City, Oklahoma Fred Jones Jr. Museum Catalogue available 1997 Hamilton Press Prints / Pomona College, Pomona, CA 1996 One Apiece / The Corridor Gallery, Los Angeles, CA 1996 Inaugural Show / RISK Loft, Laguna, CA 1996 Six for Ninety Six / Kantor Gallery, Los Angeles, CA 1995 International Artists Works on Paper / Fahrid Chaib Contemporary Art 1995 L.A. Artists / Fahrid Chaib Contemporary Art, Venice, CA 1995 Museum Print Show / Santa Monica Museum, Santa Monica, CA 1994 Evening of Masque / Newport Harbor Museum, Newport Beach, CA 1994 The Gramercy / AMO Gallery, Los Angeles, CA 1994 Senses Of Reality / Soma Gallery, San Diego, CA 1994 Serious Beauty II / Stuart Katz Gallery, Laguna Beach, CA Curated by Irit Krieger Reviewed Orange County ,L.A. Times 1993 Serious Beauty / Metropolitan Museum, Los Angeles, CA Curated by Irit Krieger 1993 Gallery Artist Group Show / The Works Gallery, Costa Mesa, CA 1993 What's Next! / Soma Gallery, San Diego, California 1993 Focus: The Integrity of Structure / The Works Gallery, Costa Mesa, CA 1993 Los Angeles Aids Project / Patricia Shea Gallery, Santa Monica, CA 1992 Gallery Artist Opening Show / Soma Gallery, San Diego, CA 1991 Abstraction for the Information Age The Works Gallery Costa Mesa, CA Curated by Irit 1991 New Circle: American and Soviet Paintings / Martin Luther King Center, Washington, D.C. Catalogue publsihed 1989 Painters and Photographers / Wade Gallery, Los Angeles, CA 1987 Alumni Exhibition / California Institute of the Arts, Valencia, CA WORKS Load More

Korea, 1985 Artist Biography Works Media Next Koo Nahyun Korea, 1985 BIOGRAPHY WORKS Load More MEDIA

South Korea, 1934-2023 Artist Biography Works Next Cho Yong Ik South Korea, 1934-2023 BIOGRAPHY Cho Yong-Ik was a prominent South Korean artist and a pioneering figure in the Dansaekhwa (monochrome painting) movement. Born on February 20, 1934, in Bukcheong, Korea, he pursued his education at Seoul National University in the mid-1960s, studying under the esteemed art historian, critic, and painter Kim Byung-ki. This mentorship instilled in him the importance of maintaining artistic independence, a principle that became central to his practice. Throughout his seven-decade-long career, Cho developed a distinctive approach within the Dansaekhwa movement. While his contemporaries often focused on monochromatic palettes, Cho's work stood out for its incorporation of color and dynamic compositions. His paintings are characterized by energetic abstractions featuring lyrical scratches, whisks, and flicks, emphasizing process, materiality, and systematic organization. This unique style allowed him to push the boundaries of Korean abstract art. Cho's contributions to art were recognized both nationally and internationally. He participated in significant exhibitions such as the Paris Biennale in 1961 and 1969, and the São Paulo Bienal in 1967. His works have been showcased in esteemed institutions, including the National Museum of Modern and Contemporary Art in Seoul and Gwacheon, the Leeum Museum of Art, and the Fukuoka Museum of Art in Japan. In 2016, he held a major solo exhibition at the Sungkok Art Museum in Seoul, further cementing his legacy in the art world. Beyond his artistic practice, Cho was dedicated to education and the advancement of the Korean art community. He served as a professor at Chugye University for the Arts from 1974 to 1992 and held the position of vice executive director of the Korean Fine Arts Association between 1977 and 1983. Cho Yong-Ik passed away on July 2, 2023, at the age of 89. His legacy endures through his innovative contributions to Korean abstract art and his influence on subsequent generations of artists. EDUCATION 1958 Graduated Department of Painting, Seoul National University INCUMBENT 1960 Jury member of Chosun Ilbo Contemporary Artists Exhibition 1958-1961 The chief of the Contemporary Artists Association 1962 The chief of the Actuel Committee 1965-1968 Jury member of Young Art Prize 1965-1981 Invited Professor at Serabeol Art College (Present Chungang University) 1967 The Chief of I.S.P.A.A. (International Society of Plastic and Audio-Visual Art 1967-1969 5-6th Paris Biennale Korea Representative 1973-1979 Representative of Seoul '70 1974-1992 Professor at Chyugye University for the Arts 1974-1981 23-30th National Art Exhibition of Korea, The Recommended & Invited Artist 1977-1983 Korean Fine Arts Association - Vice Executive Director 1991 1st Gwangju Biennale - The Organizing Committee 1991 Jury member of National Art Art Exhibition of Korea MAJOR SOLO EXHIBITIONS 2023 "Cho Yong-Ik: Late Works", Kiang Malingue, Hong Kong / Brown Gallery, Seoul, Korea 2022 HK Art and Antiques, New York, NY, USA 2021 Paik Hae Young Gallery, Seoul, Korea 2017 Olivier Malingue Gallery, London, UK 2016 Edouard Malingue Gallery, Hong Kong 2016 Sungkok Art Museum, Seoul, Korea 2016 Jaedong Gallery, Seoul, Korea 2008 Geohong Gallery, Guri, Korea 2008 Han Gallery, Seoul, Korea 2001 Jongno Gallery, Seoul, Korea 1990 Arko Art Center, Seoul, Korea 1984 Shinsegae Gallery, Seoul, Korea 1974 Shinsegae Gallery, Seoul, Korea SELECTED GROUP EXHIBITIONS 2023 "Figures and Flowers", HK Art Gallery, New York, USA 2023 "Two Friends", HK Art Gallery, New York, USA 2023 "Remembrance", Brown Gallery, Seoul, Korea 2023 "Absence leads to Presence", Brown Gallery, Seoul, Korea 2023 *Geometric Abstract Art in Korea", MMCA, Gwacheon, Korea 2022 Gana Art Busan, Busan, Korea 2020-21 "Challenge to the Unknown", Kim Tschang-Yeul Art Museum, Jeju, Korea 2019 Taipei Dangdai, Taipei, Taiwan 2018 Art Basel Hong Kong, Edouard Malingue Gallery, Hong Kong 2017 Art Basel Hong Kong, Edouard Malingue Gallery, Hong Kong 2017 Korean Art Now, Lee Hwalk Gallery, Seoul, Korea 2016 "Art & Life", Art Space Ben, Seoul, Korea 2016 Art Basel Hong Kong, Edouard Malingue Gallery, Hong Kong 2015 "Re: Contemporary- Fermented Souls", Kate Shin Gallery, New York, USA 2004 Inaugural Exhibition, Leeum Museum of Art, Seoul, Korea 2004 "Abstraction from suffering", Arko Art Center/MIA, Seoul, Korea 2002 "Age of Philosophy and Aesthetics", MMCA, Gwacheon, Korea 2000 "An Aspect of Korean Contemporary Art", MMCA, Gwacheon, Korea 2000 "Postwar Abstract Art in Korea and the West: Passion and Expression", Samsung Museum of Modern Art, Seoul, Korea 2000 "Selected Works Division of Contemporary Art', Seoul National University Museum, Korea 1996 "Letters and Images", Hallim Museum, Daejeon, Korea 1995 "The Exhibition of Contemporary Art '50", MMCA, Seoul, Korea 1994 "Seoul International Contemporary Art Festival", MMCA, Gwacheon, Korea 1994 "Abstraction Art of Korea", Seonam Art Center, Seoul, Korea 1993 "Opening Exhibition on Contemporary Arts", Seoul Art Center Hangaram Museum, Seoul, Korea 1990 "Contemporary Korean Fine Art Invitational Exhibition", MMCA, Gwacheon, Korea 1990 "Seoul Art Exhibition", Seoul Museum of Art(SEMA), Seoul, Korea 1990 "Korea Fine Art - Present Stage", Seoul Art Center Hangaram Museum, Seoul, Korea 1990 "Korea Contemporary Art - Finding the Origin", Total Museum, Jangheung, Korea 1989 "Figurative Exhibition by Abstract Painters", Ace Art, Seoul, Korea 1988 "Contemporary Artists Exhibition", Chosun Ilbo Gallery, Seoul, Korea 1988 "Seoul Art Exhibition", Seoul Museum of Art(SEMA), Seoul, Korea 1987 "Contemporary Korean Fine Art Invitational Exhibition", MMCA, Gwacheon, Korea 1986 "Korean Contemporary Art's Today and Yesterday", MMCA, Gwacheon, Korea 1986 "Modern Korean Art Festival", Seoul Asian Games Organizing Committee, Seoul, Korea 1986 "86 Seoul Asia Contemporary Art Exhibition", MMCA, Gwacheon, Korea 1985 "Seoul Art Exhibition", Seoul Museum of Art(SEMA), Seoul, Korea 1985 "Korea Contemporary Art Exhibition", Olympic Park Museum, Seoul, Korea 1984-85 "Contemporary Korea Fine Art Invitational Exhibition", MMCA, Seoul, Korea 1984 "Korea Invited Contemporary Art Exhibition", MMCA, Seoul, Korea 1984 Korean Contemporary Art of the '60s The Outskirts of Informel", Walker Hill Art Center, Seoul, Korea 1984 "Korean Contemporary Art of the 60's Paris Biennale", Duson Gallery, Seoul, Korea 1983 *Korea Contemporary Fine Art Exhibition", Viscontea Hall, Milano, Italy 1981 "Jungang Fine Art Prize", MMCA, Seoul, Korea 1981 "Korea Contemporary Art Exhibition", Arko Art Center, Seoul, Korea 1981 "Fundraising Exhibition for construction of National Arts Museum", Seoul, Korea 1980 "Asia Contemporary Art Exhibition", Fukuoka Museum of Art, Fukuoka, Japan 1980 "Asia Contemporary Art Exhibition", Tokyo Museum, Tokyo, Japan 1980 "Korean Contemporary Art Exhibition", Myung Sung CC, Yongin, Korea 1980 "Korean Arts Exhibition by the Han-Kuk Ilbo", MMCA, Seoul, Korea 1980 "Korean and Arabic Art Exchange Fair", Arabic Culture Center, Seoul, Korea 1980 "Korea Print & Drawing Exhibition", MMCA, Seoul, Korea 1979-81 "An Invited Artist by the National Art Exhibition", MMCA, Seoul, Korea 1979 "Korean Fine Arts Today's Method Exhibition", Arko Art Center, Seoul, Korea 1978 "Korea: The Trend for the past 20 Years of Contemporary Arts", MMCA, Seoul, Korea 1978 "Jungang Fine Art Prize", MMCA, Seoul, Korea 1977 5th Independents Exhibition", MMCA, Seoul, Korea 1977 "Korea Contemporary Western Painting National Exhibition", MMCA, Seoul, Korea 1977 "Korean Contemporary Painting", National Museum of History, Taipei, Taiwan 1976~1980 Seoul Contemporary Fine Art Festival. MMCA. Seoul 1976-77 "Contemporary Fine Art Festival in Gangwon", Gangwon, Korea 1976-77 "Contemporary Fine Art Festival in Gangwon", Gwangju, Korea 1974-78 "A Recommended Artist by the National Art Exhibition", Seoul, Korea 1974-79 "The Exhibition of Seoul 70", Shinsegae Art Gallery, Seoul, Korea 1974 "The 3rd Triennale-India", New Deli, India 1973 "Exhibition of Korean Contemporary Art", Myung-Dong Gallery, Seoul, Korea 1973 "Opening Exhibition on 100 Contemporary Artists", The National Museum of "Modern & Contemporary Art [MMCA]", Seoul, Korea 1971 "Painting Today's Korea", Myung-Dong Gallery, Seoul, Korea 1970 "Korea Arts Exhibition (Sponsored by the Hankook Ilbo) ", Gyeongbokgung Art Museum, Seoul, Korea 1969 "Young Artists of Korea", Solidaridad Gallery, Manila, Philippines 1969 "The 6th Biennale de Paris", Paris, France 1968 "The 1st Festival International De La Peinture Cagnes Sur Mer" France 1967 "Sao-Paulo International Biennial", Sao-Paulo, Brazil 1967 "I. S. P. A. A International Exhibition", Shinsegae Gallery Seoul 1967 "Expo-67 Contemporary Korean Painters Exhibition", Montreal, Canada 1966 "Contemporary Korean Painters Exhibition", Kuala Lumpur, Malaysia 1966 "The Invitation Exhibition of Contemporary Artists from Six Countries of far East", Macy's, New York, USA 1964 "Cultural Freedom Contemporary Art Exhibition (Held by the Congress for Cultural Freedom) " Seoul, Korea 1962-65 "The Actuel Exhibition", Shinsegae Art Hall Seoul, Seoul, Korea 1962 "Contemporary Korean Arts Exhibition", Manilla, Philippines 1961 "The 2nd Biennale de Paris", Paris, France 1961 "Young Artists Coalition", Gyeongbokgung Art Museum, Seoul, Korea 1959-61 "Exhibition of Korean Contemporary Artists (Held by Chosun Ilbo)", Seoul, Korea 1958-61 "Contemporary Exhibition (Held by Artists Association)", Seoul, Korea 1958 "Exhibition by Three Artists of Le Pont, Jungang Information Hall', Seoul, Korea COLLECTIONS M+ Museum, Hong Kong National Museum of Modern and Contemporary Art, South Korea Seoul Art Museum, Seoul, South Korea Leeum Samsung Museum of Art, Seoul, South Korea Gwangju Museum of Art, Gwangju, South Korea Walker Hill Art Museum, Seoul, Korea Busan Museum of Art, Busan, Korea Sungkok Art Museum, Seoul, Korea WORKS Load More

Back “Mirror-Like Paintings”: Jimi Gleason’s First Solo Exhibition in Seoul A solo exhibition by contemporary artist Jimi Gleason, Illuminated Silence , is being held at Gallery Chang Seoul, located in the Oakwood Premier COEX Center, through June 28. Centered on the theme “silence painted with light,” this exhibition marks the final chapter of Gleason’s Coast to Coast touring project, which concludes in Seoul after presentations in New York and Los Angeles. Using metallic pigments and specialized materials, Gleason creates mirror-like paintings that shift according to the viewer’s movement and the angle of light. His works metaphorically express light that emerges from stillness, and the silence revealed by that light. Gallery Chang explained, “This exhibition, presented in Seoul for the first time, brings together both signature works and new pieces, proposing new possibilities for art at the intersection of the material and immaterial, the visual and the emotional.” By Han Seung-hee / SBS News news.sbs.co.kr '거울 같은 회화' 지미 글리슨 첫 서울 개인전 현대미술 작가 지미 글리슨 의 개인전 가 갤러리 장 서울, 오크우드 프리미어 코엑스 센터에서 오는 6월 28일까지 개최됩니다. < >

South Korea, 1990 Artist Biography Works Next Kim Mine South Korea, 1990 BIOGRAPHY Kim Mine is a contemporary Korean artist best known for her ongoing character-based practice centered on NOBODY , a teddy-bear-like figure that embodies universal human experience. Stripped of fixed identity—such as age, gender, nationality, or social role—NOBODY functions as an anonymous yet deeply relatable presence, standing in for the ordinary individual navigating everyday life. Through painting, sculpture, and installation, Kim Miné explores moments that are often overlooked: small gestures, quiet emotions, and seemingly meaningless routines. Her work is guided by the idea of “the meaning of the meaningless,” revealing how personal narratives and collective emotions accumulate through ordinary experience. By presenting familiarity without specificity, her practice invites viewers to project their own memories and identities onto the figure, transforming anonymity into empathy. Kim Mine’s work resonates across cultures by addressing shared emotional states rather than individual stories. In her universe, NOBODY becomes everybody—an open vessel through which contemporary life, vulnerability, and connection are gently but persistently examined. --- Kim Mine Solo Exhibitions • NOBODY’s Present : MONSTER Gallery Gwanram, Seoul, South Korea, 2025 • The Present TDA Haus, Seoul, South Korea, 2024 • Meeting Global Luxury NOBODY Doosan Tower Luxury Gallery, Seoul, South Korea, 2023 • NOBODY and EVERYTHING Sesame Museum, Incheon, South Korea, 2023 ⸻ Group Exhibitions & Art Fairs • National Hangeul Museum Exhibition National Museum of World Writing Systems, Incheon, South Korea, 2025 (Group Exhibition) • Group Exhibition Saebyeokseisi Gallery, Incheon, South Korea, 2025 (3-person show) • Art Fair Daegu 2025 EXCO, Daegu, South Korea • Happy NEW Artist Exhibition YK Gallery, Gyeonggi-do, South Korea, 2025 • Gotaek Art Festa 2024 Muju Hyanggyo, Jeollabuk-do, South Korea • URBANBREAK Art Fair 2024 COEX, Seoul, South Korea • 15th Design Art Fair 2024 Seoul Arts Center, Seoul, South Korea • OrangeHare OFFLINE Exhibition Space OrangeHare, Gyeonggi-do, South Korea, 2024 • K-Artist Group Exhibition Gallery Chang, New York, USA, 2024 • Blossom Art Fair Shinsegae Gallery, Seoul, South Korea, 2023 • Affordable Art Fair Battersea Park, London, United Kingdom, 2023 • Gwangju International Art Fair (ART GWANGJU 23) Kim Dae-jung Convention Center, Gwangju, South Korea, 2023 • Blossom the Hope Art Fair 2023 COEX, Seoul, South Korea • MSUC Art Fest 2022 Gallery K, Seoul, South Korea • Blockchain Week in Busan 2022 BEXCO, Busan, South Korea • Plastic Art Seoul (PLAS) 2022 COEX, Seoul, South Korea ⸻ Art Collaborations • Korean National Police Agency × Kim Mine NOBODY “K-HERO” Art Goods Design Project • DEWL × Kim Mine “Dewlian” Character Design, Apparel, Emoticons & Pop-up Store • DEELO × Kim Mine Modular Furniture Project – Spatial Art Direction • POSCA × EPSON × Kim Mine Artist Interview & Live Drawing Collaboration • EPSON × Kim Mine Digital Print Collaboration & Artist Interview • RVN × Kim Mine Apparel Pattern Design Collaboration ⸻ Awards & Selections • Youth Focus Film Festival Selected Artist (Top 5) • Gangnam Green Canvas Project Final Selection (Top 10 Artists) • Art Token × Tent Film Festival Grand Prize (1st Place) • DDP NFT Collecting Vol. 1 Final Selection (Top 10 Artists) • Seoul-ro Media Canvas 2022 Final Selection (Top 10 Artists) ⸻ Lectures & Talks • “The Future of Digital Art and NOBODY” Digital Media Tech Show, KINTEX, Seoul, South Korea • “The Metaverse World and NOBODY” Korea Institute of Engineering & Technology, Gyeonggi-do, South Korea • “The Future of Digital Art and NOBODY” Korea Smart Tech Professionals Association Inauguration Ceremony, Seoul, South Korea WORKS Load More

Back Gallery Chang Presents Time-Shift Exhibition in an Abandoned Building Gallery Chang is presenting a time-shift curatorial exhibition titled CHASE Project: Phase Shift , using an abandoned building as its exhibition site. Originally conceived at the multidisciplinary cultural space “The Bank” in Middletown, Upstate New York, the project has been expanded and re-presented as a new version at Gallery Chang in Manhattan. Three artists—Shin Kiwoun, Kim Hong Bin, and Anon—are participating. The exhibition first presents works by Kim Hong Bin and Anon through August 5, followed by Shin Ki Woun’s solo presentation Illusion of Permanence through August 12. Shin also participated in the restoration project of Nam June Paik’s The More the Better at the National Museum of Modern and Contemporary Art, Korea. Video artist Shin Ki woun explores the meanings of “existence” and “non-existence” through images that inhabit a worldview of “generation” and “disappearance,” adopting and experimenting with technical methods that push beyond the boundaries of art. Gallery Chang explains that Shin revives images of memories that were once real but soon vanished—becoming ambiguous and lost—by using time-lapse filming to reconstruct them as psychological spaces within memory. Textile artist An On has developed her own visual language through flat works, reliefs, and installations using textiles as her primary medium. By tearing, layering, and stitching fabrics that she has printed herself, she creates surfaces that are both painterly and sculptural. Gallery Chang notes that An’s textile collages contain narratives of color and layers of sensation within meticulous structures. They visualize natural temporality, personal emotions, and fragments of memory through the materiality of fabric. Repeated cutting, reassembling, and sewing leave traces of contemplation, while restrained vertical and horizontal compositions maintain a steady rhythm, and colors evoke sensations of season, light, and emotion. Artist Kim Hong Bin, who works under the name “VANHADA,” expresses themes such as “the beauty one seeks” and “the challenge of something new.” According to Gallery Chang, Kim reflects the “anxiety of an unsettled life” in his works, exaggerating colors to express how he absorbs and even enjoys stimuli and stress from his environment. Working mainly with acrylic on flat surfaces, he uses paint like stickers and creates various forms by crumpling, tearing, and reconfiguring his materials. Curator Jinnie Kang commented, “This exhibition itself—the act of moving a project that began in Upstate New York into another urban space—is a ‘process of transition.’ It will be an opportunity to imagine together how space and art can meet.” Park Jong-won, Reporter www.koreadaily.com 갤러리 장, 폐건물 이용 시간차 작품전 | 미주중앙일보 ‘CHASE Project: Phase Shift’…신기운·김홍빈·안온 출품 은행으로 사용됐던 폐건물을 예술의 현장으로 옮겨 전시 < >

Synesthetic Reverie Something Sweet Gallery Cafe X Gallery Chang Hongbin Kim (VANHADA) Nov 8, 2024 - Jan 31, 2025 Synesthetic Reverie Hongbin Kim’s exhibition, "Synesthetic Reverie," presents a synesthetic world that transcends the boundaries of color and sensation. In this exhibition, the artist expresses single-color pigments in three-dimensional forms, capturing depth and vibrancy that extend beyond the flat plane. Each color represents the artist, others, or the diverse individuals navigating the layered complexity of New York City, revealing the multifaceted nature of a person through color. In his work, the paint is not merely flat but expresses the vibrant potential of color through dimensionality. This color transcends simple visual stimuli, arriving as a synesthetic reverie that invites viewers to reencounter the varied identities of individuals and the world. "Synesthetic Reverie" offers visitors an immersive experience, exploring self, others, and urban life through color and form. We invite you to Something Sweet Gallery Cafe to encounter a new realm of art that transcends the boundaries of perception and being.

Back New Exhibition in Upstate NY Feature Works of South Korean Artist Moon Insoo Artis Moon Insoo during his exhibition "REVEALING: Moon Insoo" at Gallery Chang in Middletown, N.Y., on May 10, 2024. (The Epoch Times) [Source from THE EPOCH TIMES press release, provided by Kos Temenes] < >

Back The Mark of Time: Tracing the Origins of Eastern and Western Abstraction Gallery Chang in Midtown Manhattan presents the four-artist exhibition The Mark of Time from January 8 to February 17, 2026. Bringing together works by Korean and American artists Cho Yong Ik, Kim Kang Yong, Ed Moses, and Jimi Gleason, the exhibition examines the origins of Eastern and Western abstraction through the shared lens of time as a mode of thought. The Mark of Time does not approach abstraction as a singular style or a linear outcome of art history. Instead, it considers abstraction as a way of thinking that emerged simultaneously across different cultural contexts. The exhibition traces how artists working within distinct environments and traditions have shared fundamental questions of time, material, and action. Here, abstraction is understood not as a finished form, but as a process through which experience accumulates and is recorded. What appears on the canvas is less a completed image than the residue of time—repeated gestures, countless decisions, and moments of choice and withdrawal layered over duration. The exhibition is structured around two interconnected dialogues. The first dialogue brings together the works of Ed Moses and Cho Yong Ik, viewing abstraction as a trace of time. For Moses, painting is not a means of representation but an event shaped by action and decision. His canvases bear not only visible brushstrokes, but also erased movements, hesitation, and the temporal span of the painting’s making. Cho Yong-Ik’s work is likewise formed through repetition, restraint, and a meditative rigor. Rather than completing an image in a single gesture, he gradually builds density through sustained and deliberate actions, allowing abstraction to function as a vessel for the experience of time. The second dialogue connects the practices of Kim Kang Yong and Jimi Gleason, expanding abstraction into a materially constructed world. Kim’s brick paintings are the result of labor, weight, and time meticulously layered onto the canvas. While they evoke physical structures, they operate less as representations than as painterly inquiries into material, structure, and illusion. Gleason similarly constructs his surfaces through repetitive gestures and layered silvery pigments, allowing resistance, reflection, and material tension to shape form. Curator Jinnie Kang explains, “Rather than deeply comparing or opposing East and West, The Mark of Time seeks to show how different modes of abstract thinking, formed within distinct contexts, can converge into a single flow. By viewing abstraction not through cultural divisions but through attitudes toward time, action, and material, the exhibition highlights moments where the artists’ works intersect and resonate naturally within parallel relationships.” https://www.nyculturebeat.com/index.php?document_srl=4174429&mid=Lounge2 < >