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United States, 1961 Artist Biography Works Next Jimi Gleason United States, 1961 BIOGRAPHY Jimi Gleason is a contemporary artist whose work explores the dynamic interplay between light, material, and perception. Born in Newport Beach, California, Gleason studied fine arts at UC Berkeley, graduating in 1985. His artistic journey began with studies in printmaking at the San Francisco Art Institute and work as a photo assistant in New York City. Upon returning to California, he spent five years working in the studio of renowned artist Ed Moses, an experience that profoundly shaped his understanding of abstraction and materiality. Gleason’s paintings are celebrated for their luminous, reflective surfaces created through a meticulous and labor-intensive process. His primary medium, silver nitrate, is applied using techniques inspired by industrial processes. This approach connects his work to the legacy of the West Coast Minimalist and Light & Space movements, which explored the intersection of art, technology, and perception. The result is a body of work that transcends the boundaries of traditional painting, engaging viewers in an immersive, ever-changing experience. The reflective surfaces of Gleason’s works are activated by light and the viewer’s presence, creating a dynamic interaction that is central to his artistic vision. His paintings echo the alchemical principles of transformation, offering a meditative space where materiality and the ephemeral coexist. Gleason’s work invites viewers to explore themes of duality and connection, where the boundaries between the physical and metaphysical dissolve. Over his career, Gleason has exhibited in prestigious institutions such as the Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, and the Tucson Museum of Art. His work is included in significant public and private collections worldwide, earning him recognition for his innovative approach and technical mastery. Living and working in Southern California, Gleason continues to push the limits of abstraction and material exploration, creating works that challenge traditional notions of painting while offering a profound and contemplative experience for the viewer. EDUCATION 1985-86 San Francisco Art Institute, San Francisco, CA 1985 BFA, University of California, Berkeley, CA SOLO EXHIBITION 2025 Gallery Chang, Seoul, Korea 2025 Gallery Chang, NewYork, New York 2024 Sugarlift, New York, New York 2023 Bentley Gallery, Phoenix, AZ 2022 Mark Moore Fine Art, Orange, CA William Turner Gallery, Los Angeles, CA 2019 William Turner Gallery, Los Angeles, CA Mark Moore Fine Art, Orange, CA 2018 Orth Contemporary, Tulsa, OK Bentley Gallery, Phoenix, AZ 2017 William Turner Gallery, Los Angeles, CA 2016 William Turner Gallery, Los Angeles, CA 2015 RB Stevenson Gallery, Silver Deposit, La Jolla, CA William Turner Gallery, Los Angeles, CA 2014 Toomey-Tourell Fine Art, San Francisco, CA 2013 Peter Blake Gallery, Laguna Beach, CA 2012 RB Stevenson Gallery, La Jolla, CA 2011 Bentley Gallery, Scottsdale, AZ Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2010 Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM 2009 Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2008 Peter Blake Gallery, Laguna Beach, CA 2007 Patricia Faure Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA Peter Blake Gallery, Laguna Beach, CA 2006 R.B. Stevenson Gallery, La Jolla, CA LewAllen Contemporary, Santa Fe, NM Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA 2005 Patricia Faure Gallery, Los Angeles, CA Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM Ruth Bachofner Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA 2004 Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA Peter Blake Gallery, Laguna Beach, CA 2003 Ruth Bachofner Gallery, Los Angeles, CA New Urban Art, Phoenix, AZ 2002 Ruth Bachofner Gallery, Los Angeles, CA 1999 Edward Giardina Contemporary Art, Santa Ana, CA 1994 Dakota Studio, New York, NY 1992 637 Gallery, New York, NY 1990 SFA, New York, NY 1988 The World, New York, NY 1987 Clancy Gallery, Costa Mesa, CA WORKS Load More

United States, 1962 Artist Biography Works Next Andy Moses United States, 1962 BIOGRAPHY Andy Moses is a celebrated contemporary artist known for his luminous, abstract works that blur the boundaries between painting and sculpture. Born in Los Angeles in 1962, Moses grew up surrounded by the vibrant culture and light-filled landscapes of Southern California, which continue to influence his work. He studied at the renowned California Institute of the Arts (CalArts), where he was mentored by influential artists like John Baldessari and Michael Asher. These formative years sparked his fascination with the intersection of physicality, perception, and the metaphysical dimensions of art. Moses’ work is defined by its exploration of light, color, and form, often utilizing unconventional techniques and materials. His intricate process involves manipulating paints mixed with metallic pigments and industrial coatings, applied to curved or shaped panels. The resulting surfaces are dynamic, shifting with the viewer’s perspective and the surrounding light. These works invite an immersive experience, creating a dialogue between the observer, the artwork, and the environment. After moving to New York in 1982, Moses became part of the city’s burgeoning art scene, developing ties with artists like Jeff Koons and Jean-Michel Basquiat. During this time, his work reflected a fascination with geological forces and the macro/micro dynamics of nature. In 2000, Moses returned to Los Angeles, where the unique coastal light and vast landscapes inspired a shift in his practice. Incorporating elements of the Light and Space movement, he began experimenting with reflective surfaces and concave panels that expand the viewer’s perception of space and time. Moses has exhibited internationally for over three decades, with his work featured in major institutions such as the Los Angeles County Museum of Art, Laguna Art Museum, and the Orange County Museum of Art. His paintings are included in prestigious public and private collections worldwide, earning him a reputation as one of Southern California’s leading abstract artists. Living and working in Venice, California, Moses continues to push the limits of abstraction, crafting works that resonate with the ever-changing dynamics of light and perception. His art serves as a bridge between the material and the intangible, inviting viewers to explore the profound beauty of the natural and the metaphysical world. EDUCATION 1979 - 1982 California Institute of the Arts, Valencia, CA AWARDS 2018 Artist of the Year, Art of Palm Springs 1987 Premio Michetti, Fondazione Michetti Italy SOLO EXHIBITIONS 2025 Gallery Chang, New York 2023 William Turner Gallery, Los Angeles, CA 2023 Bentley Gallery, Phoenix, AZ 2022 Melissa Morgan Fine Art, Palm Desert, CA 2022 JD Malat Gallery, London, UK 2020 William Turner Gallery, Los Angeles, CA 2020 Melissa Morgan Fine Art, Palm Desert, CA 2019 Spanierman Modern, Miami Beach, FL 2019 JD Malat Gallery, London, UK 2019 Melissa Morgan Fine Art, Palm Desert, CA 2017 30 Year Survey, Pete and Susan Barrett Gallery, Santa Monica, CA 2017 Melissa Morgan Fine Art, Palm Desert, CA 2016 William Turner Gallery, Santa Monica, CA 2015 Peter Marcelle Project, Southampton, NY 2014 Melissa Morgan Fine Art, Palm Desert, CA 2014 William Turner Gallery, Los Angeles, CA 2011 Melissa Morgan Fine Art, Palm Desert, CA 2010 William Turner Gallery, Los Angeles, CA 2010 Peter Blake Gallery, Laguna Beach, CA 2009 Peter Blake Gallery, Laguna Beach, CA 2008 Bjorn Ressle Gallery, New York, NY 2008 Sam Freeman Gallery, Santa Monica, CA 2008 Peter Blake Gallery, Laguna Beach, CA 2007 Jacob Karpio Gallery, San Jose, Costa Rica 2007 Galleri S.E Bergen, Norway 2007 Peter Blake Gallery, Laguna Beach, CA 2006 McClain Gallery, Houston, TX 2006 Patricia Faure Gallery, Los Angeles, CA 2005 Patricia Faure Gallery Los Angeles, CA 2005 McClain Gallery, Houston, TX 2004 Virginia Miller Gallery, Coral Gables, FL 2004 Patricia Faure Gallery, Los Angeles, CA 2003 Off Main Gallery, Los Angeles, CA 1998 Leonora Vega Gallery, New York, NY 1997 Kantor Gallery, Los Angeles, CA 1996 Leonora Vega Gallery, New York, NY 1995 Leonora Vega Gallery, New York, NY 1988 Asher/Faure Gallery, Los Angeles, CA 1987 Annina Nosei Gallery, New York, NY SELECT GROUP EXHIBITIONS 2024 Light Matter, PST Art, William Turner Gallery, Los Angeles, CA 2024 The Rhythms of Abstraction, JD Malat Gallery, London, UK 2024 Force of Nature, Spanierman Modern, New York, NY 2023 Spanierman Modern, New York, NY 2023 Annual Group Exhibition, Bentley Gallery, Phoenix, AZ 2023 California State University Northridge Art Gallery, Los Angeles, CA 2022 Art Miami Fair, Sponder Gallery, Miami, FL 2022 Ronald H. Silverman Fine Arts Gallery, Los Angeles, CA 2022 I Love the Light in California, Melissa Morgan Fine Art, Palm Desert, CA 2021 CrossCurrent, William Turner Gallery, Los Angeles, CA 2021 Color Theory, Bentley Gallery, Phoenix, AZ 2020 AllTogetherNow, William Turner Gallery, Los Angeles, CA 2020 Abstraction and The Natural World, JD Malat Gallery, London, UK 2019 Seattle Art Fair, JD Malat, Seattle, WA 2019 Santa Monica, College, Pete and Susan Barrett Art Gallery, Santa Monica, CA 2018 ELEMENTAL, William Turner Gallery, Los Angeles, CA 2016 Mana Contemporary, Jersey City, NJ 2016 STRATA, William Turner Gallery, Los Angeles, CA 2015 CONFLUENCE, William Turner Gallery, Los Angeles, CA 2015 Mana Comtemporary Wyn, Miami, FL 2014 Elements, LA Artcore, Los Angeles, CA 2013 Skin/Deep, William Turner Gallery, Los Angeles, CA 2013 Luminous, Melissa Morgan Fine Art, Palm Desert, CA 2012 Ed’s Party: Spheres of Influence in the LA Art Scene, William Turner Gallery, Los Angeles, CA 2011 The Gleam in the Young Bastard’s Eye, William Turner Gallery, Santa Monica, CA 2010 Nyehaus Gallery, Swell, NY, NY 2010 Peter Blake Gallery, Summer Group Show, Laguna Beach, CA 2010 William Turner Gallery, Material Matters, Santa Monica, CA 2010 Melissa Morgan Fine Art, Palm Desert, CA 2009 Bjorn Ressle Gallery, Winder Salon, NY, NY 2009 The Black Cat Gallery, Darkwave, Culver City, CA 2009 Eric Phleger Gallery, In A Different Light, Leucadia, CA 2009 Melissa Morgan Fine Art, Inaugural Exhibition, Palm Desert, CA 2009 Arena 1 Gallery, Weekend, Santa Monica, CA 2009 Phantom Gallery, Surface of Space, Long Beach, CA 2008 Arts Manhattan, DNA Evolution, Manhattan Beach, CA 2008 MODAA, Liquid Light, Culver City, CA 2008 Peter Blake Gallery, 15 Years 15 Artists, Laguna Beach, CA 2008 Nuuanu Gallery, California Dreamin , Honolulu, HI 2008 Modern Masters Fine Art, Finish Fetish @ MMFA, Palm Desert, CA 2008 Pharmaka Gallery, Surface of Space, Los Angeles, CA 2007 dba Gallery 256, Liquid Light, Pomona, CA 2007 Peter Blake Gallery, West Coast Abstraction, Laguna Beach, CA 2007 Anita Shapolsky Gallery, Group Show, New York, NY 2007 Arena 1 Gallery, Pink III, Santa Monica, CA 2006 Beverly Hills Municipal Gallery, Beverly Hills, CA 2006 Gallery C, LA Minimalism Today, Hermosa Beach, CA 2006 George Billis Gallery, All in the Family, Los Angeles, CA 2005 Patricia Faure Gallery, Pink, Los Angeles, CA 2005 Berman/Turner Projects, Flow, Los Angeles, CA 2004 Spike Gallery, New York, NY 2004 Cartelle Gallery, Pink, Los Angeles, CA 2004 Patricia Faure Gallery, White on White, Los Angeles, CA 2004 Atheneum, La Jolla, CA 2003 Todd Madigan Art Gallery, Bakersfield, CA 2003 Gallery C, The Art of Paint, Hermosa Beach, CA 2003 Double Vision Gallery, Double Vision, Los Angeles, CA 2002 Anita Shapolsky Gallery, New Concepts, New York, NY 2002 SpaceProject, EleMental, Hollywood, CA 2002 Arts Manhattan, Close Proximity, Manhattan Beach, CA 1997 Nabi Gallery, To the End and Beyond, Sag Harbor, NY 1996 Millennium Gallery, East Hampton, NY 1994 Cambell Thiebaud Gallery, Lana International, San Francisco, CA 1993 Leonora Vega Gallery, New York, NY 1992 Newspace, Instincts of Intuition, Los Angeles, CA 1991 Hallwalls, Pleasure, Buffalo, NY 1990 Amy Lipton Gallery, New Metaphysical, New York, NY 1990 Marta Cervera Gallery, Matter and Memory, New York, NY 1988 Asher/Faure Gallery, Unstable Universe, Los Angeles, CA 1987 Annina Nosei Gallery, Spacial Effects, New York, NY 1986 Artist's Space, Selections, New York, NY INSTITUTUTIONAL EXHIBITIONS 2024 Back to Basic, Ronald H. Silverman Fine Arts Gallery, Los Angeles, CA 2022 Ronald H. Silverman Fine Arts Gallery at Cal State LA, We are LA: Contemporary Art from the Fredrick Weisman Foundation, Los Angeles, CA 2022 Laguna Art Museum, Black and White: Contemporary Art from the Fredrick Weisman Foundation, Laguna Beach, CA 2019 Pepperdine University, Frederick R. Weismann Museum of Art, Malibu, CA 2018 Carnegie Art Museum, Oxnard, CA 2017 California Dreaming, Pepperdine University, Frederick R. Weismann Museum of Art Malibu, CA 2016 Carnegie Art Museum, Frederick R. Weismann Art Foundation, Oxnard, CA 2014 Frederick R. Weisman Foundation, Environmental Impact, Malibu, CA 2014 Laguna Art Museum, Selections from the Permanent Collection, Laguna Beach, CA 2014 Marjorie Barrick Museum, UNLV, Las Vegas, NV 2012 Museum of Art & History, Lancaster, CA 2012 Carnegie Art Museum, Oxnard, CA 2011 Pepperdine University, Frederick R. Weismann Museum of Art Malibu, CA 2011 Brevard Museum of Art, Melbourne, FL 2010 Contemporary Arts Center, Elements of Nature, New Orleans, LA 2010 Lancaster Art Museum, Lancaster, CA 2010 Carnegie Art Museum, Oxnard, CA 2009 Laguna Art Museum, Collecting California, Laguna Beach, CA 2009 Pepperdine University, Frederick R. Weismann Museum of Art Malibu, CA 2008 Laguna Art Museum, Recent Acquisitions, Laguna Beach, CA 2008 American Jewish University, Bel Air, CA 2007 Frederick R Weisman Foundation, Made In California, Malibu, CA 2007 American Jewish University Museum, Los Angeles, CA 2007 Colorado Springs Fine Art Center, Colorado Springs, CO 2006 Frederick R. Weisman Foundation, LA Art Scene , Los Angeles, CA 2005 Riverside Art Museum, Flow, Riverside, CA 2003 Frederick R. Weisman Foundation, Los Angeles, CA 1988 Newport Harbor Art Museum, Skeptical Beliefs, Newport Beach, CA 1987 Fondazione Michetti Rome, Italy WORKS

Aug 9 - 18, 2024 Intro Catalog Installation Views Next [C1] New York Unbound Playground Aug 9 - 18, 2024 KANA (Part 2) - Anikoon / Sun You / Yong Eun Kwon / Taekyung Suh / Hongbin Kim / Soo Park INTRO The 2024 KANA Summer Exhibition, a collaboration between KANA and Gallery Chang, will take place from July 30 to August 18. The exhibition is divided into two parts: Part 1: Binary Equilibrium and Part 2: Unbound Playground. Through this summer project, KANA aims to introduce artists with Korean roots in New York to a broader audience and create a platform for sharing inspiration and communication. Part 2 ’Unbound Playground‘ presents the works of 6 artists who use their unique visual languages and playful expressions to depict experiences, memories, and emotions. These pieces, characterized by whimsical perspectives, vibrant colors, and diverse materials, visually reconstruct personal moments from everyday life. ©KANA CATALOG View Catalog here INSTALLATION VIEWS

Back The Mark of Time: Tracing the Origins of Eastern and Western Abstraction Gallery Chang in Midtown Manhattan presents the four-artist exhibition The Mark of Time from January 8 to February 17, 2026. Bringing together works by Korean and American artists Cho Yong Ik, Kim Kang Yong, Ed Moses, and Jimi Gleason, the exhibition examines the origins of Eastern and Western abstraction through the shared lens of time as a mode of thought. The Mark of Time does not approach abstraction as a singular style or a linear outcome of art history. Instead, it considers abstraction as a way of thinking that emerged simultaneously across different cultural contexts. The exhibition traces how artists working within distinct environments and traditions have shared fundamental questions of time, material, and action. Here, abstraction is understood not as a finished form, but as a process through which experience accumulates and is recorded. What appears on the canvas is less a completed image than the residue of time—repeated gestures, countless decisions, and moments of choice and withdrawal layered over duration. The exhibition is structured around two interconnected dialogues. The first dialogue brings together the works of Ed Moses and Cho Yong Ik, viewing abstraction as a trace of time. For Moses, painting is not a means of representation but an event shaped by action and decision. His canvases bear not only visible brushstrokes, but also erased movements, hesitation, and the temporal span of the painting’s making. Cho Yong-Ik’s work is likewise formed through repetition, restraint, and a meditative rigor. Rather than completing an image in a single gesture, he gradually builds density through sustained and deliberate actions, allowing abstraction to function as a vessel for the experience of time. The second dialogue connects the practices of Kim Kang Yong and Jimi Gleason, expanding abstraction into a materially constructed world. Kim’s brick paintings are the result of labor, weight, and time meticulously layered onto the canvas. While they evoke physical structures, they operate less as representations than as painterly inquiries into material, structure, and illusion. Gleason similarly constructs his surfaces through repetitive gestures and layered silvery pigments, allowing resistance, reflection, and material tension to shape form. Curator Jinnie Kang explains, “Rather than deeply comparing or opposing East and West, The Mark of Time seeks to show how different modes of abstract thinking, formed within distinct contexts, can converge into a single flow. By viewing abstraction not through cultural divisions but through attitudes toward time, action, and material, the exhibition highlights moments where the artists’ works intersect and resonate naturally within parallel relationships.” https://www.nyculturebeat.com/index.php?document_srl=4174429&mid=Lounge2 < >

Artist Biography Works Next Rokkankim BIOGRAPHY WORKS

Apr 20 - May 24, 2025 Intro Catalog Installation Views Next [C4] Seoul Where Past and Future are Gathered Apr 20 - May 24, 2025 Shane Guffogg INTRO SHANE GUFFOGG: WHERE PAST AND FUTURE ARE GATHERED GALLERY CHANG, SOEUL, SOUTH KOREA Gallery Chang in Seoul, South Korea, presents Shane Guffogg: “Where Past and Future are Gathered” a solo exhibition featuring Guffogg’s Still Point paintings, a body of work deeply engaged with themes of time, transcendence, and the ephemeral nature of existence. While this marks the artist’s first exhibition in South Korea, the fundamental principles of his work—his balance of time, space, and form—are inherently aligned with the aesthetics of Korean art. Guffogg’s paintings serve as confessions of time, transforming unseen forces into tangible marks. His brushstrokes trace energies that mysteriously move into our world, capturing the presence in layers of light and movement. The viewer, as a receiver, is invited to witness these ephemeral forces through an immediate sensory (visual) experience. A key inspiration for Guffogg’s Still Point series is T.S. Eliot’s Four Quartets – a meditation on time, impermanence, and spiritual awakening. Each painting draws its title from stanzas of this poem, where the passage of time is examined through the elements—air, earth, water, and fire. Guffogg’s work does not illustrate Eliot’s poetry but rather embodies a visual language akin to calligraphy, where color and movement become expressive gestures of form and emotion. Through thousands of layered brushstrokes, his compositions unfold like wordless poems. The exhibition’s largest painting, “At the Still Point of the Turning World – The Surface Glittered out of the Heart of Light”, echoes Eliot’s meditation on time as both linear and cyclical, a concept deeply rooted in Korean philosophy. Korean art embraces impermanence and the importance of the present moment. Guffogg’s paintings, with their shifting luminosity and depth, reflect this philosophical understanding, existing between presence and absence, solidity and fluidity, stillness and motion. Guffogg’s process is a meditation in itself—he paints daily, working 8 to 10 hours in solitude, surrounded by nature at his ranch. Written in charcoal on the walls of his studio are stanzas from the poem, which Guffogg internalizes over long periods of time, until colors are sensorially connected to the words. Then the title informs the painting. His paintings emerge as moments in time that are seemingly without time as they are visually moving while still, revealing traces of his meditations through color and form. Another significant piece, “At the Still Point of the Turning World – Into the Rose Garden”, is a multi-colored variation of reds, purples, and ribbons of white. The title references Eliot’s symbolic garden—a place of purity, transformation, and the passage of time. In Korean culture, gardens similarly serve as spaces of contemplation, where nature becomes both a teacher and a metaphor. Rather than depicting these themes directly, Guffogg creates an abstract experience where color, line, and movement evoke transformation. Guffogg’s technique involves no preliminary sketches, and no assistants—only the repetition of intuitive movement. Each painting is made up of thousands of brushstrokes of glazes mixed with oil paint, creating an extraordinary depth that appears to suspend time itself. This meticulous process aligns with his belief that each brushstroke is a summoning of memory, a mark that bears witness to the unseen forces of existence. His synesthesia, the ability to perceive color as sound, further deepens this interplay. His paintings become silent symphonies, their tonalities resonating internally with the viewer. Guffogg’s use of color is never jarring; instead, his complementary hues create a sense of balance, inviting introspection rather than demanding interpretation. His works do not depict existential crises—they pose questions, seeking revelations of beauty and the unknown. In Guffogg’s work, color is not merely pigment—it is a presence, vibrating beyond the visual into something sensorial, emotional, and spiritual. His mastery of light and shadow recalls the Old Masters, yet he reinterprets their techniques for the contemporary world. At a time of constant acceleration, Guffogg’s paintings offer a rare moment of pause—a space for contemplation and transcendence. His work is deeply connected to art history, influenced by Kandinsky, Monet, and Turner, yet distinctly his own. Though this marks Guffogg’s first exhibition in Korea, it is not an introduction but a reconnection. His paintings, infused with rhythm, light, and emotion, align with the artistic and philosophical traditions of Korean thought. They invite us to engage with the essence of life itself—a dance of being—a luminous stillness within the turning world. By. Victoria Chapman CATALOG View Catalog here INSTALLATION VIEWS

Feb 16 - Mar 17, 2024 Intro Catalog Installation Views Next [C2] Middletown Emptying to Enrichment: Moon Jar’s Path Feb 16 - Mar 17, 2024 Oh Kwan Jin INTRO Under the esteemed guidance of Chang Jun Hwan, whose expertise spans renowned galleries worldwide, Gallery Chang is poised to revolutionize Middletown's cultural landscape, drawing inspiration from Dia:Beacon's transformative influence and envisioning Middletown, NY, as the next cultural beacon. Director Chang Jun Hwan, known for his involvement in notable endeavors including the 2018 Pyeong Chang Winter Olympics, envisions Gallery Chang not merely as an art gallery, but as a dynamic cultural hub fostering creativity, igniting community engagement, and catalyzing artistic expression in Middletown, NY. The inaugural exhibition at Gallery Chang's Middletown venue will showcase the solo works of Oh Kwan Jin, presented under the evocative title "Emptying to Enrichment: Moon Jars Path ” Running from February 16th to March 17th, visitors will have the opportunity to immerse themselves in Oh Kwan Jin's acclaimed artworks, which also include his notable contributions to Korean drama sets, cherished by K-pop enthusiasts and drama aficionados. Notably, Oh Kwan Jin's exhibition will feature new paintings, including "Blue Dragon," inspired by the Eastern astrological tradition where 2024 marks the Year of the Blue Dragon. This thematic piece adds a unique cultural resonance to the collection, complementing Oh Kwan Jin's new 2024 works. To mark this momentous occasion, the opening day festivities will be graced by a live performance from Oh Kwan Jin himself, offering attendees an intimate encounter with his artistry. With a seamless fusion of Eastern and Western influences, Oh Kwan Jin's oeuvre epitomizes Gallery Chang's commitment to promoting cross-cultural dialogue and appreciation. Distinguished guests, including the Mayor of Middletown and notable VIPs from various spheres, will be in attendance, underscoring the significance of Gallery Chang's endeavor in enriching both the local arts scene and the broader cultural landscape. “In Middletown, NY, Gallery Chang isn't just about art—it's a lively cultural hub," remarked Director Chang Jun Hwan during an interview. "We aim to foster creativity, community engagement, and cross-cultural dialogue, making a meaningful impact beyond the canvas." "Gallery Chang Set to Redefine Middletown's Artistic Identity" CATALOG View Catalog here INSTALLATION VIEWS

Back The Encounter of Andy Moses and Jeff Koons 제프쿤스(왼쪽)와 앤디모지스. Photo: Gallery Chang 팝 아티스트 제프 쿤스(Jeff Koons)가 최근 맨해튼 미드타운 갤러리 장(Gallery Chang)에서 열리고 있는 추상화가 앤디 모지스의 근작전 'Andy Moses: Recent Works'을 찾았다. 두 아티스트는 앤디워홀, 키스 레어링, 장 미셸 바스키아가 활동했던 1982년 뉴욕에서 활동하며 교류했던 사이다. 갤러리 장 측은 "앤디 모지스의 작품 세계와 제프쿤스의 상업적, 대중문화적 접근은 서로 다른 뒈적을 그려왔지만, 그 출발점에는 예술을 통해 세계와 소통하려는 순수한 열정과 시대를 직시하는 감각이 자리하고 있다"고 설명했다. 2월 20일부터 3월 25일까지 열린 'Andy Moses: Recent Works' 전시에는 앤디 모지스의 빛과 컬러가 유려한 흐름 속에서 어우러지는 대표작들과 함께 1960-80년대 후반 로스앤젤레스에서 로버트 어윈(Robert Irwin), 제임스 터렐(James Turrell)이 중심이 되어 시작된 이 운동은 빛과 공간, 지각의 확장을 탐구하며, 유리, 네옴, 아크릴 등을 소재로 새로운 감각적 경험을 제공했다. 갤러리 장은 "앤디 모지스의 회화는 과학, 자연, 추상의 교차점에 존재하며 관람자의 관점에 따라 변화하고 발전하는 역동적인 구성을 만들어낸다. 화학적 반응, 중력, 점성(viscosity)에 의해 이끌리는 그의 독특한 기법은 물감이 유동적이고 유기적인 형태를 띠게 하여 움직이는 자연력의 덧없는 아름다움을 포착한다"고 밝혔다. 앤디 모지스는 1962년 LA에서 추상화가 에드 모지스(Ed Moses, 1926-2018)의 아들로 태어나 캘리포니아예술대학(CalArts)에서 공부했다. 18세 때 뉴욕으로 이주해 팻 스티어(Par Steir)와 함께 일하기 시작, 1987년 첫 개인전을 열었다. 2000년 캘리포니아로 돌아가 작업해오고 있다. 그는 캘리포니아 해안의 서핑에서 영감을 받은 컬러 팔레트의 추상화로 널리 알려졌다. Press by NYCulture beat https://www.nyculturebeat.com/index.php?document_srl=4147047&mid=Lounge2 < >

AUG 14 - SEP 27, 2025 Intro Catalog Installation Views Next [C1] New York BECOMING WITHOUT END AUG 14 - SEP 27, 2025 Ed Moses INTRO Within the canon of postwar American abstraction, Ed Moses holds a singular and paradoxical position: both foundational and defiantly fluid. As a key figure of the Los Angeles–based “Cool School” in the late 1950s, Moses exhibited alongside Ed Ruscha, Robert Irwin, and others at the seminal Ferus Gallery—yet consistently resisted the constraints of any one movement. He was never static, never still: not on the periphery, but always in flux. Becoming Without End reframes Moses not only as a central figure in West Coast art, but as a major force in the larger arc of contemporary abstraction. Over six decades, Moses dissolved the boundaries between gesture and geometry, structure and improvisation, through a relentlessly process-driven practice. His paintings emerged less as composed images than as lived acts—visual records of risk, immediacy, and transformation. Moses’s trajectory traces a profound lineage across postwar art: rooted in the performative mark-making of Abstract Expressionism, moving through the ascetic clarity of Postminimalism, and extending into the experimental materiality of contemporary process-based work. Each body of work marked not a destination but a turning point—a leap into new formal vocabularies without disavowing the past. He moved forward by rupture, yet carried continuity like breath. In an era increasingly defined by consistency, authorship, and visual branding, Moses’s career offers a radical counter-model: a life’s work animated by impermanence, doubt, and becoming. He rejected the notion of signature style in favor of constant reinvention—of painting as an act of surrender, not mastery. This exhibition is not a retrospective in the conventional sense. Becoming Without End is an invocation: a call to encounter Moses’s work as an evolving field of energy, where each surface is a threshold. It invites us to engage with the deeper ethos of artistic creation—not as a quest for finality, but as a perpetual opening. CATALOG View Catalog here INSTALLATION VIEWS

South Korea Artist Biography Works Next Lee Calvin South Korea BIOGRAPHY GROUP EXHIBITION 2019 Pop Up Picture Library, New York, NY Light, SVA Chelsea Gallery, New York, NY Jacob and Esau, SVA Chelsea Gallery, New York, NY 2017 This is Permanent, Installation Group Exhibition, NY AWARD 2016 Unshaken by the Wind (Capitalism), MIFA Honorable Mention Penumbra, MIFA Honorable Mention WORKS Load More