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  • BECOMING WITHOUT END

    AUG 14 - SEP 27, 2025 Intro Catalog Installation Views Next [C1] New York BECOMING WITHOUT END AUG 14 - SEP 27, 2025 Ed Moses INTRO Within the canon of postwar American abstraction, Ed Moses holds a singular and paradoxical position: both foundational and defiantly fluid. As a key figure of the Los Angeles–based “Cool School” in the late 1950s, Moses exhibited alongside Ed Ruscha, Robert Irwin, and others at the seminal Ferus Gallery—yet consistently resisted the constraints of any one movement. He was never static, never still: not on the periphery, but always in flux. Becoming Without End reframes Moses not only as a central figure in West Coast art, but as a major force in the larger arc of contemporary abstraction. Over six decades, Moses dissolved the boundaries between gesture and geometry, structure and improvisation, through a relentlessly process-driven practice. His paintings emerged less as composed images than as lived acts—visual records of risk, immediacy, and transformation. Moses’s trajectory traces a profound lineage across postwar art: rooted in the performative mark-making of Abstract Expressionism, moving through the ascetic clarity of Postminimalism, and extending into the experimental materiality of contemporary process-based work. Each body of work marked not a destination but a turning point—a leap into new formal vocabularies without disavowing the past. He moved forward by rupture, yet carried continuity like breath. In an era increasingly defined by consistency, authorship, and visual branding, Moses’s career offers a radical counter-model: a life’s work animated by impermanence, doubt, and becoming. He rejected the notion of signature style in favor of constant reinvention—of painting as an act of surrender, not mastery. This exhibition is not a retrospective in the conventional sense. Becoming Without End is an invocation: a call to encounter Moses’s work as an evolving field of energy, where each surface is a threshold. It invites us to engage with the deeper ethos of artistic creation—not as a quest for finality, but as a perpetual opening. CATALOG View Catalog here INSTALLATION VIEWS

  • Choi WoolGa

    South Korea Artist Biography Works Next Choi WoolGa South Korea BIOGRAPHY Choi Woolga is a painter trained in Western painting. He completed his studies at the École nationale supérieure des Arts Décoratifs in Paris and graduated from the École des Beaux-Arts de Versailles. Born in Ulsan in 1956 and raised in Busan, Choi grew up as the youngest of four children in a family with a background in the Enlightenment movement, under a father who worked as an interpreter. Rather than focusing on academic studies, he spent his youth immersed in literature and music, often staying up through the night, and was considered a rebellious figure within his household. In his late twenties during the 1980s, he moved to Paris, where he first encountered and fully embraced the world of art, beginning his path as a painter. After spending fifteen years working in Paris, he relocated to New York in 2000, in his mid-forties. It was there that he developed his now-recognized “Black and White” series, which brought him critical attention. His paintings are characterized by the spontaneous appearance of symbols and text, along with a restrained use of monochromatic fields and linear expression that resist layering or overlap. These elements reflect a deeply internalized sensibility rooted in his early engagement with literature, translating narrative impulses into visual form. Since his first solo exhibition, Choi has published eight monographs and has participated in numerous solo and group exhibitions across Korea, New York, Paris, and Japan. WORKS Load More

  • Lee Calvin

    South Korea Artist Biography Works Next Lee Calvin South Korea BIOGRAPHY GROUP EXHIBITION 2019 Pop Up Picture Library, New York, NY Light, SVA Chelsea Gallery, New York, NY Jacob and Esau, SVA Chelsea Gallery, New York, NY 2017 This is Permanent, Installation Group Exhibition, NY AWARD 2016 Unshaken by the Wind (Capitalism), MIFA Honorable Mention Penumbra, MIFA Honorable Mention WORKS Load More

  • Infinite Dialogue

    OCT 14 - NOV 15, 2025 Intro Catalog Installation Views Next [C4] Seoul Infinite Dialogue OCT 14 - NOV 15, 2025 Kim Kang Yong / Shane Guffogg INTRO Gallery Chang presents Infinite Dialogue , a two-person exhibition featuring the celebrated Korean artist Kim Sang Yong and the internationally acclaimed American painter Shane Guffogg, opening this October at Gallery Chang Seoul. This exhibition unfolds as a philosophical conversation between East and West, where two masters of contemporary art engage in a dialogue of forms, materials, and perception. For over five decades, Kim King Yong has explored the essence of existence and perception through the humble yet profound motif of the brick. His meticulously layered surfaces—composed of sand, pigment, and shadow—transform ordinary materials into meditative fields that question the very act of seeing. Shane Guffogg, meanwhile, constructs a universe that transcends the boundaries of light, time, science, and art. Guided by the fundamental question, “How can time and space be compressed into a single moment?”, his works invite viewers to experience the simultaneous unfolding of memory and presence. Guffogg gained international attention during the 60th Venice Biennale, where his solo exhibition At the Still Point of the Turning World – Strangers of Time at the Scala Contarini del Bovolo Museum resonated with the Biennale’s central theme, Stranieri Ovunque – Foreigners Everywhere . By weaving the notion of “foreign time” into his paintings and installations, he created a powerful reflection on human perception and belonging that was widely covered by international media, including the BBC. In Seoul, Infinite Dialogue brings together Guffogg’s global inquiry and Kim’s lifelong investigation into vision and materiality, posing a shared question to viewers: What does it truly mean to see? The dialogue between these two masters will continue beyond Seoul, leading to a forthcoming exhibition in New York in 2026, expanding the cross-cultural discourse between Korea and the United States that Gallery Chang has long championed. CATALOG View Catalog here INSTALLATION VIEWS

  • REALITY + IMAGE

    SEP 30 - OCT 22, 2025 Intro Catalog Installation Views Next [C1] New York REALITY + IMAGE SEP 30 - OCT 22, 2025 Kim Kang Yong INTRO This exhibition highlights the masterworks of Kim Kang-Yong from the early to mid-2010s, a period widely regarded as the pinnacle of his artistic maturity. During these years, the artist lived in New York, immersing himself in a new environment that reshaped his practice. The unfamiliar light, sounds, and rhythms of the city, as well as the dynamic context of the international art world, became catalysts that pushed his work to new depths of intensity and reflection. Sand and brick, his signature materials, gained new resonance through his New York experience. From a distance, the canvases appear photographic, yet up close, the densely layered grains of sand reveal themselves as tangible surfaces. This interplay between image and matter intensifies the tension between reality and illusion, compelling the viewer to ask: “What does it mean to see?” During this period, Kim also engaged in dialogue with critics, collaborated with New York galleries, and participated in international exhibitions. These encounters gave his work a universal dimension while simultaneously deepening its philosophical roots in Korean materiality and tradition. This exhibition is not merely a retrospective of a past era. It is a re-encounter with the moments when Kim Kang-Yong reached the height of his artistic achievement through dialogue with the city of New York. At the same time, it stands as a testimony to how Korean contemporary art has established a distinctive voice within the global stage. For collectors, the exhibition offers rare significance. The works from Kim’s New York years are among the most complete and exceptional in his career, carrying both art historical weight and collectible value. More than aesthetic objects, these works become living presences—continuing conversations that unfold new meanings with time and resonate daily in the collector’s space. 「 REALITY + IMAGE: Revisiting the Works of the 2010s. 」 This exhibition is a meditation on how art reveals reality, and how the act of seeing itself becomes an endless dialogue. CATALOG View Catalog here INSTALLATION VIEWS

  • BEYOND DANSEAKHWA – The Depth of Abstraction

    Jan 6 - 31, 2026 Intro Catalog Installation Views Next [C4] Seoul BEYOND DANSEAKHWA – The Depth of Abstraction Jan 6 - 31, 2026 Cho Yong Ik INTRO Cho Yong Ik, a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. CATALOG View Catalog here INSTALLATION VIEWS

  • Water Moon Mirror Flower | GALLERY CHANG

    < Back Water Moon Mirror Flower Aug 1, 2024 Water Moon Mirror Flower Something Sweet Gallery Cafe X Gallery Chang Kim Nam Joo Aug 1 - Sep 30, 2024 Something Sweet Gallery Cafe and Gallery Chang are thrilled to announce Kim Nam Joo's exhibition, “Water Moon Mirror Flower,” an evocative exploration into the nature of self-reflection and time. This innovative collection invites viewers into a mesmerizing interplay of mirrors, light, and emotion, engaging with profound themes of identity and perception. “Mirrorscape” delves into deep-seated questions of who we are and how we perceive ourselves through reflections. Each piece in this collection uses mirrors as canvases to create a dynamic and immersive experience in which past and present reflections converge. This approach not only echoes the myth of Narcissus but also challenges viewers to confront and engage with their own reflections in a novel way.

  • Bret Price

    United States, 1950 Artist Biography Works Next Bret Price United States, 1950 BIOGRAPHY EDUCATION 1975 MFA, California Institute of the Arts, Valencia, CA 1973 Otis Art Institute, Los Angeles, CA 1972 BA, Pomona College, Claremont, CA SOLO EXHIBITIONS 2025 Melissa Morgan Fine Arts, Palm Desert, CA, “Moments Noticed” 2024 Melissa Morgan Fine Art, Palm Desert, CA, “Drawings in Space” 2022 Muckenthaler Cultural Center, Fullerton, CA, “Under Pressure/New Works” 2021 Pyramid Hill Sculpture Park and Museum, Hamilton, OH, “Leverage” 2014 University of Cincinnati, Cincinnati, OH, “Cross Sections”, Cincinnati, OH 2009 Fort Collins Museum of Contemporary Art, Ft. Collins, CO, “Out of Shapes: Stainless Steel Sculpture” 2008 Colorado State University, Fort Collins, CO, “Explorations in Metal” 2006 Dayton Art Institute, Dayton OH, “Monumental Sculptures by Bret Price” 2004 Reyne Gallery, Cincinnati, OH 2004 Sinclair Community College Gallery, Dayton, OH 2003 The Art Foundry Gallery, Sacramento, CA 2001 Elizabeth Edwards Fine Arts, Laguna Beach, CA 1998 Wyndy Morehead Gallery, New Orleans, LA 1997 Tustin Renaissance Gallery, Tustin, CA 1996 Wyndy Morehead Gallery, New Orleans, LA “Range of Motion” 1996 Ruth Bachofner Gallery, Santa Monica, CA “Burnt Offerings” 1995 Kavish Gallery, Ketchum, ID 1991 Ruth Bachofner Gallery, Santa Monica, CA 1990 L.A. Artcore, Los Angeles, CA “Uprisings” 1990 Orange County Center for Contemporary Art, Santa Ana, CA 1989 Modern Museum of Art, Santa Ana, CA “Recent Large Scale Sculpture In Steel” 1986 Mills House Gallery, Garden Grove, CA 1976 The Sculpture Gallery, San Diego, CA 1975 Craft and Folk Art Museum, Los Angeles, CA GROUP EXHIBITIONS, MAJOR COMMISSIONS 2016 The Sculpture Fields at Montague Park, Chattanooga, TN 2015 “Century City Sculpture, 2015”, Century City, CA 2013 Georgia Tech University, “Engineered Art: An International Sculpture Exhibit”, Atlanta, GA 2012 Frost Art Museum,” American Sculpture in the Tropics”, Miami, FL 2012 Blue Star Contemporary Art, San Antonio Botanical Gardens, San Antonio, TX 2011 Sarasota Season of Sculpture, “Under Azure Skies” Group Exhibition, Sarasota, FL 2010 “Malibu 2010, Summer Sculpture Exhibition”, Malibu, CA 2008 Third Biennial Sculpture Exhibition, Chattanooga, TN 2008 Krasl Biennial Sculpture Invitational, Saint Joseph, MI 2008 “Mind Over Metal”, Sculpturesite Gallery, San Francisco, CA GROUP EXHIBITIONS, MAJOR COMMISSIONS (continued) 2008 “California in New York”, Hubert Gallery, New York, NY 2008 “Art On The Streets”, 10th Annual Sculpture Exhibition, Colorado Springs, CO 2007 “Art On The Streets”, 9th Annual Sculpture Exhibition, Colorado Springs, CO 2007 “In The Shadow Of The Alps”, Group Sculpture Show, St. Urban, Switzerland 2006 “Peace Up”, 2004, 33’ high, Promised gift to The Columbus Museum of Art, Columbus, OH 2006 “Sculptural States”, Los Angeles, CA, Four person Sculpture Exhibition 2006 Macon Arts, Macon, GA, “Group Sculpture Show” 2005 “Malibu 2005, Summer Sculpture Exhibition”, Malibu, CA 2004 “Rapture”, Galvanized steel, 12’ high, Collection of Trinity University, San Antonio, TX 2003 Creative Arts Guild – Center for the Arts, Outdoor Sculpture Exhibit, Dalton, GA – Best in Show 2003 3-D Chicago, Pier Walk, The Chicago International Sculpture Exhibition, Chicago, IL 2003 “The Artful Teapot”, 20th Century Expressions from the Kamm Collection, Gardiner Museum of Ceramics, Toronto, Ontario, Canada (Traveling Exhibition) 2003 University of Hawaii at Manoa Art Gallery, Honolulu, HI, “The 8th International Shoebox Sculpture Exhibition” 2002 The Art Foundry Gallery, Sacramento, CA, “Invitational Sculpture Exhibit” 2002 Clark Contemporary Gallery, Mammoth Mountain, CA, “Mixed Company” 2002 Carl Schlosberg Fine Arts, Sherman Oaks, CA, “30th Anniversary Exhibition” 2002 “The Gathering”, Steel, paint, 17.5’ x 11’, Art in Public Places, Brea, CA 2002 3-D Chicago, Pier Walk, The Chicago International Sculpture Exhibition, Chicago, IL 2001 “Dance”, 57 N Gallery, Washington, D.C. 2001 “Conch”, Steel, paint. 6.5’ h. Collection of Ocean Reef Cultural Arts Center, Key Largo, FL 2000 “Enter Laughing; Humor in Contemporary Art”, Long Beach Museum of Art, Long Beach, CA 2000 “Opus”, Steel, paint, 12’ h. x 39’ l. Collection of Ohio Northern University, Ada, OH 2000 “May in New York”, Carl Schlosberg Fine Arts, New York, New York 2000 Tustin Renaissance Gallery, Tustin, CA 1999 “Faith Lift”, Steel, paint, 19.5’ h. Permanent collection, Dayton Art Institute, Dayton, OH 1999 Malibu Sculpture Exhibition, Carl Schlosberg Fine Arts, Malibu, CA 1998 Pomona College, Claremont, CA “Four Players”, Steel, paint, 13’ h. x 14’ w. 1998 Carl Schlosberg Fine Arts, Sherman Oaks, CA “25th Anniversary Exhibition” 1997 The Ralls Collection, Washington, DC Commission, “Born Reddy”, Steel, paint 7’h. 1997 Carl Schlosberg Fine Arts, Malibu, CA Group sculpture exhibit. Partial list of artists included: George Rickey, Anthony Caro, Robert Indiana, Gwynne Murrill 1997 Mr. & Mrs. Meyer Luskin, Los Angeles, CA Commission, “Gates of Luskiny” 1995 California State University at Bakersfield, Visiting Artist Program 1994 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings III 1994 Ruth Bachofner Gallery, Santa Monica, CA “On Water” 1993 ART/LA ’93, Los Angeles Convention Center, Los Angeles, CA 1993 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings II” 1993 Works Gallery, Costa Mesa, CA “Kustom Grafix: Fine Art from the Underground” 1993 Carl Schlosberg Fine Arts, Malibu, CA “Malibu International Sculpture Exhibition” 1993 City of Brea Gallery, Brea, CA “Sculpture ‘93” 1992 Solomon Dubnick Gallery, Sacramento, CA “Sculptural Furnishings” 1992 Works Gallery, Costa Mesa, CA “Real Space” 1991 Galleries of the Claremont Colleges, Claremont, CA “Professor’s Choice” 1991 Diane Nelson Gallery, Laguna Beach, CA “Collector’s Choice” 1990 ART/LA ’90, Los Angeles, Convention Center, Los Angeles, CA 1990 Ruth Bachofner Gallery, Santa Monica, CA “Cal Arts Alumni” 1990 Koll Center, Newport Beach, CA “Industrious Artists/Industrial Materials” 1990 Irvine Civic Center, Irvine, CA “Sculptural Views” 1989 Griffin Related Properties, Lake Forest, CA Commission, “Up and Over”, Steel, paint, 15’ h. 1988 ART/LA ’88, Los Angeles Convention Center, Los Angeles, CA 1988 Carl Schlosberg Fine Arts, Los Angeles, CA “Contemporary Bronze Sculpture” 1988 George Boone, San Marino, CA Commission: “Looped”, Steel, 8’ h. 1988 Carl Schlosberg Fine Arts, Los Angeles, CA “Contemporary Abstract Sculpture” 1987 Pepperdine University, Malibu, CA “Los Angeles Public Art, Concept/Reality” 1987 ”Arts Irvine ‘87”, Irvine, CA 1986 Laguna Museum of Art, Laguna Beach, CA Permanent Collection: “Plain Wrap” 1986 City of Newport Beach, Newport Beach, CA “Metalphor” 1986 “The City Terrace Sculpture Invitational”, Orange, CA 1984 Pepsico, Purchase, NY “Big Scoop”, Steel, 9’x6’x4’ 1984 Galleries of the Claremont Colleges, Claremont CA “Professor’s Choice 2” 1983 Laguna Museum of Art, Laguna Beach, CA “Orange County Clay” CORPORATE AND PUBLIC COMMISSIONS American Museum of Ceramic Art, Pomona, CA Art in Public Places Program, Brea, CA (1987, 1998, 2002) Boone Fetter Associates, Monrovia, CA Chapman University, Orange, CA Clairebourne School, Pasadena, CA Crown Equipment Corporation, New Bremen, OH Dayton Art Institute, Dayton, OH Walt Disney Productions, Burbank, CA Georgia Tech University, Atlanta, GA Griffin Related Properties, Santa Ana, CA Heidelberg College, Tiffin, OH Kelsey National Corporation, Los Angeles, CA Laguna Beach Museum of Art, Laguna Beach, CA Long Beach Museum of Art, Long Beach, CA The City of Newport Beach, Newport Beach, CA Ohio Weslyan University, Delaware, OH Orange County Museum of Art, Newport Beach, CA Ocean Reef Cultural Arts Center, Key Largo, FL Ohio Northern University, Ada, OH Otis Elevator Corporation, NJ Pacific Theaters, Beverly Hills, CA Pepsico, Purchase, NY Planning Research Corporation, McLean, VA Pomona College, Claremont, CA Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C. Rockwell International, Costa Mesa, CA San Angelo Museum of Art, San Angelo, TX San Antonio Museum of Art, San Antonio, TX Scope Industries, Santa Monica, CA Sea World, San Diego, CA Sheppard, Mullin, Richter & Hampton, Los Angeles, CA Smithsonian Museum of American Art, Washington D.C. Springfield Art Museum, Springfield, OH Toyota Corporation, Chicago, IL Trinity University, San Antonio, TX University of Cincinnati, Cincinnati, OH University of Evansville, Evansville, IN WORKS Load More

  • Oh Kwan Jin

    South Korea, 1963 Artist Biography Works Next Oh Kwan Jin South Korea, 1963 BIOGRAPHY Oh Kwan Jin is a distinguished South Korean artist renowned for his contemporary reinterpretations of traditional Korean ceramics, particularly the iconic Moon Jar (dalhangari ). His work seamlessly blends Eastern and Western artistic techniques, creating a unique visual language that resonates with a global audience. Born in South Korea, Oh Kwan Jin pursued his passion for art from a young age. He developed a distinctive style that combines the chiaroscuro of Western painting with the aerial perspective characteristic of Eastern art. This fusion results in compositions that are both meditative and dynamic, inviting viewers to explore the depth and subtlety of his subjects. A central theme in Oh's work is the Moon Jar, a traditional Korean porcelain vessel known for its simple yet elegant form. He reimagines these vessels on flat surfaces, employing mixed media to capture their essence while infusing them with contemporary sensibilities. His series "Emptying and Filling" exemplifies this approach, reflecting on concepts of emptiness and fullness, both physically and metaphorically. Oh Kwan Jin's innovative approach has been showcased in numerous exhibitions. Notably, his works were featured in "The Contemporary Moon Jar" exhibition by Salon 94 Design, which explored the legacy of the Moon Jar as reimagined by contemporary Korean and Korean-American artists. His art has also been prominently displayed in various galleries, including Gallery Chang in New York. The exhibition "Emptying to Enrichment: Moon Jars Path" featured over a dozen of his pieces, highlighting his unique ability to reinterpret traditional forms through a modern lens. Through his thoughtful and innovative works, Oh Kwan Jin continues to contribute significantly to the discourse on cultural identity and artistic expression, bridging the past and present in Korean art. EDUCATION 1983-1987 Hongik University SOLO EXHIBITIONS The 38th individual exhibition (New York Gallery Chang) Kate Oh Gallery 3rd invitation Feelapp Gallery invitation exhibition Emptying, and Chaeum Gallery invitation exhibition Bukchon Hanok Center Gallery 2 invitation exhibition Hotel 28 Gallery invitation exhibition Gallery Coop 3rd invitation exhibition Gallery Mare invitation exhibition Park Young Gallery invitation the exhibition, Korean Cultural Center (Paris) Becken Gallery Invitation (IBK Hannam-dong PBCenter) Gallery Force Invitation exhibition Jang Eun-sun Gallery Invitation Hanwon Art Museum Invitation Alto Art Fair Busan (Centum Hotel) Maekyung-Open Auction Selection Artist Exhibition (Maeil Economy Headquarters) Myung-dong Gallery Invitation Exhibition Booth Personal Exhibition (Unit Arts Center) Paris La Defense (New Improvement Gate) Japan Donggyeong Hwaji Gallery Invitation Exhibition Jongro Gallery 2nd invitation La Mer Gallery Invitation Gwanhun Gallery Hanseon Gallery City Museum of Art Fair Gallery Invitation Byeokgang Gallery Invitation SELECTED GROUP EXHIBITIONS Kiaf Soaf Vietnam Art Fair Singapore Art Fair Miami Art Fair New York International Art Fair Istanbul Art Fair, Daegu Art Fair Manif International Art Fair Hwarang Art Festival and International Exchange Exhibition 270 exhibitions AWARD Korea Art Exhibition Special Prize Korean Art Exhibition Excellence Award Manif Award International Exhibition Japan Fan Painting Exhibition Award Asian Art Exhibition Grand Prize Kyunghyang Housing Art Fair Grand Prize SELECTED COLLECTION Harvard University, Okura Hotel (Macao), French Korean Cultural Center, National Museum of Modern and Contemporary Art, SK Group, Oriental Steel Chemical Group (OCI), Paradise Hotel Group, Parliament House, RMIT University, Singapore SOTA International School, Ottogi Group, Gyeonggi-do Museum, Majaesung Jibondang, Hanwon Museum of Art, Suwon University Goeun Museum of Art, Donggyeongji Gallery, Hanil Steel, hospitals and businesses, and a large number of private collections. Collaboration: Samsung Life Insurance, AmorePacific, Korea Ginseng Corporation, Ottogi Group, a house full of happiness TV NETWORK DRAMA SPONSORSHIP The Discovery of KBS-1TV Reading in 2011 features a special Chuseok astronaut, Lee So-Yeon Sharing stories about the moon and moon pots (1 hour) 2012 SBS TV weekend drama "A Delicious Life" (Lim Bu-deul, Ye Ji-won, ) 2013 SBS TV Wednesday and Thursday drama "The Wind Blows in Winter" (Cho In-sung, Song Hye-Kyo, Kim Bum, Bae Jong-ok) 2013 SBS TV weekend drama "The Incarnation of Money" (Kang Ji-hwan, Park Sang-min, Hwang Jung-Eum) 2013 SBS TV morning drama "Your Woman" (Lee Yoo-ri, Park Yoon-Jae, Imho) 2013 SBS TV Wed and Thursdays drama "Everything about the inside" (Shin Ha-Kyun, Lee Min-Jeong, Park Hee-soon) 2013 SBS TV weekend drama 'Goddess of Marriage' (Nam Sang-mi, Cho Min-soo, Kim Ji-hoon, Lee Sang-woo and Lee Tae-ran) 2013 SBS TV Monday-Tuesday drama "The Golden Empire" (Ko Soo, Lee Yo-won, Son Hyun-Joo, Jang Shin-young, and Park Geun-young) KBS TV Monday-Friday drama "Ruby Ring" in 2013 (Lee So-Yeon, Kim Seok-hoon, Lim Jeong-eun, Jeong Ae-ri, Park Kwang-hyun) 2013 KBS TV Monday-Tuesday drama "Prime Minister and Me" (Lee Bum-soo, Yoon Yoon Si-yoon, Chae Jung-an, Ryujin) KBS TV Monday-Tuesday drama "Full of Sun" in 2014 (Yoon Gye-sang, Han Ji-hye, Cho Jin-woong) 2014 KBS TV weekend drama "Very Good Times" (Lee Seo-jin, Kim Hee-sun, and Kim Ji-ho) 2014 SBS TV Monday-Tuesday drama "God's Gift" (Cho Seung-woo, Lee Bo-young, Kim Tae-woo, Jung-Woon) 2014 SBS TV weekend drama 'Endless Love' (Hwang Jung-eum, Ryu Soo-young, Jung Kyung-ho, Cha In-Pyo) 2014 KBS TV Monday-Friday drama "There Is a Cat" (Choi Yoon-young, Hyun-woo, Choi Min, Jeon Hyo-sung, Dokgo Young-jae) 2014 KBS TV Friday-Saturday drama "Producer" (Kim Soo-hyun, Gong Hyo-jin, Cha Tae-hyun) 2015 Returning Golden Bok (Shim Hye-jin, Jeon Mi-Seon, Jeon No-min, Lee Hye-sook, Shin Da-eun), SBS TV's Monday-Friday drama 2015 SBS TV Monday-Friday morning drama 'My mother is my daughter-in-law (Kim Hye-ri, Moon Bo-ryeong, Lee Yong-joon, Oh Young-sil) 2015-2016 MBC TV 'My Daughter Geum Sa-Wol (Baek Jin-hee, Jeon In-hwa, Son Ji-chang) 2016 TVN 'Cheese in the Trap' (Park Hae-jin, Kim Go-eun, Seo Kang-joon, Lee Sun-kyung) 2016 KBS2 TV "Descendants of the Sun" (Song Joong-ki and Song Hye-Kyo) 2016 SBS TV Monday-Friday drama "Love Is Coming" (Kim Ji-young, Ko Se-hoon, Na Sun-young, Lee Hoon) 2017 SBS TV 'Whispers' (Lee Sang-yoon and Lee Bo-young) 2017 KSB2 TV 'Ssam My Way' (Park Seo-joon, Kim Ji-won, Ahn Jae-hong) 2017 KSB2 TV 'Lanzerry Girls' Generation' (Bona, Chae Seo-jin, Seo Young-joo) 2017 SBS TV 'Sweet Enemy' (Park Eun-hye, Yoo Gun, Lee Jae-woo) 2019 SBS TV 'Suspicious Mother-in-law' (Kim Hye-sun, Shin Da-eun, Park Jin-woo) 2021 TVN TV 'Divided Cohabitation' in 2021 (Jang Ki-yong, Hye-ri, Kang Han-na) WORKS Load More

  • Janis Art Table 2 | GALLERY CHANG

    Back January 29, 2026 Janis Art Table 2 Previous Next

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