Search Results

Back KIM KANG YONG: SOLD OUT at KIAF 2024 The 23rd edition of Korea's largest art fair, Kiaf SEOUL 2024, kicked off with a grand opening ceremony on the 4th, running until the 8th for a total of five days. On the opening day, it held a joint opening ceremony with Frieze Seoul. Collectors flocked to see Kim Kang Yong from The Columns Gallery, widely known to the public as a brick artist, leading to the complete sell-out of his works featuring vibrant colors. 올해로 23회를 맞이한 국내 최대 아트페어 Kiaf SEOUL 2024(이하 키아프)가 4일 개막식을 시작으로 화려하게 막을 열었다. 8일까지 5일간 진행되는 키아프는 개막일 오전 프리즈 서울 (Freize Seoul)과 공동 개막식을 진행했다. 대중들에게 벽돌 작가로 잘 알려진 더컬럼스갤러리의 김강용을 찾는 컬렉터의 발길이 이어지며 감각적인 색감의 작품들을 완판하였다. [Source from Culturelamp press release, provided by Ryu Eun ] www.culturelamp.kr [2024 KIAF] 4일 개막, 세계로 확장한 한국 미술시장 올해로 23회를 맞이한 국내 최대 아트페어 Kiaf SEOUL 2024(이하 키아프)가 4일 개막식을 시작으로 화려하게 막을 열었다. 8일까지 5일간 진행되는 키아프는 개막일 오전 프리즈 서울 (Freize Seoul)과 공동 개막식을 진행했다. 이 자리에는 오세훈 서울시장, 용호성 The Columns Gallery sold out all of Kim Kang Yong's Brick reality+image pieces , while Kidari Gallery reported that most works by Choi Hyung Gil were sold out. Ocean Gallery also sold out ten pieces by Jenny Park. Seojung Art facilitated the sale of Hong Soon Myung's work for 30 million KRW, and pieces by Park Tae Hoon and Hwang Do Yoo from Kim Ria Gallery were sold for over 10 million KRW each. 더컬럼스갤러리는 김강용의 벽돌 소품 시리즈를 전량 판매했고 , 키다리갤러리는 최형길의 작품이 대부분 솔드아웃 되었다. 오션갤러리도 제니박 작가의 작품 10점을 솔드아웃시켰다. 서정아트는 홍순명의 작품을 3000만 원에 거래했고, 김리아 갤러리의 박태훈과 황도유 작품도 각각 1000만 원 이상에 팔았다. [Source from Newsis press release, provided by Park Hyun Joo ] v.daum.net '키아프가 프리즈 했다'…"달라졌다" 8만2000명 깜짝 [서울=뉴시스] 박현주 미술전문 기자 = "키아프가 프리즈 했다." 3라운드 '키아프리즈'는 이전과 달랐다. 키아프(KIAF)의 달라진 면모로 '프리즈(Frieze)가 키아프 같다'는 반응도 나왔다. '한지붕 두 가족'의 '키아프리즈'는 상생의 아트페어로 거듭났다. 3회 만에 '서울을 글로벌 미술 도시'로 올려 세우며 "아시아 최대 미술장터가 됐다" < >

Back Gallery Chang hosted 2025 New York Fashion Week: The Rendezvous of Art, Fashion, and AI www.nyculturebeat.com 갤러리장 미술과 패션, AI의 랑데부 - People - NYCultureBeat 미술 & 패션 & AI의 만남 갤러리장 쥬얼리 디자이너 알렉스 솔져 VIP 파티 2월 6일 갤러리장에서 열린 알렉스 솔져 VIP 파티에서. 사진: 갤러리장 제공 맨해튼 미드타운의 갤러리장 (Gallery Chang, 150 West 55th St.)이 2월 6일 2025 뉴욕패션위크(New York Fashion Week, 2/6-11) S/S(춘하 컬렉션) VIP 애프터 파티를 열었다. 한인작가 5인전(조용익, 김인옥, 안성민, ... < >

Back The Encounter of Andy Moses and Jeff Koons 제프쿤스(왼쪽)와 앤디모지스. Photo: Gallery Chang 팝 아티스트 제프 쿤스(Jeff Koons)가 최근 맨해튼 미드타운 갤러리 장(Gallery Chang)에서 열리고 있는 추상화가 앤디 모지스의 근작전 'Andy Moses: Recent Works'을 찾았다. 두 아티스트는 앤디워홀, 키스 레어링, 장 미셸 바스키아가 활동했던 1982년 뉴욕에서 활동하며 교류했던 사이다. 갤러리 장 측은 "앤디 모지스의 작품 세계와 제프쿤스의 상업적, 대중문화적 접근은 서로 다른 뒈적을 그려왔지만, 그 출발점에는 예술을 통해 세계와 소통하려는 순수한 열정과 시대를 직시하는 감각이 자리하고 있다"고 설명했다. 2월 20일부터 3월 25일까지 열린 'Andy Moses: Recent Works' 전시에는 앤디 모지스의 빛과 컬러가 유려한 흐름 속에서 어우러지는 대표작들과 함께 1960-80년대 후반 로스앤젤레스에서 로버트 어윈(Robert Irwin), 제임스 터렐(James Turrell)이 중심이 되어 시작된 이 운동은 빛과 공간, 지각의 확장을 탐구하며, 유리, 네옴, 아크릴 등을 소재로 새로운 감각적 경험을 제공했다. 갤러리 장은 "앤디 모지스의 회화는 과학, 자연, 추상의 교차점에 존재하며 관람자의 관점에 따라 변화하고 발전하는 역동적인 구성을 만들어낸다. 화학적 반응, 중력, 점성(viscosity)에 의해 이끌리는 그의 독특한 기법은 물감이 유동적이고 유기적인 형태를 띠게 하여 움직이는 자연력의 덧없는 아름다움을 포착한다"고 밝혔다. 앤디 모지스는 1962년 LA에서 추상화가 에드 모지스(Ed Moses, 1926-2018)의 아들로 태어나 캘리포니아예술대학(CalArts)에서 공부했다. 18세 때 뉴욕으로 이주해 팻 스티어(Par Steir)와 함께 일하기 시작, 1987년 첫 개인전을 열었다. 2000년 캘리포니아로 돌아가 작업해오고 있다. 그는 캘리포니아 해안의 서핑에서 영감을 받은 컬러 팔레트의 추상화로 널리 알려졌다. Press by NYCulture beat https://www.nyculturebeat.com/index.php?document_srl=4147047&mid=Lounge2 < >

Back 'Brick Artist' Kim Kang Yong, Invitation to Opening 'Gallery Chang' Kim Kang Yong, Reality+Image 2301-2213, 132 x 99 cm, mixedmedia, 2023. 'Gallery Chang', established to promote Korean artists on Manhattan's 55th Street, will officially open its doors with a commemorative exhibition featuring the highly acclaimed brick painter Kim Kang Yong, on the 7th of next month. Gallery director Jun-Hwan Chang, the founder of 'Gallery Chang', stated, "Through the opening of 'Gallery Chang', we will continue to serve as a cultural hub to introduce works of artists representing Korea to the world from New York, contributing to the global growth of the cultural industry and enhancing the national image." Invited to this inaugural exhibition, Kim Kang Yong, known as the master of brick painting, has captivated audiences worldwide as a first-generation hyper-realism artist since the 1970s, gaining international recognition for his brick paintings. Chloe Park, a senior curator of 'Gallery Chang', explained, "In Kim Kang Yong's solo exhibition 'MASTERPIECE (2019-2023)', the focus is on his recent works, including the sand-made brick series symbolizing him, and 'Reality + Image' works. New pieces from 2023 are also being unveiled." She further elaborated, "From the mid-1970s to the 1980s, he mainly painted monochromatic brick walls, but since the 2000s, he has transformed into colorful brick painting, surpassing reality with simplicity and color, once again showcasing his uniqueness. Recently, he has been hailed as the next-generation leader following the monochromatic master, Park Seo-bo." Park continued, "His artistic realm, spanning from the first-generation hyperrealism to encompassing abstraction and monochrome, marks a significant milestone in Korean art history." She added, "His works have garnered significant acclaim among art collectors worldwide and are housed in institutions such as the National Museum of Modern and Contemporary Art, Seoul Museum of Art, and the Lévy Gorvy Art Foundation in LA. They are also actively traded in global art markets such as Sotheby's and Christie's." [Source from THE KOREA DAILY press release, provided by Jongwon Park] < >

Back Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC With a commitment to fostering creativity and community engagement, Gallery Chang has carved a unique niche for itself, attracting both seasoned collectors and curious newcomers. An amazing A-List art collector crowd welcomed by Ara Cho enjoyed the masterpieces of Shane Guffogg – the Californian shooting star of Biennale Art 2024! Art Expert Olga Franco introduced her Furniture Designer Friends to the artist circles. Star Dentist and Sleep expert Dr. Maria Sokolina came from her private clinic and we heard after being featured in the biggest print magazine, that a Forbes magazine article is coming next, bravo! Well deserved! Julianne Michelle mesmerized fellow gallery guests with her fabulous charity Mommy’s Heart Foundation which she started and I just joined her esteemed board. Prince Mario-Max Schaumburg-Lippe: Julianne’s Mommys Heart Foundation: A Story of Love, Loss, Law and Legacy. When Dr. Zarui Chopuryan who runs an amazing esthetics laser clinic in collaboration with Dr. Maria Sokolina arrived with Armine Arustamyan everyone was so happy to head their stories from the UN Headquarters where they have been guests with Gallery owner Ara of H.H. Dr. Prince Mario-Max Schaumburg-Lippe who received a Global Peace Ambassador recognition and the President’s Lifetime Achievement Award. Gallery Chang has quickly established itself as a prominent force in the New York art world, showcasing a diverse roster of international artists who are pushing the boundaries of contemporary art. Gallery Chang’s journey began in 2019 as a dynamic art project group, organizing exhibitions and events in various locations throughout New York City. This early period allowed the gallery to build a strong foundation and cultivate relationships with artists and collectors alike. A significant milestone came in 2023 with the establishment of a permanent exhibition space on 55th Street in Manhattan. Nestled amidst renowned cultural institutions like MoMA, Carnegie Hall, and New York City Center, this strategic location places Gallery Chang at the heart of the city’s vibrant cultural hub. Gallery Chang distinguishes itself through its carefully curated exhibitions, which showcase a diverse range of artistic styles and mediums. From painting and sculpture to photography and installation art, the gallery presents a rich tapestry of contemporary artistic expression. The gallery’s curatorial vision is guided by a commitment to showcasing artists who demonstrate exceptional talent, innovative approaches, and a deep engagement with contemporary issues. This commitment is reflected in the diverse backgrounds and perspectives of the artists represented, creating a truly global and inclusive artistic dialogue. Beyond its gallery walls, Gallery Chang is actively involved in community engagement and public art initiatives. In 2022, the gallery garnered widespread acclaim for its public art projects at the former CHASE Bank building in Middletown, Orange County, New York. These projects demonstrated the gallery’s dedication to bringing art to wider audiences and enriching the cultural landscape of the community. Gallery Chang provides a platform for both emerging and established artists to showcase their work to a discerning audience. The gallery’s commitment to nurturing emerging talent is evident in its support of young artists, providing them with opportunities to exhibit their work and gain recognition in the competitive art world. At the same time, Gallery Chang also represents established artists whose work has made a significant impact on the contemporary art scene. This balance between emerging and established voices creates a dynamic and engaging environment for art enthusiasts of all levels. With its strong curatorial vision, commitment to community engagement, and dedication to supporting artists, Gallery Chang is poised for continued success. The gallery’s presence in the heart of Manhattan, coupled with its active involvement in public art initiatives, ensures its continued influence on the New York art scene and beyond. As Gallery Chang continues to evolve, it promises to be a vital force in shaping the future of contemporary art, fostering creativity, and promoting cross-cultural dialogue through the universal language of art. Shane Guffogg – The Biennale Star Shane Guffogg is an American artist who has dedicated his career to exploring the intricate dance between time, consciousness, and the human experience. His paintings, often large-scale and brimming with luminous colors and complex forms, beckon viewers to contemplate the nature of reality and the fluidity of perception. Guffogg’s journey into the world of art began early in his life. He honed his skills and nurtured his distinct approach to abstraction at the California Institute of the Arts. His works transcend the realm of mere visual representation; they are philosophical inquiries that challenge our conventional understanding of time and its profound connection to our existence. The concept of time, particularly the intricate interplay between past, present, and future, is a central theme that weaves its way through Guffogg’s entire body of work. He perceives these temporal dimensions not as isolated segments but as interwoven threads that contribute to the rich tapestry of “now.” This idea is eloquently expressed in titles such as “What if Everything That was Is, And Everything That Is Never Was,” suggesting that all moments, regardless of their position on the timeline, coexist in an eternal present. Through a masterful command of color and form, Guffogg’s paintings often evoke a sense of timelessness. The subtle transitions and layers within his works create an illusion of depth and movement, inviting viewers to lose themselves in the contemplation of the artwork and the passage of time itself. The canvas becomes a window into a realm where past, present, and future merge and flow, challenging our linear understanding of time. Guffogg’s artistic language finds its roots in abstraction, a realm that allows him to transcend the limitations of representational art and delve into the depths of pure ideas and emotions. He masterfully employs color, form, and texture to create visual metaphors that explore the complexities of human consciousness and the enigmatic nature of the universe. Rather than depicting the external world, his paintings are an expression of the inner world – a realm of thoughts, feelings, and perceptions. They are visual poems that resonate with the soul, inviting viewers to connect with their own internal landscapes and explore the profound depths of their being. Each brushstroke, each layer of color, is a word in a visual language that speaks of introspection and the search for meaning. Guffogg’s artistic vision extends beyond the visual realm, encompassing a multi-sensory experience. He has collaborated with musicians and composers to create immersive environments that further enhance the impact of his work. These collaborations aim to engage the viewer on multiple levels, deepening their connection to the art and its underlying themes. Sound and vision intertwine, creating a symphony of perception that resonates on a deeper level. His exhibition, “The Sounds of Color,” held at the Scala Contarini del Bovolo museum in Venice, exemplified this multi-sensory approach. By combining his paintings with a curated soundscape, Guffogg created an environment that enveloped viewers, allowing them to experience his art in a new and profound way. The exhibition became a journey through time and perception, guided by both sight and sound. Shane Guffogg’s art stands as a testament to the boundless power of creativity and its capacity to transcend the confines of time and space. His paintings are not merely objects to be passively observed but invitations to engage in a dialogue with the artist and with oneself. They are catalysts for introspection and self-discovery. Through his unique approach to abstraction and his exploration of profound themes, Guffogg has created a body of work that inspires contemplation, challenges perceptions, and encourages viewers to connect with the deeper meaning of their own existence. His art is a gift, a legacy that will continue to inspire and provoke for generations to come. It is a reminder of the enduring power of human creativity to grapple with life’s most fundamental questions and to find beauty in the exploration. t2conline.com Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC With a commitment to fostering creativity and community engagement, Gallery Chang has carved a unique niche for itself, attracting both seasoned collectors and curious newcomers. An amazing A-List art collector crowd welcomed by Ara Cho enjoyed the masterpieces of Shane Guffogg – the Californian shooting star of Biennale Art 2024! Art Expert Olga Franco introduced […] < >

Back Korean Association of New York Artists (KANA) Part 1 ‘Binary Equilibrium’ The Korean Association of New York Artists (KANA) is hosting two group exhibitions at Gallery Chang in Manhattan from July 30 to August 18. Curated by Calvin Lee and Lina Hae Lin Hwang, the exhibition is divided into two parts: Part 1, "Binary Equilibrium" (July 30 - August 7), and Part 2, "Unbound Playground" (August 9 - August 18). In Part 1, "Binary Equilibrium," artists Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh, all active in New York, will participate. The exhibition title "Binary Equilibrium" is inspired by philosophical texts such as Nietzsche’s "Thus Spoke Zarathustra" and Sartre’s "Being and Nothingness," reflecting the artists' perspectives on the intersection of existentialism and nihilism. Referencing the Eastern concept of Yin and Yang, the exhibition explores the boundary of these two waves, seeking balance between contrasting themes. The Eight Trigrams represent specific forms of nature and life. Each trigram contains elements of the Eastern natural world, and together they symbolize a state of completeness in Buddhism. The works of the eight artists, which incorporate the harmony of existence and nothingness, resonate with the Eastern worldview of past generations encapsulated in the Korean flag. Exploring how objects are perceived by subjects, German aesthetician Nikolai Hartmann categorized beauty into four concepts, and this exhibition references Hartmann’s framework in examining how humans perceive nature. The exhibition is divided into four sections: Sublime Beauty (Sae Jun Kim, Tae Joong Kim), Humorous Beauty (Jean Oh, Kai Oh), Tragic Beauty (Calvin Lee, Dawn Kim), and Elegant Beauty (Paul Rho, Yuna Cho). Each pair of artists explores the philosophical thoughts of existentialism and nihilism, sharing diverse perspectives on the meaning of life and existence through their works. "Binary Equilibrium" focuses on the existential flow rooted in human relationships with nature, contrasting with the nihilistic principles of nature. Sae Jun Kim and Tae Joong Kim depict nature, observing existence from a perspective that is opposite to that of the audience. Jean Oh and Kai Oh investigate the ambiguity and clarity of existence, expanding the ecosystem’s perspective and capturing the dissonance between humans and nature. Calvin Lee and Dawn Kim visualize the relationship between nature and humanity, transforming a vertical structure into a horizontal one to create a sense of order on the same plane. Paul Rho and Yuna Cho share a common theme of nature’s permanence, rearranging memories of nature to elevate and expand the boundaries of Korean elegance. The opening reception will take place on July 30 from 6 PM to 8 PM, followed by an artist talk on Saturday, August 3, at 2 PM featuring artists Paul Rho, Calvin Lee, Jean Oh, and Kai Oh. 뉴욕한인예술인협회(KANA, Korean Association of New York Artists, https://www.nykana.org)가 7월 30일부터 8월 18일까지 맨해튼 갤러리 장(Gallery Chang)에서 2회의 그룹전을 연다. 이상혁(Calvin Lee)과 황혜린(Lina Hae Lin Hwang)이 기획한 이 전시는 1부 ‘Binary Equilibrium’(7/30-8/7)과 2부 ‘Unbound Playground’(8/9-8/18)로 나뉘어 진행된다. 제 1부‘Binary Equilibrium’에서는 뉴요게서 활동하는 김태중(Tae Joong Kim), 김세준(Sae Jun Kim), 오진이(Jean Oh), 김다운(Dawn Kim), 이상혁(Calvin Lee), 조윤아(Yuna Cho), 노바울(Paul Rho), 그리고 오가영(Kai Oh)작가가 참여한다. 전시 타이틀 ‘Binary Equilibrium’은 니체의 ‘차라투스트라는 이렇게 말했다’와 사르트르의 ‘존재와 무’와 같은 철학적 텍스트에서 영감을 받았으며 실존주의와 허무주의의 이중성의 맞닿아있는 부분에 대한 작가들의 견해를 담아낸다. 동양의 음양 개념을 참조하여, 전시는 음과 양의 물결의 결계선에 대한 탐구를 진행하며 두 개념의 대립을 넘어서 상반된 주제 사이에서의 균형을 찾아간다. 8괘는 자연과 인생의 구체적 형태를 나타낸다. 8괘의 각 괘는 동양의 자연계 구성물들을 담고있는데 각 괘가 모인 8괘는 불교에서 완전의 상태를 상징한다. 존재와 무의 음양의 조화를 포함하여 자연과 삶을 소재로 한 8명의 작가들의 작업들은 태극기가 담아내고 있는 선대의 한국인들의 동양적 세계관과 관점에 공명한다. 객체를 주체가 어떻게 바라보는지에 대한 탐구에서 독일 미학자 니콜라이 하르트만은 미적범주라는 개념을 정리하여 아름다움을 네개의 개념으로 분류하는데 전시는 인간이 자연을 어떻게 바라보는가를 두고 하르트만의 체계를 참고했다. 이정시는 숭고미(김세준, 김태중), 골계미(오진이, 오가영), 비장미(이상혁, 김다운), 우아미(보바울, 조윤아)의 4개의 섹션으로 나뉘어져 있다. 두작가가 짝을 이루어 실존주의와 허무주의의 두 철학적인 사유를 탐구하며, 인생과 존재의 의미에 대한 각기 다른 관점을 작품을 통해 공유한다. ‘Binary Equilibrium’은 인간과 자연을 근간으로 사람과의 관계에서 시작된 실존주의의 흐름과 이에 반한 자연의 허무주의의 원리에 집중한다. 김세준과 김태중은 자연을 형상화하며 자연의 관점에서 세상을 역으로 바라보며 관객의 관점과 반대되는 지점에서 존재를 관찰한다. 오진이와 오가영은 존재의 모호함과 명확함의 경계의 대한 탐구로 진행되며 생태계의 단면을 확장하고 인간과 자연을 동격으로 두어 서로간의 이질감을 포착해낸다. 이상혁과 김다운은 자연과 사람간의 관계릐 수직적인 구조를 수평적인 구조로 동일 선상에 뒁 생성되는 질서를 시각화한다. 노바울과 조윤아는 자연의 영속성을 공통된 주제로 담고 잇으며 자연의 대한 기억을 재배열하여 승화시켜 한국의 우아미의 경계를 확장해나간다. 오프닝 리셉션은 7월 30일 저녁 6시부터 8시까지 진행되며, 8월 3일 토요일 오후 2시 노바울(Paul Rho), 이상혁(Calvin Lee), 오진이(Jean Oh), 그리고 오가영(Kai Oh) 작가가 참여하는 아티스트 토크가 열릴 예정이다. Part 1: ‘Binary Equilibrium’ July 30 - August 7, 2024 [Source from nyculture press release, provided by sukie] www.nyculturebeat.com 뉴욕한인예술인협회(KANA) 그룹전 1부 'Binary Equilibrium' @갤러리 장 NY(7/30-8/7) - Lounge - NYCultureBeat KANA x Gallery Chang Summer Exhibition Part I : Binary Equilibrium July 30 - August 7, 2024 Gallery Chang: 150 West 55th St. New York Opening Reception: Tuesday, July 30, 6-8 pm Artists: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, Kai Oh Curated by KANA - Calvin Lee, Lina Hwang 뉴욕한인예술인협회(KANA, Korean As... < >

Back Mirror-like Paintings: Jimmy Gleason's First Solo Exhibition in Seoul news.sbs.co.kr '거울 같은 회화' 지미 글리슨 첫 서울 개인전 현대미술 작가 지미 글리슨 의 개인전 가 갤러리 장 서울, 오크우드 프리미어 코엑스 센터에서 오는 6월 28일까지 개최됩니다. < >

Back The First Retrospective Exhibition in North America Honoring the Monochrome Master Cho Yong Ik No 102, 1966, oil on canvas, 45.6” X 58.6”. Cho Yong Ik. Cho Yong Ik (Korea, 1934-2023) Gallery Chang in Manhattan, New York, will host the retrospective exhibition 'The Hidden Masterpiece: Cho Yong Ik 1934-2023', marking the first in North America since Cho Yong Ik's passing last year. Cho Yong Ik is esteemed as a pivotal figure in the formation of contemporary Korean art, leading Korean abstract painting alongside major figures like Park Seo-bo, Chung Sang-Hwa, and Yun Hyong-keun. Born in 1934 in North Pyongan Province, he graduated from Seoul National University's Department of Painting and served as a professor at Chugye University for the Arts. Cho's participation in joint exhibitions such as those of the 'Korea Modern Art Association' and the '60s Art Association' in 1961 was pivotal for the development of Korean abstract art. Lee Min Ji, Senior Curator at Gallery Chang, explained, "From the late 1950s to the 1980s, Cho Yong Ik showed the most vigorous activity as an artist. His participation in prestigious international exhibitions such as the 2nd Paris Biennale in 1961 and the Bienal Sao Paulo in 1967 helped introduce his name globally." Though active alongside the first generation of monochrome painters from the 1960s, personal circumstances and illness in the early 2000s led Cho to step back from the art scene. However, his works have been reintroduced to acclaim, including solo exhibitions at the Sungkok Art Museum in 2016 and Olivier Malingue Gallery in London, and are currently featured in the National Museum of Modern and Contemporary Art's ongoing exhibition on 'Geometric Abstract Art in Korea'. He is being reassessed both domestically and internationally as a leading figure of the first generation of monochrome painters in Korea. The Senior Curator noted, "This exhibition will showcase over 20 works, offering a valuable opportunity to explore his artistic world spanning 70 years and the developmental history of Korean abstract painting." Furthermore, this exhibition anticipates significant attention from the global art community by presenting Cho Yong Ik's early Formel paintings such as <59-119> (1959) and (1966), as well as representative works of Korean geometric abstraction like <72-112> (1973) and <72-113> (1973), never before shown anywhere in Korea or abroad. [Source from THE KOREA DAILY press release, provided by Jongwon Park] < >

Back At the Still Point of the Turning World - Strangers of Time A new series of twenty-one large-scale paintings represent the ongoing dialogue between the American abstract artist Shane Guffogg and T.S. Eliot’s famous set of poems, the Four Quartets . In his works the artist develops the ideas of movement, escape and migration, highlighting the transitory aspect inherent to human nature. These are autobiographical themes for Guffog, in fact his father emigrated from Northern England to the USA in 1957 looking for the “American dream”. [Source from venezianews press release] venezianews.it SHANE GUFFOGG. At the Still Point of the Turning World - Strangers of Time < >

Back “Binary Equilibrium” Luxuriates in Polarity Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Left to right: When the Light Shines Ⅰ (Yuna Cho) / Sculpted Illusion (Yuna Cho) / Tidal (Paul Rho) / Sculpted Illusion Ⅱ (Yuna Cho). Courtesy of Paul Rho. On July 30, the Korean Association of New York Artists (KANA) held its opening for the exhibition Binary Equilibrium at Gallery Chang . The group exhibition was curated by Calvin Lee and Lina Hwang, featuring the works of eight multidisciplinary Korean-born and Korean-American artists. The show, part of a two-part collaboration with Gallery Chang and KANA (with the second part being Unbound Playground ), was inspired by a culmination of Western existentialism and Eastern takes on nihilism. Electric in its dynamic and dialectic curation, it adopts a playful approach to themes of life and death, sublimity and nothingness. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Ice Swans, Sand Slit (Dawn Kim) / Vertical Equilibrium, Binary Equilibrium (Calvin Lee). Courtesy of KANA and Gallery Chang. Binary Equilibrium , at its heart, is an exhibition about contradictions. According to the press release, “the interplay between humanity and the natural world” informs the show’s “synthesis or equilibrium between these opposing ideologies.” The space is divided into four sections: Sublime, Beauty, Tragic, and Comic. Tied to the history of philosophy, these sections are inspired by the writings of Sartre, Nietschze, and Nicolai Hartmann, as well as Eastern teachings of naturalism. Two disparate intellectual traditions conflict and potentially synthesize with each other — a “binary equilibrium,” if you will. Every section presented two artists’ works in pairs: Saejun Kim and Taejoong Kim, Calvin Lee and Dawn Kim, Paul Rho and Yuna Cho, and Jean Oh and Kai Oh. These works’ dialectical placements encouraged their viewer to stew in apparent contradictions, prompting them to reconcile the irreconcilable. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Cells and pixels (Kai Oh) / Big Issue These Days, A Searching (Jean Oh). Courtesy of KANA and Gallery Chang. To do this, much of the art drew from a childlike place, harkening back to a time in life when a logical world was not necessary. The multimedia works all walk the tenuous line between Korean ideals of balance and a more Western philosophy-based postmodern pull toward hyperindividualism. From Paul Rho’s Photogami series , where each photograph was folded into origami and then unfolded, to the thickly textured oil paintings of Jean Oh that don stitches, cuts, and scratches, to the vibrant screen prints of Kai Oh, the show pulsed with enough whimsy as to not drown in the weight of its own hefty philosophical source points. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Vein, The initial phase of berry growth is a result of cell division and cell expansion (Kai Oh) / Bumpy, Serial (Jean Oh). Courtesy of KANA and Gallery Chang. The collision of Eastern and Western philosophy and particularly how nihilism interacts with Eastern naturalism were important touchstones in the formulation of this show, according to curator Calvin Lee. These questions of culture manifest themselves in the show with juxtapositions of naturalism and industrial: angular plaster sculptures sit alongside soft, rounded lanterns shaped from prints of Korean oceanscapes. Muted and hushed explorations of vague traces of the human body are paired against ultra-vibrant scenes of vineyards, accented with a distinctly modern neon color scheme. Many of the artists utilized traditional Korean materials and practices, expanding them into something distinctly fresh and distinct. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Dich in Allen Dingen (Tae Joong Kim) / Untitled (Earth Rise on, off), Untitled (Fox 1,2), Untitled (oyster, marble) - Sae Jun Kim. Courtesy of KANA and Gallery Chang. The synthesis of the two ideals is stirring — perhaps there is nothing pristine and natural left in this industrial world, for even the soft, muted lushness has been touched by the brutal, the concrete, the hyper-developed. But then again, perhaps the natural can exist alongside the industrial and wrap its soft edges around hard lines, creating something distinctly of our time and beautiful in its own specific way. Binary Equilibrium was on view at Gallery Chang from July 30 to August 7, 2024. Featured artists include: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh. [Source from IMPULSE press release, provided by Zara Roy ] impulsemagazine.com “Binary Equilibrium” Luxuriates in Polarity — IMPULSE Magazine A collaboration between the Korean Association of New York Artists (KANA) and Gallery Chang delves into philosophical history. < >