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South Korea, 1973 Artist Biography Works Next Kimi Kim Wittling South Korea, 1973 BIOGRAPHY Kimi Kim has been working in various genres including textile, woodcraft, print, lacquer, graphic design and ceramics since 1994. After graduating in Ceramics Design from Central Saint Martin’s College of Art and Design in London, she has been focusing more on ceramics. Her works feature delicate forms inspired by nature, such as trees, leaves, and petals made from fragile materials, such as ceramic and “paper clay”. These forms represent the nature of love and care in Kim’s personal life and how these relationships and beacons of joy are impossibly fragile, yet indescribably precious. People always live longing for what they can or can’t have dreaming of achieving something. In my first series, I wanted to talk about women’s desires and thirst through Chanel bags, but they expressed their desire to be jealous and disdain because they couldn’t have it in the closet, and they couldn’t have it in the form of a torn bag. The second desire series LEGO is looking back at my childhood when I see the LEGO blocks my kids play with, and we always have a desire to achieve something, but we are a little bit concentric and built up some form of LEGO blocks as I want. Why don’t we all become artists. EDUCATION 2015 UrbanGlass Class for Imagery 2007 BA University of the Arts of London Central Saint Martins, London, UK Specialization: Ceramics 2006 London College of Art – Camberwell Foundation 1998 BA Silla University, Busan, Korea 1992 - 1994 Industrial Design & Craft, Busan Women’s College, Korea SOLO EXHIBITIONS 2023 Waterfall Mansion Gallery, New York A Blooming Resilience LA Art Show Shatto Gallery, LA (Group Exhibition) 2022 Miami beach Art Show Gallery Mare, Galleries Art Fair Setec, Seoul, South Korea Gallery Mare, “I choose to be GRATEFUL“, Paradise Hotel, Busan, South Korea 2021 Artful living Project, Bergdorf Goodman X Waterfall Mansion Gallery, Bergdorf Goodman, NY 2020 Artful Living Campaign, Waterfall Mansion & Gallery, NY (RESTORE) To Beloved Artists, Waterfall Mansion & Gallery, NY 2019 Consider the Butterflies, Waterfall Mansion & Gallery, NY Re:collection, Waterfall Mansion & Gallery, NY Sidexside, Waterfall Mansion & Gallery, NY Sea Beyond, Waterfall Mansion & Gallery, NY Transfiguration, Waterfall Mansion & Gallery, NY Be still, Waterfall Mansion & Gallery, NY 2018 Infinite Grace2, Alpine, NJ Infinite Grace, Waterfall Mansion & Gallery, NY 2017 Bergdorf Goodman, NY Inside the Flower Matrix, Collaboration of Claudia Hart, Transfer Gallery, NY Artful Living, West Village Printing House, NY New Book: 2017, Waterfall Mansion & Gallery, NY Moving Image Immersive Media, Art Fair, NY, in collaboration of Claudia Hart, NY Da Vinci Creative 2017, Geumcheon Art Space, Seoul, Korea A Sustaining Life, Bergdorf Goodman, NY Re:collection, Waterfall Mansion & Gallery, NY Inside the Flower Matrix, Collaboration of Claudia Hart, James Thompson Gallery, NY 2016 SUMMER CELEBRATION, Waterfall Mansion & Gallery, NY The Needs for My Care, Waterfall Mansion & Gallery, NY 2015 Alice’s Tea Set, Collaboration of Claudia Hart, Eye Beam Gallery, NY Fermented Souls, Waterfall Mansion & Gallery, NY 2014 Welcome to Alice’s Giftshop!, Collaboration of Claudia Hart, New Museum Store Project, NY 2013 MANMULSANG, Lotte Gallery Main Branch, Seoul, Korea WAVE, Ethan Cohen Fine Arts, NY (Solo Exhibition) T.R.E.E, Avery, NY 2007 Camberwell Graduation show Graduation Show, University of the Arts of London Central Saint Martins, UK 1998 Graduation Show, Silla University, Korea 1996 Life and Soil, Hyundai Department Gallery, Seoul, Korea WORKS Load More

Korea Artist Biography Works Media Next Rho Paul Korea BIOGRAPHY EDUCATION 2023 Columbia University, MFA Visual Arts 2019 School of Visual Arts, BFA Photography and Video 2010 University of Arts London, Foundation Diploma in Art & Design SOLO EXHIBITIONS 2024 “Ebbs and Flows”, Curated by Yuyue (Eunice) Chen, Rockella Space, Ridgewood, New York 2020 “Lynchian Forms”, Maumsup Gallery, Seoul 2018 "To Live For One Thousand Years", School of Visual Arts, New York "Series, Sequences, Stories", School of Visual Arts, New York TWO PERSON EXHIBITIONS 2024 “Fotograficos” - Taejoong Kim & Paul Rho, Galeria Aires, New York GROUP EXHIBITIONS 2024 “Binary Equilibrium”, Gallery Chang, New York “Prototype 1.0”, Springs Project, New York “Expand and Contract: Photography and Mixed Media”(online), Los Angeles Center of Photography, Los Angeles “Shoutout Manse, Mar 1st”, 404 Broadway, New York “Happy Lunar New Year Show”, Doclay Gallery, New York 2023 “Press Release (Cycle V part ii)”, Storage, New York “in medias res:”, The Blanc, New York “Press Release (Cycle V part i)”, Storage, New York “Stand-outs: Selections from the Columbia MFA Program”, Fredric Snitzer, Miami “Columbia MFA Thesis Exhibition, Class of 2023”, Wallach gallery, New York 2022 “15th Jeonju International Photo Festival”, Jeonju, South Korea “Columbia University MFA Summer Pop-up”, Half Gallery, New York “Columbia University MFA Summer Show”, Chashama, New York “2023 First Year MFA Exhibition”, Wallach gallery, New York 2021 “Yeongwol Byeolgok”, 19th Donggang International Photo Festival, Yeongwol, South Korea 2019 “Mentors”, SVA Chelsea Gallery, New York 2015 "Estetica: percorso di bellezza e umanità", Circolo partito democratico, Milan, Italy WORKS MEDIA

OCT 23 - DEC 9, 2025 Intro Installation Views Artwork Next C1 New York Memories of Our Future OCT 23 - DEC 9, 2025 Shane Guffogg INTRO Internationally acclaimed American artist Shane Guffogg presents his solo exhibition, Memories of Our Future . In this new series with his recent 2025 works, Guffogg draws inspiration from the breathtaking images captured by the James Webb Space Telescope, translating cosmic scenes of stars being born and fading into luminous meditations on time, perception, and existence. Reflecting on these celestial images, Guffogg recalls realizing that “time is not linear; what we perceive as the past is, in fact, the present.” His paintings embody this revelation, awakening the idea that “we are memory and future, coexisting in this radiant moment.” Through this lens, his canvases become portals through which viewers encounter the traces of yesterday, the shadows of today, and the brilliance of tomorrow—all simultaneously unfolding in a single visual field. Art critic Victoria Chapman describes his work as “not mere abstraction but portals of time. If Cubism fractured perspective, Guffogg fractures time. Standing before his paintings, we find ourselves invited into the intersecting dimensions of the present.” Born in California in 1962, Guffogg has spent over four decades exploring themes of light, time, and perception through painting. Using traditional oil techniques, he applies dozens of translucent glazes, creating surfaces that seem to accumulate light itself—where color and luminosity merge into the quiet rhythm of duration. In Memories of Our Future , Guffogg’s practice reaches a poetic culmination, merging the vastness of the cosmos with the intimacy of human consciousness. His paintings remind us that the act of seeing is also an act of remembering—that every glimmer of light carries both the memory of what has been and the promise of what is yet to come. INSTALLATION VIEWS ARTWORK

JUL 4 - 30, 2025 Intro Installation Views Artwork Next C4 Seoul To Glow in the Afterglow JUL 4 - 30, 2025 Mark Acetelli INTRO To Glow in the Afterglow: 빛의 잔상 어떤 감정은 바로 다가오지 않는다. 대신, 잔광처럼 스쳐 지나가고 어느 날 조용히 되살아난다. Mark Acetelli의 회화는 그 찰나의 기억을 잡아두려는 시도이자, 잔광 사이에서 빛나는 마크의 기억들을 하나하나 꺼내어 화면 위에 쌓아올리는 과정이다. “작업은 늘 변화하고 흐른다. 물처럼 흘러가고, 그 흐름 안에서 진심을 계속 꺼내야 한다.” 그는 말한다. 오랫동안 방치된 플라스틱 컵 속 물감을 다시 꺼내보기도 하고, 색은 네 가지, 다섯 가지를 섞어 그날의 감정을 간신히 만든다고. 요리처럼, 본능처럼. 그렇게 탄생한 화면은 정리되지 않는다. 오히려 결과에 대한 집착을 놓아버리고, 과정을 받아들이는 법을 보여준다. 이번 전시 《빛의 잔상》은 This Too Shall Pass, Be Like Water, Hope, Currant and Flow 등 작가의 대표작들을 통해 사라진 감정의 끝자락이 마지막으로 반짝이는 순간을 기록한다. 빛이 다 스러진 후에도 남는 온기. 그 사이에서 마크의 감정은 여전히, 우리 안으로 조용히 스며든다. INSTALLATION VIEWS ARTWORK

AUG 1 - 30, 2025 Intro Installation Views Artwork Next C4 Seoul Organic Precision: The Geometry of Nature AUG 1 - 30, 2025 Stephen Robert Johns INTRO Organic Precision: The Geometry of Nature 《색과 곡선으로 읽는 자연의 언어》 이번 전시 《색과 곡선으로 읽는 자연의 언어》는 갤러리 장에서 개최되는 작가의 서울 첫 개인전으로, 그의 대표 시리즈인 S-Curve, Elementos (agua), Circle Series 등을 중심으로, 자연이 품은 곡선의 리듬과 색의 배치를 통해 감정과 시간, 공간을 시각적으로 재구성하는 회화적 실험입니다. 특히 작가가 하늘 위에서 관찰한 산호세 코스타리카의 지형에서 영감을 받은 작품 속 이미지들은 밝고 선명한 그린과 블루 색감을 품부하게 표현하며, 나무와 강을 나타내는 추상적 요소들과 다양한 견고한 기하학적 형태들이 서로 어우러집니다. 또한 Stephen 항공기의 시선에서 내려다본 팜랜드 (Farmland, 농작지)의 형태에서 포착한 구조적 질서를 작업 전반에 걸쳐 반복적으로 담아냅니다. 이 농지의 기하학적 패턴들은 작가의 독특한 시각 언어를 형성하는데 중요한 역할을 합니다. INSTALLATION VIEWS ARTWORK

SEP 30 - OCT 22, 2025 Intro Installation Views Artwork Next C1 New York REALITY + IMAGE SEP 30 - OCT 22, 2025 Kim Kang Yong INTRO This exhibition highlights the masterworks of Kim Kang-Yong from the early to mid-2010s, a period widely regarded as the pinnacle of his artistic maturity. During these years, the artist lived in New York, immersing himself in a new environment that reshaped his practice. The unfamiliar light, sounds, and rhythms of the city, as well as the dynamic context of the international art world, became catalysts that pushed his work to new depths of intensity and reflection. Sand and brick, his signature materials, gained new resonance through his New York experience. From a distance, the canvases appear photographic, yet up close, the densely layered grains of sand reveal themselves as tangible surfaces. This interplay between image and matter intensifies the tension between reality and illusion, compelling the viewer to ask: “What does it mean to see?” During this period, Kim also engaged in dialogue with critics, collaborated with New York galleries, and participated in international exhibitions. These encounters gave his work a universal dimension while simultaneously deepening its philosophical roots in Korean materiality and tradition. This exhibition is not merely a retrospective of a past era. It is a re-encounter with the moments when Kim Kang-Yong reached the height of his artistic achievement through dialogue with the city of New York. At the same time, it stands as a testimony to how Korean contemporary art has established a distinctive voice within the global stage. For collectors, the exhibition offers rare significance. The works from Kim’s New York years are among the most complete and exceptional in his career, carrying both art historical weight and collectible value. More than aesthetic objects, these works become living presences—continuing conversations that unfold new meanings with time and resonate daily in the collector’s space. 「 REALITY + IMAGE: Revisiting the Works of the 2010s. 」 This exhibition is a meditation on how art reveals reality, and how the act of seeing itself becomes an endless dialogue. INSTALLATION VIEWS ARTWORK

Feb 20 - Mar 25, 2025 Intro Installation Views Artwork Next C1 New York Andy Moses: Recent Works Feb 20 - Mar 25, 2025 Andy Moses INTRO Andy Moses’s Recent Works explore the dynamic interplay between nature’s forces and the physical properties of paint. Through fluidity, movement, and light, he creates mesmerizing compositions that feel both organic and otherworldly. His unique process—driven by chemical reactions, viscosity, and gravity—transforms paint into flowing landscapes of energy, capturing the ever-changing rhythms of the natural world. Born in Los Angeles, Moses was influenced by West Coast art movements, particularly the immersive qualities of California’s Light and Space movement. His paintings interact with light in a way that makes them appear to shift with the viewer’s perspective, revealing intricate layers of color and form. brings together a selection of Moses’s most recent paintings, including works from 2024 alongside select pieces from previous years. This exhibition marks his long-awaited return to New York, making it a particularly meaningful presentation of his latest explorationThrough his work, he invites viewers into a world where movement, depth, and energy unfold in real time, challenging the way we perceive light and space. INSTALLATION VIEWS ARTWORK

MAY 27 - JUN 28, 2025 Intro Installation Views Artwork Next C4 Seoul Illuminated Silence MAY 27 - JUN 28, 2025 Jimi Gleason INTRO 지미 글리슨: Illuminated Silence 이번 전시는 LA의 William Turner Gallery와 뉴욕의 Gallery Chang에서 4월부터 5월까지 동시기에 진행 중인 개인전으로 시작되어, 서울 전시로 이어지는 Coast to Coast 순회 프로젝트의 마지막 장입니다. 미국 동부와 서부를 연결하는 이 전시는, 지미 그리슨의 작품이 각기 다른 도시의 빛과 공간 속에서 어떻게 감각적으로 변화하고 확장되는지를 경험하게 합니다. 지미 글리슨은 빛과 표면, 반사의 개념을 회화에 도입하여 독자적인 조형 언어를 구축해온 작가입니다. 금속성 안료와 특수 재료를 활용한 그의 화면은 단순한 시각적 이미지가 아니라, 관람자의 움직임과 빛의 방향에 따라 끊임없이 변화하는 ‘거울 같은 회화’입니다. 이러한 작업은 시각적 경험을 넘어서, 관객의 사유와 정서를 반사시키는 존재로 확장되며, 물리적 표면과 감각적 깊이를 동시에 보여줍니다. 고요한 침묵 속에서 빛을 발산하는 이 회화들은, 마치 시간을 품은 풍경처럼 관객을 멈춰 세우고 응시하게 만듭니다. 이번 전시의 제목 《Illuminated Silence》는, 그러한 그리슨의 작업 세계를 압축적으로 담아냅니다. 빛에 의해 드러나는 고요함, 혹은 고요함 속에서 발현되는 빛 — 이 양가적인 감각은, 회화가 가질 수 있는 가장 순수한 시적 순간을 환기시킵니다. 서울에서 처음 소개되는 이번 개인전은, 지미 글리슨의 대표작과 함께 신작도 포함하여 그의 작업 세계의 진화를 선명하게 보여줍니다. 빛과 침묵, 물질성과 비물질성 사이에서 회화의 새로운 가능성을 탐색하는 이 전시는, Gallery Chang이 지향하는 철학적 미학과도 깊은 연결을 이룹니다. INSTALLATION VIEWS ARTWORK

Jun 20 - Jul 22, 2025 Intro Installation Views Artwork Next C1 New York Beautiful Rupture Jun 20 - Jul 22, 2025 Bret Price / Kelly Berg / Mark Acetelli / Moon Insoo / Kimi Kim Wittling INTRO "Beauty is not found in perfection, but in the moment it begins to break." Beautiful Rupture is a group exhibition that explores the tension and harmony born at the threshold between beauty and destruction, form and disintegration, nature and artifice. Through distinct materials and visual vocabularies, artists Kelly Berg, Mark Acetelli, Moon Insoo, and Kimi Kim reveal the quiet violence and fragile truths that lie beneath the surface of the beautiful. Kelly Berg evokes the power of shifting earth and volcanic eruptions — her paintings are charged with deep reds and fissured textures that speak to the sublime, overwhelming presence of nature. Mark Acetelli captures the serenity of the ocean, not as a passive subject, but as a contemplative surface teeming with silent depth and unspoken force. Moon Insoo sculpts with concrete, using an industrial material to channel memory, erosion, and the scars of time embedded in urban life. Kimi Kim deconstructs the iconic Chanel bag in ceramic, transforming a symbol of luxury into fragile artifacts that question desire, illusion, and the commodification of beauty. This exhibition does not portray rupture as an end, but as a beginning — a site of potential. Each artist invites us to consider how beauty is reshaped through breakage, tension, and transformation. A rupture is both collapse and emergence, fragility and power. In Beautiful Rupture, we encounter that delicate moment when beauty trembles, fractures, and redefines itself. INSTALLATION VIEWS ARTWORK

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