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Apr 3 - May 6, 2025 Intro Installation Views Artwork Next C1 New York Illuminated Reflection Apr 3 - May 6, 2025 Jimi Gleason INTRO In Illuminated Reflection, Jimi Gleason invites viewers into a luminous realm where light is not merely an element, but a guiding force—shaping perception, revealing form, and transforming space. Guided by Light, as the artist describes, is both a philosophy and a process; it is the invisible collaborator behind each surface, each layer, and each shift in color or sheen. Working primarily with silver nitrate and iridescent pigments on canvas, Gleason explores the interplay between light and materiality. His recent works—featured in this New York solo exhibition—extend beyond the traditional boundaries of painting, transforming static surfaces into reflective environments that evolve with the viewer’s movement and the space’s ambient light. Rather than presenting a fixed narrative, Gleason offers a meditative experience: one that encourages stillness, observation, and the subtle revelations that occur when the ordinary is illuminated. His work challenges us to slow down and see—truly see—not just what lies on the surface, but what is shaped by the unseen presence of light. As we navigate the luminous passages of Illuminated Reflection, we are reminded that light is not just what helps us perceive the world—it is also what reveals our place within it. INSTALLATION VIEWS ARTWORK

Feb 20 - Mar 25, 2025 Intro Installation Views Artwork Next C1 New York Andy Moses: Recent Works Feb 20 - Mar 25, 2025 Andy Moses INTRO Andy Moses’s Recent Works explore the dynamic interplay between nature’s forces and the physical properties of paint. Through fluidity, movement, and light, he creates mesmerizing compositions that feel both organic and otherworldly. His unique process—driven by chemical reactions, viscosity, and gravity—transforms paint into flowing landscapes of energy, capturing the ever-changing rhythms of the natural world. Born in Los Angeles, Moses was influenced by West Coast art movements, particularly the immersive qualities of California’s Light and Space movement. His paintings interact with light in a way that makes them appear to shift with the viewer’s perspective, revealing intricate layers of color and form. brings together a selection of Moses’s most recent paintings, including works from 2024 alongside select pieces from previous years. This exhibition marks his long-awaited return to New York, making it a particularly meaningful presentation of his latest explorationThrough his work, he invites viewers into a world where movement, depth, and energy unfold in real time, challenging the way we perceive light and space. INSTALLATION VIEWS ARTWORK

MAY 27 - JUN 28, 2025 Intro Installation Views Artwork Next C4 Seoul Illuminated Silence MAY 27 - JUN 28, 2025 Jimi Gleason INTRO 지미 글리슨: Illuminated Silence 이번 전시는 LA의 William Turner Gallery와 뉴욕의 Gallery Chang에서 4월부터 5월까지 동시기에 진행 중인 개인전으로 시작되어, 서울 전시로 이어지는 Coast to Coast 순회 프로젝트의 마지막 장입니다. 미국 동부와 서부를 연결하는 이 전시는, 지미 그리슨의 작품이 각기 다른 도시의 빛과 공간 속에서 어떻게 감각적으로 변화하고 확장되는지를 경험하게 합니다. 지미 글리슨은 빛과 표면, 반사의 개념을 회화에 도입하여 독자적인 조형 언어를 구축해온 작가입니다. 금속성 안료와 특수 재료를 활용한 그의 화면은 단순한 시각적 이미지가 아니라, 관람자의 움직임과 빛의 방향에 따라 끊임없이 변화하는 ‘거울 같은 회화’입니다. 이러한 작업은 시각적 경험을 넘어서, 관객의 사유와 정서를 반사시키는 존재로 확장되며, 물리적 표면과 감각적 깊이를 동시에 보여줍니다. 고요한 침묵 속에서 빛을 발산하는 이 회화들은, 마치 시간을 품은 풍경처럼 관객을 멈춰 세우고 응시하게 만듭니다. 이번 전시의 제목 《Illuminated Silence》는, 그러한 그리슨의 작업 세계를 압축적으로 담아냅니다. 빛에 의해 드러나는 고요함, 혹은 고요함 속에서 발현되는 빛 — 이 양가적인 감각은, 회화가 가질 수 있는 가장 순수한 시적 순간을 환기시킵니다. 서울에서 처음 소개되는 이번 개인전은, 지미 글리슨의 대표작과 함께 신작도 포함하여 그의 작업 세계의 진화를 선명하게 보여줍니다. 빛과 침묵, 물질성과 비물질성 사이에서 회화의 새로운 가능성을 탐색하는 이 전시는, Gallery Chang이 지향하는 철학적 미학과도 깊은 연결을 이룹니다. INSTALLATION VIEWS ARTWORK

Aug 11, 2024 Korean Association of New York Artists (KANA) Part 2 ‘Unbound Playground’ The Korean Association of New York Artists (KANA) is hosting two group exhibitions at Gallery Chang in Manhattan from July 30 to August 18. Curated by Calvin Lee and Lina Hae Lin Hwang, the exhibition includes Part 1, "Binary Equilibrium" (July 30 - August 7), and Part 2, "Unbound Playground" (August 9 - August 18). In Part 2, "Unbound Playground," artists Anikoon, Sun You, Yong Sun Kwon, Taekyung Suh, Hongbin Kim, and Soo Park will participate. This exhibition is inspired by Alain de Botton's book "Art as Therapy." The author suggests that "because the world's worries constantly awaken our attention, we need tools to maintain a positive and hopeful disposition." He emphasizes that while the dancing figures in Matisse's works do not deny the worries around us, they convey bright energy and highlight the beauty and joy that art can bring. Based on this understanding of art's function and meaning, the six artists will present works that draw from their daily lives, childhood experiences, memories, and emotions, using diverse visual languages and playful expressions. Their works evoke nostalgia and imagination related to childhood in New York and visually reconstruct fleeting moments from everyday life through familiar yet strange subjects, delivering playful messages. Anikoon presents works that reflect the modern human experience through vintage toy robots. The retro feel of the robots and the loneliness they convey resonate with our reality. By identifying with these comic characters, Anikoon invites viewers into a space of childhood imagination, combining youthful sentiment with parodic elements of classic art and graffiti techniques to create free-spirited paintings. Sun You, who is also a curator at the nonprofit gallery TSA New York in Brooklyn, uses strange yet familiar materials from everyday life to convey playful messages. Her work spans various media, including painting, sculpture, and installation, exploring the multifaceted and fluid nature of space while expressing delicate yet dynamic energy. Yong Sun Kwon introduces her persona, a half-human, half-fish character, humorously portraying imperfect self-portraits of those trying to escape their painful realities. These characters, referred to as "Fish Daegari," enjoy life with carefree expressions amidst a cheerful atmosphere, reflecting the artist's intention to humorously resolve her own struggles through this alternate identity. Hongbin Kim's pseudonym "Vanhada" carries dual meanings in Korean: "to fall in love" and "to oppose." He exaggerates the anxieties of leaving his hometown and not easily settling into the chaos of New York, transforming these feelings into joy through vibrant colors. Using the properties of acrylic paint, he creates new forms of artworks. Taekyung Suh emphasizes image and narrative in his works, posing questions and mysteries that invite dialogue with viewers. He uses imagery as a metaphor for the emotional experiences of difficulties, confusion, sadness, joy, and surprise encountered in everyday life, hoping that these images will continue to evolve in the minds of the audience. Soo Park employs various media to express childhood memories with wit, showcasing her playful worldview. The characters she creates candidly reflect human desires from a child's perspective, inviting viewers into unknown realms through organic storytelling. The opening reception for Part 2: "Unbound Playground" will be held on August 9 from 6 PM to 11 PM, followed by an artist talk on Sunday, August 11, at 2 PM featuring artists Anikoon, Yong Sun Kwon, Hongbin Kim, and Taekyung Suh. 뉴욕한인예술인협회(KANA, Korean Association of New York Artists, https://www.nykana.org)가 7월 30일부터 8월 18일까지 맨해튼 갤러리 장(Gallery Chang)에서 2회의 그룹전을 연다. 이상혁(Calvin Lee)과 황혜린(Lina Hae Lin Hwang)이 기획한 이 전시는 1부 ‘Binary Equilibrium’(7/30-8/7)과 2부 ‘Unbound Playground’(8/9-8/18)로 나뉘어 진행된다. 제 2부’Unbound Playground’에는 애니쿤(Anikoon), 유선미(Sun You), 권용은(Yong Sun Kwon), 서태경(Taekyung Suh), 김홍빈(Hongbin Kim), 그리고 박연수(Soo Park)작가가 참여한다. 이 전시는 작가 알래드 보통(Alain de Botton)의 저서 ‘영혼의 미술관(Art as Therapy)’에서 영감을 받았다. 저자는 “세상의 고민거리가 끊임없이 우리의 주의를 깨우는 탓에 우리는 긍정적이며 희망적인 성향을 지켜나갈 도구가 필요하다”며, 마티스 작품 속 춤을 추는 사람들이 우리 주변에 고민거리가 가득하다는 것을 부정하지는 않으나, 춤을 추는 사람들의 태도가 우리에게 밝은 에너지를 전달하는 것 처럼 아름답고 유쾌한 예술 작품들의 기능과 의미를 강조했다. 이같은 예술의 기능과 의미를 바탕으로, 여섯 작가들은 그들의 일상과 어린시절의 경험, 기억과 감정에서 출발하여 각기 다른 시각적 언어와 유희적인 표현으로 이뤄진 작업들을 선보인다. 이들의 작품은 뉴욕이라는 도시에서 어린 시절의 향수와 상상력을 자아내기도 하고, 낯설지만 어딘가 익숙한 소재들을 통해 무심코 스쳐지나가는 일상 속 순간들을 시각적으로 재구성하면서 유희적 메세지를 전달한다. 애니쿤(Anikoon)은 한국에서 현대인의 모습을 오래된 장난감 로봇에 투영한 작품을 보여준다. 오래된 장난감 로봇의 레트로적 감성과 내면에서 느껴지는 고독응 우리의 현실에 맞닿아있다. 로봇과 같은 코믹한 캐릭터 형상에 자신을 대입시키며 어린 시절의 상상의 공간에 관객들을 토대하여 앳된 감성과 오래된 명작의 패러디 요소 및 그라피티 채색기법들을 가미하여 자유분방한 회화를 보여준다. 유선미(Sun You)는 브루클린 비영리 갤러리’TSA 뉴욕’의 큐레이터이기도 하다. 주로 일상에서 사용되는 낯설면서도 익숙한 소재를 활용하여 유희적인 메세지를 전달하고, 공간의 다면성과 유동성을 활용하여 회와, 조각, 그리고 설치와 같은 다양한 매체를 넘나들며 섬세하면서도 역동적인 에너지의 작업들을 선보인다. 권용은(Yong Ein Kwon)은 그녀의 페르소나인 반인반어를 등장시키며 현실 속 머라 아픈 고민들로부터 벗어나고자하는 사람들의 불완전한 자화상을 유머러스하게 보여준다. 작가는 작품 속 반인반어들을 ‘Fish Daegari’(물고기 대가리)로 칭하며, 이들은 항상 즐거운 분위기 속에서 술과 함께 걱정 없는 표정으로 일상을 즐기는데, 이는 작가가 현실 속 고민과 괴로움을 대체자아인 ‘Fish Daegari’을 통해 유희적으로 해소하고자하는 의도가 담겨있다. 김홍빈(Hongbin Kim)의 필명 “Vanhada(반하다)”는 한국어로 “사랑에 빠지다”와 “반대하다”라는 양가적인 의미를 지니고 있다. 고향 한국을 떠나 뉴욕 속의 혼돈(chaos)으로부터 쉽게 정착하지 못하는 삶에 대한 불안감을 승화시켜 즐거움으로 수용하고 받아들이는 것을 과장된 색감으로 표현한다. 작가는 아크릴 페인트 물성을 활용하여 새로운 형태의 작품들을 보여준다. 서태경(Taekyung Suh)은 작품에서 이미지와 서사를 중점에 두며, 관계들에게 의문점, 즉 수수께끼와 같은 서사를 담아 관객들의 대화를 유도한다. 그림을 그리는 과저과 일상에서 느낀 어려움, 당혹삼, 슬픔, 기쁨, 놀라움에 대한 감정의 은유로 이미지를 사용하고 이 이미지가 담긴 작품이 관객들의 마음 속에서 계속 진화하기를 바라는 작업들을 보여준다. 박연수(Soo Park)는 여러 미디엄을 활용하며 어린 시절의 기억들을 위트있게 표현하며 작가 특유의 장난 꾸러기같은 세계관을 보여준다. 작가가 만들어내는 캐릭터들은 인간 본연의 욕말을 어린 아이의 관점에서 적나라하게 표현하고 있으며 유기적인 스토리텔링을 통해 광객들을 미지의 영역으로 초대한다. Part2: Unbound Playgound의 오프닝 리셉션은 8월 9일 저녁 6시부터 11시까지 진행되며, 8월 11일 일요일 오후 2시 애니쿤(Anikoon), 권용은(Ying Eun Kwon), 김홍빈(Hongbin Kim), 서태경(Taekyung Suh) 작가가 팜여하는 아티스트 토크가 열릴 예정이다. [Source from nyculture press release, provided by sukie] www.nyculturebeat.com KANA 그룹전 2부 'Unbound Playground' @갤러리 장(8/9-8/18) - Lounge - NYCultureBeat KANA x Gallery Chang Summer Exhibition Part II: Unbound Playground August 9 - August 18, 2024 Gallery Chang: 150 West 55th St. New York Opening Reception: Aug 9, 2024 6-11pm Artists: Anikoon, Sun You, Yong Eun Kwon, Taekyung Suh, Hongbin Kim, Soo Park Curated by KANA - Calvin Lee, Lina Hwang 뉴욕한인예술인협회(KANA, Korean Association of New York... Previous Next

Dec 12, 2024 - Jan 18, 2025 Intro Installation Views Artwork Next C1 New York The Essence of Perception Dec 12, 2024 - Jan 18, 2025 Shane Guffogg, Kim Kang Yong, Kim Sea Joong INTRO "The Essence of Perception: Time, Reality, and Light" This exhibition centers on three artists who pose profound philosophical questions, using their art to explore and challenge the nature of human perception and understanding. The themes of time, reality, and light go beyond their visual representations, prompting a deeper reflection on how we experience and interpret the world. Time : Shane Guffogg Shane Guffogg asks, "How can I condense time and space into a single moment?" His works transcend the linear flow of time and space, merging them into a unified moment of infinite potential. Through layered abstraction and a complex interplay of colors and forms, Guffogg invites viewers to experience the simultaneity of eternity within a fleeting instant. His art challenges us to reconsider time not as a rigid construct but as a fluid and expansive dimension. Reality : Kim Kang Yong Kim Kang Yong poses the question, "Is what I see truly real?" Through his brick artworks, he examines the fundamental nature of perception, exploring the tension between visual illusion and physical reality. The bricks, which appear both tangible and ethereal, disrupt our assumptions about the material world. His work compels us to confront the subjectivity of our experiences, questioning the line between what we perceive and what truly exists. Light : Kim Sea Joong Kim Sea Joong inquires, "How can light be embodied on a flat surface?" This exploration extends into space and semi-relief works, where light becomes more than a visual element—it becomes a medium that defines and reshapes spatial experience. Through his innovative approach, Kim Se Joong blurs the boundaries between two-dimensional and three-dimensional forms, offering a transcendent interplay of light and shadow that invites viewers to reconsider the role of light in shaping perception. "The Essence of Perception" is perfectly aligned with the reflective and hopeful spirit of the holiday and New Year season. As the year comes to an end and a new one begins, this exhibition invites visitors to pause and reflect on timeless questions about how we perceive and interpret the world. It is an opportunity to connect with the universal themes of time, reality, and light, while embracing the transformative power of art to reimagine what we see and believe. Through this exhibition, we invite you on a philosophical journey where each work offers not answers but questions—an invitation to engage, reflect, and imagine new possibilities. "The Essence of Perception" reminds us of art’s unique ability to expand our horizons, challenge our assumptions, and illuminate the familiar in extraordinary ways. INSTALLATION VIEWS ARTWORK

Aug 27 - Oct 19, 2024 Intro Installation Views Artwork Next C1 New York REALITY + IMAGE: BEYOND THE BRICKS Aug 27 - Oct 19, 2024 Kim Kang Yong INTRO Gallery Chang is delighted to present REALITY + IMAGE: BEYOND THE BRICKS , a solo exhibition by Korean artist Kim Kang Yong. Kim Kang Yong is renowned for his captivating exploration of hyperrealism and the interplay between reality and image. He frequently uses the depiction of bricks as a metaphor for the boundary between the real and the imaginary. We invite you to join us and immerse yourself in this thought provoking experience. Kim Kang Yong’s approach to brick motifs underwent a significant transformation upon his arrival in New York in 2005. Kim stayed in New York for two years, during which the vibrant spectrum of brick colors in Manhattan inspired him to evolve from monochrome to multicolored works. This experience marked a pivotal shift in his artistic practice. Upon returning to Korea, Kim continued to experiment and enrich the depth and diversity of his expression. Kim’s brick paintings challenge the viewer’s sense of reality. Although they look incredibly realistic, they are virtual representations based on the artist’s imagination. On sand covered canvases, Kim employs shading to expertly produce the illusion of bricks, utilizing light and shadow to impart depth and texture. Shadows are essential in his work, defining surfaces, creating divisions, and giving the impression of bricks protruding and receding. Despite often being categorized as hyperrealism, Kim rejects this label. He considers his bricks to be illusions, highlighting their purpose in expressing his artistic vision. His work focuses on themes of repetition and formativity, demonstrating his skill in creating tension and balance through the repeated use of identical shapes. For the artist, the way grains of sand form bricks, and bricks come together to form buildings is similar to how cells come together to form a person, paralleling the individuals coming together to form society. Through his paintings, Kim symbolically expresses the importance of particles and humanity. INSTALLATION VIEWS ARTWORK

Jan 21 - Feb 28, 2025 Intro Installation Views Artwork Next C4 Seoul Beyond Boundaries: Reinterpreting Tradition, Reimagining the Modern Jan 21 - Feb 28, 2025 Ahn Seongmin INTRO Time flows from the past to the present, but art transcends those boundaries, existing across eras. Seongmin Ahn’s work exemplifies this timeless quality, seamlessly moving between tradition and modernity, East and West. Her solo exhibition, "Beyond Boundaries: Reinterpreting Tradition, Reimagining the Modern" , invites us to experience a dialogue between the heritage of traditional Korean Minhwa and the creative language of contemporary art. At the core of Seongmin Ahn’s practice lies a fundamental question: “What is tradition, and how does it remain alive in the modern world?” Korean Minhwa , known for its symbolic imagery and free-spirited expressions, reflected the aspirations and emotions of everyday people. Yet in Ahn’s hands, Minhwa transforms into something more: a platform for reinterpretation and reinvention. Familiar motifs—cranes, lotus flowers, and Hwajodo (bird-and-flower paintings)—are reimagined alongside modern, Western objects and symbols of contemporary life. Through these juxtapositions, Ahn creates fresh narratives that blur the lines between past and present, East and West, tradition and innovation. Her work challenges the notion that tradition is static or confined to history. Instead, Ahn presents tradition as a living, evolving force, one that can interact with the present moment and inspire new meanings. Her canvases are not merely visual displays but philosophical spaces where boundaries are dissolved, allowing diverse cultural and temporal elements to coexist and create new artistic possibilities. This exhibition opens the year 2025 with profound significance—a symbolic beginning that bridges the vitality of tradition and the ingenuity of modern creativity. Ahn’s works inspire viewers to rediscover familiar stories while embracing the new, offering a glimpse into how the past and present can harmonize to produce something timeless and contemporary. INSTALLATION VIEWS ARTWORK

Jul 30 - Aug 7, 2024 Intro Installation Views Artwork Next C1 New York Binary Equilibrium Jul 30 - Aug 7, 2024 KANA (Part 1) - Calvin Lee / Dawn Kim / Jean Oh / Kai Oh / Paul Rho / Sae Jun Kim / Tae Joong Kim / Yuna Cho INTRO The 2024 KANA Summer Exhibition, a collaboration between KANA and Gallery Chang, will take place from July 30 to August 18. The exhibition is divided into two parts: Part 1: Binary Equilibrium and Part 2: Unbound Playground. Through this summer project, KANA aims to introduce artists with Korean roots in New York to a broader audience and create a platform for sharing inspiration and communication. Part 2 ’Unbound Playground‘ presents the works of 6 artists who use their unique visual languages and playful expressions to depict experiences, memories, and emotions. These pieces, characterized by whimsical perspectives, vibrant colors, and diverse materials, visually reconstruct personal moments from everyday life. ©KANA INSTALLATION VIEWS ARTWORK

Oct 24 - Dec 10, 2024 Intro Installation Views Artwork Next C1 New York THE FUTURE IS PAST IS PRESENT Oct 24 - Dec 10, 2024 Shane Guffogg INTRO Shane Guffogg: The Future as Past is Present A Solo Exhibition Featuring Twenty-Four Oil and Canvas Paintings Opening October 24, 2024, at Gallery Chang, New York City, NY It’s always fascinating how Shane Guffogg approaches his work. His titles, like The Future, as Past is Present , draw you into his world. They aren’t just clever phrases; they represent Shane’s reflections on time, space, and the essence of existence. His fascination with time is unmistakable, a theme that has guided his artistic practice for over three decades. Much of his thinking has been shaped by T.S. Eliot’s Four Quartets , an exploration of time and transformation that Eliot began writing on the cusp of World War II. Shane’s work has always carried a certain weight—a documentation of his life and his presence on this earth. His upcoming solo exhibition at Gallery Chang will showcase this perfectly. The Counting of Days series in this exhibition beautifully embodies this concept. While the pieces visually resemble flowers, they profoundly reflect Guffogg’s lived experiences. Each brushstroke marks the passage of time, much like the counting of prayer beads, capturing sensory moments from his birth to the day the painting was completed—an actual count documented at the bottom of each painting. These works are a personal narrative and a universal meditation on the passage of time. The softness and freedom conveyed in these paintings evoke the transient nature of existence—appearing and fading much like passing thoughts. Each piece is centered around a singular color palette, offering a meditative quality that invites viewers to contemplate the fleeting moments of their own lives. Guffogg's approach to painting is almost alchemical. Through each stroke, he transforms raw materials into something profound—an enduring expression of thought, memory, and emotion that transcends the limitations of time. In the series A Rose is a Rose is a Rose , inspired by Gertrude Stein’s poem Sacred Emily and Guffogg's connection to his garden, the work challenges traditional ideas of fixed identity and meaning. Rather than offering literal depictions of roses, Guffogg's paintings embody abstract experiences that explore the fluidity of identity. His characteristic use of sweeping ribbons, flashes of color, and veils of light creates an ethereal, dreamlike space where viewers are drawn into the divine and the miraculous. This series becomes a visual journey through unseen forces, reflecting the ever-changing and fluid nature of perception and self. Guffogg’s mastery of intertwining time and identity reaches its pinnacle in his At the Still Point of the Turning World series, a title drawn from T.S. Eliot’s Four Quartets . These works transcend time and space, functioning as visual poetry that seeks to capture the infinite. There are energetic forces in these paintings. When asked how the artist creates this sense of movement and gravity, guiding the viewer into the painting, he said; “It’s hard to explain how I know. There isn’t a thought or thoughts, or my inner voice speaking to me. It is a feeling that goes beyond where words go and I know a painting is done when I can sense it the painting is breathing on its own and will continue to do so after it leaves the studio.” It's no wonder David Ash, a renowned quantum physicist, was captivated by Guffogg’s art at his May 2024 Paris exhibition. After experiencing the works, Ash observed, “You’re painting what I’m writing about. This is a form of quantum physics,” seamlessly connecting Guffogg’s artistic expressions with the intricate theories of space, time, and existence. The convergence of Eliot’s philosophical poetry, quantum theory, and Guffogg’s personal experiences creates a profound resonance in his art. One particularly striking example is his Late Roses in Early Snow , a painting that connects deeply with the intellectual and artistic energy of the delicate beauty of Monet and the dynamic gestures of Pollock, Guffogg’s work coexists with the rhythms of nature while also engaging with contemporary perspectives. Much like Eliot’s blending of Western and Eastern philosophies, Guffogg captures a unique synergy of influences from both traditions. The soft pastels in this painting, reminiscent of New York’s winter landscapes, evoke a harmonious dialogue between the city's constant reinvention and the timeless quality of Guffogg’s artistic vision. Through his work, Guffogg continues to push the boundaries of painting as a medium for exploring reality's deeper mysteries. His upcoming exhibition at Gallery Chang promises to be a powerful continuation of his exploration of the intricate connections between time, identity, and existence. For viewers, it’s an invitation to pause, reflect, and engage with the profound questions that define our very being. – Victoria Chapman INSTALLATION VIEWS ARTWORK