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Back 'Brick Artist' Kim Kang Yong, Invitation to Opening 'Gallery Chang' Kim Kang Yong, Reality+Image 2301-2213, 132 x 99 cm, mixedmedia, 2023. 'Gallery Chang', established to promote Korean artists on Manhattan's 55th Street, will officially open its doors with a commemorative exhibition featuring the highly acclaimed brick painter Kim Kang Yong, on the 7th of next month. Gallery director Jun-Hwan Chang, the founder of 'Gallery Chang', stated, "Through the opening of 'Gallery Chang', we will continue to serve as a cultural hub to introduce works of artists representing Korea to the world from New York, contributing to the global growth of the cultural industry and enhancing the national image." Invited to this inaugural exhibition, Kim Kang Yong, known as the master of brick painting, has captivated audiences worldwide as a first-generation hyper-realism artist since the 1970s, gaining international recognition for his brick paintings. Chloe Park, a senior curator of 'Gallery Chang', explained, "In Kim Kang Yong's solo exhibition 'MASTERPIECE (2019-2023)', the focus is on his recent works, including the sand-made brick series symbolizing him, and 'Reality + Image' works. New pieces from 2023 are also being unveiled." She further elaborated, "From the mid-1970s to the 1980s, he mainly painted monochromatic brick walls, but since the 2000s, he has transformed into colorful brick painting, surpassing reality with simplicity and color, once again showcasing his uniqueness. Recently, he has been hailed as the next-generation leader following the monochromatic master, Park Seo-bo." Park continued, "His artistic realm, spanning from the first-generation hyperrealism to encompassing abstraction and monochrome, marks a significant milestone in Korean art history." She added, "His works have garnered significant acclaim among art collectors worldwide and are housed in institutions such as the National Museum of Modern and Contemporary Art, Seoul Museum of Art, and the Lévy Gorvy Art Foundation in LA. They are also actively traded in global art markets such as Sotheby's and Christie's." [Source from THE KOREA DAILY press release, provided by Jongwon Park] < >

Back Gallery Chang New York Presents Shin Ki Woun Solo Exhibition〈Illusion of Permanence〉 Gallery Chang New York will present 〈 Illusion of Permanence 〉, a solo exhibition by Korean artist Shin Ki Woun, from August 7 to 12, 2025. This exhibition marks the artist’s first solo show in New York and introduces, for the first time in the city, both his established works exploring the dissolution of time, materiality, and power, as well as new works documenting the demolished interior of a former Chase Bank branch in Middletown, USA. The exhibition title 〈 Illusion of Permanence 〉 reveals the fiction and uncertainty embedded in the concept of “permanence.” Through processes of gradual erosion and the dismantling or disappearance of symbolic objects, Shin Ki Woun visually exposes how the symbols of authority and institutions—once believed to be everlasting—such as coins, clocks, chess pieces, and the remains of a demolished bank, can in fact be easily deconstructed and erased. The exhibition features video works capturing the slow abrasion of a coin’s surface, installation works documenting the gradual wear of metal sculptures, and experimental video pieces that physically and visually subvert the notion of “endurance” and continuity. Shin Ki Woun is a contemporary artist based in Seoul and Daegu. With a background in sculpture and philosophy, he works across video, installation, and performance. His practice deconstructs structures of authority, symbolism, and memory through explorations of time and materiality, encouraging sensory and reflective engagement. He has presented works at major institutions including the National Museum of Modern and Contemporary Art (Seoul), ZKM | Center for Art and Media (Germany), and Le Centquatre-Paris. This exhibition marks his first solo exhibition in New York. Founded in New York in 2019, Gallery Chang is a contemporary art gallery dedicated to presenting internationally influential artists while engaging with their artistic journeys from a long-term perspective. Moving beyond one-off exhibitions, the gallery aims to bridge the gap between commercial galleries and museums by offering in-depth views of artists’ careers. In 2023, Gallery Chang established its flagship space on West 55th Street in Manhattan, strategically located near major cultural institutions such as MoMA, Carnegie Hall, and New York City Center. Since then, the gallery has expanded its presence to Midtown New York (C2), Englewood, New Jersey (C3), and Seoul (C4). Today, Gallery Chang operates across four cities, actively engaging in curatorial programs and community-based projects. Beyond solo exhibitions and institutional collaborations, Gallery Chang has positioned itself as an experimental platform that expands the possibilities of contemporary art through public art and interdisciplinary projects. artlamp.org 갤러리 장 뉴욕, 신기운 개인전 개최 〈Illusion of Permanence〉 : 전시 📅 2025.8.7(목) – 8.12(화)🏛️ 갤러리 창 뉴욕 (Gallery CHANG, New York)📍105 W 55th St, New York, NY 10019❓ info@artgallerychang.com / +1 917 472 7274갤러리 장 뉴욕(Gallery CHANG, New York)은 한국 작가 신기운의 개인전

Back Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC With a commitment to fostering creativity and community engagement, Gallery Chang has carved a unique niche for itself, attracting both seasoned collectors and curious newcomers. An amazing A-List art collector crowd welcomed by Ara Cho enjoyed the masterpieces of Shane Guffogg – the Californian shooting star of Biennale Art 2024! Art Expert Olga Franco introduced her Furniture Designer Friends to the artist circles. Star Dentist and Sleep expert Dr. Maria Sokolina came from her private clinic and we heard after being featured in the biggest print magazine, that a Forbes magazine article is coming next, bravo! Well deserved! Julianne Michelle mesmerized fellow gallery guests with her fabulous charity Mommy’s Heart Foundation which she started and I just joined her esteemed board. Prince Mario-Max Schaumburg-Lippe: Julianne’s Mommys Heart Foundation: A Story of Love, Loss, Law and Legacy. When Dr. Zarui Chopuryan who runs an amazing esthetics laser clinic in collaboration with Dr. Maria Sokolina arrived with Armine Arustamyan everyone was so happy to head their stories from the UN Headquarters where they have been guests with Gallery owner Ara of H.H. Dr. Prince Mario-Max Schaumburg-Lippe who received a Global Peace Ambassador recognition and the President’s Lifetime Achievement Award. Gallery Chang has quickly established itself as a prominent force in the New York art world, showcasing a diverse roster of international artists who are pushing the boundaries of contemporary art. Gallery Chang’s journey began in 2019 as a dynamic art project group, organizing exhibitions and events in various locations throughout New York City. This early period allowed the gallery to build a strong foundation and cultivate relationships with artists and collectors alike. A significant milestone came in 2023 with the establishment of a permanent exhibition space on 55th Street in Manhattan. Nestled amidst renowned cultural institutions like MoMA, Carnegie Hall, and New York City Center, this strategic location places Gallery Chang at the heart of the city’s vibrant cultural hub. Gallery Chang distinguishes itself through its carefully curated exhibitions, which showcase a diverse range of artistic styles and mediums. From painting and sculpture to photography and installation art, the gallery presents a rich tapestry of contemporary artistic expression. The gallery’s curatorial vision is guided by a commitment to showcasing artists who demonstrate exceptional talent, innovative approaches, and a deep engagement with contemporary issues. This commitment is reflected in the diverse backgrounds and perspectives of the artists represented, creating a truly global and inclusive artistic dialogue. Beyond its gallery walls, Gallery Chang is actively involved in community engagement and public art initiatives. In 2022, the gallery garnered widespread acclaim for its public art projects at the former CHASE Bank building in Middletown, Orange County, New York. These projects demonstrated the gallery’s dedication to bringing art to wider audiences and enriching the cultural landscape of the community. Gallery Chang provides a platform for both emerging and established artists to showcase their work to a discerning audience. The gallery’s commitment to nurturing emerging talent is evident in its support of young artists, providing them with opportunities to exhibit their work and gain recognition in the competitive art world. At the same time, Gallery Chang also represents established artists whose work has made a significant impact on the contemporary art scene. This balance between emerging and established voices creates a dynamic and engaging environment for art enthusiasts of all levels. With its strong curatorial vision, commitment to community engagement, and dedication to supporting artists, Gallery Chang is poised for continued success. The gallery’s presence in the heart of Manhattan, coupled with its active involvement in public art initiatives, ensures its continued influence on the New York art scene and beyond. As Gallery Chang continues to evolve, it promises to be a vital force in shaping the future of contemporary art, fostering creativity, and promoting cross-cultural dialogue through the universal language of art. Shane Guffogg – The Biennale Star Shane Guffogg is an American artist who has dedicated his career to exploring the intricate dance between time, consciousness, and the human experience. His paintings, often large-scale and brimming with luminous colors and complex forms, beckon viewers to contemplate the nature of reality and the fluidity of perception. Guffogg’s journey into the world of art began early in his life. He honed his skills and nurtured his distinct approach to abstraction at the California Institute of the Arts. His works transcend the realm of mere visual representation; they are philosophical inquiries that challenge our conventional understanding of time and its profound connection to our existence. The concept of time, particularly the intricate interplay between past, present, and future, is a central theme that weaves its way through Guffogg’s entire body of work. He perceives these temporal dimensions not as isolated segments but as interwoven threads that contribute to the rich tapestry of “now.” This idea is eloquently expressed in titles such as “What if Everything That was Is, And Everything That Is Never Was,” suggesting that all moments, regardless of their position on the timeline, coexist in an eternal present. Through a masterful command of color and form, Guffogg’s paintings often evoke a sense of timelessness. The subtle transitions and layers within his works create an illusion of depth and movement, inviting viewers to lose themselves in the contemplation of the artwork and the passage of time itself. The canvas becomes a window into a realm where past, present, and future merge and flow, challenging our linear understanding of time. Guffogg’s artistic language finds its roots in abstraction, a realm that allows him to transcend the limitations of representational art and delve into the depths of pure ideas and emotions. He masterfully employs color, form, and texture to create visual metaphors that explore the complexities of human consciousness and the enigmatic nature of the universe. Rather than depicting the external world, his paintings are an expression of the inner world – a realm of thoughts, feelings, and perceptions. They are visual poems that resonate with the soul, inviting viewers to connect with their own internal landscapes and explore the profound depths of their being. Each brushstroke, each layer of color, is a word in a visual language that speaks of introspection and the search for meaning. Guffogg’s artistic vision extends beyond the visual realm, encompassing a multi-sensory experience. He has collaborated with musicians and composers to create immersive environments that further enhance the impact of his work. These collaborations aim to engage the viewer on multiple levels, deepening their connection to the art and its underlying themes. Sound and vision intertwine, creating a symphony of perception that resonates on a deeper level. His exhibition, “The Sounds of Color,” held at the Scala Contarini del Bovolo museum in Venice, exemplified this multi-sensory approach. By combining his paintings with a curated soundscape, Guffogg created an environment that enveloped viewers, allowing them to experience his art in a new and profound way. The exhibition became a journey through time and perception, guided by both sight and sound. Shane Guffogg’s art stands as a testament to the boundless power of creativity and its capacity to transcend the confines of time and space. His paintings are not merely objects to be passively observed but invitations to engage in a dialogue with the artist and with oneself. They are catalysts for introspection and self-discovery. Through his unique approach to abstraction and his exploration of profound themes, Guffogg has created a body of work that inspires contemplation, challenges perceptions, and encourages viewers to connect with the deeper meaning of their own existence. His art is a gift, a legacy that will continue to inspire and provoke for generations to come. It is a reminder of the enduring power of human creativity to grapple with life’s most fundamental questions and to find beauty in the exploration. t2conline.com Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC With a commitment to fostering creativity and community engagement, Gallery Chang has carved a unique niche for itself, attracting both seasoned collectors and curious newcomers. An amazing A-List art collector crowd welcomed by Ara Cho enjoyed the masterpieces of Shane Guffogg – the Californian shooting star of Biennale Art 2024! Art Expert Olga Franco introduced […] < >

Back Korean Association of New York Artists (KANA) Part 1 ‘Binary Equilibrium’ The Korean Association of New York Artists (KANA) is hosting two group exhibitions at Gallery Chang in Manhattan from July 30 to August 18. Curated by Calvin Lee and Lina Hae Lin Hwang, the exhibition is divided into two parts: Part 1, "Binary Equilibrium" (July 30 - August 7), and Part 2, "Unbound Playground" (August 9 - August 18). In Part 1, "Binary Equilibrium," artists Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh, all active in New York, will participate. The exhibition title "Binary Equilibrium" is inspired by philosophical texts such as Nietzsche’s "Thus Spoke Zarathustra" and Sartre’s "Being and Nothingness," reflecting the artists' perspectives on the intersection of existentialism and nihilism. Referencing the Eastern concept of Yin and Yang, the exhibition explores the boundary of these two waves, seeking balance between contrasting themes. The Eight Trigrams represent specific forms of nature and life. Each trigram contains elements of the Eastern natural world, and together they symbolize a state of completeness in Buddhism. The works of the eight artists, which incorporate the harmony of existence and nothingness, resonate with the Eastern worldview of past generations encapsulated in the Korean flag. Exploring how objects are perceived by subjects, German aesthetician Nikolai Hartmann categorized beauty into four concepts, and this exhibition references Hartmann’s framework in examining how humans perceive nature. The exhibition is divided into four sections: Sublime Beauty (Sae Jun Kim, Tae Joong Kim), Humorous Beauty (Jean Oh, Kai Oh), Tragic Beauty (Calvin Lee, Dawn Kim), and Elegant Beauty (Paul Rho, Yuna Cho). Each pair of artists explores the philosophical thoughts of existentialism and nihilism, sharing diverse perspectives on the meaning of life and existence through their works. "Binary Equilibrium" focuses on the existential flow rooted in human relationships with nature, contrasting with the nihilistic principles of nature. Sae Jun Kim and Tae Joong Kim depict nature, observing existence from a perspective that is opposite to that of the audience. Jean Oh and Kai Oh investigate the ambiguity and clarity of existence, expanding the ecosystem’s perspective and capturing the dissonance between humans and nature. Calvin Lee and Dawn Kim visualize the relationship between nature and humanity, transforming a vertical structure into a horizontal one to create a sense of order on the same plane. Paul Rho and Yuna Cho share a common theme of nature’s permanence, rearranging memories of nature to elevate and expand the boundaries of Korean elegance. The opening reception will take place on July 30 from 6 PM to 8 PM, followed by an artist talk on Saturday, August 3, at 2 PM featuring artists Paul Rho, Calvin Lee, Jean Oh, and Kai Oh. 뉴욕한인예술인협회(KANA, Korean Association of New York Artists, https://www.nykana.org)가 7월 30일부터 8월 18일까지 맨해튼 갤러리 장(Gallery Chang)에서 2회의 그룹전을 연다. 이상혁(Calvin Lee)과 황혜린(Lina Hae Lin Hwang)이 기획한 이 전시는 1부 ‘Binary Equilibrium’(7/30-8/7)과 2부 ‘Unbound Playground’(8/9-8/18)로 나뉘어 진행된다. 제 1부‘Binary Equilibrium’에서는 뉴요게서 활동하는 김태중(Tae Joong Kim), 김세준(Sae Jun Kim), 오진이(Jean Oh), 김다운(Dawn Kim), 이상혁(Calvin Lee), 조윤아(Yuna Cho), 노바울(Paul Rho), 그리고 오가영(Kai Oh)작가가 참여한다. 전시 타이틀 ‘Binary Equilibrium’은 니체의 ‘차라투스트라는 이렇게 말했다’와 사르트르의 ‘존재와 무’와 같은 철학적 텍스트에서 영감을 받았으며 실존주의와 허무주의의 이중성의 맞닿아있는 부분에 대한 작가들의 견해를 담아낸다. 동양의 음양 개념을 참조하여, 전시는 음과 양의 물결의 결계선에 대한 탐구를 진행하며 두 개념의 대립을 넘어서 상반된 주제 사이에서의 균형을 찾아간다. 8괘는 자연과 인생의 구체적 형태를 나타낸다. 8괘의 각 괘는 동양의 자연계 구성물들을 담고있는데 각 괘가 모인 8괘는 불교에서 완전의 상태를 상징한다. 존재와 무의 음양의 조화를 포함하여 자연과 삶을 소재로 한 8명의 작가들의 작업들은 태극기가 담아내고 있는 선대의 한국인들의 동양적 세계관과 관점에 공명한다. 객체를 주체가 어떻게 바라보는지에 대한 탐구에서 독일 미학자 니콜라이 하르트만은 미적범주라는 개념을 정리하여 아름다움을 네개의 개념으로 분류하는데 전시는 인간이 자연을 어떻게 바라보는가를 두고 하르트만의 체계를 참고했다. 이정시는 숭고미(김세준, 김태중), 골계미(오진이, 오가영), 비장미(이상혁, 김다운), 우아미(보바울, 조윤아)의 4개의 섹션으로 나뉘어져 있다. 두작가가 짝을 이루어 실존주의와 허무주의의 두 철학적인 사유를 탐구하며, 인생과 존재의 의미에 대한 각기 다른 관점을 작품을 통해 공유한다. ‘Binary Equilibrium’은 인간과 자연을 근간으로 사람과의 관계에서 시작된 실존주의의 흐름과 이에 반한 자연의 허무주의의 원리에 집중한다. 김세준과 김태중은 자연을 형상화하며 자연의 관점에서 세상을 역으로 바라보며 관객의 관점과 반대되는 지점에서 존재를 관찰한다. 오진이와 오가영은 존재의 모호함과 명확함의 경계의 대한 탐구로 진행되며 생태계의 단면을 확장하고 인간과 자연을 동격으로 두어 서로간의 이질감을 포착해낸다. 이상혁과 김다운은 자연과 사람간의 관계릐 수직적인 구조를 수평적인 구조로 동일 선상에 뒁 생성되는 질서를 시각화한다. 노바울과 조윤아는 자연의 영속성을 공통된 주제로 담고 잇으며 자연의 대한 기억을 재배열하여 승화시켜 한국의 우아미의 경계를 확장해나간다. 오프닝 리셉션은 7월 30일 저녁 6시부터 8시까지 진행되며, 8월 3일 토요일 오후 2시 노바울(Paul Rho), 이상혁(Calvin Lee), 오진이(Jean Oh), 그리고 오가영(Kai Oh) 작가가 참여하는 아티스트 토크가 열릴 예정이다. Part 1: ‘Binary Equilibrium’ July 30 - August 7, 2024 [Source from nyculture press release, provided by sukie] www.nyculturebeat.com 뉴욕한인예술인협회(KANA) 그룹전 1부 'Binary Equilibrium' @갤러리 장 NY(7/30-8/7) - Lounge - NYCultureBeat KANA x Gallery Chang Summer Exhibition Part I : Binary Equilibrium July 30 - August 7, 2024 Gallery Chang: 150 West 55th St. New York Opening Reception: Tuesday, July 30, 6-8 pm Artists: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, Kai Oh Curated by KANA - Calvin Lee, Lina Hwang 뉴욕한인예술인협회(KANA, Korean As... < >

Back Gallery Chang Expands Middletown’s Creative Vision Into the Heart of Manhattan NEW YORK, New York — Gallery Chang, a contemporary art gallery known for featuring globally-renowned and influential artists, has brought its Middletown-based exhibition, “CHASE Project: Phase Shift,” to its Manhattan location this month. Originally staged inside a repurposed Bank of New York and Chase Bank building in Middletown, the cross-cultural exhibition is now on view in New York City from July 25 to Aug. 5. The exhibition features six artists — Shin Kiwoun, Kim Hong Bin, Anon, Anikoon, Im Jibin, and Koo Nahyun — as they each explore different aspects of change and transformation. Three of the artists — Shin, Kim, and Anon — traveled to New York for the Manhattan opening and participated in an artist talk as part of the event. Each artist’s practice responds to the emotional and material impact of change in their own way, notes Gallery Chang. Shin Kiwoun’s work “involves the physical abrasion of everyday objects, revealing the traces of time and memory embedded in material.” Kim Hong Bin’s paintings present “ruptures of color and texture that evoke structural and emotional tension.” Meanwhile, Anon’s contributions are “textile-based reliefs” that “offer a softer rhythm of transformation, layering fabric and fiber into sculptural compositions.” Offering a unique glimpse into their own takes on change, Anikoon introduces “playful robot-like sculptures that suggest imaginative responses to transition,” while Im Jibin’s “large balloon forms animate abandoned space with humor and movement.” Koo Nahyun contributes “wall drawings [that] depict quiet moments of intimacy, suggesting that familiarity can endure even within shifting environments.” The opening reception at Gallery Chang’s Manhattan space on July 25 drew a wide range of visitors, including local collectors, artists, and cultural workers. Several guests remarked on the unusual and captivating path the show had taken. “It’s rare to see a project that starts in a smaller town and then comes to New York,” said one attendee. “It makes you think differently about where contemporary art can begin.” The exhibition was originally conceived as a site-specific installation inside “The Bank,” a former financial institution in Middletown now repurposed as a hybrid cultural space. Curated by Soojin Kang, the project was designed to explore how spatial transformation reflects broader economic, cultural, and emotional shifts. “This building’s transition from a silent vault to an open space for dialogue reflects the changes we’re experiencing globally,” said Kang, adding, “It’s about how systems evolve, how meaning relocates, and how art can create new connections.” The setting in Middletown played a key role in shaping the tone of the exhibition. “When we first visited the building, we weren’t sure what kind of energy it held,” said Gallery Chang’s director. “But once the artists stepped in, the space itself started to shape the conversation.” Initially, the exhibition was meant only to activate “The Bank” as an experimental site. But after seeing the response from visitors and the depth of the dialogue it initiated, the gallery decided to expand the show to its primary Manhattan space. According to the director, “this cross-state expansion was not always part of the plan.” The exhibition is not only about the physical transformation of space, but also about cultural positioning in a rapidly-changing world. By centering Asian artists — especially those based out of Korea — “Phase Shift” challenges conventional assumptions about who contributes to contemporary art and where that process starts. “Phase Shift quietly challenges assumptions about who participates in the shaping of contemporary art and where that shaping begins,” a press release for the event stated. Looking ahead, Gallery Chang is considering continued experimentation in Middletown. “There’s something about the quietness of The Bank that welcomes reflection,” said curator Soojin Kang. “We see it not just as a place for this show, but potentially as a long-term site for new projects.” Though the exhibition now hangs in Manhattan, the original presentation in Middletown remains integral to its meaning. “It was there that the artists met the space, that materials settled into context, and that a new story began.” For more information, including upcoming projects, exhibitions, and other FAQs, please visit Gallery Chang’s official site here . The “CHASE Project: Phase Shift,” will be on display through Aug. 5, 2025. https://www.visiontimes.com/2025/07/31/gallery-chang-expands-middletowns-creative-vision-into-the-heart-of-manhattan.html < >

Back Gallery Chang Seoul Opens Its First Exhibition of 2025 with Ahn Sungmin’s “Minhwa-Inspired, Minhwa-Esque” www.mhns.co.kr 갤러리 장 서울, 2025 첫 전시 안성민 작가의 ‘민화답게, 민화롭게’ 개최 (문화뉴스 박선혜 기자) 갤러리 장 서울의 2025년 첫 전시 ‘안성민 개인전 : 민화답게. 민화롭게(Minhwa Inspired, Minhwa Esque)를 개최한다고 21일 밝혔다.호텔 오크우드 프리미어에 위치한 갤러리 장 서울에서 1월 21일(화)부터 2월 28일(금)까지 진행되 < >

Back BECOMING WITHOUT END: The Ever-Transforming Practice of Ed Moses Gallery Chang in Midtown Manhattan is presenting the retrospective exhibition Ed Moses: Becoming Without End from August 14 through September 27. The exhibition introduces key works from Ed Moses (1926–2018), a leading figure of the postwar Los Angeles art scene, including representative pieces from his Acota , Magma , and Grid series. In the 1950s and 60s, Ed Moses was active in the art group known as the “Cool School,” alongside artists such as Craig Kauffman, Ed Ruscha, Robert Irwin, Larry Bell, Edward Kienholz, John Altoon, Ken Price, and Billy Al Bengston. Centered around the Ferus Gallery in Los Angeles, the Cool School developed an experimental and free visual language that stood apart from the New York–centered Abstract Expressionism of the time. For Moses, painting was a “laboratory,” and he continuously pursued change. Every six or seven years, he would shift his style—cutting and reconstructing canvases, or mixing materials such as resin, sand, and metal powder to create entirely new painterly surfaces. A representative work from the experimental Magma series, Ocnal (2002), shows intense energy, with lava-like red tones erupting from within black fissures. Check #2 (2003) introduces an orderly grid, yet disrupts it with irregular brushstrokes and colors, creating a surface where order and chaos coexist. In the late work Grid B (2017), Moses returns to the grid, but layered color planes seem to vibrate, giving the illusion that the painting itself is alive and breathing. Ed Moses was born in 1926 in Long Beach, California, and received his BFA and MFA from the University of California, Los Angeles (UCLA). From 1968, he taught at the University of California, Irvine, and in 1980 he was awarded a Guggenheim Fellowship. He participated in the Whitney Biennial in 1991, and in 1996 the Museum of Contemporary Art, Los Angeles (MOCA) held a major retrospective titled Ed Moses: A Retrospective of the Paintings and Drawings, 1951–1996 . His works are in the collections of the Art Institute of Chicago, the Museum of Modern Art (MoMA), New York, the Philadelphia Museum of Art, and others. His son, Andy Moses (b. 1962), is also a painter and earlier this year held a solo exhibition at Gallery Chang titled ANDY MOSES: RECENT WORKS . Curator Jinnie Kang of Gallery Chang stated that she organized this exhibition in the hope that “for New York audiences, this will not be merely a retrospective, but an opportunity to encounter Moses’s experimental spirit as it is newly reactivated each time.” https://www.nyculturebeat.com/index.php?mid=Lounge2&document_srl=4161812 < >

Back Yuri Gorbachev Solo Exhibition ‘Museum Collection’(6/20-7/27) Gallery Chang is pleased to announce a solo exhibition featuring the work of the internationally renowned Russian-American artist, Yuri Gorbachev. Drawing inspiration from his childhood memory in Russia, the radiant jewel tones of Byzantine art, and the intricate craftsmanship of Peter Carl Faberge, a famous Russian goldsmith, Gorbachev creates vivid, richly textured paintings through the use of oil, gold, silver, and bronze. Gorbachev’s work, characterized by the application of specially formulated lacquer and glazing techniques, reflects his classical training and expertise in ceramics acquired in Russia. Gorbachev, born in the Soviet Union in 1948, established a successful career as a ceramicist specializing in sculpture in his home country. His native region of Novgorod(Но́вгород) produced one of the foremost schools of icon paintings, established by Andrei Rublyov, who was a disciple of the renowned Byzantine artist Feofan the greek. Gorbachev regards Rublyyov as a major influence on his art, alongside Picasso, Rousseau, Kandinsky, and Malevich. In 1991, upon arriving in the US, Gorbachev transitioned from ceramics to working with oil on canvas, making the beginning of the most prolific period of his career. Since then, Gorbachev has exhibited his work in nearly three hundred exhibitions worldwide. His works also have been widely collected by renowned international galleries and museums, including the Russian National Museum, the Louvre, the National Armenian Gallery, and the Clinton White House, among others. Gorbachev’s global appearances have enabled him to extensively travel, particularly in Asia. The inspiration he gained from his trips to Asia has profoundly shaped his art-making, leading him to leave the cultural influences froths journeys and childhood memories into his canvas. In 1995, Gorbachev went to Bali, and the profound impact of this previously unfamiliar culture led him to incorporate Indonesian motifs as a central element in his still-life series. For instance, flower hold significant importance in Balinese culture, being used in ceremonies for all life events, including brith, death, and everything in between. Gorbachev’s longing for his homeland also plays an important role in his art. In his landscapes series, Gorbachev channels this nostalgia into a vibrant kaleidoscope of Russian scenes. His works depict vivid visual imagery, including a racing troika and buildings reminiscent of Moscow’s iconic St. Basils’s Cathedral, against the backdrop of snowy, idyllic countryside. Sometimes Gorbachev blends a diverse array of visual tropes from still life and landscape series into one canvas, featuring wild animals, lush flora, and enigmatic figures carrying a symbol of the sun, moon, and star. His unique way of juxtaposing various cultural influences yields paintings that reinterpret both Asian and Russian myths, fairy tales, and landscapes, thereby opening up a realm of curiosity and imagination. Notably, Gorbachev’s art stands out for its ability to interweave diverse cultures and imagery, brought to life through vibrant colors, dynamic figures, and imagination. Opening reception on June 20th Yuri Gorbachev, River in My City, 1998, Oil, gold, bronze on canvas, 36 x 48 inches 러시아 출신 미국인 화가 유리 고르바초프(Yuri Gornachev)의 개인전 ‘Museum Collection’ 뉴욕 미드타운에 위치한 갤러리 장(Gallery Chang)에서 6월20일부터 7월27일까지 열린다. 이 전시는 고르바초프ㅏ 자란 러시아의 풍경과 문화에서 영감을 받아 제작된 회화를 바탕으로 특히 비잔틴 예술과 세밀한 러시아 금속 공예의 장인정신을 담아낸 작품들을 선보인다. 특수 제조된 라커와 유화기법, 그리고 금, 은, 청동과 같은 비전통적인 재료를 사용하여 생동감 넘치고 풍부한 질감의 회화를 창조한 유리 고르바초프의 독특한 회화기법은 러시아에서 전통 도예가로 훈련을 받은 그의 초창기의 예술성을 반영한다. 1948년 소련 연방에서 태어난 고르바초프는 고향 노브고로드(Но́вгород) 지역에서 조각을 전공한 도예가로서 성공적인 경력을 쌓았다. 그의 고향인 노브고로드 지역은 저명한 비잔틴 예술가 테오판 그리스(Feofan the Greek)의 제자였던 안드레이 루블료프(Andrei Rublyov)가 설립한 주요 아이콘 회화 학파로 유명한 지역 중 하나이다. 고르바초프는 피카소, 루소, 칸딘스키, 말레비치와 함께 루블료프를 자신의 예술에 큰 영향을 미친 인물로 언급한다. 유리 고르바초프는 1991년 미국으로 이주한 후 도자기에서 캔버스에 오일로 사용하는 회화로 전환했다. 고르바초프는 아시아를 포함한 세계 곳곳의 다양한 나라를 여행하면서 영감을 얻었다. 1995년 인도네시아 여행 중 발리 섬의 독특한 문화의 영향을 받아 인도네시아의 신화, 역사, 자연을 상징하는 요소들을 그의 정물화 시리즈의 중심요소로 사용하게 되었다. 고르바초프의 풍경 시리즈에서는 특히 고향을 그리워하는 그의 향수가 짙게 드러난다. 하얀 러시아의 설경을 배경으로 모스크바의 상징인 성 바실리 성당 등 건축물을 포함한 생동감 넘치는 풍경을 묘사한다. 고르바초프는 때때로 정물화와 풍경 시리즈의 다영한 시각적 요소를 하나의 캔버스에 엮고, 야생 동물, 푸른 식물, 해와 달 그리고 별을 상징하는 신비로운 인물들을 특징으로한다. 동서양의 다양한 문화를 캔버스에 담아내는 고르바초프의 독특한 작품세계는 아시아와 러시아의 신화, 동화, 풍셩을 재해석하여 보는 이의 호기심과 상상력의 영역을 열어준다. 고르바초프는 세계 각국에서 300회에 달하는 전시회에 참가했으며, 그의 작품은 러시아 국립 박물관(상트페테르부르크), 루브르 박물관, 국립 아르메니아 갤러리, 클린턴 정부 백악관 등지에서 소장하고 있다. 이 전시는 갤러리장 본관 C1에서 7월 27일까지 계속되며, 전시는 월요일부터 토요일 오전 11시0오후7시 사이에 관람할 수 있다. [Source from nyculture press release, provided by Sukie ] www.nyculturebeat.com 갤러리장 유리 고르바초프(Yuri Gorbachev) 개인전 'Museum Collection'(6/20-7/27) - Lounge - NYCultureBeat 유리 고르바초프: 뮤지엄 콜렉션 2024년 6월 20일-7월 27일 갤러리 장, 뉴욕 러시아 출신 미국인 화가 유리 고르바초프(Yuri Gorbachev)의 개인전 'Museum Collection' 뉴욕 미드타운에 위치한 갤러리 장(Gallery Chang)에서 6월 20일부터 7일 27일까지 열린다. 이 전시는 고르바초프가 자란 러시아의 풍경과 문화에서 영감을 받아 제작된 회화를 바... < >

Back “Binary Equilibrium” Luxuriates in Polarity Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Left to right: When the Light Shines Ⅰ (Yuna Cho) / Sculpted Illusion (Yuna Cho) / Tidal (Paul Rho) / Sculpted Illusion Ⅱ (Yuna Cho). Courtesy of Paul Rho. On July 30, the Korean Association of New York Artists (KANA) held its opening for the exhibition Binary Equilibrium at Gallery Chang . The group exhibition was curated by Calvin Lee and Lina Hwang, featuring the works of eight multidisciplinary Korean-born and Korean-American artists. The show, part of a two-part collaboration with Gallery Chang and KANA (with the second part being Unbound Playground ), was inspired by a culmination of Western existentialism and Eastern takes on nihilism. Electric in its dynamic and dialectic curation, it adopts a playful approach to themes of life and death, sublimity and nothingness. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Ice Swans, Sand Slit (Dawn Kim) / Vertical Equilibrium, Binary Equilibrium (Calvin Lee). Courtesy of KANA and Gallery Chang. Binary Equilibrium , at its heart, is an exhibition about contradictions. According to the press release, “the interplay between humanity and the natural world” informs the show’s “synthesis or equilibrium between these opposing ideologies.” The space is divided into four sections: Sublime, Beauty, Tragic, and Comic. Tied to the history of philosophy, these sections are inspired by the writings of Sartre, Nietschze, and Nicolai Hartmann, as well as Eastern teachings of naturalism. Two disparate intellectual traditions conflict and potentially synthesize with each other — a “binary equilibrium,” if you will. Every section presented two artists’ works in pairs: Saejun Kim and Taejoong Kim, Calvin Lee and Dawn Kim, Paul Rho and Yuna Cho, and Jean Oh and Kai Oh. These works’ dialectical placements encouraged their viewer to stew in apparent contradictions, prompting them to reconcile the irreconcilable. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Cells and pixels (Kai Oh) / Big Issue These Days, A Searching (Jean Oh). Courtesy of KANA and Gallery Chang. To do this, much of the art drew from a childlike place, harkening back to a time in life when a logical world was not necessary. The multimedia works all walk the tenuous line between Korean ideals of balance and a more Western philosophy-based postmodern pull toward hyperindividualism. From Paul Rho’s Photogami series , where each photograph was folded into origami and then unfolded, to the thickly textured oil paintings of Jean Oh that don stitches, cuts, and scratches, to the vibrant screen prints of Kai Oh, the show pulsed with enough whimsy as to not drown in the weight of its own hefty philosophical source points. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Vein, The initial phase of berry growth is a result of cell division and cell expansion (Kai Oh) / Bumpy, Serial (Jean Oh). Courtesy of KANA and Gallery Chang. The collision of Eastern and Western philosophy and particularly how nihilism interacts with Eastern naturalism were important touchstones in the formulation of this show, according to curator Calvin Lee. These questions of culture manifest themselves in the show with juxtapositions of naturalism and industrial: angular plaster sculptures sit alongside soft, rounded lanterns shaped from prints of Korean oceanscapes. Muted and hushed explorations of vague traces of the human body are paired against ultra-vibrant scenes of vineyards, accented with a distinctly modern neon color scheme. Many of the artists utilized traditional Korean materials and practices, expanding them into something distinctly fresh and distinct. Installation view of Binary Equilibrium , on view from July 30 to August 7 at Gallery Chang. Works: Dich in Allen Dingen (Tae Joong Kim) / Untitled (Earth Rise on, off), Untitled (Fox 1,2), Untitled (oyster, marble) - Sae Jun Kim. Courtesy of KANA and Gallery Chang. The synthesis of the two ideals is stirring — perhaps there is nothing pristine and natural left in this industrial world, for even the soft, muted lushness has been touched by the brutal, the concrete, the hyper-developed. But then again, perhaps the natural can exist alongside the industrial and wrap its soft edges around hard lines, creating something distinctly of our time and beautiful in its own specific way. Binary Equilibrium was on view at Gallery Chang from July 30 to August 7, 2024. Featured artists include: Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh. [Source from IMPULSE press release, provided by Zara Roy ] impulsemagazine.com “Binary Equilibrium” Luxuriates in Polarity — IMPULSE Magazine A collaboration between the Korean Association of New York Artists (KANA) and Gallery Chang delves into philosophical history. < >

Back KANA and Gallery Chang Host Korean Artists' Group Exhibitions KANA and Gallery Chang Host Korean Artists' Group Exhibitions The Korean Association of New York Artists (KANA) is collaborating with Gallery Chang in Manhattan to present two group exhibitions from July 30 to August 18. KANA and Gallery Chang stated that the exhibitions aim to highlight talented Korean artists and explore new directions for Korean art, expanding its potential. This initiative is based on the curatorial vision of Calvin Lee and Lina Hae Lin Hwang. The exhibitions are divided into two parts, each with a different theme: "Binary Equilibrium" and "Unbound Playground." Part 1 features artists Tae Joong Kim, Sae Jun Kim, Jean Oh, Dawn Kim, Calvin Lee, Yuna Cho, Paul Rho, and Kai Oh, all of whom share a cultural background rooted in Korea while working in New York. This section reflects the artists' perspectives on the intersection of existentialism and nihilism. From August 9 to August 18, Part 2 will showcase works by artists Anikoon, Sun You, Yong Sun Kwon, Taekyung Suh, Hongbin Kim, and Soo Park. This section presents a variety of visual languages and playful expressions, rooted in the artists' everyday experiences, childhood memories, and emotions. KANA·갤러리 장, 한인작가 단체전 개최 뉴욕한인예술인협회(KANA)는 맨해튼 갤러리 장(Gallery Chang)과 함께 7월 30일부터 오는 8월 18일까지 두 차례의 단체전을 갖는다. 뉴욕한인예술인협회와 갤러리장은 이번 2차례의 단체전에 대해 “공동 기획자 이상혁과 황혜린의 기획을 바탕으로 역량 있는 한인 작가들을 조명하고 한국 미술의 새로운 방향을 모색하며 발전 가능성을 더욱 확장하고자 한다”고 밝혔다. 전시는 1부와 2부로 나누어져 각각 ‘Binary Equlibruim’과 ‘Unbound Playground’라는 다른 주제로 진행된다. 1부 전시에는 뉴욕에서 활동하며 한국 문화적 배경을 공유하는 김태중, 김세준, 오진이, 김다운, 이상혁, 조윤아, 노바울, 그리고 오가영 작가가 참여한다. 1부 전시는 실존주의와 허무주의의 이중성의 맞닿아 있는 부분에 대한 작가들의 견해를 담아냈다. 8월 9일부터 8월 18일까지 열리는 2부 전시에는 애니쿤(Anikoon), 유선미, 권용은, 서태경, 김홍빈, 그리고 박연수 작가가 참여한다. 2부 전시는 작가들의 일상과 어린 시절의 경험 기억과 감정에서 출발해 각기 다른 시각적 언어와 유희적인 표현으로 이뤄진 작업들을 선보인다. [Source from THE KOREA DAILY press release, provided by Jongwon Park ] news.koreadaily.com KANA·갤러리 장, 한인작가 단체전 개최 뉴욕한인예술인협회(KANA)는 맨해튼 갤러리 장(Gallery Chang)과 함께 7월 30일부터 오는 8월 18일까지 두 차례의 단체전을 갖는다. 뉴욕한인예술인협회와 갤러... < >