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Apr 8, 2024 The First Retrospective Exhibition in North America Honoring the Monochrome Master Cho Yong Ik No 102, 1966, oil on canvas, 45.6” X 58.6”. Cho Yong Ik. Cho Yong Ik (Korea, 1934-2023) Gallery Chang in Manhattan, New York, will host the retrospective exhibition 'The Hidden Masterpiece: Cho Yong Ik 1934-2023', marking the first in North America since Cho Yong Ik's passing last year. Cho Yong Ik is esteemed as a pivotal figure in the formation of contemporary Korean art, leading Korean abstract painting alongside major figures like Park Seo-bo, Chung Sang-Hwa, and Yun Hyong-keun. Born in 1934 in North Pyongan Province, he graduated from Seoul National University's Department of Painting and served as a professor at Chugye University for the Arts. Cho's participation in joint exhibitions such as those of the 'Korea Modern Art Association' and the '60s Art Association' in 1961 was pivotal for the development of Korean abstract art. Lee Min Ji, Senior Curator at Gallery Chang, explained, "From the late 1950s to the 1980s, Cho Yong Ik showed the most vigorous activity as an artist. His participation in prestigious international exhibitions such as the 2nd Paris Biennale in 1961 and the Bienal Sao Paulo in 1967 helped introduce his name globally." Though active alongside the first generation of monochrome painters from the 1960s, personal circumstances and illness in the early 2000s led Cho to step back from the art scene. However, his works have been reintroduced to acclaim, including solo exhibitions at the Sungkok Art Museum in 2016 and Olivier Malingue Gallery in London, and are currently featured in the National Museum of Modern and Contemporary Art's ongoing exhibition on 'Geometric Abstract Art in Korea'. He is being reassessed both domestically and internationally as a leading figure of the first generation of monochrome painters in Korea. The Senior Curator noted, "This exhibition will showcase over 20 works, offering a valuable opportunity to explore his artistic world spanning 70 years and the developmental history of Korean abstract painting." Furthermore, this exhibition anticipates significant attention from the global art community by presenting Cho Yong Ik's early Formel paintings such as <59-119> (1959) and (1966), as well as representative works of Korean geometric abstraction like <72-112> (1973) and <72-113> (1973), never before shown anywhere in Korea or abroad. [Source from THE KOREA DAILY press release, provided by Jongwon Park] Previous Next

South Korea, 1954 Artist Biography Works Next Choi Sungho South Korea, 1954 BIOGRAPHY Sung Ho Choi is a Korean American mixed media artist whose work delves into themes of cultural identity, immigration, and the Asian American experience. Born in Seoul, South Korea, in 1954, Choi completed his Bachelor of Fine Arts at Hongik University in 1980. He moved to the United States in 1981 and earned his Master of Fine Arts from the Pratt Institute in 1984. Since then, he has been living and working in New York City and Bergen County, New Jersey. Choi's art is characterized by a fusion of painting, drawing, sculpture, and mixed media, reflecting his bicultural experiences. His works often incorporate everyday materials and found objects, creating visual narratives that explore the contrasts and complexities of being a minority within a majority culture. Notable projects include "American Dream" (1988-1992), where he used ballpoint pen on lottery tickets pasted on wood panel to comment on the elusive nature of the American dream for immigrants. In 1990, Choi founded the SEORO Korean Cultural Network, a collective aimed at promoting Korean American artists. His work has been exhibited in solo exhibitions at institutions such as the University of Massachusetts Amherst, the Queens Museum of Art, and the Kumho Museum of Art. In 1996, he was commissioned by Percent for Art to create an installation work, further cementing his role in the public art sphere. One of his significant public artworks is "Quiltroad" (1999), a 17-foot-wide acrylic on canvas painting located in the U.S. Courthouse in Seattle, Washington. This piece reflects his interest in the journey of immigrants and the patchwork of cultures that constitute American society. Through his multifaceted works, Sung Ho Choi offers profound insights into the immigrant experience, identity, and the blending of cultures, making significant contributions to contemporary art and the discourse on cultural integration. WORKS

Apr 11 - May 4, 2024 Intro Installation Views Artwork Next C1 New York The Hidden Masterpiece Apr 11 - May 4, 2024 Cho Yong Ik INTRO Cho Yong Ik, a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. INSTALLATION VIEWS ARTWORK

Feb 29 - Apr 10, 2024 Intro Installation Views Artwork Next C1 New York K-Art Chronicles Spring Part I Feb 29 - Apr 10, 2024 Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong INTRO Cho Yong Ik , a prominent figure in the realm of Korean monochrome art, is renowned for his exploration of the aesthetics of ‘revealing the void.’ His artistic method involves repetitive actions that embody a spirit of negation, resulting in works characterized by a delicate balance of traces and empty space created through the process of applying and erasing pigments, reflecting the process of discovering one’s own realm in accordance with the principles of a single stroke. Alongside other key figures in Korean monochrome art such as Park Seo Bo, Chung Sanghwa, Ha Chong Hyun, Yun Hyong Keun, and Jung Chang Sub, Cho Yong Ik has played a pivotal role in shaping the discourse surrounding Korean abstract painting. This exhibition not only unveils the hidden masters of monochrome art but also provides a comprehensive overview of the evolution of Korean abstract painting, positioning Cho Yong Ik’s works within the broader context of the genre’s development in Korea. Moon Insoo , a Korean contemporary artist known as the ‘Sculptor of Steel and Concrete,’ stands out for his modern approach, unbounded by traditional styles. His upbringing amidst war’s aftermath shapes his work, reflecting themes of destruction and reconstruction. His sculptures are abstract and urban, often incorporating heavy steel plates and protruding rebar, reminiscent of his childhood surroundings. Typically assembled like large patchworks, they exude both strength and lyrical beauty. While they seem to collide with the forces of creation and destruction, they possess a simple yet profound beauty, preserving the artist’s effort and becoming more intimate over time as they weather and age. In 1986, he won the Grand Prize at the National Art Exhibition, marking the first time a sculptor achieved such recognition. His notable sculpture ‘Red Bull’ embodies a minimalist silhouette with a modernist aesthetic. Currently, his works are being exhibited at the Seoul Arts Center. This exhibition highlights Moon Insoo’s artistic prowess and innovative approach, cementing his legacy as a trailblazer in the world of sculpture. His unique perspective warrants attention and confidence in his future prominence. Artist Oh Kwan Jin , a leading figure in Korean art, pioneers the fusion of Eastern and Western artistic techniques, evident in his signature motif of the moon jar symbolizing ‘Emptying and Filling.’ His artworks, featured in Korean dramas and movie sets, contribute to the global recognition of Korean art. Oh Kwan Jin’s innovative approach combines the chiaroscuro of Western painting with the aerial perspective of Eastern painting. He intricately carves hanji (traditional Korean paper) into pieces, blending stone powder and pigments to craft smooth ceramic forms on the background, filling cracks with clay, glaze, and wood fusion. This results in a three-dimensional screen that captivates viewers with optical illusions. Critic Park Ok Saeng notes that Oh Kwan Jin’s works, while embracing Eastern motifs, exhibit a painting attitude reminiscent of Western art, seen in the subtle light, deep shadows, and precise geometry evocative of vessels. Essentially, Oh Kwan Jin’s paintings expand the act of Eastern painting on hanji to the craft of bas-relief, presenting a transition towards Western painting through the scientific depiction of light reflection. Recognized as a prominent figure in the global art scene, Kim Sea Joong is celebrated as the “Painter of Light,” famed for his profound exploration of light, space, and time. Kim’s artistic exploration delves into the concepts of space within the frameworks of squares and circles while also exploring diverse spatial notions. Employing various materials within these confines, he tears, folds, and inserts them to create new spatial structures, forming novel relationships within the space. Simultaneously, Kim reflects on the emotional impact of colors, interpreting flat elements into three-dimensional forms and juxtaposing real objects with their shadows to rediscover flat surfaces. Inspired by the French literary term “Préciosité,” embodying a longing for elegance, refinement, wit, intellect, and beauty, Kim’s works embody a pursuit of extreme beauty. By combining painting and sculpture, he transcends their limitations to create unique artworks that engage viewers in discovering new dimensions of time and space. Through meticulous processes and vibrant colors, Kim invites viewers to participate in the exploration of beauty and space, ultimately redefining spatial relationships and undergoing transformations within exhibition spaces. Kim Sea Joong is a leading figure shaping the future of contemporary Korean art as a member of Gana Art. INSTALLATION VIEWS ARTWORK

Korea Artist Biography Works Media Next Kim Nam Joo Korea BIOGRAPHY EDUCATION 1996 SVA, MFA of Fine Arts, New York 1992 Hong ik University, Master Degree of Fine Arts, Seoul 1990 Hong ik University, Bachelors Degree of Fine Arts, Seoul Solo Exhibition 2024 “Vivace”, Gala Art Center, Queens, New York 2023 "mirrorscape" Gallery GwangHwaMun,Seoul 2023 "dream in", Gallery H, Seoul 2021 “mirrorscape”, KCC Gallery, Tenafly, New Jersey 1996 1996 School of Visual Arts Gallery, New York. 1993 Chung Nam gallery, Seoul 1991 Now Gallery, Seoul Collaboration Exhibition 1996 1st “Voiceless” Noho Gallery,New York 1999 2st “Voiceless” Studioventicinque, Milan,Italy Group Exhibition 2020 The Language of Color, Gallery KCC, NJ 2020 The Language of Color, Gallery Elim Pop-up Show, NJ 2020 Holiday Gift, Daall Gallery in Cherryhill,NJ 2019 NJ Seoul: New Art from the Korean Diaspora , Gallery Bergen in Paramus,NJ 2018 3rd.ETUDE "Life in America", Riverside gallery,NJ 2007 Fall Art Show for helping the poorest children with World Vision, ACC gallery, NJ 1998 “On the Threshold”, Generous Miracles Gallery, New York 1997 Group Show, Reggio Gallery, New York 1996 Dialogue-16 Variables Gallery, New York 1996 MFA Special Projects, Visual Arts Gallery, New York 1996 “Seams” Open Studio, New York 1993 Chungnam in the early Spring, Chungnam Gallary, Seoul 1992 “Nature, Human and Art”, Sonamoo Gallery, Seoul 1992 “Sence & response”, Hansun Gallery, Seoul 1992 90’s Art, Course and Group, Chungnam Gallery, Seoul 1991 New Paragon, Na Gallery, Seoul 1991 Message & Media, Kwanhoon Gallery,Seoul 1991 Development and Extention Of Contemporary Art, Kum-Ho Gallery, Seoul 1990 The 9th Korea Art Grand Prize Exhibition, National Museum of Modern Art,Kwachon Gallery, Seoul 1990 Unwilling a Spring, Now Gallery, Seoul 1990 The 2nd Exhibition of Time & Space, Kwanhoon Gallery, Seoul The 3rd Union for the Tomorrow, Chungnam Gallery 1990 The 4th Union for the Tomorrow, Indeco Gallery 1990 “C-516”,Sonamoo Gallery, Seoul 1990 The Cupid, Gallery Doll, Seoul 1990 The Cupid, Gallery Fine, Seoul 1990 The Cupid, sonamoo Gallery, Seoul 1989 The 16th Independents Exhibition, National Museum of Modern Arts, Kwachon Contemporary Print making of Grand Exhibition, Fine Arts Center, Seoul Award 1990 Award of the Korea Art Grand Prize Competition, National Museum of Modern Art, Seoul 1989 Award of the National Univ. Art Competition, Seoul 1989 Award of the Contemporary Print Making of Grand Prize Competition, Fine Arts Center, Seoul WORKS Load More MEDIA

Harmony of Colors and Flavors Something Sweet Gallery Cafe X Gallery Chang Gisele Park July 1 - July 31, 2024 Harmony of Colors and Flavors This summer, experience a unique collaboration between the colorful abstract works of artist Gisele Park and a vibrant dessert cafe. Throughout July, this special exhibition showcases the harmonious blend of the artist’s vivid creations and the cafe’s equally colorful beverages, delighting both the eyes and the palate. The exhibition space will be filled with Gisele Park’s captivating artworks, each perfectly paired with a variety of the café’s drinks. This distinctive collaboration not only offers a refreshing escape from the summer heat but also provides a unique opportunity to enjoy the perfect fusion of art and flavor.

United States, 1961 Artist Biography Works Next Jimi Gleason United States, 1961 BIOGRAPHY Jimi Gleason is a contemporary artist whose work explores the dynamic interplay between light, material, and perception. Born in Newport Beach, California, Gleason studied fine arts at UC Berkeley, graduating in 1985. His artistic journey began with studies in printmaking at the San Francisco Art Institute and work as a photo assistant in New York City. Upon returning to California, he spent five years working in the studio of renowned artist Ed Moses, an experience that profoundly shaped his understanding of abstraction and materiality. Gleason’s paintings are celebrated for their luminous, reflective surfaces created through a meticulous and labor-intensive process. His primary medium, silver nitrate, is applied using techniques inspired by industrial processes. This approach connects his work to the legacy of the West Coast Minimalist and Light & Space movements, which explored the intersection of art, technology, and perception. The result is a body of work that transcends the boundaries of traditional painting, engaging viewers in an immersive, ever-changing experience. The reflective surfaces of Gleason’s works are activated by light and the viewer’s presence, creating a dynamic interaction that is central to his artistic vision. His paintings echo the alchemical principles of transformation, offering a meditative space where materiality and the ephemeral coexist. Gleason’s work invites viewers to explore themes of duality and connection, where the boundaries between the physical and metaphysical dissolve. Over his career, Gleason has exhibited in prestigious institutions such as the Hammer Museum, the Long Beach Museum of Art, the Seattle Art Museum, and the Tucson Museum of Art. His work is included in significant public and private collections worldwide, earning him recognition for his innovative approach and technical mastery. Living and working in Southern California, Gleason continues to push the limits of abstraction and material exploration, creating works that challenge traditional notions of painting while offering a profound and contemplative experience for the viewer. EDUCATION 1985-86 San Francisco Art Institute, San Francisco, CA 1985 BFA, University of California, Berkeley, CA SOLO EXHIBITION 2025 Chang Gallery, NewYork, New York 2024 Sugarlift, New York, New York 2023 Bentley Gallery, Phoenix, AZ 2022 Mark Moore Fine Art, Orange, CA William Turner Gallery, Los Angeles, CA 2019 William Turner Gallery, Los Angeles, CA Mark Moore Fine Art, Orange, CA 2018 Orth Contemporary, Tulsa, OK Bentley Gallery, Phoenix, AZ 2017 William Turner Gallery, Los Angeles, CA 2016 William Turner Gallery, Los Angeles, CA 2015 RB Stevenson Gallery, Silver Deposit, La Jolla, CA William Turner Gallery, Los Angeles, CA 2014 Toomey-Tourell Fine Art, San Francisco, CA 2013 Peter Blake Gallery, Laguna Beach, CA 2012 RB Stevenson Gallery, La Jolla, CA 2011 Bentley Gallery, Scottsdale, AZ Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2010 Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM 2009 Peter Blake Gallery, Laguna Beach, CA Toomey-Tourell Fine Art, San Francisco, CA Samuel Freeman, Los Angeles, CA 2008 Peter Blake Gallery, Laguna Beach, CA 2007 Patricia Faure Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA Peter Blake Gallery, Laguna Beach, CA 2006 R.B. Stevenson Gallery, La Jolla, CA LewAllen Contemporary, Santa Fe, NM Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA 2005 Patricia Faure Gallery, Los Angeles, CA Peter Blake Gallery, Laguna Beach, CA Works on Paper, Philadelphia, PA LewAllen Contemporary, Santa Fe, NM Ruth Bachofner Gallery, Los Angeles, CA Toomey-Tourell Fine Art, San Francisco, CA 2004 Peter Blake Gallery, Laguna Beach, CA Kidder-Smith Gallery, Boston, MA Peter Blake Gallery, Laguna Beach, CA 2003 Ruth Bachofner Gallery, Los Angeles, CA New Urban Art, Phoenix, AZ 2002 Ruth Bachofner Gallery, Los Angeles, CA 1999 Edward Giardina Contemporary Art, Santa Ana, CA 1994 Dakota Studio, New York, NY 1992 637 Gallery, New York, NY 1990 SFA, New York, NY 1988 The World, New York, NY 1987 Clancy Gallery, Costa Mesa, CA WORKS Load More

May 14, 2024 At the Still Point of the Turning World - Strangers of Time A new series of twenty-one large-scale paintings represent the ongoing dialogue between the American abstract artist Shane Guffogg and T.S. Eliot’s famous set of poems, the Four Quartets . In his works the artist develops the ideas of movement, escape and migration, highlighting the transitory aspect inherent to human nature. These are autobiographical themes for Guffog, in fact his father emigrated from Northern England to the USA in 1957 looking for the “American dream”. [Source from venezianews press release] venezianews.it SHANE GUFFOGG. At the Still Point of the Turning World - Strangers of Time Previous Next

Festival Cloud: The Intersection of Music and Digital Art Theo Woodward Aug 26 - Sep 7, 2019 Festival Cloud: The Intersection of Music and Digital Art "Festival Cloud" is an immersive exhibition that explores the profound connection between music and digital art through the innovative work of Theo Woodward. As a freelance sound engineer, AV technician, and video editor, Theo Woodward bridges the realms of music and visual art with his unique approach. His work includes creating music videos, album covers, and promotional materials for musicians and brands, alongside his own music releases and animations. Theo Woodward’s main piece for this exhibition, "Festival Cloud," epitomizes his dedication to integrating music and digital art. This central work combines intricate soundscapes with captivating digital visuals, reflecting Theo’s expertise in both fields. His career highlights include touring with the Indie rock band Florry, performing at SXSW in 2019, and releasing acclaimed albums such as Immaterial Notions and Unseen I. Tracks like "Recollection of the Boundless Inbetween" and "Blisswave Sonnet in 360 VR Resampling" showcase his ability to blend electronic music with innovative digital art. The exhibition will feature Theo’s diverse range of works, emphasizing the interconnection between auditory and visual experiences. "Festival Cloud" serves as a focal point, inviting viewers to experience the seamless fusion of sound and digital artistry. With monthly listeners across cities such as Garbsen, Silver Spring, Washington, New York City, and Krakow, Theo’s work has garnered attention and acclaim, solidifying his role as a pivotal figure in the field of music and digital art. This exhibition provides a unique opportunity to engage with the creative synergy of these two disciplines, offering a dynamic and thought-provoking experience for all attendees.

Happy Lunar New Year: Live Drawing Performance by Oh Kwan Jin at missKOREA BBQ Jan 20 - Jan 25, 2024 Happy Lunar New Year: Live Drawing Performance by Oh Kwan Jin at missKOREA BBQ Celebrate the Lunar New Year with an exceptional fusion of art and culture at missKOREA BBQ, where acclaimed artist Oh Kwan Jin will present a live drawing performance that highlights his extraordinary skill in capturing the essence of Korean ceramics. Known for his mastery of the traditional Korean moon jar and his innovative approach to both painting and sculpture, Oh Kwan Jin’s work explores the profound beauty and vitality of pottery. In this special event, Oh Kwan Jin will focus on the life force emanating from ceramics, bringing to life the intricate beauty and texture of these art forms through his meticulous drawing. His work goes beyond mere representation, offering a hyper-realistic depiction of the moon jar’s imbalanced form, the blackened traces of fire on the makgeolli bowl, and the subtle cracks resulting from a fateful confrontation with the flames. This level of detail not only showcases his technical prowess but also creates a surreal world where plum blossoms and cherries thrive beyond the canvas, blending realism with otherworldly elements. Oh Kwan Jin's approach is a remarkable blend of Eastern and Western artistic traditions. He transcends the conventional boundaries of Eastern painting by integrating the aesthetic beauty of ceramics into his artwork. His creations fluidly traverse the realms of painting and sculpture, presenting a harmonious fusion of the ancient and the contemporary. His work vividly captures the paradox of being both full and empty, merging nostalgic charm with modern sensibilities. The live drawing at missKOREA BBQ will transform the restaurant into a vibrant canvas, allowing guests to experience Oh Kwan Jin’s innovative techniques and profound artistic vision firsthand. As you enjoy the acclaimed Korean barbecue and festive atmosphere, you will witness the creation of an exceptional artwork that celebrates the Lunar New Year with a unique artistic perspective. This event blends the rich traditions of Korean art with the dynamic energy of contemporary expression. Experience the enchanting beauty of Oh Kwan Jin’s ceramics-inspired artwork, and enjoy a festive celebration that highlights the intersections of art, culture, and community.