The solo exhibition Memories of Our Future by American contemporary artist Shane Guffogg is currently on view at Gallery Chang in Manhattan, opening on October 23.
Featuring new works from 2025, this exhibition marks Guffogg’s second solo show at Gallery Chang New York, following his 2024 exhibition Shane Guffogg: The Future is Past is Present.
Centered on the philosophical theme Guffogg has long explored—the “intersection of time and space”—the exhibition visualizes moments where the boundaries between present, past, and future become blurred. Through transparent layers of color and flows of light, his paintings capture traces of time and movements of consciousness, inviting viewers to reflect on how multilayered the fleeting moment of “here and now” truly is.
In this exhibition, Guffogg presents a new interpretation of human perception in the age of AI. At the opening reception, he remarked, “We are already living in the fourth world—the world in our hands, the reality inside our phones,” raising the question of what “memory” and “the present” mean in an era when machines preserve memory.
The complex intersections of lines and trajectories of light in his work are not merely abstract forms, but visualizations of vibrating consciousness, data flows, and the points where human thought intersects with AI. Guffogg explains, “My work is about painting the space where human and machine, present and future, memory and prediction overlap.”
For many years, Guffogg has explored AI as an artistic tool through his algorithmic project Sounds of Color, which translates color into sound. He sees AI not simply as technology, but as a new “language” that expands human perception, seeking through art to restore humanity in the technological age. This exhibition not only shows the evolution of his painterly language, but also invites viewers into a new visual narrative born at the crossroads of memory and prediction, human and machine, light and time.
Curator Jinnie Kang of commented, “This exhibition represents the essence of Guffogg’s philosophical painting and offers a poetic response to the nature of humanity in the technological age. We focused on the artist’s attitude of expanding human experience through the new tool of AI.”
Shane Guffogg was born in Los Angeles in 1962 and studied art at the California Institute of the Arts. He later worked as an assistant to pop artists Ed Ruscha and Joe Goode. He has drawn inspiration from J.M.W. Turner’s seascapes, Mark Rothko’s late works on paper, Rembrandt’s paintings, and Jasper Johns’s early “alphabet” paintings.
In the 1990s, he developed a pattern-painting technique using layered translucent oil paint to create inner light within the canvas, expressing consciousness and the subconscious. From 2009 onward, inspired by T.S. Eliot’s poem Burnt Norton, he began the ongoing At the Still Point series, depicting movements of light through ribbon-like brushstrokes.
Later, inspired by Leonardo da Vinci’s Ginevra de’ Benci (National Gallery, Washington DC), he created the Ginevra de Benci series, using oil paint mixed with resin and ribbon-like light motifs that subtly suggest the feminine form of the original portrait.
His works are held in collections including the Los Angeles County Museum of Art (LACMA), Duke University Nasher Museum of Art (Durham), Fundación/Colección Jumex in Mexico City, and St. Patrick’s Cathedral in New York. The exhibition runs through December 9.
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