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Gallery Chang is a contemporary art gallery with locations in New York and Seoul, presenting philosophy-driven exhibitions that connect art, culture, and collectors across global markets. Menu Close ARTISTS EXHIBITIONS New York Middletown Englewood Seoul VAULT - HANAM EVENTS WRITINGS PRESS ABOUT NEWSLETTER Philosophy Careers Private View Group EXHIBITION | New York Structure & texture | Steven seinberg 18 JUNE – 14 JULY 2026 ARTISTS | EXHIBITIONS | EVENTS | Writings | PRESS | ABOUT NEW YORK | MIDDLETOWN | ENGLEWOOD | SEOUL © 2026 GALLERY CHANG

C1 - New York C4- Seoul C2 - Middletown C3 - Englewood VAULT Archive EXHIBITIONS C1 - New York C1 | NEW YORK ON VIEW | Jul 18 - July 14, 2026 GROUP Exhibition Structure and Texture brings together five artists whose practices explore the dynamic tension between material presence and visual perception. Working across painting, sculpture, and textile-based abstraction, each artist approaches structure not as a fixed framework, but as something built, fractured, layered, and continually reimagined. From sculptural construction and compressed form to atmospheric surfaces and tactile rhythms, the works reveal how texture can shape both the physical body of an artwork and the viewer’s experience of space. The exhibition invites audiences to encounter texture not merely as a sensory quality, but as a conceptual language through which rhythm, memory, density, and meaning emerge. Read More Structure and texture Steven Seinberg / Mark Acetelli / Bret Price Moon Insoo / Anon Upcoming | Jul 3 - July 5, 2026 GROUP Exhibition AMERICA 250 Stephen Robert johns / kim hongbin / kim mine / rokkan kim Gallery Chang presents a special July 4th pop-up celebrating the 250th anniversary of American Independence through the language of contemporary art. Featuring Stephen Robert Johns, Kim Hongbin, Kim Mine, and Rokkan Kim, this three-day presentation brings together diverse artistic voices that reflect America as both a historical idea and a living cultural landscape—shaped by freedom, imagination, identity, migration, technology, and creative exchange. Held in New York from July 3–5, the pop-up invites visitors to experience Independence Day not only as a national celebration, but as an opportunity to reconsider what America means today through art, memory, and possibility. Read More C4- Seoul C4 | SEOUL On View | MAY 1 - JUN 2, 2026 SOLO Exhibition Choi Woolga: Raw Signal Choi Woolga transforms the canvas into a field of primal energy, drawing on primitive colors, rhythmic figures, and instinctive symbols that seem to emerge from the unconscious. Inspired by the visual language of cave paintings and expressions that precede fixed systems of language and order, his works unfold through cryptic signs, simplified forms, and a raw, playful sense of movement. Rather than depicting the visible world, Choi evokes a more elemental realm of memory, impulse, and human emotion, where painting becomes a direct record of inner sensation. Raw Signal reveals a visual language that feels at once ancient and immediate, an untamed rhythm of consciousness made visible through color, gesture, and symbolic force. READ MORE Upcoming | Jun 4 - 30, 2026 Group Exhibition 구조와 질감 Steven Seinberg / Mark Acetelli / Anon Gallery Chang Seoul is pleased to present Structure & Texture, a group exhibition featuring Steven Seinberg, Mark Acetelli, and Anon, on view from June 4 to June 30, 2026. Bringing together three artists with distinct yet resonant visual languages, the exhibition explores the relationship between form, surface, and material presence. Across painterly gesture, layered composition, and textile-based abstraction, their works reveal how structure and texture shape not only the visual architecture of an artwork, but also the viewer’s sensory, spatial, and emotional experience. Together, the exhibition invites a deeper consideration of how materiality becomes a language of rhythm, depth, and perception. READ MORE C2 - Middletown C2 | MIDDLETOWN on view | MAY - JUNE 2026 House Project by the bank foundation SHANE GUFFOGG Shane Guffogg House is presented as part of the First House Project by The Bank Art Foundation, curated by Gallery Chang – Middletown. During the project, the artist will live and work in New York for one month in April, transforming the house into an intimate site of artistic presence, process, and encounter. The project offers a unique opportunity to experience Guffogg’s meditative exploration of light, time, and perception within a lived residential setting, allowing new connections to emerge between the artist’s practice, the surrounding environment, and the unfolding rhythm of place. Read More C3 - Englewood C3 | ENGLEWOOD Private viewing | 2026 korean art master collection Gallery Chang – Englewood is a private viewing space dedicated to the Korean Art Masters Collection, featuring works by leading figures in Korean art, including Kim Chong Hak, Lee Kang So, Nam June Paik, Kim Tschang Yeul, Kim Jeong Seon, and Choi Young Wook. Rather than presenting rotating public exhibitions, the space offers a more focused and intimate encounter with significant works by Korean masters in a private setting, allowing collectors and invited guests to experience the depth, diversity, and enduring legacy of Korean modern and contemporary art. VAULT VAULT | HANAM, KOREA PRIVATE VIEWING | 2026 A t the still point of the turning world Shane Guffogg Gallery Chang's Vault is the gallery’s collection and private viewing space, where visitors may encounter selected works from Gallery Chang’s broader holdings in an intimate setting. Currently, the Vault presents 21 works by Shane Guffogg from his 2024 Venice Biennale collateral exhibition, At the Still Point of the Turning World. Available exclusively by appointment and invitation, this private presentation offers a focused experience of Guffogg’s meditative exploration of light, time, and perception, while reflecting the Vault’s role as a space for deeper engagement with the gallery’s collection. Read More Visit HERE to explore our full catalog collection. ARCHIVE Jun 19 - Jul 14, 2026 Structure and Texture Steven Seinberg / Mark Acetelli / Bret Price / Moon Insoo / Anon May 1 - June 2, 2026 Raw Signal Choi Woolga MAR 5 - 25, 2026 Kim In Ok: Spring Breathing Kim In Ok JAN 8 - FEB 17, 2026 The Mark of Time: Tracing the Origins of East-West Abstraction Ed Moses / Cho Yong Ik / Kim Kang Yong / Jimi Gleason OCT 23 - DEC 9, 2025 Memories of Our Future Shane Guffogg SEP 2 - OCT 10, 2025 Memories of Our Future Shane Guffogg JUL 25 – AUG 5, 2025 CHASE Project: Phase Shift Shin Kiwoun / Kim Hongbin / Anon / Anikoon / Im Jibin / Koo Nahyun MAY 27 - JUN 28, 2025 Illuminated Silence Jimi Gleason Apr 3 - May 6, 2025 Illuminated Reflection Jimi Gleason Dec 12, 2024 - Jan 18, 2025 The Essence of Perception Shane Guffogg, Kim Kang Yong, Kim Sea Joong Aug 20 - 25, 2024 FAIRYTALE Kim In Ok Jun 20 - 27, 2024 MUSEUM COLLECTION Yuri Gorbachev Apr 11 - May 4, 2024 The Hidden Masterpiece Cho Yong Ik Feb 8 - 28, 2024 MASTERPIECE (2019-2023) Kim Kang Yong Jun 4 - 30, 2026 구조와 질감 Steven Seinberg / Mark Acetelli / Anon Apr 9 - May 2, 2026 A Bold Attention Suh Yongsun FEB 19 - MAR 31, 2026 Alison Van Pelt: 40 Years Painting Portraits Alison Van Pelt Jan 6 - 31, 2026 BEYOND DANSEAKHWA – The Depth of Abstraction Cho Yong Ik OCT 14 - NOV 15, 2025 Infinite Dialogue Kim Kang Yong / Shane Guffogg AUG 14 - SEP 27, 2025 BECOMING WITHOUT END Ed Moses JUL 4 - 30, 2025 To Glow in the Afterglow Mark Acetelli May 8 - Jun 17, 2025 Urban Spectrum: Variations Miguel Ángel Iglesias Feb 20 - MAr 25, 2025 Recent Works Andy Moses Oct 24 - Dec 10, 2024 THE FUTURE IS PAST IS PRESENT Shane Guffogg Aug 9 - 18, 2024 Unbound Playground KANA (Part 2) - Anikoon / Sun You / Yong Eun Kwon / Taekyung Suh / Hongbin Kim / Soo Park Mar 8 - May 4, 2024 K-Art Show Moon Insoo / Oh Kwan Jin / Kim Sea Joong / Woo Jiyeon / Park Gisele / Anon / Anikoon / Mine. K Feb 29 - Apr 10, 2024 K-Art Chronicles Spring Part I Cho Yong Ik / Moon Insoo / Oh Kwan Jin / Kim Sea Joong May 7 - Jun 16, 2026 SWELL OF LIGHT Jimi Gleason / Shane Guffogg / Andy Moses Mar 28 - Apr 28, 2026 Resonating Light: Interstice and Space Jimi Gleason /Kim SeaJoong Feb 3 - 28, 2026 What remains in painting Cho Yong Ik / Suh Yong Sun / Ahn Sung min Jan 1 - 31, 2026 At the Still Point of the Turning World Shane Guffogg SEP 30 - OCT 22, 2025 REALITY + IMAGE Kim Kang Yong AUG 1 - 30, 2025 Organic Precision: The Geometry of Nature Stephen Robert Johns Jun 20 - Jul 22, 2025 Beautiful Rupture Bret Price / Kelly Berg / Mark Acetelli / Moon Insoo / Kimi Kim Wittling Apr 20 - May 24, 2025 Where Past and Future are Gathered Shane Guffogg Jan 21 - Feb 28, 2025 Beyond Boundaries: Reinterpreting Tradition, Reimagining the Modern Ahn Seongmin Aug 27 - Oct 19, 2024 REALITY + IMAGE: BEYOND THE BRICKS Kim Kang Yong Jul 30 - Aug 7, 2024 Binary Equilibrium KANA (Part 1) - Calvin Lee / Dawn Kim / Jean Oh / Kai Oh / Paul Rho / Sae Jun Kim / Tae Joong Kim / Yuna Cho May 7 - Jun 8, 2024 REVEALING Moon Insoo Feb 16 - Mar 17, 2024 Emptying to Enrichment: Moon Jar’s Path Oh Kwan Jin

PRESS SBS NEWS | JAN 13, 2026 Cho Yong ik: A Journey of Self-Negation and the Evolution of Korean Abstraction We are pleased to introduce the profound artistic legacy of Cho Yong Ik, a titan of Korean modern art whose work serves as a vital bridge across the history of Korean abstraction. A recent retrospective highlights his evolution from early figurative experimentation to the serene heights of Dansaekhwa (monochrome painting). From Figurative Roots to the Informel Movement Cho Yong-ik’s journey began in the late 1950s. His early works, such as the 1957 piece depicting a boy with an accordion, display a sophisticated understanding of cubist structures reminiscent of Picasso. During this period, his "Expressionist" techniques—characterized by raw, vigorous brushwork—earned him early acclaim in the National Art Exhibition. Soon after, he became a central figure in the Korean Informel movement, utilizing thick, textured knife marks to explore the primal origins of life and materiality. The Rhythms of Deletion: Pointillism and Wave Patterns In the 1970s, Cho’s style underwent a dramatic transformation. He began a meticulous process of "erasing" through dots—a technique akin to musical staccato. This rhythmic repetition evolved into the iconic wave patterns that defined his contribution to the Dansaekhwa era. For Cho, these repetitive gestures were not merely aesthetic; they were a way to deepen his philosophical contemplation through symbols and the physical act of painting. The Philosophy of "Self-Negation" and the "Mushim" Series In his later years, Cho achieved a state of artistic transcendence known as Mushim (mindlessness). In this phase, he painted bamboo leaves with effortless, unadorned touches, reaching a meditative state of "Simui" (the depth of the mind). Cho Yong-ik famously defined the core of modern art as "Self-Negation." He believed that by constantly erasing each moment of his past life and work, he could clear the path for the creation of a new existence. This philosophy of continuous renewal remains a cornerstone of Korean contemporary art. Feb 22, 2026 Gallery Chang Presents Alison Van Pelt: First New York Solo Exhibition Jan 10, 2026 Revisiting the Essence Beyond Dansaekhwa: Knowing Cho Yong Ik Oct 7, 2025 REALITY + IMAGE: Revisiting the Works of the 2010s Sep 24, 2025 Chungbuk’s Future Lies Not in Seoul, but in the World: Exploring a “Global Strategy” in Cheongju Sep 23, 2025 Chungbuk’s Future Lies Not in Seoul, but in the World. Chang Junhwan, Shane Guffogg, and Lee Jong-tae Present a “Global Vision” Sep 11, 2025 American Contemporary Artist Shane Guffogg Solo Exhibition “Memories of the Future” Aug 5, 2025 Gallery Chang New York Presents Shin Ki Woun Solo Exhibition〈Illusion of Permanence〉 Jul 31, 2025 CHASE Project: Phase Shift Jun 18, 2025 Gallery Chang Hosts Five-Artist Group Exhibition May 1, 2025 World-Renowned Artist Shane Guffogg Holds His First Solo Exhibition in Korea Mar 30, 2025 The Encounter of Andy Moses and Jeff Koons Dec 20, 2024 The Essence of Perception: Group Exhibition Oct 25, 2024 Prince Mario-Max Schaumburg-Lippe: Exciting to see Biennale Star Shane Guffogg at Gallery Chang NYC Sep 9, 2024 Gallery Chang Hosts VIP Afterparty at New York Fashion Week 2024 Aug 9, 2024 KIM KANG YONG: SOLD OUT at KIAF 2024 Jul 29, 2024 Shane Guffogg: Part 5, The Life of the Artist and the Creative Process: "Certainty and Truth" May 19, 2024 Shane Guffogg presents At the Still Point of the Turning World – Strangers of Time Jan 18, 2026 The Mark of Time: Tracing the Origins of Eastern and Western Abstraction Oct 28, 2025 Shane Guffogg: Memories of Our Future Oct 6, 2025 Kim Kang Yong Solo Exhibition 《REALITY + IMAGE》 Opens Sep 23, 2025 “Presenting the Possibility of Creating a Language for Future Society through the Convergence of Art and Science & Technology” Sep 23, 2025 Chungbuk National University Discusses the Convergence of Art and Science. Special Lecture by Shane Guffogg, “From Einstein to AI,” Successfully Concluded Aug 26, 2025 BECOMING WITHOUT END: The Ever-Transforming Practice of Ed Moses Aug 4, 2025 Artist Stephen Robert Johns Breaks the Boundary Between Architecture and Painting Jul 31, 2025 Gallery Chang Expands Middletown’s Creative Vision Into the Heart of Manhattan Jun 5, 2025 Jimi Gleason’s First Solo Exhibition in Seoul Breaks the Boundaries of Perception Through Paintings of Light and Silence Apr 10, 2025 Star-studded New York Fashion Week 2025 Feb 9, 2025 Gallery Chang hosted 2025 New York Fashion Week: The Rendezvous of Art, Fashion, and AI Dec 18, 2024 Gallery Chang Officially Opens Its Seoul Location with Inaugural Exhibition by Yuri Gorbachev Sep 13, 2024 Alex Soldier x Gallery Chang Star-studded New York Fashion Week Aug 18, 2024 Kim In-ok’s New York Debut: ‘FAIRYTALE’ Jul 31, 2024 KANA and Gallery Chang Host Korean Artists' Group Exhibitions Jun 20, 2024 Yuri Gorbachev Solo Exhibition ‘Museum Collection’(6/20-7/27) May 14, 2024 At the Still Point of the Turning World - Strangers of Time Jan 14, 2026 2025 NYEAL Student Art Competition Winners Group Exhibition “Memory Pathwork.” Oct 15, 2025 Kim Kang Yong: “These Days, Even When I Paint with a Brush, People Still Call It Bricks” Sep 28, 2025 Cosmic Inspiration from the James Webb Space Telescope: Past, Present, and Future United on a Single Canvas Sep 23, 2025 Chungbuk National University Successfully Hosts Special Lecture by Shane Guffogg, “From Einstein to AI” Sep 22, 2025 Two Masters Meet at Gallery Chang Seoul: A Dual Exhibition by Kim Kang Yong and Shane Guffogg Aug 10, 2025 Shin Ki Woun’s Works Presented in New York: Solo Exhibition, Illusion of Permanence Aug 3, 2025 Gallery Chang Presents Time-Shift Exhibition in an Abandoned Building Jun 29, 2025 Does Beauty Exist Even in Moments of Rupture?Beautiful Rupture Jun 2, 2025 “Mirror-Like Paintings”: Jimi Gleason’s First Solo Exhibition in Seoul Apr 6, 2025 ILLUMINATED REFLECTION: Jimi Gleason Jan 21, 2025 Gallery Chang Seoul Opens Its First Exhibition of 2025 with Ahn Sungmin’s “Minhwa-Inspired, Minhwa-Esque” Dec 5, 2024 C4 Grand Opening in Seoul, Oakwood Premier Coex Center Sep 12, 2024 “Binary Equilibrium” Luxuriates in Polarity Aug 11, 2024 Korean Association of New York Artists (KANA) Part 2 ‘Unbound Playground’ Jul 30, 2024 Korean Association of New York Artists (KANA) Part 1 ‘Binary Equilibrium’ Jun 2, 2024 Mirror-like Paintings: Jimmy Gleason's First Solo Exhibition in Seoul SBS NEWS | SEP 28, 2025 Shane Guffogg: Mapping the Infinite Universe through Layers of Time The works of American contemporary artist Shane Guffogg invite viewers into a profound exploration of time’s coexistence and the overlapping of space. His latest exhibition captures the silent, majestic movements of the cosmos onto the canvas. The Interweaving of Infinite Lines Guffogg’s canvases are filled with countless thin, interwoven lines with no discernible beginning or end. As dozens of these layers accumulate, they create a sense of deep space—an abyss that resembles the orbital paths of planets. These lines represent the history of stars, born hundreds of thousands of light-years ago, whose light is only now reaching our eyes. Technique: A Devotional Process The artist’s unique technique involves binding three brushes of different sizes together, moving them in unison to translate the infinite world onto the canvas. This repetitive process of drawing slender, trajectory-like lines is akin to a spiritual practice or a seeker’s meditation. The Intersection of Past and Present Inspired by images from the James Webb Space Telescope, Guffogg focuses on the flow of time and space. His philosophy is rooted in the idea that what we perceive as the "past" (the light from distant stars) is actually our "present." His work challenges the viewer to face the traces of yesterday, the shadows of today, and the brilliance of tomorrow all at once.

BLOG Jun 4, 2026 Jimi Gleason and the Looking Glass Engagement Feb 28, 2026 Janis Art Table 1 Exhibition Feb 19, 2026 Opening Reception: Alison Van Pelt Jun 4, 2026 Shane Guffogg: Never a Hollow Man Engagement Jan 29, 2026 Janis Art Table 2 Collaboration Feb 12, 2026 Around The Paintings Exhibition Apr 9, 2026 A Bold Attention Opening Night Community Feb 21, 2026 Coffee With The Artist Exhibition (3) 3 posts Collaboration (1) 1 post Engagement (1) 1 post Swell of Light: Three Painters, One Frequency by Celestina C. Billington, Programs Coordinator, Gallery Chang On a crisp evening in Midtown, Gallery Chang opened Swell of Light, a three-person exhibition bringing together California painters Andy Moses, Shane Guffogg, and Jimi Gleason. Champagne was poured, dubai chocolate and ube cookies from GoGo Jang disappeared quickly, and about forty people cycled through rooms quietly commanded by paintings that didn't ask to be understood so much as felt. The three artists have b May 8 A Bold Attention Opening Night A Bold Attention Opening Night Suh YongSun April 9, 2026 On the corner of 7th Avenue and West 55th – in other words, around the block from veteran arts institutions that include MOMA, Gershwin Theatre, and Carnegie Hall – stands the vibrant contemporary arts space Gallery Chang. The New York City venue was founded just three years ago, and since then, it has begun to truly make its mark in the heart of Manhattan's cultural district. A unique position of the space is its fram Apr 9 Janis Art Table 1 February 28, 2026 “비움으로 채우는 시간, 장자와 조용익의 무심” 1.층위의 발견 (심재, 心齋) -장자와의 연결: 장자의 심재(마음 굶기기)를 소개. 정보를 수집하는 눈과 귀를 닫고, 기(氣)로서 작품을 마주하는 시간. • 대화 질문: "작품의 겹겹이 쌓인 층위 중, 지금 여러분의 마음 상태와 가장 닮아 있는 부분은 어디인가요?" 2. 리듬과 흔적 (좌망, 坐忘) -장자와의 연결: 작가의 붓질이 의도를 앞세우지 않고 몸의 리듬에 맡겨진 상태를 좌망(나를 잊음)과 연결. 의도적인 기술이 사라진 자리에 남은 '침잠의 경지'를 공유. -대화 질문: "조용익 화백이 색을 줄이고 반복적인 행위에 집중한 것처럼, 여러분의 삶에서 '덜어내었을 때 비로소 깊어진 경험'이 있으신가요?" 3. 미세한 차이와 생명력 (제물, 齊物) -장자와의 연결: 장자의 제물은 모든 것이 같다는 뜻이 아니라, 만물이 저마다의 자리에서 평등한 생명력을 가짐을 뜻한다. Feb 28 Coffee With The Artist February 21, 2026 Coffee with the Artist was an intimate Saturday morning event encouraging the public to engage with artist Alison Van Pelt. Taking place February 21st, 2026, from 11 AM-1 PM at 150 W 55th Street, NYC (Gallery Chang NY), attendees enjoyed catered coffee and sweet treats from GoGoJang cafe next door. The event was designed so that visitors could speak with Van Pelt in depth, a rare opportunity for intensive and direct engagement with an artist for the general Feb 21 Opening Reception: Alison Van Pelt February 19, 2026 The Opening Reception of Alison Van Pelt’s 40 Years of Painting Portraits at Gallery Chang was a resounding success, as a large crowd gathered to celebrate, with champagne flowing throughout the evening. On display are a total of 28 pieces, which range in size and content but are primarily large portraits. Those featured in the works include artists like Louise Bourgeois, Gwen Stefani, and Samuel Beckett–and many also include statements such as, “I’d Be God’ Feb 19 Around The Paintings February 12, 2026 "Around the Paintings" was a curated tasting event at Gallery Chang NY that celebrated Korean heritage, art, and culture. Centered on the works of artist Cho Yong Ik, his oeuvre was highlighted by thoughtful pairings with curated rice wine from Hana Makgeolli, an artisanal brewery, and a selection of small bites from MissKOREA BBQ. It is widely accepted that Cho Yong Ik is one of the most important figures of Korean abstraction, having represented the countr Feb 12

2026 2025 2024 2022 2020 2019 EVENTS 2026 Jan 15, 2026 Janis Table 1 May 1, 2026 Janis Table 2 Feb 12, 2026 Around the Paintings Feb 21, 2026 Coffee with the Artist 2025 Mar 1, 2025 NYFW SS Jul 1, 2025 National Police Agency x Kim Mine 80th Dec 20, 2025 Holiday Toy Drive Apr 1, 2025 CHASE Project: Shin Ki Woon Jul 24, 2025 CHASE PROJECT: KIM HONGBIN May 1, 2025 CHASE Project: ANON Sep 1, 2025 NYFW F/W 2024 Jan 20, 2024 Happy Lunar New Year: Live Drawing Performance by Oh Kwan Jin at MissKorea BBQ Jul 1, 2024 Harmony of Colors and Flavors Oct 1, 2024 Embracing Autumn: Threads of Color Dec 12, 2024 The Essence of Perception:
Time, Reality, and Light May 1, 2024 Layered Aug 1, 2024 Water Moon Mirror Flower Oct 1, 2024 Embracing Autumn: Threads of Color Jun 1, 2024 Heart to Heart Sep 7, 2024 Alex Soldier X Gallery Chang Nov 8, 2024 Synesthetic Reverie 2022 July 14, 2022 Emotion in Transition December 11, 2022 Show Me Your Heart X Kim Young Mi: Annual Gala 2022 July 22, 2022 Everywhere Project - New York December 24, 2022 Fusion of Flavors and Art: ANIKOON X JINRO SOJU X MISS KOREA BBQ December 1, 2022 Echoes of My Dear Friend: A Robot's Lament 2020 Feb 14, 2020 Dances of Resistance 2019 January 5, 2019 Temporal Textures: The Rhythm of Light and Life September 9, 2019 Echoes of Elegance: Symmetry in Memory May 23, 2019 Ambitious Dreams: A Collaboration of Art and Literature September 23, 2019 Fables of Solitude:
The Colorful Realm of Venessa Love August 26, 2019 Festival Cloud: The Intersection of Music and Digital Art October 7, 2019 Eclipes of Bliss: The Dualities Within

South Korea, 1955 Artist Biography Works Next Moon Insoo South Korea, 1955 BIOGRAPHY Moon Insoo is a celebrated South Korean sculptor and painter, renowned for his pioneering use of industrial materials such as cement and steel to create large-scale works that challenge conventional boundaries between sculpture and painting. Born in Korea in 1955, Moon graduated from Hongik University with a degree in Sculpture and later completed his graduate studies at the same institution. Emerging in the 1990s as a leading figure in contemporary Korean art, Moon’s innovative approach to material and form gained both national and international recognition. Moon’s works are characterized by their monumental scale, raw textures, and integration of industrial materials. His cement paintings, a hallmark of his practice, merge the physicality of sculpture with the flat surfaces of painting, creating a dynamic interplay of texture, weight, and light. Through his use of oxidized steel and weathered cement, Moon captures the passage of time and the interplay between human-made structures and nature. His philosophy reflects a deep engagement with the contrasts of modern society—industrial and organic, permanent and ephemeral. One of Moon’s most iconic works, Barrier , was installed at the Seoul Arts Center Sculpture Park in 1993. This massive structure of steel and cement is a powerful meditation on division and connection, both physical and symbolic. The work’s weathering over time has added layers of meaning, drawing comparisons to Richard Serra’s Tilted Arc for its bold presence and ability to provoke discussion among viewers. Moon achieved critical acclaim early in his career, winning back-to-back special prizes at the Grand Art Exhibition of Korea in 1984 and 1985. In 1993, he was awarded the Kim Sejung Young Sculptor Prize, and his work was exhibited internationally, including a notable solo exhibition in Paris hosted by the French Ministry of Culture. Currently, Moon Insoo continues to live and work in Korea, where his practice remains focused on exploring the relationship between material, space, and societal structures. His contributions to Korean contemporary art, particularly his innovations with cement and steel, have left a lasting impact on the art world and continue to inspire new generations of artists. EDUCATION 1974 Graduated from Seoul Arts High School 1981 Graduated from plastic art department, art college of Hongik University 1983 Graduated from sculpture department, graduate school of Hongik University Art fair 2013-2023 Kiaf (Seoul) 2013-2013 Gallery Art Fair (Seoul) 2017-2018 Changwon Art Fair (Changwon) 2015-2023 Soaf (Seoul) 2017 Manif (Seoul) 2016_2019 Plastic Art Fair (Seoul) 2015-2023 Daegu Art Fair (Daegu) 2012-2017 Busan Art Fair (Busan) 2011 Miami Art Fair (Miami) +a number of others PRIVATE EXHIBITIONS 2024 e.Jung Gallery (Seoul) 2023 Brown Gallery(Seoul) 2023 e.Jung Gallery (Seoul) 2022 IFC hall (Seoul) 2020 DGB gallery (Daegu) 2017 Geon Gallery (Daegu) 2013 Mokam Museum (Guenggi) 2012 Mokam Museum (Guenggi) 2009 e.jung Gallery (Seoul) 2008 Duroo Gallery(Seoul) 2007 Mokam Museum (Guenggi) 2004 Gowon Museum (Suwon Univ.) 2003 Masan MBC (Masan) 2000 Gallery In(Seoul) 1999 Lee Jung-hee Gallery(Seoul) 1997 Artnet Gallery(Suwon) 1996 Park Young-deok Art Gallery(Seoul) 1994 Park Young-deok Art Gallery(Seoul) 1993 Le Rond-Point Gallery (French Ministry of Culture, Invited by World Arts Center, Le Rond-Point, Paris) 1992 Culture and Arts Promotion Institute Art Hall(Seoul) 1988 Culture and Arts Promotion Institute Art Hall(Seoul) 1987 Batanggol Art Museum(Seoul) +a number of others GROUP EXHIBITION 1987-95 Ecold de Seoul(Kwanhun Art Museum, Seoul) 1987-99 Korean Association of Contemporary Sculpture Exhibition(Art Hall, Seoul) 1985 Korea Sculptor Association Exhibition(Art Hall, Seoul) 1983-93 Seoul Festival of Contemporary Art(Art Hall, Seoul) 1981 Hongik Sculpture Association Exhibition(Art Hall, Seoul) 1980 Yehong Exhibition(Kwanhun Art Museum, Seoul) INVITATION EXHIBITIONS 2019 Cross-section of Korean Contemporary Sculpture (Seosomseongji History Museum) 2014 Baum Sculpture Forum (Baum Gallery) 2011 lead to Suwon Maehall (Suwon) 2000 Marine Art Festival(Sejong Culture Assembly Hall, Seoul) / Groping for New Formality(Anyang Culture and Arts Assembly Hall, Anyang) 1998 Korea Association of Contemporary Sculpture Exhibition (Wonseo Gallery, Seoul)/ May Art Festival(In Art Gallery, Seoul) KOREAN CONTEMPORARY ART(Cerrillos Cultural Center, USA) 1996 Contemporary Art Communication Exhibition (Park Young-deok Art Gallery, Seoul)/ Korean Contemporary Sculpture Association Exhibition (Korean Culture and Arts Promotion Institute Art Hall, Seoul) 1993 Commemorative Exhibition celebration opening of Seoul Art Center Exhibition Hall(Seoul Art Center, Seoul)/A phase of Korean Contemporary Art(Pyo Art Gallery, Seoul) 1991 Bronze Fish(To Art Space, Seoul)/Works for Children's Playing Space Exhibition(Space Art Museum, Seoul) 1989 Small Sculpture Exhibition(Gallery Seomi, Seoul)/ and other exhibitions +a number of others PRIZE 2011 Artist of the Year Award (Korean Art Association) 1993 Kim Se-Jung Young Man's Sculpture Prize/ 1992 Total Art Museum Prize/ 1986 The 5th Korean Art Competition(the former National Competition) Grand Prix 1985-1984 The 3, 4th Korean Art Competition(the former National Competition) SPECIALLY SELECTED Work Collection National Museum of Contemporary Art (Kwachun) / Institute for Culture and Arts Promotion(Seoul) Pungsaeng High School (Sungnam) Seoul Art Center (Seoul) Chejudo Sculpture Park (Cheju) Total Art Museum (Changheung) Daewon High School (Seoul) Daejon Expo Future Theme Park (Daejon) Daewon Women's High School (Seoul) / Industrial Lease Building (Seoul) Mokpo Sculpture Park (Mokpo) +a number of others WORKS Load More

United States Artist Biography Works Next Alison Van Pelt United States BIOGRAPHY Alison Van Pelt is an acclaimed contemporary painter known for her evocative, dreamlike portraits that blend elements of abstraction and realism. Born and raised in Los Angeles, Van Pelt studied at prestigious institutions including UCLA, Art Center College of Design, Otis College of Art and Design, and the Florence Academy of Art. Her diverse education and fascination with the human form and art history have shaped her distinctive approach to painting. Van Pelt’s work is characterized by its ethereal quality, achieved through a meticulous process of layering paint and then blurring or obscuring the image. Faces and figures emerge and dissolve across the surface, evoking the passage of time and the ephemeral nature of memory. Her portraits, often referencing iconic figures or personal subjects, invite viewers into a meditative exploration of identity, perception, and transformation. Drawing inspiration from a wide range of artistic traditions, including Renaissance portraiture and contemporary abstraction, Van Pelt’s paintings transcend specific styles or movements. The delicate balance of structure and ambiguity in her work creates a powerful visual and emotional impact, leaving a lasting impression on viewers. Van Pelt has exhibited her work widely in galleries and museums, including the Santa Monica Museum of Art, the Pasadena Museum of California Art, and the Laguna Art Museum. Her paintings are part of esteemed private and public collections, earning her a reputation as a masterful artist whose work resonates deeply with audiences around the world. Living and working in Los Angeles, Van Pelt continues to explore the boundaries of portraiture, creating works that are as much about what is hidden as what is revealed. SOLO EXHIBITIONS Gallery Chang, NewYork, New York, 2026 Gallery Chang, Seoul, Korea, 2025 Ferrari, Casterline/Goodman Gallery, Art Expo,Chicago, 2024 Women and My Wall, Casterline/Goodman Gallery, Art Basel, Miami, 2023 The Wild, Casterline/Goodman Gallery, Aspen,Colorado, 2022 Alison Van Pelt, The Claudia Taylor Project, Malibu, California, 2020 The Hummingbird, Van Pelt Studios, 2019 The Tree, Van Pelt Studios, 2018 The Elephant, Van Pelt Studios, 2017 Africa, Van Pelt Studios, 2016 All American, Van Pelt Studios, 2015 S’aints, Van Pelt Studios, 2014 The Horse, Ochi Gallery, Sun Valley, ID, 2013 If I Were Ed Ruscha..., Ventura College, Ventura, CA, 2011 All American, Ochi Gallery, Ketchum, ID, December 2010 January 2011 Alison Van Pelt: The Women, The Fresno Art Museum, Fresno, CA June 5-September 15 2006 LA Art House, Alison Van Pelt, 2009 The Women, The Dayton Art Institute, Dayton, OH, January 2004 - June 2004 America: The News, Chac Mool Gallery, Los Angeles, CA 2004 Paintings on Paper, Chac Mool Gallery, Los Angeles, CA 2002 Green , Spike Gallery, New York, NY, 2002 Fight, Ochi, Los Angeles, CA 2000 Flight and the Figure, Ochi, Ketchum, ID 1999 Figures, Gallery 813, Los Angeles, CA 1999 Blue, Gallerie Lauter, Manheim, Germany 1998 Eros, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1998 Motion, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1997 Les Animaux Nouveaux, Gallerie Vedovi, Brussels, Belgium 1997 Blue, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1995 New Paintings, Gallerie Lauter, Manheim, Germany 1995 New Works, Aschenbach Galerie, Amsterdam, Netherlands 1994 Recent Works, Robert Berman Gallery, Bergamot Station, Santa Monica, CA New Paintings, Roger Smith Gallery, New York, NY 1994 New Work, Gallerie Paul Sties, Kronberg, Germany 1993 New Paintings, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1992 Nouvelles Oeuvres, Ulla Lutz Studio, Basel, Switzerland 1992 La French Collection, Les Andelys, France 1992 Tableaux Nouveaux, Ader Tajan, Paris, France 1992 New Works, B-1 Gallery, Santa Monica, CA 1991 Aschenbach Galerie, Amsterdam, Netherlands, 1990 B1 Gallery, Faces, 1989 Paris Underground, Los Angeles, CA, 1988 EmHouse, Hollywood, 1988 Paris Review, Los Angeles, CA, 1987 The Loft, Downtown Los Angeles, 1986 Color, Spring Street Gallery, Downtown Los Angeles, CA, 1985 GROUP EXHIBITIONS Colombe de la Paix, Keren Hayessod, Paris, France, 2024 The Elephant, Artma, Morgan Adams Foundation, Space Gallery, Denver, Colorado, 2023 Art Crush, Aspen Art Museum, 2022 The Hummingbird, Lotusland, 2022 Alison Van Pelt at Casterline Goodman Gallery, Art Fair Aspen, 2022 The Circle of Truth, Susquehanna Art Museum, Harrisburg, PA, 2021 Hummingbird, The Shay, Culver City, 2021 The Circle of Truth, Orange County Center for Contemporary Art, OCCCA, Orange County, CA, 2020 The Circle of Truth, Winslow Arizona Art Museum, Winslow, Arizona, 2020 The Circle of Truth, Museum of Art and History, MOAH, Lancaster, CA, 2019 The Circle of Truth, NUMU, The New Museum, Los Gatos, California, 2019 Pop Culture, Frederick R. Weisman Art Foundation, Donald H Silverman Gallery Fine Arts Gallery, Cal State LA, CA, 2019 POP! 50 Years of Art & Popular Culture from The Frederick R. Weisman Museum of Art at Pepperdine University, Malibu, CA, 2018 Art for Art’s Sake, The Carnegie Art Museum, Oxnard, CA, 2017 Light in the Dark, Sears Peyton Gallery, New York, NY, 2017 Made in California, Selections from the Frederick R. Weisman Art Foundation, Mana Contemporary, Jersey City, NJ, 2014 Art for Art’s Sake, Selections from the Frederick R. Weisman Art Foundation, Marjorie Barrick Museum, University of Nevada, Las Vegas, NV, 2014 New Work, Sears Peyton Gallery, New York, NY, 2014 Pop Culture, Boca Museum of Art, Boca Raton, FL, 2014 Under The Influence Finance - Fashion, Carnegie Art Museum, Oxnard, CA, 2013 Art for Art’s Sake, The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu,CA, 2013 California Art, Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, Fort Collins Museum, Fort Collins, CO, 2011 Fuck Pretty, Robert Berman Gallery, Bergamot Station, Santa Monica, CA, 2011 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 Elements of Nature: Selections from the Frederick R. Weisman Art Foundation Contemporary Art Center, New Orleans - 2010 Under the Influence of Fashion and Finance, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2010 Sears-Peyton Gallery, New York, NY, 2010 Art and Illusion, Selections from the Frederick R. Weismann Art Foundation, Susquehana Art Museum, Harrisburg, PA, 2009 Homage to the Artists, Ochi Gallery, Ketchum, ID - 2009 Incognito, Santa Monica Museum of Art, Santa Monica, CA - 2008 LA Art House, Beverly Hills, CA- 2009 California Art, Platt/Bornstein Museum, Los Angeles, CA, 2008 Selections from the Frederick R. Weisman Art Foundation, American Jewish Museum, Bel Air, CA, 2007 Beverly Hills Municipal Gallery, Beverly Hills, CA - 2006 Small Wonders II, Pharmaka Gallery, Los Angeles, CA - 2006 Portraits, curated by Shane Guffogg, Pharmaka Gallery, Los Angeles, CA 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2005 The Dayton Art Institute, Dayton, OH - 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2004 New Orleans Museum of Art, New Orleans, LA - 2004 Spike Gallery, New York, NY - 2004 California State University at Bakersfield, Bakersfield, CA - 2003 Spike Gallery, New York, NY - 2003 Las Vegas Art Museum, Las Vegas, NV - 2002 Ah Allen, New York, NY - 1998 Track 16, Santa Monica, CA - 1996 Ports of Entry, William Burroughs, A Retrospective, Los Angeles County Museum of Art, Los Angeles, CA, 1996 New American Paintings, Emerging Artists, Open Studios, Needham, Mass, 1996 Robert Berman Gallery, Santa Monica, CA - 1994 Ader Tajan, Paris, France - May 1992 Robert Berman Gallery, Santa Monica, CA - 1992 Ader Tajan, Paris France, 1989 New Work, Brentwood Art Center, 1988 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Jeff Gordon, Ingrid Vandebosch, works by Alison Van Pelt and Matisse, Chicago Tribune, 2013 At Home With Jeff Gordon: The Superstar Driver Is (Finally) Shifting Gears, Forbes Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 WORKS Load More

South Korea Artist Biography Works Next Kim Sae Jun South Korea BIOGRAPHY EDUCATION 2021 MFA, Yale School of Art, New Haven, CT 2015 BFA, School of the Art Institute of Chicago, Chicago, IL EXHIBITION 2021 Arcadian Feedback, M23 Project, New York, NY 2021 To Hear No Echo, Yale sculpture MFA thesis, New Haven, CT 2018 Accumulated Loss, Art Space Anygol, Goyang-si, South Korea 2017 Lie To Me, Burren College of Art Residency Program, Ballyvaughan, Ireland Nature vs. Nurture, Evanston Art Center, Evanston, IL Solo Show, Comfort Station, Chicago, IL Here and After, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL 2016 Sustainability Show, Waterfall Gallery, New York, NY Bridgeport Artist walk, Fat City, Chicago, IL Structure, Union Street Gallery, Chicago Heights, IL 2015 Entropy and Industry, Fat City, Chicago, IL Bachelors of Fine Art Show, School of the Art Institute of Chicago, Chicago, IL Visiting Artist Exhibition, The Chicago Academy for the Arts, Chicago, IL 2014 Call & Response, Evanston Art Center, Evanston, IL 2013 Frontier Exhibition, Morpho Gallery, Chicago, IL 2012 To / From Public critique Exhibition, School of the Art Institute of Chicago, Chicago, IL Alumni Show, The Chicago Academy for the Arts, Chicago, IL Art Bash, School of the Art Institute of Chicago, Chicago, IL GROUP EXHIBITION 2017 Burren College of Art, Ireland 2017 New Zealand Pacific Studio, New Zealand 2016 ACRE, Steuben, WI AWARDS AND GRANTS 2021 George R. Bunker Award, Yale University 2015 “Shaping the Future” Award, Remet Corporation 2012 Buonanno Scholarship Award, School of the Art Institute of Chicago, Chicago, IL 2007 Presidential Scholarship Award, School of the Art Institute of Chicago, Chicago, IL PUBLICATION 2021 2021 MFA thesis exhibitions in Sculpture, Art & Education 2015 F news magazine, School of the Art Institute of Chicago AWARD 2020 Earport, Duisburg, Germany WORKS

Korea Artist Biography Works Next Kim Dawn Korea BIOGRAPHY EDUCATION 2020 MFA, Yale School of Art, New Haven, CT 2011 BFA, Art Center College of Design, Pasadena, CA AWARDS & GRANTS 2022 Silver List, Silver Eye Center for Photography, Pittsburgh, PA 2021 City Artist Corps Grant, Foundation of Contemporary Arts, New York Winner of The Print Center 95th Annual International Awards, juried by David Campany and Larissa Goldston 2020 Snider Prize Honorable Mention, The Museum of Contemporary Photography at Columbia College Chicago, Blair Dickinson Memorial Prize, awarded by Yale School of Art 2019 Richard “Chip” Benson Endowed Scholarship Fund Paul Mellon Centre for Studies in British Art Travel Grant 2017 Shortlisted for Paris Photo-Aperture PhotoBook Awards 2015 Emerging Artists Publication Series, awarded by Printed Matter Inc. GROUP EXHIBITIONS 2023 That They Are There, Brant Gallery, curated by Helen Miller, Boston, MA 2022 You’d Think By Now, Smack Mellon, curated by Rachel Vera Steinberg, Brooklyn, NY live/dead, Walter Elwood Contemporary, curated by Leah Guadagnoli and Brent Birnbaum, Hillsdale, NY What is the also?, Archive/Project Space, curated by Sondra Perry, Pittsfield, MA Tracking, Janet Borden Inc., curated by Anita Qian, Brooklyn, NY 2021 Hindsight, Green Gallery, New Haven, CT 2020 November, Beeler Gallery at the Columbus College of Art & Design, curated by Heather Taylor, Columbus, OH 2019 What Kills You, Washer Dryer Projects, Salt Lake City, UT Rung What You Brung!!, Yale School of Art, New Haven, CT Crush, Para Site, curated by Chang Qu, Quarry Bay, Hong Kong Double Gaze, ACRE, curated by Kate Sierzputowski, Chicago, IL 2017 Vernacular Photography, ICP Library, New York, NY 317 square feet, Luke Glanton Gallery, Amsterdam, NY Paris Photo-Aperture PhotoBook Awards, Aperture, New York, NY 2016 Pictures & Words, PhotoQ, Amsterdam, NL the doer of great deeds and the speaker of great words, Hap Gallery, curated by Iris Williamson, Portland, OR 2015 Somebody Else’s Problem, Whitespace Gallery, Atlanta WORKS Load More

Artist Biography Works Next Woo Jiyeon BIOGRAPHY WORKS Load More