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Artist Biography Works Media Next Theo Woodward BIOGRAPHY EDUCATION B.A. Music Technology from NYU WORKS MEDIA

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Apr 17, 2024 shane guffogg: at the still point of the turning world - strangers of time SCALA CONTARINI DEL BOVOLO MUSEUM, PHOTO CREDIT: VICTORIA CHAPMAN Shane Guffogg, “At the Still Point of the Turning World - Only Through Time is Time Conquered” 2023, oil on canvas, 84 x 108 inches, (213.6 x 274.3 cm) Shane Guffogg (photo credit Sonia Huckabay) PRESS RELEASE Celebrated American artist Shane Guffogg lands in Venice this April New exhibition opening during the Venice Biennale to showcase ongoing dialogue between the abstract artist and poet T.S. Eliot This April, at the historic Scala Contarini del Bovolo, Venice, American Artist Shane Guffogg will present a new series of 21 paintings titled At the Still Point of the Turning World – Strangers of Time , opening during the 60th International Art Exhibition – La Biennale di Venezia 2024. Guffogg’s latest major exhibition promises to add a splash of joy and a touch of magic to Venice’s energetic art scene this April. This unprecedented collection of work in fact represents the ongoing dialogue between the abstract artist and poet T.S. Eliot’s renowned set of poems, Four Quartets , which has inspired Guffogg to create works that explore the intersection of time, space, consciousness and transcendence. The series of large-scale paintings explores concepts of movement, escape and migration, placing human nature as innately transitory throughout history. These themes are particularly autobiographical, as Guffogg's father immigrated to the United States in 1957 from Northern England, driven by the pursuit of the "American dream". Subsequently, Guffogg moved from the central valley of California to Los Angeles in the late 1980s, in the pursuit of artistic and cultural acceptance. The exhibition will be split in two rooms, each inspired by a different passage from T.S. Eliot’s writing and will feature selected works that can be enhanced through augmented reality (AR). Utilizing AR and artificial intelligence, Guffogg expands the possibilities of what art can be, inviting viewers to see and think beyond the 24/7 age of information, in a meaningful and immersive way. At the end of the first room, for example, will be the large canvas Only Through Time is Time Conquered (7 x 9 feet; 213.6 x 274.3 cm), which draws on the colours of the rich history of Venice and a painting by Tintoretto permanently exhibited in the rooms of Palazzo Contarini. The canvas will be AR-enabled, to allow viewers to experience the movement of the artist's hand in creating the work. The viewer will have a QR code to scan and then, once pointed at the painting, the AR will be activated showing the inversion of the application of colours and lines, until the painting is in its initial phase, which will then dissolve visually revealing the work by Tintoretto underneath. Jacopo Tintoretto, Paradise, (ca. 1588 – oil on canvas, cm 154 x 350 ) photo credit: courtesy of Gioielli Nascosti dI Venezia Guffogg’s “Only Through Time is Time Conquered” and tintoretto’s “paradise” near by “JACOPO TINTORETTO’S 1388 OIL-ON-CANVAS PAINTING, “PARADISE,” MEASURING 154 X 380CM, IS PROMINENTLY DISPLAYED AT THE SCALA CONTARINI DEL BOVOLO IN VENICE, ITALY. IT SERVES AS A FOCAL POINT IN DIALOGUE WITH GUFFOGG’S “AT THE STILL POINT OF THE TURNING WORLD - STRANGERS OF PARADISE” EXHIBITION. MOVED BY THE PROFOUND INFLUENCE OF TINTORETTO’S WORK, GUFFOGG DECIDED TO CREATE SITE-SPECIFIC PIECES AT SCALA CONTARINI DEL BOVOLO. FOLLOWING THOROUGH CONTEMPLATION, HE OPTED TO HARMONIZE HIS COLOR PALETTE WITH THAT OF TINTORETTO’S MASTERPIECE, A DECISION THAT SUCCESSFULLY SUPPORTS THE COHESIVE THEME OF HIS EXHIBITION AT THE SAME VENUE.” — VICTORIA CHAPMAN, STUDIO DIRECTOR, GUFFOGG STUDIO Enamoured with Europe’s Old Masters and inspired by their techniques, Guffogg has developed his own unique style incorporating a fascination of magic, iconography and quantum physics, which perfectly matches the uniqueness of the exhibition’s setting. The iconic Scala Contarini del Bovolo, a Venetian palazzo featuring a spiralling 15th Century staircase, 28 meters high, intertwines and dialogues with the artworks seamlessly. - Midas Neither Flesh nor Fleshless #1 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Written by Victoria Chapman (Studio Director, Guffogg Studio) "In Four Quartets, T.S. Eliot explores themes of the present moment, the cosmic order, and coexistence, a sentiment shared by artist Shane Guffogg. Commencing in April 2023, Guffogg embarked on a creative journey, producing twenty-one paintings inspired by three stanzas from Burnt Norton, the first chapter of Eliot's work. These artworks, employing lines and colors, provide a visual examination of the exchange of thoughts across time. Guffogg's engagement with Four Quartets commenced over three decades ago and endures, as he contemplates Eliot's exploration of the abstract interplay between life experiences and the formation of memories. Eliot's poem, written in England between 1936 and 1942, is divided into four sections, each relating to one of the classical elements: air, earth, water, and fire. Eliot's verse, 'Be remembered; involved with past and future. Only through time is time conquered.' from Burnt Norton Section II, highlights the central theme of time's influence on human existence. Influenced by both Eastern and Western literature, including the Bhagavad Gita, Confessions of Saint Augustine, and The Divine Comedy, Eliot also drew inspiration from Beethoven's quartet, which may have influenced the poem's title and musical underpinnings. Guffogg, with his sound-to-color synesthesia, instinctively recognized this musicality, evident in his paintings. The works convey an inherent 'sound score' through their visual rhythm, offering an intuitive perception that guides the composition through the choice of lines and colors. The exhibition's largest piece, 'Only Through Time is Time Conquered,' exudes a dynamic quality, with blue lines at its core that pulse and summon supporting red and yellow lines, infusing contrasting tones with an oceanic sense of movement. Guffogg shared his creative process, revealing a connection between sound and color: 'As I was working on the seven by nine-foot canvas, and listening to abstract-classical-orchestrated music, I noticed the presence of dissonant chords. This parallel with my paintings, especially 'Only Through Time, Time is Conquered,' where complementary colors push against each other, creates a tension akin to the unsettling notes in the music. This experience immerses me in the present moment during the painting process, disconnecting from extraneous thoughts.” “The importance of a painting’s title varies from artist to artist. In the case of Shane Guffogg, the title serves as an informative element for the painting but does not determine or predict its creation. The titles, “Only through time is time conquered,” “Reach into the silence,” and “Neither flesh nor fleshless,” draw inspiration from T.S. Eliot’s desire to transcend time and live in the present, as explored in these stanzas.” Neither Flesh nor Fleshless #2 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Neither Flesh nor Fleshless #3 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Neither Flesh nor Fleshless #4 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) “Guffogg’s enduring fascination with Eliot’s Four Quartets has led to the evolution of his artwork, reflecting increasing complexity. His approach to life also mirrors this deepened connection, as he embraces fleeting moments with a sense of permanence. Using glazes, he masterfully creates the illusion of multiple light sources within his compositions. In addition, his extensive research into the techniques and materials of old masters, along with his background in publishing articles on art, results in figurative subjects transformed into abstract forms.” The interplay between light and dark, represented by transparent veils of light and complementary colors, produces a dynamic tension within the paintings, leading the viewer into an infinite shadow of darkness while drawing them towards the light. Guffogg's work encapsulates a timeless quality, capturing the eternal moment, which resonates with Eliot's themes. It invites the viewer to engage consciously and subconsciously, seamlessly merging these aspects and revealing the essence felt rather than merely perceived. Neither Flesh nor Fleshless #5 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #6 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #7 , 2023, oil on canvas, 40 x 36 inches Neither Flesh nor Fleshless #8 , 2023, oil on canvas, 60 x 48 inches, (152.4 x 121.9 cm) Neither Flesh nor Fleshless #9 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #10 , 2023, oil on canvas, 30 x 24 inches, (76.2 x 60.9 cm) Neither Flesh nor Fleshless #11 , 2023, oil on canvas, 60 x 48 inches, (152.4 x 121.9 cm) Neither Flesh nor Fleshless #12 , 2023, oil on canvas, 40 x 36 inches, (101.6 x 91.4 cm) Guffogg's "At the Still Point of the Turning World" series, originating from a subconscious sketch in 2009, explores his quest for inner balance and serves as an autobiographical narrative. These paintings are not self-portraits in the conventional sense but expressions of his existence, a journey through the human condition, and his relationship with time. His artistic process involves a silent, solitary exploration of his work, where thoughts become visual language. Music plays a pivotal role in his creative process, acting as a conduit to connect with the universal essence. This process, which Guffogg describes as dipping his toes into the pond of the universe on a good day, is a ritual he continues to uphold. “This narrative underscores the profound and personal dimensions of Guffogg’s artistry and the unique creative process that fuels it.” Guffogg's art, much like T.S. Eliot's poetry, encapsulates a profound yearning, inviting observers to experience the authentic, providing a space to encounter time and the present. These works serve as a testament to Guffogg's need to share evidence of what it means to be alive, encompassing thoughts, emotions, love, suffering, and healing. His art, particularly in the "Neither Flesh nor Fleshless" series, is deeply autobiographical, portraying moments of existence. The "Neither Flesh nor Fleshless" series invokes an enigmatic quality, exploring the interplay of flesh and the absence of it. Guffogg's approach involves allowing his hands to move across the canvas, making the brushes an extension of his physicality. Thin veils reminiscent of Renaissance art, particularly the translucent black veil seen in the Mona Lisa, represent the delicacy and fragility of life and the moment of transition. These paintings aim to present an unsolvable question, provoking contemplation. Emotional and primarily red in color, with various shades of dark, earthy-red, charcoal, and smoky hues, the series delves into the convergence of spiritual and physical worlds. These works provoke contemplation of time and composition, offering a reflection on the past, present, and even the future. They express a belief system rooted in human existence, sharing intimate thoughts, sensations, and a blend of the mental and spiritual. They evoke words like "annunciation," "rapture," and "communion," prompting self-awareness and introspection. Collectively, the series emanates an ethereal quality, while individually, each painting conveys a unique message. Gestural marks transform into ribbons or veils of light, revealing saturation and fluidity, evoking celestial elements. The series prompts a sense of longing and contemplation, exploring the boundary between order and chaos. Guffogg's work serves as a testament to truth, representing both a historical narrative and a visual and emotional experience. Reach into the Silence #1 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) “The “Reach into the Silence” series, comprised of eight paintings, visualizes a Gregorian chant, embodying the concept that words and music can reach stillness only through form and pattern. Guffogg’s ability to follow a command and create in response to a voice reflects the depth of his creative process.” In contrast to Monet's works at Giverny, Guffogg doesn't depict his garden but paints abstract moments informed by the landscape. His connection to the land and his understanding of light enables him to create a sense of depth and movement, similar to Monet's approach. Guffogg's keen perception of the environment, weather patterns, and his intimate connection with his chosen workspace contribute to the unique quality of his artwork. Reach into the Silence #2 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #3 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #4 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #5 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) This narrative delves into the intricate and profound dimensions of Guffogg's artistic process, inviting viewers to explore the intricate layers of his work and its connection to the world around him. “In Guffogg’s own words, his artistic process serves as a form of meditation, a means of documenting his journey through life. Each line, each brushstroke on the canvas represents a unique moment in time. What viewers witness in his paintings is the accumulation of these moments, all distilled into a singular, profound instant.” His artworks are not only visual expressions but also personal narratives, sharing his own story while reflecting on the profound themes found in T.S. Eliot's text. In each brushstroke, viewers can explore the interplay of line, color, and elements of space, delving into the essence of his experiences and the emotions woven into his work. Reach into the Silence #6 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #7 , 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Reach into the Silence #8 2023 oil on canvas, 72 x 60 inches (182.8 x 152.4 cm) Only Through Time is Time Conquered, 2023, oil on canvas, 84 x 108 inches, (213.6 x 274.3 cm) “Be remembered; involved with past and future.only through time is time conquered.” — Burnt Norton Section II, T.S. Eliot Since Guffogg’s first encounter with the Four Quartets , his fascination has not wavered. If anything, it has grown deeper, which is evident in the developing complexities of his paintings and can also be seen in how he lives life, taking each moment in each day as something that is fleeting but permanent. Guffogg uses glazes to paint the illusion of various light sources within the composition. He has also written and published numerous articles analyzing paintings of the old masters and reads books on artists’ materials from the past. The results are figurative subjects painted as abstract forms. There is a balanced struggle between the light and dark, yin and yang, represented through painted transparent veils of light and complementary colors, that push the illusionary picture plane further back into an infinite shadow of darkness as light pushes toward the viewer. The paintings embody a certain timelessness; capturing the eternal moment, which is the key and link to Eliot. The viewer is an integral part of the work because these paintings require an exploration that engages the conscious and subconscious, which the artist seamlessly fuses together, bridging the essence of what is felt rather than merely perceived. In 2009, while listening to a public speaker and without thinking, Guffogg felt a need to sketch his subconscious. This was the beginning of the At the Still Point of the Turning World series – lines that would loop out toward the edge and back around to the center of the page as if there was a hidden gravitational force controlling his hand. It was the artist’s way of finding his own still point and inner balance. These paintings are autobiographical. They aren’t mirror images of what he looks like; eyes, face, hair, etc. Rather, they are the evidence of his existence, the exploration of the human condition, and his relationship to time. Not only are they paintings, they are a confirmation of truth. When Guffogg enters his studio, it is a silent act. The artist walks around, looking to see what his paintings are telling him. He works alone, there are no assistants. Watching him lay down the first traces of lines is quite mystical. He has said that thoughts become words, but what do our thoughts look like before they become language? Then the music is turned on and he becomes a conduit. As Guffogg likes to say, when he is having a good day in the studio, he gets to dip his toes into the pond of the universe. Like Eliot’s poetry, Guffogg has instilled a certain yearning into these works. These paintings also bring a moment for the observer to experience a place to witness time and the present. I think this may be Guffogg’s need to share evidence of what it means to be alive; think, feel, love, suffer, heal. I am returning to the fact that it is autobiographical. Guffogg has said he paints moments of existence. “The experience of these paintings transports us to places of refuge that are completely unknown. They are summoning moments of his existence, steeped within the consciousness of which they are manifested.” [Source from VC Projects press release] www.vcprojects.art Shane Guffogg/Scala Contarini del Bovolo Museum, Italy — VC PROJECTS Previous Next

2025 CHASE Project HONGBIN KIM JUL 24 - AUG 5,2025

CHASE Project JUL 24 - AUG 5, 2025 CHASE Project Hongbin Kim’s exhibition, h color and form. We invite you to Something Sweet Gallery Cafe to encounter a new realm of art that transcends the boundaries of perception and being.

Artist Biography Works Media Next Woo Jiyeon BIOGRAPHY EDUCATION 2001 Bachelor of Fine Arts in Oriental Painting, Hongik University 2006 Master of Arts in Art Education, Korea University EXHIBITIONS 2014 New York Art Fair 2014 Korea Young Artist Project, 69 Regiment Armory, Lexington Ave & 25th St, NYC Seoul Open Art Fair, COEX Petit Petit Art Shopping Exhibition, Khalifa Gallery, Cheongdam Your Eternal Love with Light, Sarang Gallery Hongik Women's Korean Painting Association Exhibition, Gana Art Center 2013 Solo Exhibition, SPACE UM Confessions of Dreamers Exhibition, Beautiful Land Solo Exhibition, Astoria Hotel 4th Young Artist Invitational Group Exhibition “Obet Gives Birth to This Bird..”, Beautiful Land Gallery Fundraising Art Product Exhibition, Beautiful Land 2011 Solo Exhibition, Luden Dental Clinic, Gangnam Regular Exhibition of Chunchuhui, Gong Art Space Young Artist Invitational Exhibition, Global Village Gallery "Worship of Magos" Exhibition, Beautiful Land 2010 Solo Exhibition, A1 Gallery MITZVAH Opening Invitational Exhibition, MITZVAH Selected Artist Exhibition by Sohn Asia Arts and Cultural Society, Gallery Zhang Invitational Exhibition of Awarded Artists by the Art Mission of Church of Love, Beautiful Land 2009 Invitational Duo Exhibition, Gallery Sonamu Regular Exhibition of Chunchuhui, Hwabon Gallery GAGA ART FESTIVAL, GAGA BLUE-SUMMER 21 Exhibition, GAGA Gallery 2008 Korean Contemporary Painting 2008 (Solo Booth Exhibition), Hangaram Art Museum, Seoul Arts Center Opening Invitational Exhibition, Ina Gallery Curated Exhibition by Chunchuhui, Sejong Gallery Preview & Review Exhibition, Alternative Space Team Preview Regular Exhibition of Chunchuhui, Sejong Cultural Center Annex International Young Artist Spring Art Competition, space*c A3 Exhibition, Namsan Library Gallery 2007 Expansion of Korean Painting Exhibition (Solo Booth Exhibition), Hangaram Art Museum, Seoul Arts Center Chunchuhui Exhibition, Gallery La Mer Invitational Exhibition, Gangneung City Museum of Art Nahye-seok Art Competition, Suwon Art Exhibition Hall Midsummer Fan Exhibition, Sejong Gallery Hongik Women’s Korean Painting Exhibition, AS Gallery, Japan 2005 Exhibition of Intelligence Unfolding, Danwon Art Museum Drawing Exhibition, Hongik University Museum of Modern Art 2004 Exhibition of Intelligence Unfolding, Danwon Art Museum Early Summer Fragrance Exhibition, Korea University Lyceum 2003 Hongik Women’s Korean Painting Exhibition, Hongik University Museum of Modern Art Hongik University Alumni Exhibition, Gongpyeong Art Center WORKS Load More MEDIA

Korea Artist Biography Works Media Next Kim Sae Jun Korea BIOGRAPHY EDUCATION 2021 MFA, Yale School of Art, New Haven, CT 2015 BFA, School of the Art Institute of Chicago, Chicago, IL EXHIBITION 2021 Arcadian Feedback, M23 Project, New York, NY 2021 To Hear No Echo, Yale sculpture MFA thesis, New Haven, CT 2018 Accumulated Loss, Art Space Anygol, Goyang-si, South Korea 2017 Lie To Me, Burren College of Art Residency Program, Ballyvaughan, Ireland Nature vs. Nurture, Evanston Art Center, Evanston, IL Solo Show, Comfort Station, Chicago, IL Here and After, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL 2016 Sustainability Show, Waterfall Gallery, New York, NY Bridgeport Artist walk, Fat City, Chicago, IL Structure, Union Street Gallery, Chicago Heights, IL 2015 Entropy and Industry, Fat City, Chicago, IL Bachelors of Fine Art Show, School of the Art Institute of Chicago, Chicago, IL Visiting Artist Exhibition, The Chicago Academy for the Arts, Chicago, IL 2014 Call & Response, Evanston Art Center, Evanston, IL 2013 Frontier Exhibition, Morpho Gallery, Chicago, IL 2012 To / From Public critique Exhibition, School of the Art Institute of Chicago, Chicago, IL Alumni Show, The Chicago Academy for the Arts, Chicago, IL Art Bash, School of the Art Institute of Chicago, Chicago, IL REDUDENCY / AWARDS AND GRADNTS 2024 VSC Fellowship, Vermont Studio Center, VT 2023 Real Art Award, Real Art Ways (2026 exhibition) 2021 George R. Bunker Award, Yale University 2017 Burren College of Art, Residency, Ireland New Zealand Pacific Studio, Residency, New Zealand 2016 ACRE, Residency, Steuben, WI 2015 Shaping the Future Award, Remet Corporation 2012 Buonanno Scholarship Award, School of the Art Institute of Chicago, Chicag, IL 2007 Presidential Scholarship Award, School of Art Institute of Chicago, IL WORKS MEDIA

South Korea, 1955 Artist Biography Works Next Moon Insoo South Korea, 1955 BIOGRAPHY Moon Insoo is a celebrated South Korean sculptor and painter, renowned for his pioneering use of industrial materials such as cement and steel to create large-scale works that challenge conventional boundaries between sculpture and painting. Born in Korea in 1955, Moon graduated from Hongik University with a degree in Sculpture and later completed his graduate studies at the same institution. Emerging in the 1990s as a leading figure in contemporary Korean art, Moon’s innovative approach to material and form gained both national and international recognition. Moon’s works are characterized by their monumental scale, raw textures, and integration of industrial materials. His cement paintings, a hallmark of his practice, merge the physicality of sculpture with the flat surfaces of painting, creating a dynamic interplay of texture, weight, and light. Through his use of oxidized steel and weathered cement, Moon captures the passage of time and the interplay between human-made structures and nature. His philosophy reflects a deep engagement with the contrasts of modern society—industrial and organic, permanent and ephemeral. One of Moon’s most iconic works, Barrier , was installed at the Seoul Arts Center Sculpture Park in 1993. This massive structure of steel and cement is a powerful meditation on division and connection, both physical and symbolic. The work’s weathering over time has added layers of meaning, drawing comparisons to Richard Serra’s Tilted Arc for its bold presence and ability to provoke discussion among viewers. Moon achieved critical acclaim early in his career, winning back-to-back special prizes at the Grand Art Exhibition of Korea in 1984 and 1985. In 1993, he was awarded the Kim Sejung Young Sculptor Prize, and his work was exhibited internationally, including a notable solo exhibition in Paris hosted by the French Ministry of Culture. Currently, Moon Insoo continues to live and work in Korea, where his practice remains focused on exploring the relationship between material, space, and societal structures. His contributions to Korean contemporary art, particularly his innovations with cement and steel, have left a lasting impact on the art world and continue to inspire new generations of artists. EDUCATION 1974 Graduated from Seoul Arts High School 1981 Graduated from plastic art department, art college of Hongik University 1983 Graduated from sculpture department, graduate school of Hongik University Art fair 2013-2023 Kiaf (Seoul) 2013-2013 Gallery Art Fair (Seoul) 2017-2018 Changwon Art Fair (Changwon) 2015-2023 Soaf (Seoul) 2017 Manif (Seoul) 2016_2019 Plastic Art Fair (Seoul) 2015-2023 Daegu Art Fair (Daegu) 2012-2017 Busan Art Fair (Busan) 2011 Miami Art Fair (Miami) +a number of others PRIVATE EXHIBITIONS 2024 e.Jung Gallery (Seoul) 2023 Brown Gallery(Seoul) 2023 e.Jung Gallery (Seoul) 2022 IFC hall (Seoul) 2020 DGB gallery (Daegu) 2017 Geon Gallery (Daegu) 2013 Mokam Museum (Guenggi) 2012 Mokam Museum (Guenggi) 2009 e.jung Gallery (Seoul) 2008 Duroo Gallery(Seoul) 2007 Mokam Museum (Guenggi) 2004 Gowon Museum (Suwon Univ.) 2003 Masan MBC (Masan) 2000 Gallery In(Seoul) 1999 Lee Jung-hee Gallery(Seoul) 1997 Artnet Gallery(Suwon) 1996 Park Young-deok Art Gallery(Seoul) 1994 Park Young-deok Art Gallery(Seoul) 1993 Le Rond-Point Gallery (French Ministry of Culture, Invited by World Arts Center, Le Rond-Point, Paris) 1992 Culture and Arts Promotion Institute Art Hall(Seoul) 1988 Culture and Arts Promotion Institute Art Hall(Seoul) 1987 Batanggol Art Museum(Seoul) +a number of others GROUP EXHIBITION 1987-95 Ecold de Seoul(Kwanhun Art Museum, Seoul) 1987-99 Korean Association of Contemporary Sculpture Exhibition(Art Hall, Seoul) 1985 Korea Sculptor Association Exhibition(Art Hall, Seoul) 1983-93 Seoul Festival of Contemporary Art(Art Hall, Seoul) 1981 Hongik Sculpture Association Exhibition(Art Hall, Seoul) 1980 Yehong Exhibition(Kwanhun Art Museum, Seoul) INVITATION EXHIBITIONS 2019 Cross-section of Korean Contemporary Sculpture (Seosomseongji History Museum) 2014 Baum Sculpture Forum (Baum Gallery) 2011 lead to Suwon Maehall (Suwon) 2000 Marine Art Festival(Sejong Culture Assembly Hall, Seoul) / Groping for New Formality(Anyang Culture and Arts Assembly Hall, Anyang) 1998 Korea Association of Contemporary Sculpture Exhibition (Wonseo Gallery, Seoul)/ May Art Festival(In Art Gallery, Seoul) KOREAN CONTEMPORARY ART(Cerrillos Cultural Center, USA) 1996 Contemporary Art Communication Exhibition (Park Young-deok Art Gallery, Seoul)/ Korean Contemporary Sculpture Association Exhibition (Korean Culture and Arts Promotion Institute Art Hall, Seoul) 1993 Commemorative Exhibition celebration opening of Seoul Art Center Exhibition Hall(Seoul Art Center, Seoul)/A phase of Korean Contemporary Art(Pyo Art Gallery, Seoul) 1991 Bronze Fish(To Art Space, Seoul)/Works for Children's Playing Space Exhibition(Space Art Museum, Seoul) 1989 Small Sculpture Exhibition(Gallery Seomi, Seoul)/ and other exhibitions +a number of others PRIZE 2011 Artist of the Year Award (Korean Art Association) 1993 Kim Se-Jung Young Man's Sculpture Prize/ 1992 Total Art Museum Prize/ 1986 The 5th Korean Art Competition(the former National Competition) Grand Prix 1985-1984 The 3, 4th Korean Art Competition(the former National Competition) SPECIALLY SELECTED Work Collection National Museum of Contemporary Art (Kwachun) / Institute for Culture and Arts Promotion(Seoul) Pungsaeng High School (Sungnam) Seoul Art Center (Seoul) Chejudo Sculpture Park (Cheju) Total Art Museum (Changheung) Daewon High School (Seoul) Daejon Expo Future Theme Park (Daejon) Daewon Women's High School (Seoul) / Industrial Lease Building (Seoul) Mokpo Sculpture Park (Mokpo) +a number of others WORKS Load More

United States, 1950 Artist Biography Works Next Stephen Robert Johns United States, 1950 BIOGRAPHY Stephen Robert Johns is an American painter renowned for his geometric abstract compositions that explore the interplay of color, form, and pattern. Born in 1950, Johns studied at the Chouinard Art Institute before earning his Bachelor of Fine Arts from the California Institute of the Arts in 1972. His work is deeply influenced by the Bauhaus movement, particularly the color theories of Johannes Itten and the geometric explorations of László Moholy-Nagy, as well as the balance between architecture and the natural world. Johns’ paintings are characterized by their minimalist aesthetic, featuring bold curves, planes, and angles rendered in vivid, primary colors. His compositions draw inspiration from the organic geometry of nature—leaves, flowers, and landscapes—blended with the structural precision of architectural forms. This fusion creates dynamic works that evoke a sense of harmony between structure and fluidity, inviting viewers to engage with the contrasts between natural and constructed environments. Throughout his career, Johns has exhibited his work internationally. Highlights include a solo exhibition at the Kitakyushu Municipal Museum of Art in Japan (2015) and a retrospective at the Afragola High-Speed Train Station in Naples, Italy (2022), where his paintings dialogued with the organic architecture of Zaha Hadid. These exhibitions underscored Johns’ ability to merge geometric abstraction with site-specific resonance. In addition to his painting practice, Johns has participated in artist residencies, including the Julia and David White Artists’ Colony in Costa Rica, which enriched his exploration of geometry and color. His works have been collected by major public and private institutions worldwide, earning him recognition as a master of geometric abstraction. Currently, Johns splits his time between Los Angeles and Costa Rica, continuing to create works that reflect his ongoing exploration of the intersections between geometry, color, and the natural world. WORKS Load More

Korea Artist Biography Works Media Next Oh Kai Korea BIOGRAPHY EDUCATION MFA, Columbia University’s School of the Arts BFA, Seoul National University and the Academy of Fine Arts, Nuremberg EXHIBITIONS 2024 Mirae/Building THESIS PROJECT 2023 The Lafayette Rendezvous: Contingents and Convergences Autohypnosis (solo)Half Sticky K90-99 Hybrid Visions The Postmodern Child part 2 2022 Rales, wheezes and crackles SSUJANGGO.base station This Title is Not Available in Your Reigion Temporary Landing Mind Control Hinterland 2021 Lepsy Label (solo)Softsharp Super-fine: Awkward Gaps 2018 Bierdusche und andere schöne Bilder Salt, Pepper or Not (solo)Kai Drinks No Water 2017 Foam Talent A.d.b.K Nü Jahresausstellung WORKS MEDIA