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Aug 11, 2024 Korean Association of New York Artists (KANA) Part 2 ‘Unbound Playground’ The Korean Association of New York Artists (KANA) is hosting two group exhibitions at Gallery Chang in Manhattan from July 30 to August 18. Curated by Calvin Lee and Lina Hae Lin Hwang, the exhibition includes Part 1, "Binary Equilibrium" (July 30 - August 7), and Part 2, "Unbound Playground" (August 9 - August 18). In Part 2, "Unbound Playground," artists Anikoon, Sun You, Yong Sun Kwon, Taekyung Suh, Hongbin Kim, and Soo Park will participate. This exhibition is inspired by Alain de Botton's book "Art as Therapy." The author suggests that "because the world's worries constantly awaken our attention, we need tools to maintain a positive and hopeful disposition." He emphasizes that while the dancing figures in Matisse's works do not deny the worries around us, they convey bright energy and highlight the beauty and joy that art can bring. Based on this understanding of art's function and meaning, the six artists will present works that draw from their daily lives, childhood experiences, memories, and emotions, using diverse visual languages and playful expressions. Their works evoke nostalgia and imagination related to childhood in New York and visually reconstruct fleeting moments from everyday life through familiar yet strange subjects, delivering playful messages. Anikoon presents works that reflect the modern human experience through vintage toy robots. The retro feel of the robots and the loneliness they convey resonate with our reality. By identifying with these comic characters, Anikoon invites viewers into a space of childhood imagination, combining youthful sentiment with parodic elements of classic art and graffiti techniques to create free-spirited paintings. Sun You, who is also a curator at the nonprofit gallery TSA New York in Brooklyn, uses strange yet familiar materials from everyday life to convey playful messages. Her work spans various media, including painting, sculpture, and installation, exploring the multifaceted and fluid nature of space while expressing delicate yet dynamic energy. Yong Sun Kwon introduces her persona, a half-human, half-fish character, humorously portraying imperfect self-portraits of those trying to escape their painful realities. These characters, referred to as "Fish Daegari," enjoy life with carefree expressions amidst a cheerful atmosphere, reflecting the artist's intention to humorously resolve her own struggles through this alternate identity. Hongbin Kim's pseudonym "Vanhada" carries dual meanings in Korean: "to fall in love" and "to oppose." He exaggerates the anxieties of leaving his hometown and not easily settling into the chaos of New York, transforming these feelings into joy through vibrant colors. Using the properties of acrylic paint, he creates new forms of artworks. Taekyung Suh emphasizes image and narrative in his works, posing questions and mysteries that invite dialogue with viewers. He uses imagery as a metaphor for the emotional experiences of difficulties, confusion, sadness, joy, and surprise encountered in everyday life, hoping that these images will continue to evolve in the minds of the audience. Soo Park employs various media to express childhood memories with wit, showcasing her playful worldview. The characters she creates candidly reflect human desires from a child's perspective, inviting viewers into unknown realms through organic storytelling. The opening reception for Part 2: "Unbound Playground" will be held on August 9 from 6 PM to 11 PM, followed by an artist talk on Sunday, August 11, at 2 PM featuring artists Anikoon, Yong Sun Kwon, Hongbin Kim, and Taekyung Suh. 뉴욕한인예술인협회(KANA, Korean Association of New York Artists, https://www.nykana.org)가 7월 30일부터 8월 18일까지 맨해튼 갤러리 장(Gallery Chang)에서 2회의 그룹전을 연다. 이상혁(Calvin Lee)과 황혜린(Lina Hae Lin Hwang)이 기획한 이 전시는 1부 ‘Binary Equilibrium’(7/30-8/7)과 2부 ‘Unbound Playground’(8/9-8/18)로 나뉘어 진행된다. 제 2부’Unbound Playground’에는 애니쿤(Anikoon), 유선미(Sun You), 권용은(Yong Sun Kwon), 서태경(Taekyung Suh), 김홍빈(Hongbin Kim), 그리고 박연수(Soo Park)작가가 참여한다. 이 전시는 작가 알래드 보통(Alain de Botton)의 저서 ‘영혼의 미술관(Art as Therapy)’에서 영감을 받았다. 저자는 “세상의 고민거리가 끊임없이 우리의 주의를 깨우는 탓에 우리는 긍정적이며 희망적인 성향을 지켜나갈 도구가 필요하다”며, 마티스 작품 속 춤을 추는 사람들이 우리 주변에 고민거리가 가득하다는 것을 부정하지는 않으나, 춤을 추는 사람들의 태도가 우리에게 밝은 에너지를 전달하는 것 처럼 아름답고 유쾌한 예술 작품들의 기능과 의미를 강조했다. 이같은 예술의 기능과 의미를 바탕으로, 여섯 작가들은 그들의 일상과 어린시절의 경험, 기억과 감정에서 출발하여 각기 다른 시각적 언어와 유희적인 표현으로 이뤄진 작업들을 선보인다. 이들의 작품은 뉴욕이라는 도시에서 어린 시절의 향수와 상상력을 자아내기도 하고, 낯설지만 어딘가 익숙한 소재들을 통해 무심코 스쳐지나가는 일상 속 순간들을 시각적으로 재구성하면서 유희적 메세지를 전달한다. 애니쿤(Anikoon)은 한국에서 현대인의 모습을 오래된 장난감 로봇에 투영한 작품을 보여준다. 오래된 장난감 로봇의 레트로적 감성과 내면에서 느껴지는 고독응 우리의 현실에 맞닿아있다. 로봇과 같은 코믹한 캐릭터 형상에 자신을 대입시키며 어린 시절의 상상의 공간에 관객들을 토대하여 앳된 감성과 오래된 명작의 패러디 요소 및 그라피티 채색기법들을 가미하여 자유분방한 회화를 보여준다. 유선미(Sun You)는 브루클린 비영리 갤러리’TSA 뉴욕’의 큐레이터이기도 하다. 주로 일상에서 사용되는 낯설면서도 익숙한 소재를 활용하여 유희적인 메세지를 전달하고, 공간의 다면성과 유동성을 활용하여 회와, 조각, 그리고 설치와 같은 다양한 매체를 넘나들며 섬세하면서도 역동적인 에너지의 작업들을 선보인다. 권용은(Yong Ein Kwon)은 그녀의 페르소나인 반인반어를 등장시키며 현실 속 머라 아픈 고민들로부터 벗어나고자하는 사람들의 불완전한 자화상을 유머러스하게 보여준다. 작가는 작품 속 반인반어들을 ‘Fish Daegari’(물고기 대가리)로 칭하며, 이들은 항상 즐거운 분위기 속에서 술과 함께 걱정 없는 표정으로 일상을 즐기는데, 이는 작가가 현실 속 고민과 괴로움을 대체자아인 ‘Fish Daegari’을 통해 유희적으로 해소하고자하는 의도가 담겨있다. 김홍빈(Hongbin Kim)의 필명 “Vanhada(반하다)”는 한국어로 “사랑에 빠지다”와 “반대하다”라는 양가적인 의미를 지니고 있다. 고향 한국을 떠나 뉴욕 속의 혼돈(chaos)으로부터 쉽게 정착하지 못하는 삶에 대한 불안감을 승화시켜 즐거움으로 수용하고 받아들이는 것을 과장된 색감으로 표현한다. 작가는 아크릴 페인트 물성을 활용하여 새로운 형태의 작품들을 보여준다. 서태경(Taekyung Suh)은 작품에서 이미지와 서사를 중점에 두며, 관계들에게 의문점, 즉 수수께끼와 같은 서사를 담아 관객들의 대화를 유도한다. 그림을 그리는 과저과 일상에서 느낀 어려움, 당혹삼, 슬픔, 기쁨, 놀라움에 대한 감정의 은유로 이미지를 사용하고 이 이미지가 담긴 작품이 관객들의 마음 속에서 계속 진화하기를 바라는 작업들을 보여준다. 박연수(Soo Park)는 여러 미디엄을 활용하며 어린 시절의 기억들을 위트있게 표현하며 작가 특유의 장난 꾸러기같은 세계관을 보여준다. 작가가 만들어내는 캐릭터들은 인간 본연의 욕말을 어린 아이의 관점에서 적나라하게 표현하고 있으며 유기적인 스토리텔링을 통해 광객들을 미지의 영역으로 초대한다. Part2: Unbound Playgound의 오프닝 리셉션은 8월 9일 저녁 6시부터 11시까지 진행되며, 8월 11일 일요일 오후 2시 애니쿤(Anikoon), 권용은(Ying Eun Kwon), 김홍빈(Hongbin Kim), 서태경(Taekyung Suh) 작가가 팜여하는 아티스트 토크가 열릴 예정이다. [Source from nyculture press release, provided by sukie] www.nyculturebeat.com KANA 그룹전 2부 'Unbound Playground' @갤러리 장(8/9-8/18) - Lounge - NYCultureBeat KANA x Gallery Chang Summer Exhibition Part II: Unbound Playground August 9 - August 18, 2024 Gallery Chang: 150 West 55th St. New York Opening Reception: Aug 9, 2024 6-11pm Artists: Anikoon, Sun You, Yong Eun Kwon, Taekyung Suh, Hongbin Kim, Soo Park Curated by KANA - Calvin Lee, Lina Hwang 뉴욕한인예술인협회(KANA, Korean Association of New York... Previous Next

Dec 12, 2024 - Jan 18, 2025 Intro Installation Views Artwork Next C1 New York The Essence of Perception Dec 12, 2024 - Jan 18, 2025 Shane Guffogg, Kim Kang Yong, Kim Sea Joong INTRO "The Essence of Perception: Time, Reality, and Light" This exhibition centers on three artists who pose profound philosophical questions, using their art to explore and challenge the nature of human perception and understanding. The themes of time, reality, and light go beyond their visual representations, prompting a deeper reflection on how we experience and interpret the world. Time : Shane Guffogg Shane Guffogg asks, "How can I condense time and space into a single moment?" His works transcend the linear flow of time and space, merging them into a unified moment of infinite potential. Through layered abstraction and a complex interplay of colors and forms, Guffogg invites viewers to experience the simultaneity of eternity within a fleeting instant. His art challenges us to reconsider time not as a rigid construct but as a fluid and expansive dimension. Reality : Kim Kang Yong Kim Kang Yong poses the question, "Is what I see truly real?" Through his brick artworks, he examines the fundamental nature of perception, exploring the tension between visual illusion and physical reality. The bricks, which appear both tangible and ethereal, disrupt our assumptions about the material world. His work compels us to confront the subjectivity of our experiences, questioning the line between what we perceive and what truly exists. Light : Kim Sea Joong Kim Sea Joong inquires, "How can light be embodied on a flat surface?" This exploration extends into space and semi-relief works, where light becomes more than a visual element—it becomes a medium that defines and reshapes spatial experience. Through his innovative approach, Kim Se Joong blurs the boundaries between two-dimensional and three-dimensional forms, offering a transcendent interplay of light and shadow that invites viewers to reconsider the role of light in shaping perception. "The Essence of Perception" is perfectly aligned with the reflective and hopeful spirit of the holiday and New Year season. As the year comes to an end and a new one begins, this exhibition invites visitors to pause and reflect on timeless questions about how we perceive and interpret the world. It is an opportunity to connect with the universal themes of time, reality, and light, while embracing the transformative power of art to reimagine what we see and believe. Through this exhibition, we invite you on a philosophical journey where each work offers not answers but questions—an invitation to engage, reflect, and imagine new possibilities. "The Essence of Perception" reminds us of art’s unique ability to expand our horizons, challenge our assumptions, and illuminate the familiar in extraordinary ways. INSTALLATION VIEWS ARTWORK

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Show Me Your Heart X Kim Young Mi: Annual Gala 2022 KIM YOUNG ME Dec 11, 2022, 11:30 AM-3:00 PM Show Me Your Heart X Kim Young Mi: Annual Gala 2022 Kim Young Mi’s solo exhibition, "Dances of Resistance," continues to evolve with a special feature at the upcoming "Show Me Your Heart" Gala this December 2022. This annual event, organized by the nonprofit organization of the same name, serves as a poignant platform for blending art with philanthropy, and Kim Young Mi's participation highlights her ongoing exploration of human vulnerability and societal introspection. Kim Young Mi’s work is renowned for its intricate deconstruction of the human form and anthropomorphized animals, creating a dialogue that bridges fragmented existence with deeper reflections on societal disillusionment. Her art, celebrated across South Korea, the UK, Europe, China, and the United States, delves into the complexities of human experience, using both distortion and empathy to engage viewers in a profound conversation about the human condition. At the "Show Me Your Heart" Gala, Kim will contribute a live drawing performance, offering a unique and intimate glimpse into her creative process. This live artwork will feature a family of owls, rendered with the same emotional depth and complexity that characterize her broader oeuvre. Through the depiction of these avian figures, Kim seeks to capture the warmth and mutual support inherent in familial relationships—a poignant counterpoint to the existential themes explored in her broader body of work. The live drawing will not only provide a dynamic addition to the gala but also serve as a visual representation of the event’s spirit, celebrating connection and solidarity during the festive season. Kim’s artwork will be part of a live auction, offering attendees a chance to acquire a piece that symbolizes the warmth and interdependence of family bonds, while also supporting the noble cause championed by the "Show Me Your Heart" organization. This event will underscore Kim Young Mi’s commitment to merging artistic exploration with social impact. As her work continues to challenge and inspire, this event exemplifies how art can serve as a powerful medium for fostering community, empathy, and reflection. The gala will provide a meaningful context for Kim’s latest creation, celebrating both the transformative power of art and the enduring importance of human connection. This December, join us in experiencing Kim Young Mi’s compelling live drawing and support the "Show Me Your Heart" Gala, where art meets philanthropy in a celebration of shared humanity and the spirit of giving.

Temporal Textures: The Rhythm of Light and Life Rafael Madaska Jan 5 - Mar 1, 2019 Temporal Textures: The Rhythm of Light and Life The exhibition "Temporal Textures: The Rhythm of Light and Life" invites viewers to immerse themselves in the dynamic interplay of color, texture, and time. Through a stunning collection of abstract artworks, the artist captures the ephemeral beauty of sunrises and sunsets, translating these moments into vibrant canvases that speak to the soul. Each piece is a testament to the ever-changing yet constant rhythms that define our existence, offering a visual symphony of light and shadow, hope and reflection. Drawing inspiration from the natural world's daily cycles, the artist employs a unique combination of rich textures and bold colors to evoke the clean beginnings of dawn and the rugged complexities of life's journey. The tactile quality of the artworks allows viewers to feel the smooth start of a new day and the rough surfaces that mirror the challenges and intricacies of everyday life. This tangible contrast underscores the resilience of the human spirit, which, despite the daily hustle, finds solace and renewal with each sunrise. "Temporal Textures" is not just an exhibition but a profound exploration of life's cyclical nature. It reflects on the universal experiences of struggle and rejuvenation, capturing the essence of how each day presents a new canvas. Through this collection, the artist invites us to contemplate our personal rhythms and the broader, interconnected patterns of existence. The exhibition is a celebration of light, life, and the perpetual dance between them, urging viewers to find beauty and meaning in both the serene and the complex moments of their daily lives.

2024 Synesthetic Reverie HONGBIN KIM NOV 8, 2024- JAN 31,2025 Water Moon Mirror Flower KIM NAM JOO AUG 1- SEP 31 LAYERED ANON MAY 1- MAY 31 Embracing Autumn: Threads of Color ANON OCT 1- NOV 7 Harmony of Colors and Flavors GISELE PARK JUL 1- JUL 31 Happy Lunar New Year: Live Performance by Oh Kwan Jin at missKOREA BBQ OH KWAN JIN JAN 20- JAN 25 Alex Soldier X Gallery Chang NEW YORK FASHION WEEK 2024 SEP 7, 2024 Heart to Heart ANIKOON JUN 1- JUN 31

Paris, 1973 Artist Biography Works Next Miguel Ángel Iglesias Paris, 1973 BIOGRAPHY Miguel Ángel Iglesias is a renowned Spanish painter celebrated for his evocative abstract works that blend vibrant colors, dynamic textures, and an intuitive sense of movement. Born in Catalonia in 1968, Iglesias draws deeply from the landscapes and light of his native Spain, transforming natural and emotional inspirations into dynamic compositions. His formal training at the University of Barcelona laid the foundation for his unique artistic language, merging gestural abstraction with organic forms to explore the interplay between chaos and harmony. Iglesias’ paintings are characterized by bold, sweeping gestures layered with intricate details, resulting in a meditative balance between energy and stillness. Through his masterful use of color and light, his works invite viewers to engage with themes of transformation, emotion, and the natural world. This ability to evoke the universal through the abstract has established him as one of Spain’s most compelling contemporary artists. Throughout his career, Iglesias has presented his work in significant solo exhibitions, including Dialogo entre Paisajes at N2 Gallery in Barcelona, Spain, and a major showcase at Gallery Yeh in Seoul, South Korea. These exhibitions have brought his unique vision to audiences both in Europe and Asia, earning him international acclaim. His participation in prestigious art fairs has further cemented his reputation. He has exhibited at events such as the London Art Fair (2024, 2023, 2020), PAN Amsterdam (2023, 2021), Modern Art Fair in Paris (2023, 2022), KIAF (Korea International Art Fair) in Seoul (2019), and Art Miami (2019). These fairs have connected his works with collectors and audiences across the globe. Iglesias’ paintings are part of esteemed collections, including Colección Testimonis (Fundació La Caixa), Fundación Fran Daurer, Fundación Vila Casas, and Fundación Francisco Godia, further solidifying his place among Spain’s most respected artists. In 2025, Iglesias will showcase a major solo exhibition in New York, marking a significant milestone in his career. This exhibition will feature large-scale works that continue his exploration of light, texture, and the emotional resonance of abstraction. Miguel Ángel Iglesias lives and works in Spain, where he continues to push the boundaries of abstract painting. His works remain a testament to his ability to translate the intangible into powerful visual experiences, inspiring audiences worldwide. WORKS Load More

Sep 9, 2024 Gallery Chang Hosts VIP Afterparty at New York Fashion Week 2024 Gallery Chang Hosts VIP Afterparty at New York Fashion Week In collaboration with Something Sweet Gallery Cafe, Gallery Chang introduced Korean cuisine while hosting a solo exhibition by internationally renowned "brick artist" Kim Kang Yong. On the 7th, Gallery Chang in Manhattan, New York City, successfully held an afterparty for VIPs attending New York Fashion Week, in partnership with Something Sweet Gallery Cafe. The 2024 New York Fashion Week VIP afterparty at Gallery Chang featured over 100 celebrities, models, and figures from the art and fashion industries, including Prince Mario Max (actor and producer), Maria Soldier (CEO of Alex Soldier), Ara Cho (representative of Gallery Chang and Something Sweet Gallery Cafe), and Alex Soldier (founder of Alex Soldier). Hosted by the renowned jewelry brand Alex Soldier, the afterparty took place alongside a solo exhibition by the internationally acclaimed "brick artist" Kim Kang Yong, attracting many prominent figures from the fashion and art worlds. The event, themed around the fusion of art and gastronomy, elevated the party’s prestige by offering VIP guests a luxurious culinary experience through collaboration with Something Sweet Gallery Cafe, a leader in the globalization of Korean desserts. Notably, the combination of black sesame croffles and the cafe's signature drinks delighted attendees, reaffirming the notion that "the most Korean can also be the most global." Ara Cho, representative of Something Sweet Gallery Cafe, stated, “It is highly significant for our art and desserts to be recognized on a global stage like New York Fashion Week, merging fashion, art, and culinary culture. We aim to expand Korean culture sustainably through diverse artistic formats, going beyond mere one-time showcases.” Meanwhile, Gallery Chang's VIP afterparty is expected to raise interest in K-Culture and art on the global stage of New York Fashion Week, allowing various Korean enterprises to continue to expand their unique cultural and aesthetic identities worldwide. 갤러리장, 뉴욕 패션위크 VIP 애프터파티 개최 썸싱스윗 갤러리 카페와 협력해 한국 음식 소개국제적 명성 ‘벽돌 화가’ 김강용 개인전 함께 진행 뉴욕시 맨하튼에 있는 갤러리장은 지난 7일 썸씽스윗 갤러리 카페와의 협업으로 뉴욕 패션위크에 참석한 VIP들을 위한 애프터파티를 성황리에 개최했다. 갤러리장에서 지난 7일 열린 2024 뉴욕 패션 위크 VIP 애프터파티에는 프린스 마리오 막스 (배우 겸 프로듀서. 왼쪽부터), 마리아 솔져(알렉스솔져 대표), 조아라(갤러리장 대표, 썸씽스윗 갤러리카페 대표), 알렉스 솔져 (알렉스솔져 설립자)등 100여명의 셀럽과 모델, 아트와 패션 관계자들이 참석해 성황을 이뤘다. 유명 주얼리 브랜드 알렉스 솔저(Alex Soldier)가 주최한 2024 뉴욕 패션위크 VIP 애프터파티가 지난 7일 뉴욕시 맨해튼 갤러리장(Gallery Chang)에서 성황리에 개최됐다.이번 행사는 국제적으로 명성을 얻고있는 ‘벽돌 화가’ 김강용 작가의 개인전과 함께 진행됐는데, 패션과 예술계의 저명한 인사들이 다수 참석했다.예술과 미식의 융합을 주제로 한 이번 행사는 한국 디저트의 세계화를 선도하고있는 썸씽스윗 갤러리 카페(Something Sweet Gallery Cafe)와 협업을 통해 여러 VIP들에게 한국의 고급스러운 미식 경험을 제공함으로써 파티의 품격을 한층 높였다.특히 흑임자 크로플과 카페만의 시그니처 음료의 조합은 많은 사람들의 입맛을 사로잡으면서, ‘가장 한국적인 것이 가장 글로벌할 수 있다’라는 가능성을 다시 한번 확인시켜준 것으로 평가됐다. 썸씽스윗 갤러리 카페의 조아라 대표는 “뉴욕 패션위크라는 세계적인 무대에서 우리의 예술과 디저트가 패션, 아트, 식문화를 하나로 융합하는 자리의 아이콘 중 하나로 자리잡게 된 것은 매우 의미 있는 일”이라며 “앞으로 단순한 일회성 쇼케이스를 넘어서, 다양한 예술 형식을 융합한 지속 가능한 문화 행사를 통해 뉴욕과 그 외 지역에서 한국의 문화를 지속적으로 확장해 나갈것”이라고 밝혔다. 한편 갤러리장의 VIP 애프터 파티가 2024 뉴욕 패션위크라는 글로벌 무대에서 K-컬처와 예술에 대한 관심을 높이면서, 다양한 분야의 한국 기업들이 독특한 문화와 에쑬적 정체성 확장을 통해 세계적인 영향력을 지속해 갈 것으로 기대된다. [Source from THE KOREA DAILY press release, provided by Jongwon Park] news.koreadaily.com 갤러리장, 뉴욕 패션위크 VIP 애프터파티 개최 유명 주얼리 브랜드 알렉스 솔저(Alex Soldier)가 주최한 2024 뉴욕 패션위크 VIP 애프터파티(VIP After-party)가 지난 7일 뉴욕시 맨해튼 갤러리장(Gal... Previous Next

Korea Artist Biography Works Media Next Suh Tae Kyung Korea BIOGRAPHY EDUCATION 2024 MFA; Columbia University, New York, NY 2018 BFA; the School of Art Institute of Chicago, Chicago, IL SOLO EXHIBITIONS 2022 Bad Paintings Forever, CICA Museum, Gimpo, South Korea 2021 Boogie Nights, Gallery LVS, Seoul, South Korea 2019 Eye Kill You, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL 2017 Vertigo Through the Night, Gallery No One, Chicago, IL GROUP EXHIBITIONS 2024 Visual Arts MFA Thesis, Wallach Gallery, New York, NY 2023 Departure, Thierry Goldberg Gallery, New York, NY In Medias Res, The Blanc, New York, NY Trading Cards, Field of Play Gallery, Brooklyn, NY First Year Show, Wallach Gallery, New York, NY 2019 Fire Alert, R. Mona Gallery, Chicago, IL Nineteenth Annual Benefit, Heaven Gallery, Chicago, IL Got It For Cheap(GIFC), Western Exhibition, Chicago, IL 2018 FLESHCUT: Figure Salon with Nicole Chaput, Z-1 Gallery, Chicago, IL Tk Suh, The Winchester, Chicago, IL July Drawing Exhibition, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL Smile Behind the Mask, Heaven Gallery, Chicago, IL Delicate Cycle, the World’s Largest Laundromat, Berwyn, IL May Exhibition, Korean Cultural Center of Chicago Art Gallery, Wheeling, IL 2017 Crosscurrents (Juried Exhibition), Annenberg Gallery, Philadelphia, PA Fall 2017 BFA Show, Sullivan Gallery, Chicago, IL WORKS MEDIA

United States Artist Biography Works Next Alison Van Pelt United States BIOGRAPHY Alison Van Pelt is an acclaimed contemporary painter known for her evocative, dreamlike portraits that blend elements of abstraction and realism. Born and raised in Los Angeles, Van Pelt studied at prestigious institutions including UCLA, Art Center College of Design, Otis College of Art and Design, and the Florence Academy of Art. Her diverse education and fascination with the human form and art history have shaped her distinctive approach to painting. Van Pelt’s work is characterized by its ethereal quality, achieved through a meticulous process of layering paint and then blurring or obscuring the image. Faces and figures emerge and dissolve across the surface, evoking the passage of time and the ephemeral nature of memory. Her portraits, often referencing iconic figures or personal subjects, invite viewers into a meditative exploration of identity, perception, and transformation. Drawing inspiration from a wide range of artistic traditions, including Renaissance portraiture and contemporary abstraction, Van Pelt’s paintings transcend specific styles or movements. The delicate balance of structure and ambiguity in her work creates a powerful visual and emotional impact, leaving a lasting impression on viewers. Van Pelt has exhibited her work widely in galleries and museums, including the Santa Monica Museum of Art, the Pasadena Museum of California Art, and the Laguna Art Museum. Her paintings are part of esteemed private and public collections, earning her a reputation as a masterful artist whose work resonates deeply with audiences around the world. Living and working in Los Angeles, Van Pelt continues to explore the boundaries of portraiture, creating works that are as much about what is hidden as what is revealed. SOLO EXHIBITIONS Ferrari, Casterline/Goodman Gallery, Art Expo,Chicago, 2024 Women and My Wall, Casterline/Goodman Gallery, Art Basel, Miami, 2023 The Wild, Casterline/Goodman Gallery, Aspen,Colorado, 2022 Alison Van Pelt, The Claudia Taylor Project, Malibu, California, 2020 The Hummingbird, Van Pelt Studios, 2019 The Tree, Van Pelt Studios, 2018 The Elephant, Van Pelt Studios, 2017 Africa, Van Pelt Studios, 2016 All American, Van Pelt Studios, 2015 S’aints, Van Pelt Studios, 2014 The Horse, Ochi Gallery, Sun Valley, ID, 2013 If I Were Ed Ruscha..., Ventura College, Ventura, CA, 2011 All American, Ochi Gallery, Ketchum, ID, December 2010 January 2011 Alison Van Pelt: The Women, The Fresno Art Museum, Fresno, CA June 5-September 15 2006 LA Art House, Alison Van Pelt, 2009 The Women, The Dayton Art Institute, Dayton, OH, January 2004 - June 2004 America: The News, Chac Mool Gallery, Los Angeles, CA 2004 Paintings on Paper, Chac Mool Gallery, Los Angeles, CA 2002 Green , Spike Gallery, New York, NY, 2002 Fight, Ochi, Los Angeles, CA 2000 Flight and the Figure, Ochi, Ketchum, ID 1999 Figures, Gallery 813, Los Angeles, CA 1999 Blue, Gallerie Lauter, Manheim, Germany 1998 Eros, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1998 Motion, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1997 Les Animaux Nouveaux, Gallerie Vedovi, Brussels, Belgium 1997 Blue, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1995 New Paintings, Gallerie Lauter, Manheim, Germany 1995 New Works, Aschenbach Galerie, Amsterdam, Netherlands 1994 Recent Works, Robert Berman Gallery, Bergamot Station, Santa Monica, CA New Paintings, Roger Smith Gallery, New York, NY 1994 New Work, Gallerie Paul Sties, Kronberg, Germany 1993 New Paintings, Robert Berman Gallery, Bergamot Station, Santa Monica, CA 1992 Nouvelles Oeuvres, Ulla Lutz Studio, Basel, Switzerland 1992 La French Collection, Les Andelys, France 1992 Tableaux Nouveaux, Ader Tajan, Paris, France 1992 New Works, B-1 Gallery, Santa Monica, CA 1991 Aschenbach Galerie, Amsterdam, Netherlands, 1990 B1 Gallery, Faces, 1989 Paris Underground, Los Angeles, CA, 1988 EmHouse, Hollywood, 1988 Paris Review, Los Angeles, CA, 1987 The Loft, Downtown Los Angeles, 1986 Color, Spring Street Gallery, Downtown Los Angeles, CA, 1985 GROUP EXHIBITIONS Colombe de la Paix, Keren Hayessod, Paris, France, 2024 The Elephant, Artma, Morgan Adams Foundation, Space Gallery, Denver, Colorado, 2023 Art Crush, Aspen Art Museum, 2022 The Hummingbird, Lotusland, 2022 Alison Van Pelt at Casterline Goodman Gallery, Art Fair Aspen, 2022 The Circle of Truth, Susquehanna Art Museum, Harrisburg, PA, 2021 Hummingbird, The Shay, Culver City, 2021 The Circle of Truth, Orange County Center for Contemporary Art, OCCCA, Orange County, CA, 2020 The Circle of Truth, Winslow Arizona Art Museum, Winslow, Arizona, 2020 The Circle of Truth, Museum of Art and History, MOAH, Lancaster, CA, 2019 The Circle of Truth, NUMU, The New Museum, Los Gatos, California, 2019 Pop Culture, Frederick R. Weisman Art Foundation, Donald H Silverman Gallery Fine Arts Gallery, Cal State LA, CA, 2019 POP! 50 Years of Art & Popular Culture from The Frederick R. Weisman Museum of Art at Pepperdine University, Malibu, CA, 2018 Art for Art’s Sake, The Carnegie Art Museum, Oxnard, CA, 2017 Light in the Dark, Sears Peyton Gallery, New York, NY, 2017 Made in California, Selections from the Frederick R. Weisman Art Foundation, Mana Contemporary, Jersey City, NJ, 2014 Art for Art’s Sake, Selections from the Frederick R. Weisman Art Foundation, Marjorie Barrick Museum, University of Nevada, Las Vegas, NV, 2014 New Work, Sears Peyton Gallery, New York, NY, 2014 Pop Culture, Boca Museum of Art, Boca Raton, FL, 2014 Under The Influence Finance - Fashion, Carnegie Art Museum, Oxnard, CA, 2013 Art for Art’s Sake, The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu,CA, 2013 California Art, Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, CA, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, Fort Collins Museum, Fort Collins, CO, 2011 Fuck Pretty, Robert Berman Gallery, Bergamot Station, Santa Monica, CA, 2011 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 Elements of Nature: Selections from the Frederick R. Weisman Art Foundation Contemporary Art Center, New Orleans - 2010 Under the Influence of Fashion and Finance, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2010 Sears-Peyton Gallery, New York, NY, 2010 Art and Illusion, Selections from the Frederick R. Weismann Art Foundation, Susquehana Art Museum, Harrisburg, PA, 2009 Homage to the Artists, Ochi Gallery, Ketchum, ID - 2009 Incognito, Santa Monica Museum of Art, Santa Monica, CA - 2008 LA Art House, Beverly Hills, CA- 2009 California Art, Platt/Bornstein Museum, Los Angeles, CA, 2008 Selections from the Frederick R. Weisman Art Foundation, American Jewish Museum, Bel Air, CA, 2007 Beverly Hills Municipal Gallery, Beverly Hills, CA - 2006 Small Wonders II, Pharmaka Gallery, Los Angeles, CA - 2006 Portraits, curated by Shane Guffogg, Pharmaka Gallery, Los Angeles, CA 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2005 The Dayton Art Institute, Dayton, OH - 2005 Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA - 2004 New Orleans Museum of Art, New Orleans, LA - 2004 Spike Gallery, New York, NY - 2004 California State University at Bakersfield, Bakersfield, CA - 2003 Spike Gallery, New York, NY - 2003 Las Vegas Art Museum, Las Vegas, NV - 2002 Ah Allen, New York, NY - 1998 Track 16, Santa Monica, CA - 1996 Ports of Entry, William Burroughs, A Retrospective, Los Angeles County Museum of Art, Los Angeles, CA, 1996 New American Paintings, Emerging Artists, Open Studios, Needham, Mass, 1996 Robert Berman Gallery, Santa Monica, CA - 1994 Ader Tajan, Paris, France - May 1992 Robert Berman Gallery, Santa Monica, CA - 1992 Ader Tajan, Paris France, 1989 New Work, Brentwood Art Center, 1988 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 PUBLICATIONS Colombe de la Paix, cover art , etc. Keren Hayessod, Ville Lumière, Paris, France, 2024 Alison Van Pelt Paintings, Favorite Things, Bal Harbour Magazine, 2024 Aspen Times, Alison Van Pelt’s Paintings Inspire, 2022 Portia DeRossi and Alison Van Pelt, The Ellen Show, 2022 Shoutout LA, Met Alison Van Pelt, April 2022 Conversations with Alison Van Pelt, Voyage Magazine, 2022 Behind The Design, Studio Collective on The Shay, SHLTR Magazine, 2022 Hotel FigueroaArt Program Honors its Feminist Roots, LA Weekly, 2022 What to See During Art Crush at Aspen Art Museum, Cultured Magazine, 2022 Architectural Digest, Inside the Home of Mark Hoppus, November 2021 Architectural Digest, A Malibu Home Far From the Coast, September 2021 The Argonaut, Finding The Light, The Paintings of Alison Van Pelt, March, 2021 Alison Van Pelt in Her Studio, Behind the Scenes, General Public, Source Book, 2021 Venice Vibes, Modern Luxury Interiors, 2021 Greatness Adjacent, Alison Van Pelt: The Magic Blur, 2020 LA Magazine, Inside the New Hotel Figueroa, LA Culture Comes to Life, 2020 Women Painters of The West, Where Women Made History, The National Trust for Historic Preservation, 2020 Haute Living, The Historic Female Centric Hotel Figueroa, 2020 Women’s Day, Remarkable Women in History, 2020 Gio Journal, Ladies First, 2020 Van Pelt’s Signature Dreamy Blurred Brushstrokes, The New Face of The Hotel Figueroa, Design LA, LA Times, 2018 Artful Amphora, Women Around Town, 2019 Digs, Hotel Figueroa gets a Renaissance in DTLA, 2019 Hotels That Tell Women’s Stories, Worth Magazine, 2019 Entrepreneur Magazine, Built and Financed by Women, 100 Year Old Hotel Stays Relevant, 2019 The DailyBeast, Inside DTLA’s Iconic Feminist Hotel Makeover, 2019 Alison Van Pelt, Portraits Come to Life, 2019 Mr & Mrs Smith, Hotel Figueroa Revitalized Heritage Beauty, 2019 LA List, Hotel Figueroa , Hipster Hangout, 2019 Hemisphere Magazine, This Hotel is a Canvas for Feminist Art, 2018 We Like LA, LA Hotel Undergoes Incredible Restorations, 2018 Live fast Magazine, Time Travel: The Badass Feminist History of DTLA’s Hotel Figueroa, 2018 Beyond Beverly Hills, Houston City Books, 2018 Steffie Nelson, The New Face of the Hotel Figuergoa, 2018 LA Times, Subtle Hotel Figueroa’s Redesign a Tribute to Women, 2018 Dwell, Hotel Figueroa Reconnects with its Feminist Roots via Vibrant Art Filled Renovation, 2018 Sunset Magazine, LA’s Hottest Hotel Makeover, 2018 Inside the new Hotel Figueroa, LA Culture Comes to Life, LA Magazine, 2018 Hotel Figueroa Honors Women as Legacy of its Past, LA Times, 301 C Magazine, Style and Culture, The Outnet Lunch at Chateau Marmont, 2017 Hotel News, Hotel Figueroa Reopens, 2016, 90265, Malibu Life and Style, issue 8, Alison Van Pelt: Body of Work, Cover and 11 full page color reproductions, 2014 Alison Van Pelt, The Jealous Curator, 2014 Heart Like a Hammer, Michael Xavier, Confluence Press, 2014 Interior Design, Let There Be Light, 3 full page color reproductions, 2014 Alison Van Pelt, The Insider, L A Times, 2013 AVP Paints, 944 Magazine, 2013 Jeff Gordon, Ingrid Vandebosch, works by Alison Van Pelt and Matisse, Chicago Tribune, 2013 At Home With Jeff Gordon: The Superstar Driver Is (Finally) Shifting Gears, Forbes Magazine, 2013 Architectural Digest, 5 full page color reproductions, October, 2012 C Magazine, October, 2012 Creating the New Century, Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton, OH, 2011 W Magazine, At Home with Brad Pitt, 2 full page color reproductions, 2011 Veranda Magazine, full page color reproduction, 2011 All American, The Paintings of Alison Van Pelt, Van Pelt Studios, 2010 USC Press, Alison Van Pelt Paints, 2010 Circle of Truth, Pharmaka Press, 2009 NY Times, T Magazine, The Insider, Alison Van Pelt, 2008 House and Garden, 2 full page color reproductions, 2007 Mariel Hemingway, Healthy Living from the Inside Out, Create Your Sacred Space, full page color reproduction, 2007 Paul Ruscha’s FULL MOON, Steidl Publishers, Göttingen, 2006 Elle Decoration, Juillet, 2006 Art Museum Preview Magazine, Cover and 3 full page color reproductions, 2006 The Eclectic Eye; Selections from the Frederick R Weisman Art Foundation, Published by the Frederick R. Weisman Philanthropic Foundation, Los Angeles, CA, copyright 2004. Full page, four color reproduction, page 177, with text page 176. 2005 Los Angeles Contemporary Exhibitions, 26th Annual Exhibition, 2005, full color illustration page 12. 2005 Komanecky, Michael & Van Pelt, Alison. Alison Van Pelt The Women The DaytonArt Institute, Dayton, Ohio 2004 Yalkut, Jud. A Tribute to Some of the Greatest Female Artists of the 20th Century, A & C Visuals Dayton City Paper Weekly News & Culture, Cover and 4 full pages, 2004 Alison Van Pelt, Painting the Women Who Paint, Resource Magazine, 2004 Dayton Daily News, About Face, Arts and Entertainment, March 14, 2004 Contemporary Art in New York, Art Critical, David Cohen, editor. 2004 Lassell, Michael. Sand Box, Metropolitan Home, March/April 2003 Art in America, Mar, 2003 Flash Art. Vol XXXIV, 223, 2002 Reginato, James. W at Home House of Brad, W, October 2001 Sobieszek, Robert, A. Fight. Rusconi Publishing, Los Angeles, California 2000 Stunning Painting, Art Scene, January 2000 Paintings, Arts and Entertainment, January 2000 Ochi Exhibition, Wood River Journal, January 2000 The Universal Language, dART INTERNATIONAL, Winter 1999 Artist Profile, Cosmopolitan, August 1999 Wiener, Nicole. The Gadget Versus the Soul, Exhibition of the Human Form, FORM, June 1999 The Argonaut, What’s On, Collins, Linda, May 1999 Art Connoisseur, 6 full page reproductions, 1999 d’Art International, Winter, 1999 Flight and the Figure: the Paintings of Alison Van Pelt, Rusconi Publishing, Los Angeles, 1999 Scheer, Robert. Los Angeles Times, November 15, 1998 Scheer, Robert. Los Angeles Times, August 14, 1998 Campbell, Clayton. Alison Van Pelt, Ouverture, July 1998 Neusch, Walter. Geheimnisvoll, ArtHaus, June 1998 Star Artist, Los Angeles Magazine, May 1998 Pop, Catalogue, Museum of Contemporary Art Los Angeles 1998 Condo, Anna and Jerryl Oristaglio. Ah Allen, A Tribute to Allen Ginsberg, Grenfell Press, New York 1998 Blue Paintings, ArtCONNOISSEUR, Volume 1, Number 1 1998 Plattner, Anuschka. Ausstellung, Deutsche Word, February 1998 Man Ray in Hollywood, dART INTERNATIONAL, January 1998 Melrod, George. Femme Noir, World Art, No. 12 1997 Zappa, Moon. Earth to Moon, RAYGUN, November 1997 Ports of Entry, Exhibition Catalogue Cover, Los Angeles County Museum of Los Angeles County Museum of Art reproduction and text, pp. 154–158. 1996 Art in America, November, 1996 Joselit, David. Burroughs Virology, Art in America, November. 1996 Garnier, Philippe. Burroughs, La Liberation, August 26, 1996 Art Auction, Catalogue, Museum of Contemporary Art Los Angeles. 1996 Scheer, Robert. Los Angeles Times, January 10. 1996 New American Paintings, Number VI, Open Studios Press, 1996 Melrod, George. Openings, Art & Antiques, September 14, 1995 Finch, Liz. Whats on Art, The Argonaut, September 14, 1995 Scheer, Robert. Los Angeles Times, March, 1995 Marx, Heike. Das Blaue, Stop, July 1995 Madigan, Nick. Illusion or Reality? Santa Monica Outlook, August 19, 1994. Reviews, ArtScene, October 1992 Ader Tajan, Art Contemporain, 1992 WORKS Load More